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Classical concerts featuring
Wolfgang Ablinger-Sperrhacke

Overview

Quick overview of musician Wolfgang Ablinger-Sperrhacke by associated keywords

CitiesFrequently performs in

Hamburg
Germany
Hamburg
8
London
United Kingdom
London
1

ProgramFrequently performs

Richard Strauss
Works by
Richard Strauss
9

MusiciansFrequently collaborate with

Musician
Oleksiy Palchykov
8
orchestra
Philharmonisches Staatsorchester Hamburg
8
Musician
William Desbiens
8
Musician
James Kryshak
5
Musician
Violeta Urmana
5

New Arrivals

These concerts featuring Wolfgang Ablinger-Sperrhacke became visible lately at Concert Pulse.

Artistic depiction of the event
This season
In Hamburg

Salome

Sun, Oct 5, 2025, 18:00
Hamburgische Staatsoper, Großes Haus (Hamburg)
Omer Meir Wellber (Musical Director), Wolfgang Ablinger-Sperrhacke (Herodes), Doris Soffel (Herodias), Ambur Braid (Salome), Kyle Ketelsen (Jochanaan), Aebh Kelly (Page), Oleksiy Palchykov (Narraboth), James Kryshak (1. Jude), Colin Aikins (2. Jude), Daniel Kluge (3. Jude), Mziwamadoda Sipho Nodlayiya (4. Jude), Keith Klein (5. Jude), Nicholas Mogg (1. Nazarener), William Desbiens (2. Nazarener), Hubert Kowalczyk (1. Soldat), Philharmonisches Staatsorchester Hamburg (Orchestra)
Under the face of the wandering moon, spirit and body quarrel in all their greatness and wretchedness until the blood of two bodies flows. Strauss remains close to Wilde's re-creation of the biblical material, which leads Salome from her mother's tool to autonomy. It is she who, in her unfulfilled desire for the liberatingly different, the body of the prophet Jochanