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Classical concerts featuring
Aebh Kelly

Overview

Quick overview of musician Aebh Kelly by associated keywords

CitiesFrequently performs in

Hamburg
Germany
Hamburg
71

ProgramFrequently performs

Works by
Iris Ter Schiphorst
14
Richard Strauss
Works by
Richard Strauss
14
Works by
Engelbert Humperdinck
10
Giacomo Puccini
Works by
Giacomo Puccini
9
Works by
Gaetano Donizetti
7
Giuseppe Verdi
Works by
Giuseppe Verdi
7
Works by
Clemens K. Thomas
6
Richard Wagner
Works by
Richard Wagner
4

MusiciansFrequently collaborate with

orchestra
Philharmonisches Staatsorchester Hamburg
51
Musician
Carlo Silvester Duer
42
Musician
Katja Pieweck
38
Musician
Ida Aldrian
36
Musician
Marie Maidowski
36

New Arrivals

These concerts featuring Aebh Kelly became visible lately at Concert Pulse.

Artistic depiction of the event
This season
In Hamburg

Die Gänsemagd

Sun, Sep 28, 2025, 11:00
opera stabile (Hamburg)
Claudia Chan (Musical Director), Ida Aldrian (Prinzessin), Katja Pieweck (Ihre Mutter), Katja Pieweck (Die Königin), Hellen Kwon (Kammerjungfrau), Tigran Martirossian (König), Peter Galliard (Schlächter), Aebh Kelly (Der Gänsehüter), Aebh Kelly (Kürdchen), Carlo Silvester Duer (Falada), Carlo Silvester Duer (Das Pferd), Carlo Silvester Duer (Prinz), Musiker:innen des Philharmonischen Staatsorchesters Hamburg (Orchestra)
Iris ter Schiphorst's opera for children was premiered in Vienna in 2010. Together with her librettist Helga Utz, the Hamburg-born composer created a touching and captivatingly imaginative work of music theater from the Grimm fairy tale. A princess, accompanied by her maid, sets off from the protection of her parental home to meet her bridegroom. Despite a difficult journey and numerous obstacles, everything turns out well in the end and she is able to marry her prince. Tobias Kratzer is staging Die Gänsemagd as part of the opening of the opera stabile's artistic direction and season one day after Das Paradies und die Peri, the opening production on the main stage. Musical theater for the youngest generations is not a niche product for him, but a top priority. Here, young audiences experience it at close quarters: As a flock of geese, the children become part of the action, immersing themselves in the story together with the musicians and ensemble singers - opera as a lively, accessible art form full of enchanting melodies that shows how valuable resilience, self-confidence and trust in others are on the journey through life. Musical direction: Claudia Chan Production: Tobias Kratzer Co-director: Matthias Piro Stage and costumes: Rainer Sellmaier Dramaturgy: Michelle Stoop Opera for children (2009) Libretto: Helga Utz based on the fairy tale of the same name by the Brothers Grimm
Info & Ticket (www.staatsorchester-hamburg.de)
Artistic depiction of the event
This season
In Hamburg

Die Gänsemagd

Sun, Sep 28, 2025, 15:00
opera stabile (Hamburg)
Claudia Chan (Musical Director), Ida Aldrian (Prinzessin), Katja Pieweck (Ihre Mutter), Katja Pieweck (Die Königin), Hellen Kwon (Kammerjungfrau), Tigran Martirossian (König), Peter Galliard (Schlächter), Aebh Kelly (Der Gänsehüter), Aebh Kelly (Kürdchen), Carlo Silvester Duer (Falada), Carlo Silvester Duer (Das Pferd), Carlo Silvester Duer (Prinz), Musiker:innen des Philharmonischen Staatsorchesters Hamburg (Orchestra)
Iris ter Schiphorst's opera for children was premiered in Vienna in 2010. Together with her librettist Helga Utz, the Hamburg-born composer created a touching and captivatingly imaginative work of music theater from the Grimm fairy tale. A princess, accompanied by her maid, sets off from the protection of her parental home to meet her bridegroom. Despite a difficult journey and numerous obstacles, everything turns out well in the end and she is able to marry her prince. Tobias Kratzer is staging Die Gänsemagd as part of the opening of the opera stabile's artistic direction and season one day after Das Paradies und die Peri, the opening production on the main stage. Musical theater for the youngest generations is not a niche product for him, but a top priority. Here, young audiences experience it at close quarters: As a flock of geese, the children become part of the action, immersing themselves in the story together with the musicians and ensemble singers - opera as a lively, accessible art form full of enchanting melodies that shows how valuable resilience, self-confidence and trust in others are on the journey through life. Musical direction: Claudia Chan Production: Tobias Kratzer Co-director: Matthias Piro Stage and costumes: Rainer Sellmaier Dramaturgy: Michelle Stoop Opera for children (2009) Libretto: Helga Utz based on the fairy tale of the same name by the Brothers Grimm
Info & Ticket (www.staatsorchester-hamburg.de)
Artistic depiction of the event
This season
In Hamburg

Die Gänsemagd

Tue, Sep 30, 2025, 16:00
opera stabile (Hamburg)
Claudia Chan (Musical Director), Ida Aldrian (Prinzessin), Katja Pieweck (Ihre Mutter), Katja Pieweck (Die Königin), Hellen Kwon (Kammerjungfrau), Tigran Martirossian (König), Peter Galliard (Schlächter), Aebh Kelly (Der Gänsehüter), Aebh Kelly (Kürdchen), Carlo Silvester Duer (Falada), Carlo Silvester Duer (Das Pferd), Carlo Silvester Duer (Prinz), Musiker:innen des Philharmonischen Staatsorchesters Hamburg (Orchestra)
Iris ter Schiphorst's opera for children was premiered in Vienna in 2010. Together with her librettist Helga Utz, the Hamburg-born composer created a touching and captivatingly imaginative work of music theater from the Grimm fairy tale. A princess, accompanied by her maid, sets off from the protection of her parental home to meet her bridegroom. Despite a difficult journey and numerous obstacles, everything turns out well in the end and she is able to marry her prince. Tobias Kratzer is staging Die Gänsemagd as part of the opening of the opera stabile's artistic direction and season one day after Das Paradies und die Peri, the opening production on the main stage. Musical theater for the youngest generations is not a niche product for him, but a top priority. Here, young audiences experience it at close quarters: As a flock of geese, the children become part of the action, immersing themselves in the story together with the musicians and ensemble singers - opera as a lively, accessible art form full of enchanting melodies that shows how valuable resilience, self-confidence and trust in others are on the journey through life. Musical direction: Claudia Chan Production: Tobias Kratzer Co-director: Matthias Piro Stage and costumes: Rainer Sellmaier Dramaturgy: Michelle Stoop Opera for children (2009) Libretto: Helga Utz based on the fairy tale of the same name by the Brothers Grimm
Info & Ticket (www.staatsorchester-hamburg.de)

Upcoming Concerts

Concerts featuring Aebh Kelly in season 2024/25 or later

Artistic depiction of the event
Next week
In Hamburg

Maria Stuarda

Sun, Mar 16, 2025, 18:00
Hamburgische Staatsoper, Großes Haus (Hamburg)
Karin Beier (Inszenierung), Antonino Fogliani (Musical Director), Amber Vandenhoeck (Bühnenbild), Eva Dessecker (Costume), Annette ter Meulen (Licht), Severin Renke (Video), Rita Thiele (Dramaturgie), Eberhard Friedrich (Chorleitung), Barno Ismatullaeva (Elisabetta), Ermonela Jaho (Maria Stuarda), Aebh Kelly (Anna), Long Long (Roberto), Alexander Roslavets (Talbot), Gezim Myshketa (Cecil), Katja Danowski (Double Elisabetta), Sandra Gerling (Double Maria Stuarda), Chor der Hamburgischen Staatsoper (Chorus), Philharmonisches Staatsorchester Hamburg (Orchestra)
Maria and Elisabetta: two queens fight for power and love. Between them stands Count Leicester, Elisabetta's lover, who is attracted to Maria. The two women meet in the park of Fotheringhay Castle - a duel of emotions, fought with the weapons of bel canto, coloratura on a knife's edge. In the end, the Catholic Maria will ascend the scaffold with her head held high, while the Protestant Elisabetta will keep her throne but lose her love. Musical Direction: Antonino Fogliani Production: Karin Beier Stage: Amber Vandenhoeck Costumes: Eva Dessecker Lighting: Annette ter Meulen Lighting Dramaturgy: Rita Thiele
Info & Ticket (www.staatsorchester-hamburg.de)
Artistic depiction of the event
Next week
In Hamburg

Maria Stuarda

Wed, Mar 19, 2025, 19:00
Hamburgische Staatsoper, Großes Haus (Hamburg)
Karin Beier (Inszenierung), Antonino Fogliani (Musical Director), Amber Vandenhoeck (Bühnenbild), Eva Dessecker (Costume), Annette ter Meulen (Licht), Severin Renke (Video), Rita Thiele (Dramaturgie), Eberhard Friedrich (Chorleitung), Barno Ismatullaeva (Elisabetta), Ermonela Jaho (Maria Stuarda), Aebh Kelly (Anna), Long Long (Roberto), Alexander Roslavets (Talbot), Gezim Myshketa (Cecil), Katja Danowski (Double Elisabetta), Sandra Gerling (Double Maria Stuarda), Chor der Hamburgischen Staatsoper (Chorus), Philharmonisches Staatsorchester Hamburg (Orchestra)
Maria and Elisabetta: two queens fight for power and love. Between them stands Count Leicester, Elisabetta's lover, who is attracted to Maria. The two women meet in the park of Fotheringhay Castle - a duel of emotions, fought with the weapons of bel canto, coloratura on a knife's edge. In the end, the Catholic Maria will ascend the scaffold with her head held high, while the Protestant Elisabetta will keep her throne but lose her love. Musical Direction: Antonino Fogliani Production: Karin Beier Stage: Amber Vandenhoeck Costumes: Eva Dessecker Lighting: Annette ter Meulen Lighting Dramaturgy: Rita Thiele
Info & Ticket (www.staatsorchester-hamburg.de)
Artistic depiction of the event
Next week
In Hamburg

La Fanciulla del West (The Girl of the West)

Fri, Mar 21, 2025, 19:30
Hamburgische Staatsoper, Großes Haus (Hamburg)
Paolo Carignani (Musical Director), Christian Günther (Chorleitung), Anna Pirozzi (Minnie), Claudio Sgura (Jack Rance), Gregory Kunde (Dick Johnson), Andrew Dickinson (Nick), Han Kim (Ashby), Tigran Martirossian (Sonora), Paul Kaufmann (Trin), Nicholas Mogg (Sid), Charles Rice (Bello), Mziwamadoda Sipho Nodlayiya (Harry), Ziad Nehme (Joe), William Desbiens (Happy), Grzegorz Pelutis (Larkens), Mateusz Ługowski (Billy Jackrabbit), Aebh Kelly (Wowkle), David Minseok Kang (Jake Wallace), Keith Klein (Josè Castro), Philharmonisches Staatsorchester Hamburg (Orchestra), Chor der Hamburgischen Staatsoper (Chorus)
California in 1850: hundreds of thousands have fallen for the gold rush – and some of them also for the barkeeper Minnie, at whose saloon various fortune seekers meet every evening. Among them is Sheriff Jack Rance. Minnie, however, falls in love with the stranger Dick Johnson. It soon turns out that Johnson is a wanted robber: the sheriff wants to see him hang and have Minnie to himself. A round of poker is to decide about Dick’s life: is there yet another trump up Minnie’s sleeve? Puccini certainly held a trump with his Fanciulla, and even considered the piece his best: after world hits such as La Bohème and Madama Butterfly he had reinvented himself with this “spaghetti western”. In La Fanciulla del West, he combined ragtime rhythms, allusions to gospel singing and the music of the native Americans with Italian melodiousness, resulting in a lushly orchestrated broadband sound. This did not fail to affect the audience at the first performance at New York’s Metropolitan Opera in 1910. And yet, compared to Puccini’s major hits, the piece languished in the shadows for a long time – until the musical gold diggers set out to reclaim it… Director: Vincent Boussard Set Designer: Vincent Lemaire Costume Designer: Christian Lacroix Lighting Designer: Guido Levi Premiere: 01.02.2015
Info & Ticket (www.staatsorchester-hamburg.de)
Artistic depiction of the event
Next week
In Hamburg

Maria Stuarda

Sat, Mar 22, 2025, 19:00
Hamburgische Staatsoper, Großes Haus (Hamburg)
Karin Beier (Inszenierung), Antonino Fogliani (Musical Director), Amber Vandenhoeck (Bühnenbild), Eva Dessecker (Costume), Annette ter Meulen (Licht), Severin Renke (Video), Rita Thiele (Dramaturgie), Eberhard Friedrich (Chorleitung), Barno Ismatullaeva (Elisabetta), Ermonela Jaho (Maria Stuarda), Aebh Kelly (Anna), Long Long (Roberto), Alexander Roslavets (Talbot), Gezim Myshketa (Cecil), Katja Danowski (Double Elisabetta), Sandra Gerling (Double Maria Stuarda), Chor der Hamburgischen Staatsoper (Chorus), Philharmonisches Staatsorchester Hamburg (Orchestra)
Maria and Elisabetta: two queens fight for power and love. Between them stands Count Leicester, Elisabetta's lover, who is attracted to Maria. The two women meet in the park of Fotheringhay Castle - a duel of emotions, fought with the weapons of bel canto, coloratura on a knife's edge. In the end, the Catholic Maria will ascend the scaffold with her head held high, while the Protestant Elisabetta will keep her throne but lose her love. Musical Direction: Antonino Fogliani Production: Karin Beier Stage: Amber Vandenhoeck Costumes: Eva Dessecker Lighting: Annette ter Meulen Lighting Dramaturgy: Rita Thiele
Info & Ticket (www.staatsorchester-hamburg.de)
Artistic depiction of the event
This month
In Hamburg

Maria Stuarda

Tue, Mar 25, 2025, 19:00
Hamburgische Staatsoper, Großes Haus (Hamburg)
Karin Beier (Inszenierung), Antonino Fogliani (Musical Director), Amber Vandenhoeck (Bühnenbild), Eva Dessecker (Costume), Annette ter Meulen (Licht), Severin Renke (Video), Rita Thiele (Dramaturgie), Eberhard Friedrich (Chorleitung), Barno Ismatullaeva (Elisabetta), Ermonela Jaho (Maria Stuarda), Aebh Kelly (Anna), Long Long (Roberto), Alexander Roslavets (Talbot), Gezim Myshketa (Cecil), Katja Danowski (Double Elisabetta), Sandra Gerling (Double Maria Stuarda), Chor der Hamburgischen Staatsoper (Chorus), Philharmonisches Staatsorchester Hamburg (Orchestra)
Maria and Elisabetta: two queens fight for power and love. Between them stands Count Leicester, Elisabetta's lover, who is attracted to Maria. The two women meet in the park of Fotheringhay Castle - a duel of emotions, fought with the weapons of bel canto, coloratura on a knife's edge. In the end, the Catholic Maria will ascend the scaffold with her head held high, while the Protestant Elisabetta will keep her throne but lose her love. Musical Direction: Antonino Fogliani Production: Karin Beier Stage: Amber Vandenhoeck Costumes: Eva Dessecker Lighting: Annette ter Meulen Lighting Dramaturgy: Rita Thiele
Info & Ticket (www.staatsorchester-hamburg.de)
Artistic depiction of the event
This month
In Hamburg

La Fanciulla del West (The Girl of the West)

Wed, Mar 26, 2025, 19:30
Hamburgische Staatsoper, Großes Haus (Hamburg)
Paolo Carignani (Musical Director), Christian Günther (Chorleitung), Anna Pirozzi (Minnie), Claudio Sgura (Jack Rance), Gregory Kunde (Dick Johnson), Andrew Dickinson (Nick), Han Kim (Ashby), Tigran Martirossian (Sonora), Paul Kaufmann (Trin), Nicholas Mogg (Sid), Charles Rice (Bello), Mziwamadoda Sipho Nodlayiya (Harry), Ziad Nehme (Joe), William Desbiens (Happy), Grzegorz Pelutis (Larkens), Mateusz Ługowski (Billy Jackrabbit), Aebh Kelly (Wowkle), David Minseok Kang (Jake Wallace), Keith Klein (Josè Castro), Philharmonisches Staatsorchester Hamburg (Orchestra), Chor der Hamburgischen Staatsoper (Chorus)
California in 1850: hundreds of thousands have fallen for the gold rush – and some of them also for the barkeeper Minnie, at whose saloon various fortune seekers meet every evening. Among them is Sheriff Jack Rance. Minnie, however, falls in love with the stranger Dick Johnson. It soon turns out that Johnson is a wanted robber: the sheriff wants to see him hang and have Minnie to himself. A round of poker is to decide about Dick’s life: is there yet another trump up Minnie’s sleeve? Puccini certainly held a trump with his Fanciulla, and even considered the piece his best: after world hits such as La Bohème and Madama Butterfly he had reinvented himself with this “spaghetti western”. In La Fanciulla del West, he combined ragtime rhythms, allusions to gospel singing and the music of the native Americans with Italian melodiousness, resulting in a lushly orchestrated broadband sound. This did not fail to affect the audience at the first performance at New York’s Metropolitan Opera in 1910. And yet, compared to Puccini’s major hits, the piece languished in the shadows for a long time – until the musical gold diggers set out to reclaim it… Director: Vincent Boussard Set Designer: Vincent Lemaire Costume Designer: Christian Lacroix Lighting Designer: Guido Levi Premiere: 01.02.2015
Info & Ticket (www.staatsorchester-hamburg.de)
Artistic depiction of the event
This month
In Hamburg

Maria Stuarda

Fri, Mar 28, 2025, 19:00
Hamburgische Staatsoper, Großes Haus (Hamburg)
Karin Beier (Inszenierung), Antonino Fogliani (Musical Director), Amber Vandenhoeck (Bühnenbild), Eva Dessecker (Costume), Annette ter Meulen (Licht), Severin Renke (Video), Rita Thiele (Dramaturgie), Eberhard Friedrich (Chorleitung), Barno Ismatullaeva (Elisabetta), Ermonela Jaho (Maria Stuarda), Aebh Kelly (Anna), Long Long (Roberto), Alexander Roslavets (Talbot), Gezim Myshketa (Cecil), Katja Danowski (Double Elisabetta), Sandra Gerling (Double Maria Stuarda), Chor der Hamburgischen Staatsoper (Chorus), Philharmonisches Staatsorchester Hamburg (Orchestra)
Maria and Elisabetta: two queens fight for power and love. Between them stands Count Leicester, Elisabetta's lover, who is attracted to Maria. The two women meet in the park of Fotheringhay Castle - a duel of emotions, fought with the weapons of bel canto, coloratura on a knife's edge. In the end, the Catholic Maria will ascend the scaffold with her head held high, while the Protestant Elisabetta will keep her throne but lose her love. Musical Direction: Antonino Fogliani Production: Karin Beier Stage: Amber Vandenhoeck Costumes: Eva Dessecker Lighting: Annette ter Meulen Lighting Dramaturgy: Rita Thiele
Info & Ticket (www.staatsorchester-hamburg.de)
Artistic depiction of the event
This month
In Hamburg

La Fanciulla del West (The Girl of the West)

Sat, Mar 29, 2025, 19:30
Hamburgische Staatsoper, Großes Haus (Hamburg)
Paolo Carignani (Musical Director), Christian Günther (Chorleitung), Anna Pirozzi (Minnie), Claudio Sgura (Jack Rance), Gregory Kunde (Dick Johnson), Andrew Dickinson (Nick), Han Kim (Ashby), Tigran Martirossian (Sonora), Paul Kaufmann (Trin), Nicholas Mogg (Sid), Charles Rice (Bello), Mziwamadoda Sipho Nodlayiya (Harry), Ziad Nehme (Joe), William Desbiens (Happy), Grzegorz Pelutis (Larkens), Mateusz Ługowski (Billy Jackrabbit), Aebh Kelly (Wowkle), David Minseok Kang (Jake Wallace), Keith Klein (Josè Castro), Philharmonisches Staatsorchester Hamburg (Orchestra), Chor der Hamburgischen Staatsoper (Chorus)
California in 1850: hundreds of thousands have fallen for the gold rush – and some of them also for the barkeeper Minnie, at whose saloon various fortune seekers meet every evening. Among them is Sheriff Jack Rance. Minnie, however, falls in love with the stranger Dick Johnson. It soon turns out that Johnson is a wanted robber: the sheriff wants to see him hang and have Minnie to himself. A round of poker is to decide about Dick’s life: is there yet another trump up Minnie’s sleeve? Puccini certainly held a trump with his Fanciulla, and even considered the piece his best: after world hits such as La Bohème and Madama Butterfly he had reinvented himself with this “spaghetti western”. In La Fanciulla del West, he combined ragtime rhythms, allusions to gospel singing and the music of the native Americans with Italian melodiousness, resulting in a lushly orchestrated broadband sound. This did not fail to affect the audience at the first performance at New York’s Metropolitan Opera in 1910. And yet, compared to Puccini’s major hits, the piece languished in the shadows for a long time – until the musical gold diggers set out to reclaim it… Director: Vincent Boussard Set Designer: Vincent Lemaire Costume Designer: Christian Lacroix Lighting Designer: Guido Levi Premiere: 01.02.2015
Info & Ticket (www.staatsorchester-hamburg.de)
Artistic depiction of the event
This month
In Hamburg

Maria Stuarda

Sun, Mar 30, 2025, 17:00
Hamburgische Staatsoper, Großes Haus (Hamburg)
Karin Beier (Inszenierung), Antonino Fogliani (Musical Director), Amber Vandenhoeck (Bühnenbild), Eva Dessecker (Costume), Annette ter Meulen (Licht), Rita Thiele (Dramaturgie), Eberhard Friedrich (Chorleitung), Barno Ismatullaeva (Elisabetta), Ermonela Jaho (Maria Stuarda), Aebh Kelly (Anna), Long Long (Roberto), Alexander Roslavets (Talbot), Gezim Myshketa (Cecil), Katja Danowski (Double Elisabetta), Sandra Gerling (Double Maria Stuarda), Chor der Hamburgischen Staatsoper (Chorus), Philharmonisches Staatsorchester Hamburg (Orchestra)
Maria and Elisabetta: two queens fight for power and love. Between them stands Count Leicester, Elisabetta's lover, who is attracted to Maria. The two women meet in the park of Fotheringhay Castle - a duel of emotions, fought with the weapons of bel canto, coloratura on a knife's edge. In the end, the Catholic Maria will ascend the scaffold with her head held high, while the Protestant Elisabetta will keep her throne but lose her love. Musical Direction: Antonino Fogliani Production: Karin Beier Stage: Amber Vandenhoeck Costumes: Eva Dessecker Lighting: Annette ter Meulen Lighting Dramaturgy: Rita Thiele
Info & Ticket (www.staatsorchester-hamburg.de)
Artistic depiction of the event
Next month
In Hamburg

Maria Stuarda

Wed, Apr 2, 2025, 19:00
Hamburgische Staatsoper, Großes Haus (Hamburg)
Karin Beier (Inszenierung), Antonino Fogliani (Musical Director), Amber Vandenhoeck (Bühnenbild), Eva Dessecker (Costume), Annette ter Meulen (Licht), Severin Renke (Video), Rita Thiele (Dramaturgie), Eberhard Friedrich (Chorleitung), Barno Ismatullaeva (Elisabetta), Ermonela Jaho (Maria Stuarda), Aebh Kelly (Anna), Long Long (Roberto), Alexander Roslavets (Talbot), Gezim Myshketa (Cecil), Katja Danowski (Double Elisabetta), Sandra Gerling (Double Maria Stuarda), Chor der Hamburgischen Staatsoper (Chorus), Philharmonisches Staatsorchester Hamburg (Orchestra)
Maria and Elisabetta: two queens fight for power and love. Between them stands Count Leicester, Elisabetta's lover, who is attracted to Maria. The two women meet in the park of Fotheringhay Castle - a duel of emotions, fought with the weapons of bel canto, coloratura on a knife's edge. In the end, the Catholic Maria will ascend the scaffold with her head held high, while the Protestant Elisabetta will keep her throne but lose her love. Musical Direction: Antonino Fogliani Production: Karin Beier Stage: Amber Vandenhoeck Costumes: Eva Dessecker Lighting: Annette ter Meulen Lighting Dramaturgy: Rita Thiele
Info & Ticket (www.staatsorchester-hamburg.de)
Artistic depiction of the event
Next month
In Hamburg

La Fanciulla del West (The Girl of the West)

Fri, Apr 4, 2025, 19:30
Hamburgische Staatsoper, Großes Haus (Hamburg)
Paolo Carignani (Musical Director), Christian Günther (Chorleitung), Anna Pirozzi (Minnie), Claudio Sgura (Jack Rance), Gregory Kunde (Dick Johnson), Andrew Dickinson (Nick), Han Kim (Ashby), Tigran Martirossian (Sonora), Paul Kaufmann (Trin), Nicholas Mogg (Sid), Charles Rice (Bello), Mziwamadoda Sipho Nodlayiya (Harry), Ziad Nehme (Joe), William Desbiens (Happy), Grzegorz Pelutis (Larkens), Mateusz Ługowski (Billy Jackrabbit), Aebh Kelly (Wowkle), David Minseok Kang (Jake Wallace), Keith Klein (Josè Castro), Philharmonisches Staatsorchester Hamburg (Orchestra), Chor der Hamburgischen Staatsoper (Chorus)
California in 1850: hundreds of thousands have fallen for the gold rush – and some of them also for the barkeeper Minnie, at whose saloon various fortune seekers meet every evening. Among them is Sheriff Jack Rance. Minnie, however, falls in love with the stranger Dick Johnson. It soon turns out that Johnson is a wanted robber: the sheriff wants to see him hang and have Minnie to himself. A round of poker is to decide about Dick’s life: is there yet another trump up Minnie’s sleeve? Puccini certainly held a trump with his Fanciulla, and even considered the piece his best: after world hits such as La Bohème and Madama Butterfly he had reinvented himself with this “spaghetti western”. In La Fanciulla del West, he combined ragtime rhythms, allusions to gospel singing and the music of the native Americans with Italian melodiousness, resulting in a lushly orchestrated broadband sound. This did not fail to affect the audience at the first performance at New York’s Metropolitan Opera in 1910. And yet, compared to Puccini’s major hits, the piece languished in the shadows for a long time – until the musical gold diggers set out to reclaim it… Director: Vincent Boussard Set Designer: Vincent Lemaire Costume Designer: Christian Lacroix Lighting Designer: Guido Levi Premiere: 01.02.2015
Info & Ticket (www.staatsorchester-hamburg.de)
Artistic depiction of the event
Next month
In Hamburg

Parsifal

Fri, Apr 18, 2025, 16:00
Hamburgische Staatsoper, Großes Haus (Hamburg)
Patrick Hahn (Musical Director), Christoph Pohl (Amfortas), Han Kim (Titurel), Kwangchul Youn (Gurnemanz), Benjamin Bruns (Parsifal), Mark Stone (Klingsor), Iréne Theorin (Kundry), Jürgen Sacher (1. Gralsritter), Hubert Kowalczyk (2. Gralsritter), Marie Maidowski (1. Knappe), Aebh Kelly (2. Knappe), Ziad Nehme (3. Knappe), Mziwamadoda Sipho Nodlayiya (4. Knappe), Yeonjoo Katharina Jang (Blumenmädchen I), Yeonjoo Katharina Jang (1), Hongping Ruan (Blumenmädchen 1), Hongping Ruan (2), Ida Aldrian (Blumenmädchen I. 3), Na'ama Shulman (Blumenmädchen II. 1), Gabriele Rossmanith (Blumenmädchen II. 2), Marta Świderska (Blumenmädchen II. 3), Ida Aldrian (Stimme aus der Höhe), Philharmonisches Staatsorchester Hamburg (Orchestra), Chor der Hamburgischen Staatsoper (Chorus)
Achim Freyer's visually powerful realization of Richard Wagner's stage festival play Parsifal is itself a fascinating synthesis of the arts. The director, stage and costume designer shows us a world of colors and symbols that emerge from the spirit of the music. Wagner's farewell to the world revolves around the central idea of compassion, compassion for other people and for nature. The use of Christian symbols mixed with Buddhist and philosophical ideas is to be understood symbolically. Wagner's last score takes us on a journey into the innermost depths of existence and musically points far into the future. Director, Set-, Costume- and Lightdesign: Achim Freyer Artistic Collaboration: Sebastian Bauer Set Design Collaboration: Moritz Nitsche Costume Design Collaboration: Petra Weikert Light Design Collaboration: Sebastian Alphons Video: Jakob Klaffs/Hugo Reis Dramaturgy: Klaus-Peter Kehr Premiere: 16.9.2017
Info & Ticket (www.staatsorchester-hamburg.de)
Artistic depiction of the event
Next month
In Hamburg

Parsifal

Mon, Apr 21, 2025, 15:00
Hamburgische Staatsoper, Großes Haus (Hamburg)
Patrick Hahn (Musical Director), Christoph Pohl (Amfortas), Han Kim (Titurel), Kwangchul Youn (Gurnemanz), Benjamin Bruns (Parsifal), Mark Stone (Klingsor), Iréne Theorin (Kundry), Jürgen Sacher (1. Gralsritter), Hubert Kowalczyk (2. Gralsritter), Marie Maidowski (1. Knappe), Aebh Kelly (2. Knappe), Ziad Nehme (3. Knappe), Mziwamadoda Sipho Nodlayiya (4. Knappe), Yeonjoo Katharina Jang (Blumenmädchen I), Yeonjoo Katharina Jang (1), Hongping Ruan (Blumenmädchen 1), Hongping Ruan (2), Ida Aldrian (Blumenmädchen I. 3), Na'ama Shulman (Blumenmädchen II. 1), Gabriele Rossmanith (Blumenmädchen II. 2), Marta Świderska (Blumenmädchen II. 3), Ida Aldrian (Stimme aus der Höhe), Philharmonisches Staatsorchester Hamburg (Orchestra), Chor der Hamburgischen Staatsoper (Chorus)
Achim Freyer's visually powerful realization of Richard Wagner's stage festival play Parsifal is itself a fascinating synthesis of the arts. The director, stage and costume designer shows us a world of colors and symbols that emerge from the spirit of the music. Wagner's farewell to the world revolves around the central idea of compassion, compassion for other people and for nature. The use of Christian symbols mixed with Buddhist and philosophical ideas is to be understood symbolically. Wagner's last score takes us on a journey into the innermost depths of existence and musically points far into the future. Director, Set-, Costume- and Lightdesign: Achim Freyer Artistic Collaboration: Sebastian Bauer Set Design Collaboration: Moritz Nitsche Costume Design Collaboration: Petra Weikert Light Design Collaboration: Sebastian Alphons Video: Jakob Klaffs/Hugo Reis Dramaturgy: Klaus-Peter Kehr Premiere: 16.9.2017
Info & Ticket (www.staatsorchester-hamburg.de)
Artistic depiction of the event
Next month
In Hamburg

Parsifal

Sun, Apr 27, 2025, 16:00
Hamburgische Staatsoper, Großes Haus (Hamburg)
Patrick Hahn (Musical Director), Christoph Pohl (Amfortas), Han Kim (Titurel), Kwangchul Youn (Gurnemanz), Benjamin Bruns (Parsifal), Mark Stone (Klingsor), Iréne Theorin (Kundry), Jürgen Sacher (1. Gralsritter), Hubert Kowalczyk (2. Gralsritter), Marie Maidowski (1. Knappe), Aebh Kelly (2. Knappe), Ziad Nehme (3. Knappe), Mziwamadoda Sipho Nodlayiya (4. Knappe), Yeonjoo Katharina Jang (Blumenmädchen I), Yeonjoo Katharina Jang (1), Hongping Ruan (Blumenmädchen 1), Hongping Ruan (2), Ida Aldrian (Blumenmädchen I. 3), Na'ama Shulman (Blumenmädchen II. 1), Gabriele Rossmanith (Blumenmädchen II. 2), Marta Świderska (Blumenmädchen II. 3), Ida Aldrian (Stimme aus der Höhe), Philharmonisches Staatsorchester Hamburg (Orchestra), Chor der Hamburgischen Staatsoper (Chorus)
Achim Freyer's visually powerful realization of Richard Wagner's stage festival play Parsifal is itself a fascinating synthesis of the arts. The director, stage and costume designer shows us a world of colors and symbols that emerge from the spirit of the music. Wagner's farewell to the world revolves around the central idea of compassion, compassion for other people and for nature. The use of Christian symbols mixed with Buddhist and philosophical ideas is to be understood symbolically. Wagner's last score takes us on a journey into the innermost depths of existence and musically points far into the future. Director, Set-, Costume- and Lightdesign: Achim Freyer Artistic Collaboration: Sebastian Bauer Set Design Collaboration: Moritz Nitsche Costume Design Collaboration: Petra Weikert Light Design Collaboration: Sebastian Alphons Video: Jakob Klaffs/Hugo Reis Dramaturgy: Klaus-Peter Kehr Premiere: 16.9.2017
Info & Ticket (www.staatsorchester-hamburg.de)
Artistic depiction of the event
This season
In Hamburg

Parsifal

Sun, May 4, 2025, 16:00
Hamburgische Staatsoper, Großes Haus (Hamburg)
Patrick Hahn (Musical Director), Christoph Pohl (Amfortas), Han Kim (Titurel), Kwangchul Youn (Gurnemanz), Benjamin Bruns (Parsifal), Mark Stone (Klingsor), Iréne Theorin (Kundry), Jürgen Sacher (1. Gralsritter), Hubert Kowalczyk (2. Gralsritter), Marie Maidowski (1. Knappe), Aebh Kelly (2. Knappe), Ziad Nehme (3. Knappe), Mziwamadoda Sipho Nodlayiya (4. Knappe), Yeonjoo Katharina Jang (Blumenmädchen I), Yeonjoo Katharina Jang (1), Hongping Ruan (Blumenmädchen 1), Hongping Ruan (2), Ida Aldrian (Blumenmädchen I. 3), Na'ama Shulman (Blumenmädchen II. 1), Gabriele Rossmanith (Blumenmädchen II. 2), Marta Świderska (Blumenmädchen II. 3), Ida Aldrian (Stimme aus der Höhe), Philharmonisches Staatsorchester Hamburg (Orchestra), Chor der Hamburgischen Staatsoper (Chorus)
Achim Freyer's visually powerful realization of Richard Wagner's stage festival play Parsifal is itself a fascinating synthesis of the arts. The director, stage and costume designer shows us a world of colors and symbols that emerge from the spirit of the music. Wagner's farewell to the world revolves around the central idea of compassion, compassion for other people and for nature. The use of Christian symbols mixed with Buddhist and philosophical ideas is to be understood symbolically. Wagner's last score takes us on a journey into the innermost depths of existence and musically points far into the future. Director, Set-, Costume- and Lightdesign: Achim Freyer Artistic Collaboration: Sebastian Bauer Set Design Collaboration: Moritz Nitsche Costume Design Collaboration: Petra Weikert Light Design Collaboration: Sebastian Alphons Video: Jakob Klaffs/Hugo Reis Dramaturgy: Klaus-Peter Kehr Premiere: 16.9.2017
Info & Ticket (www.staatsorchester-hamburg.de)
Artistic depiction of the event
This season
In Hamburg

Die Gänsemagd

Sun, Sep 28, 2025, 11:00
opera stabile (Hamburg)
Claudia Chan (Musical Director), Ida Aldrian (Prinzessin), Katja Pieweck (Ihre Mutter), Katja Pieweck (Die Königin), Hellen Kwon (Kammerjungfrau), Tigran Martirossian (König), Peter Galliard (Schlächter), Aebh Kelly (Der Gänsehüter), Aebh Kelly (Kürdchen), Carlo Silvester Duer (Falada), Carlo Silvester Duer (Das Pferd), Carlo Silvester Duer (Prinz), Musiker:innen des Philharmonischen Staatsorchesters Hamburg (Orchestra)
Iris ter Schiphorst's opera for children was premiered in Vienna in 2010. Together with her librettist Helga Utz, the Hamburg-born composer created a touching and captivatingly imaginative work of music theater from the Grimm fairy tale. A princess, accompanied by her maid, sets off from the protection of her parental home to meet her bridegroom. Despite a difficult journey and numerous obstacles, everything turns out well in the end and she is able to marry her prince. Tobias Kratzer is staging Die Gänsemagd as part of the opening of the opera stabile's artistic direction and season one day after Das Paradies und die Peri, the opening production on the main stage. Musical theater for the youngest generations is not a niche product for him, but a top priority. Here, young audiences experience it at close quarters: As a flock of geese, the children become part of the action, immersing themselves in the story together with the musicians and ensemble singers - opera as a lively, accessible art form full of enchanting melodies that shows how valuable resilience, self-confidence and trust in others are on the journey through life. Musical direction: Claudia Chan Production: Tobias Kratzer Co-director: Matthias Piro Stage and costumes: Rainer Sellmaier Dramaturgy: Michelle Stoop Opera for children (2009) Libretto: Helga Utz based on the fairy tale of the same name by the Brothers Grimm
Info & Ticket (www.staatsorchester-hamburg.de)
Artistic depiction of the event
This season
In Hamburg

Die Gänsemagd

Sun, Sep 28, 2025, 15:00
opera stabile (Hamburg)
Claudia Chan (Musical Director), Ida Aldrian (Prinzessin), Katja Pieweck (Ihre Mutter), Katja Pieweck (Die Königin), Hellen Kwon (Kammerjungfrau), Tigran Martirossian (König), Peter Galliard (Schlächter), Aebh Kelly (Der Gänsehüter), Aebh Kelly (Kürdchen), Carlo Silvester Duer (Falada), Carlo Silvester Duer (Das Pferd), Carlo Silvester Duer (Prinz), Musiker:innen des Philharmonischen Staatsorchesters Hamburg (Orchestra)
Iris ter Schiphorst's opera for children was premiered in Vienna in 2010. Together with her librettist Helga Utz, the Hamburg-born composer created a touching and captivatingly imaginative work of music theater from the Grimm fairy tale. A princess, accompanied by her maid, sets off from the protection of her parental home to meet her bridegroom. Despite a difficult journey and numerous obstacles, everything turns out well in the end and she is able to marry her prince. Tobias Kratzer is staging Die Gänsemagd as part of the opening of the opera stabile's artistic direction and season one day after Das Paradies und die Peri, the opening production on the main stage. Musical theater for the youngest generations is not a niche product for him, but a top priority. Here, young audiences experience it at close quarters: As a flock of geese, the children become part of the action, immersing themselves in the story together with the musicians and ensemble singers - opera as a lively, accessible art form full of enchanting melodies that shows how valuable resilience, self-confidence and trust in others are on the journey through life. Musical direction: Claudia Chan Production: Tobias Kratzer Co-director: Matthias Piro Stage and costumes: Rainer Sellmaier Dramaturgy: Michelle Stoop Opera for children (2009) Libretto: Helga Utz based on the fairy tale of the same name by the Brothers Grimm
Info & Ticket (www.staatsorchester-hamburg.de)
Artistic depiction of the event
This season
In Hamburg

Die Gänsemagd

Tue, Sep 30, 2025, 16:00
opera stabile (Hamburg)
Claudia Chan (Musical Director), Ida Aldrian (Prinzessin), Katja Pieweck (Ihre Mutter), Katja Pieweck (Die Königin), Hellen Kwon (Kammerjungfrau), Tigran Martirossian (König), Peter Galliard (Schlächter), Aebh Kelly (Der Gänsehüter), Aebh Kelly (Kürdchen), Carlo Silvester Duer (Falada), Carlo Silvester Duer (Das Pferd), Carlo Silvester Duer (Prinz), Musiker:innen des Philharmonischen Staatsorchesters Hamburg (Orchestra)
Iris ter Schiphorst's opera for children was premiered in Vienna in 2010. Together with her librettist Helga Utz, the Hamburg-born composer created a touching and captivatingly imaginative work of music theater from the Grimm fairy tale. A princess, accompanied by her maid, sets off from the protection of her parental home to meet her bridegroom. Despite a difficult journey and numerous obstacles, everything turns out well in the end and she is able to marry her prince. Tobias Kratzer is staging Die Gänsemagd as part of the opening of the opera stabile's artistic direction and season one day after Das Paradies und die Peri, the opening production on the main stage. Musical theater for the youngest generations is not a niche product for him, but a top priority. Here, young audiences experience it at close quarters: As a flock of geese, the children become part of the action, immersing themselves in the story together with the musicians and ensemble singers - opera as a lively, accessible art form full of enchanting melodies that shows how valuable resilience, self-confidence and trust in others are on the journey through life. Musical direction: Claudia Chan Production: Tobias Kratzer Co-director: Matthias Piro Stage and costumes: Rainer Sellmaier Dramaturgy: Michelle Stoop Opera for children (2009) Libretto: Helga Utz based on the fairy tale of the same name by the Brothers Grimm
Info & Ticket (www.staatsorchester-hamburg.de)
Artistic depiction of the event
This season
In Hamburg

Die Gänsemagd

Wed, Oct 1, 2025, 16:00
opera stabile (Hamburg)
Claudia Chan (Musical Director), Ida Aldrian (Prinzessin), Katja Pieweck (Ihre Mutter), Katja Pieweck (Die Königin), Hellen Kwon (Kammerjungfrau), Tigran Martirossian (König), Peter Galliard (Schlächter), Aebh Kelly (Der Gänsehüter), Aebh Kelly (Kürdchen), Carlo Silvester Duer (Falada), Carlo Silvester Duer (Das Pferd), Carlo Silvester Duer (Prinz), Musiker:innen des Philharmonischen Staatsorchesters Hamburg (Orchestra)
Iris ter Schiphorst's opera for children was premiered in Vienna in 2010. Together with her librettist Helga Utz, the Hamburg-born composer created a touching and captivatingly imaginative work of music theater from the Grimm fairy tale. A princess, accompanied by her maid, sets off from the protection of her parental home to meet her bridegroom. Despite a difficult journey and numerous obstacles, everything turns out well in the end and she is able to marry her prince. Tobias Kratzer is staging Die Gänsemagd as part of the opening of the opera stabile's artistic direction and season one day after Das Paradies und die Peri, the opening production on the main stage. Musical theater for the youngest generations is not a niche product for him, but a top priority. Here, young audiences experience it at close quarters: As a flock of geese, the children become part of the action, immersing themselves in the story together with the musicians and ensemble singers - opera as a lively, accessible art form full of enchanting melodies that shows how valuable resilience, self-confidence and trust in others are on the journey through life. Musical direction: Claudia Chan Production: Tobias Kratzer Co-director: Matthias Piro Stage and costumes: Rainer Sellmaier Dramaturgy: Michelle Stoop Opera for children (2009) Libretto: Helga Utz based on the fairy tale of the same name by the Brothers Grimm
Info & Ticket (www.staatsorchester-hamburg.de)
Artistic depiction of the event
This season
In Hamburg

Die Gänsemagd

Fri, Oct 3, 2025, 16:30
opera stabile (Hamburg)
Claudia Chan (Musical Director), Ida Aldrian (Prinzessin), Katja Pieweck (Ihre Mutter), Katja Pieweck (Die Königin), Hellen Kwon (Kammerjungfrau), Tigran Martirossian (König), Peter Galliard (Schlächter), Aebh Kelly (Der Gänsehüter), Aebh Kelly (Kürdchen), Carlo Silvester Duer (Falada), Carlo Silvester Duer (Das Pferd), Carlo Silvester Duer (Prinz), Musiker:innen des Philharmonischen Staatsorchesters Hamburg (Orchestra)
Iris ter Schiphorst's opera for children was premiered in Vienna in 2010. Together with her librettist Helga Utz, the Hamburg-born composer created a touching and captivatingly imaginative work of music theater from the Grimm fairy tale. A princess, accompanied by her maid, sets off from the protection of her parental home to meet her bridegroom. Despite a difficult journey and numerous obstacles, everything turns out well in the end and she is able to marry her prince. Tobias Kratzer is staging Die Gänsemagd as part of the opening of the opera stabile's artistic direction and season one day after Das Paradies und die Peri, the opening production on the main stage. Musical theater for the youngest generations is not a niche product for him, but a top priority. Here, young audiences experience it at close quarters: As a flock of geese, the children become part of the action, immersing themselves in the story together with the musicians and ensemble singers - opera as a lively, accessible art form full of enchanting melodies that shows how valuable resilience, self-confidence and trust in others are on the journey through life. Musical direction: Claudia Chan Production: Tobias Kratzer Co-director: Matthias Piro Stage and costumes: Rainer Sellmaier Dramaturgy: Michelle Stoop Opera for children (2009) Libretto: Helga Utz based on the fairy tale of the same name by the Brothers Grimm
Info & Ticket (www.staatsorchester-hamburg.de)
Artistic depiction of the event
This season
In Hamburg

Die Gänsemagd

Sat, Oct 4, 2025, 15:00
opera stabile (Hamburg)
Claudia Chan (Musical Director), Ida Aldrian (Prinzessin), Katja Pieweck (Ihre Mutter), Katja Pieweck (Die Königin), Hellen Kwon (Kammerjungfrau), Tigran Martirossian (König), Peter Galliard (Schlächter), Aebh Kelly (Der Gänsehüter), Aebh Kelly (Kürdchen), Carlo Silvester Duer (Falada), Carlo Silvester Duer (Das Pferd), Carlo Silvester Duer (Prinz), Musiker:innen des Philharmonischen Staatsorchesters Hamburg (Orchestra)
Iris ter Schiphorst's opera for children was premiered in Vienna in 2010. Together with her librettist Helga Utz, the Hamburg-born composer created a touching and captivatingly imaginative work of music theater from the Grimm fairy tale. A princess, accompanied by her maid, sets off from the protection of her parental home to meet her bridegroom. Despite a difficult journey and numerous obstacles, everything turns out well in the end and she is able to marry her prince. Tobias Kratzer is staging Die Gänsemagd as part of the opening of the opera stabile's artistic direction and season one day after Das Paradies und die Peri, the opening production on the main stage. Musical theater for the youngest generations is not a niche product for him, but a top priority. Here, young audiences experience it at close quarters: As a flock of geese, the children become part of the action, immersing themselves in the story together with the musicians and ensemble singers - opera as a lively, accessible art form full of enchanting melodies that shows how valuable resilience, self-confidence and trust in others are on the journey through life. Musical direction: Claudia Chan Production: Tobias Kratzer Co-director: Matthias Piro Stage and costumes: Rainer Sellmaier Dramaturgy: Michelle Stoop Opera for children (2009) Libretto: Helga Utz based on the fairy tale of the same name by the Brothers Grimm
Info & Ticket (www.staatsorchester-hamburg.de)
Artistic depiction of the event
This season
In Hamburg

Die Gänsemagd

Sun, Oct 5, 2025, 11:00
opera stabile (Hamburg)
Claudia Chan (Musical Director), Ida Aldrian (Prinzessin), Katja Pieweck (Ihre Mutter), Katja Pieweck (Die Königin), Hellen Kwon (Kammerjungfrau), Tigran Martirossian (König), Peter Galliard (Schlächter), Aebh Kelly (Der Gänsehüter), Aebh Kelly (Kürdchen), Carlo Silvester Duer (Falada), Carlo Silvester Duer (Das Pferd), Carlo Silvester Duer (Prinz), Musiker:innen des Philharmonischen Staatsorchesters Hamburg (Orchestra)
Iris ter Schiphorst's opera for children was premiered in Vienna in 2010. Together with her librettist Helga Utz, the Hamburg-born composer created a touching and captivatingly imaginative work of music theater from the Grimm fairy tale. A princess, accompanied by her maid, sets off from the protection of her parental home to meet her bridegroom. Despite a difficult journey and numerous obstacles, everything turns out well in the end and she is able to marry her prince. Tobias Kratzer is staging Die Gänsemagd as part of the opening of the opera stabile's artistic direction and season one day after Das Paradies und die Peri, the opening production on the main stage. Musical theater for the youngest generations is not a niche product for him, but a top priority. Here, young audiences experience it at close quarters: As a flock of geese, the children become part of the action, immersing themselves in the story together with the musicians and ensemble singers - opera as a lively, accessible art form full of enchanting melodies that shows how valuable resilience, self-confidence and trust in others are on the journey through life. Musical direction: Claudia Chan Production: Tobias Kratzer Co-director: Matthias Piro Stage and costumes: Rainer Sellmaier Dramaturgy: Michelle Stoop Opera for children (2009) Libretto: Helga Utz based on the fairy tale of the same name by the Brothers Grimm
Info & Ticket (www.staatsorchester-hamburg.de)
Artistic depiction of the event
This season
In Hamburg

Salome

Sun, Oct 5, 2025, 18:00
Hamburgische Staatsoper, Großes Haus (Hamburg)
Omer Meir Wellber (Musical Director), Wolfgang Ablinger-Sperrhacke (Herodes), Doris Soffel (Herodias), Ambur Braid (Salome), Kyle Ketelsen (Jochanaan), Aebh Kelly (Page), Oleksiy Palchykov (Narraboth), James Kryshak (1. Jude), Colin Aikins (2. Jude), Daniel Kluge (3. Jude), Mziwamadoda Sipho Nodlayiya (4. Jude), Keith Klein (5. Jude), Nicholas Mogg (1. Nazarener), William Desbiens (2. Nazarener), Hubert Kowalczyk (1. Soldat), Philharmonisches Staatsorchester Hamburg (Orchestra)
Under the face of the wandering moon, spirit and body quarrel in all their greatness and wretchedness until the blood of two bodies flows. Strauss remains close to Wilde's re-creation of the biblical material, which leads Salome from her mother's tool to autonomy. It is she who, in her unfulfilled desire for the liberatingly different, the body of the prophet Jochanaan, seeks revenge and demands his head - a price the male-dominated society around Herod is willing to pay for their dance. Now that Salome holds his severed head in her hands, she can kiss Jochanaan, possess him if not alive, then dead. As if under a burning glass, Strauss pours Oscar Wilde's demonic dramaturgy into sound like an eruption of the psyche, accompanying his protagonist from her failed escape from the decadence of her existence to her death. Production: Dmitri Tcherniakov Costumes: Elena Zaytseva Lighting: Gleb Filshtinsky Dramaturgy: Tatiana Verestchagina, Janina Zell
Info & Ticket (www.staatsorchester-hamburg.de)
Artistic depiction of the event
This season
In Hamburg

Die Gänsemagd

Tue, Oct 7, 2025, 10:00
opera stabile (Hamburg)
Claudia Chan (Musical Director), Ida Aldrian (Prinzessin), Katja Pieweck (Ihre Mutter), Katja Pieweck (Die Königin), Hellen Kwon (Kammerjungfrau), Tigran Martirossian (König), Peter Galliard (Schlächter), Aebh Kelly (Der Gänsehüter), Aebh Kelly (Kürdchen), Carlo Silvester Duer (Falada), Carlo Silvester Duer (Das Pferd), Carlo Silvester Duer (Prinz), Musiker:innen des Philharmonischen Staatsorchesters Hamburg (Orchestra)
Iris ter Schiphorst's opera for children was premiered in Vienna in 2010. Together with her librettist Helga Utz, the Hamburg-born composer created a touching and captivatingly imaginative work of music theater from the Grimm fairy tale. A princess, accompanied by her maid, sets off from the protection of her parental home to meet her bridegroom. Despite a difficult journey and numerous obstacles, everything turns out well in the end and she is able to marry her prince. Tobias Kratzer is staging Die Gänsemagd as part of the opening of the opera stabile's artistic direction and season one day after Das Paradies und die Peri, the opening production on the main stage. Musical theater for the youngest generations is not a niche product for him, but a top priority. Here, young audiences experience it at close quarters: As a flock of geese, the children become part of the action, immersing themselves in the story together with the musicians and ensemble singers - opera as a lively, accessible art form full of enchanting melodies that shows how valuable resilience, self-confidence and trust in others are on the journey through life. Musical direction: Claudia Chan Production: Tobias Kratzer Co-director: Matthias Piro Stage and costumes: Rainer Sellmaier Dramaturgy: Michelle Stoop Opera for children (2009) Libretto: Helga Utz based on the fairy tale of the same name by the Brothers Grimm
Info & Ticket (www.staatsorchester-hamburg.de)
Artistic depiction of the event
This season
In Hamburg

Salome

Tue, Oct 7, 2025, 19:00
Hamburgische Staatsoper, Großes Haus (Hamburg)
Omer Meir Wellber (Musical Director), Wolfgang Ablinger-Sperrhacke (Herodes), Doris Soffel (Herodias), Asmik Grigorian (Salome), Kyle Ketelsen (Jochanaan), Aebh Kelly (Page), Oleksiy Palchykov (Narraboth), James Kryshak (1. Jude), Colin Aikins (2. Jude), Daniel Kluge (3. Jude), Mziwamadoda Sipho Nodlayiya (4. Jude), Keith Klein (5. Jude), Nicholas Mogg (1. Nazarener), William Desbiens (2. Nazarener), Hubert Kowalczyk (1. Soldat), Philharmonisches Staatsorchester Hamburg (Orchestra)
Under the face of the wandering moon, spirit and body quarrel in all their greatness and wretchedness until the blood of two bodies flows. Strauss remains close to Wilde's re-creation of the biblical material, which leads Salome from her mother's tool to autonomy. It is she who, in her unfulfilled desire for the liberatingly different, the body of the prophet Jochanaan, seeks revenge and demands his head - a price the male-dominated society around Herod is willing to pay for their dance. Now that Salome holds his severed head in her hands, she can kiss Jochanaan, possess him if not alive, then dead. As if under a burning glass, Strauss pours Oscar Wilde's demonic dramaturgy into sound like an eruption of the psyche, accompanying his protagonist from her failed escape from the decadence of her existence to her death. Production: Dmitri Tcherniakov Costumes: Elena Zaytseva Lighting: Gleb Filshtinsky Dramaturgy: Tatiana Verestchagina, Janina Zell
Info & Ticket (www.staatsorchester-hamburg.de)
Artistic depiction of the event
This season
In Hamburg

Die Gänsemagd

Wed, Oct 8, 2025, 10:00
opera stabile (Hamburg)
Claudia Chan (Musical Director), Ida Aldrian (Prinzessin), Katja Pieweck (Ihre Mutter), Katja Pieweck (Die Königin), Hellen Kwon (Kammerjungfrau), Tigran Martirossian (König), Peter Galliard (Schlächter), Aebh Kelly (Der Gänsehüter), Aebh Kelly (Kürdchen), Carlo Silvester Duer (Falada), Carlo Silvester Duer (Das Pferd), Carlo Silvester Duer (Prinz), Musiker:innen des Philharmonischen Staatsorchesters Hamburg (Orchestra)
Iris ter Schiphorst's opera for children was premiered in Vienna in 2010. Together with her librettist Helga Utz, the Hamburg-born composer created a touching and captivatingly imaginative work of music theater from the Grimm fairy tale. A princess, accompanied by her maid, sets off from the protection of her parental home to meet her bridegroom. Despite a difficult journey and numerous obstacles, everything turns out well in the end and she is able to marry her prince. Tobias Kratzer is staging Die Gänsemagd as part of the opening of the opera stabile's artistic direction and season one day after Das Paradies und die Peri, the opening production on the main stage. Musical theater for the youngest generations is not a niche product for him, but a top priority. Here, young audiences experience it at close quarters: As a flock of geese, the children become part of the action, immersing themselves in the story together with the musicians and ensemble singers - opera as a lively, accessible art form full of enchanting melodies that shows how valuable resilience, self-confidence and trust in others are on the journey through life. Musical direction: Claudia Chan Production: Tobias Kratzer Co-director: Matthias Piro Stage and costumes: Rainer Sellmaier Dramaturgy: Michelle Stoop Opera for children (2009) Libretto: Helga Utz based on the fairy tale of the same name by the Brothers Grimm
Info & Ticket (www.staatsorchester-hamburg.de)
Artistic depiction of the event
This season
In Hamburg

Die Gänsemagd

Thu, Oct 9, 2025, 10:00
opera stabile (Hamburg)
Claudia Chan (Musical Director), Ida Aldrian (Prinzessin), Katja Pieweck (Ihre Mutter), Katja Pieweck (Die Königin), Hellen Kwon (Kammerjungfrau), Tigran Martirossian (König), Peter Galliard (Schlächter), Aebh Kelly (Der Gänsehüter), Aebh Kelly (Kürdchen), Carlo Silvester Duer (Falada), Carlo Silvester Duer (Das Pferd), Carlo Silvester Duer (Prinz), Musiker:innen des Philharmonischen Staatsorchesters Hamburg (Orchestra)
Iris ter Schiphorst's opera for children was premiered in Vienna in 2010. Together with her librettist Helga Utz, the Hamburg-born composer created a touching and captivatingly imaginative work of music theater from the Grimm fairy tale. A princess, accompanied by her maid, sets off from the protection of her parental home to meet her bridegroom. Despite a difficult journey and numerous obstacles, everything turns out well in the end and she is able to marry her prince. Tobias Kratzer is staging Die Gänsemagd as part of the opening of the opera stabile's artistic direction and season one day after Das Paradies und die Peri, the opening production on the main stage. Musical theater for the youngest generations is not a niche product for him, but a top priority. Here, young audiences experience it at close quarters: As a flock of geese, the children become part of the action, immersing themselves in the story together with the musicians and ensemble singers - opera as a lively, accessible art form full of enchanting melodies that shows how valuable resilience, self-confidence and trust in others are on the journey through life. Musical direction: Claudia Chan Production: Tobias Kratzer Co-director: Matthias Piro Stage and costumes: Rainer Sellmaier Dramaturgy: Michelle Stoop Opera for children (2009) Libretto: Helga Utz based on the fairy tale of the same name by the Brothers Grimm
Info & Ticket (www.staatsorchester-hamburg.de)
Artistic depiction of the event
This season
In Hamburg

Salome

Thu, Oct 9, 2025, 19:30
Hamburgische Staatsoper, Großes Haus (Hamburg)
Omer Meir Wellber (Musical Director), Wolfgang Ablinger-Sperrhacke (Herodes), Doris Soffel (Herodias), Asmik Grigorian (Salome), Kyle Ketelsen (Jochanaan), Aebh Kelly (Page), Oleksiy Palchykov (Narraboth), James Kryshak (1. Jude), Colin Aikins (2. Jude), Daniel Kluge (3. Jude), Mziwamadoda Sipho Nodlayiya (4. Jude), Keith Klein (5. Jude), Nicholas Mogg (1. Nazarener), William Desbiens (2. Nazarener), Hubert Kowalczyk (1. Soldat), Philharmonisches Staatsorchester Hamburg (Orchestra)
Under the face of the wandering moon, spirit and body quarrel in all their greatness and wretchedness until the blood of two bodies flows. Strauss remains close to Wilde's re-creation of the biblical material, which leads Salome from her mother's tool to autonomy. It is she who, in her unfulfilled desire for the liberatingly different, the body of the prophet Jochanaan, seeks revenge and demands his head - a price the male-dominated society around Herod is willing to pay for their dance. Now that Salome holds his severed head in her hands, she can kiss Jochanaan, possess him if not alive, then dead. As if under a burning glass, Strauss pours Oscar Wilde's demonic dramaturgy into sound like an eruption of the psyche, accompanying his protagonist from her failed escape from the decadence of her existence to her death. Production: Dmitri Tcherniakov Costumes: Elena Zaytseva Lighting: Gleb Filshtinsky Dramaturgy: Tatiana Verestchagina, Janina Zell
Info & Ticket (www.staatsorchester-hamburg.de)
Artistic depiction of the event
This season
In Hamburg

Die Gänsemagd

Sat, Oct 11, 2025, 15:00
opera stabile (Hamburg)
Claudia Chan (Musical Director), Ida Aldrian (Prinzessin), Katja Pieweck (Ihre Mutter), Katja Pieweck (Die Königin), Hellen Kwon (Kammerjungfrau), Tigran Martirossian (König), Peter Galliard (Schlächter), Aebh Kelly (Der Gänsehüter), Aebh Kelly (Kürdchen), Carlo Silvester Duer (Falada), Carlo Silvester Duer (Das Pferd), Carlo Silvester Duer (Prinz), Musiker:innen des Philharmonischen Staatsorchesters Hamburg (Orchestra)
Iris ter Schiphorst's opera for children was premiered in Vienna in 2010. Together with her librettist Helga Utz, the Hamburg-born composer created a touching and captivatingly imaginative work of music theater from the Grimm fairy tale. A princess, accompanied by her maid, sets off from the protection of her parental home to meet her bridegroom. Despite a difficult journey and numerous obstacles, everything turns out well in the end and she is able to marry her prince. Tobias Kratzer is staging Die Gänsemagd as part of the opening of the opera stabile's artistic direction and season one day after Das Paradies und die Peri, the opening production on the main stage. Musical theater for the youngest generations is not a niche product for him, but a top priority. Here, young audiences experience it at close quarters: As a flock of geese, the children become part of the action, immersing themselves in the story together with the musicians and ensemble singers - opera as a lively, accessible art form full of enchanting melodies that shows how valuable resilience, self-confidence and trust in others are on the journey through life. Musical direction: Claudia Chan Production: Tobias Kratzer Co-director: Matthias Piro Stage and costumes: Rainer Sellmaier Dramaturgy: Michelle Stoop Opera for children (2009) Libretto: Helga Utz based on the fairy tale of the same name by the Brothers Grimm
Info & Ticket (www.staatsorchester-hamburg.de)
Artistic depiction of the event
This season
In Hamburg

Die Gänsemagd

Sun, Oct 12, 2025, 15:00
opera stabile (Hamburg)
Claudia Chan (Musical Director), Ida Aldrian (Prinzessin), Katja Pieweck (Ihre Mutter), Katja Pieweck (Die Königin), Hellen Kwon (Kammerjungfrau), Tigran Martirossian (König), Peter Galliard (Schlächter), Aebh Kelly (Der Gänsehüter), Aebh Kelly (Kürdchen), Carlo Silvester Duer (Falada), Carlo Silvester Duer (Das Pferd), Carlo Silvester Duer (Prinz), Musiker:innen des Philharmonischen Staatsorchesters Hamburg (Orchestra)
Iris ter Schiphorst's opera for children was premiered in Vienna in 2010. Together with her librettist Helga Utz, the Hamburg-born composer created a touching and captivatingly imaginative work of music theater from the Grimm fairy tale. A princess, accompanied by her maid, sets off from the protection of her parental home to meet her bridegroom. Despite a difficult journey and numerous obstacles, everything turns out well in the end and she is able to marry her prince. Tobias Kratzer is staging Die Gänsemagd as part of the opening of the opera stabile's artistic direction and season one day after Das Paradies und die Peri, the opening production on the main stage. Musical theater for the youngest generations is not a niche product for him, but a top priority. Here, young audiences experience it at close quarters: As a flock of geese, the children become part of the action, immersing themselves in the story together with the musicians and ensemble singers - opera as a lively, accessible art form full of enchanting melodies that shows how valuable resilience, self-confidence and trust in others are on the journey through life. Musical direction: Claudia Chan Production: Tobias Kratzer Co-director: Matthias Piro Stage and costumes: Rainer Sellmaier Dramaturgy: Michelle Stoop Opera for children (2009) Libretto: Helga Utz based on the fairy tale of the same name by the Brothers Grimm
Info & Ticket (www.staatsorchester-hamburg.de)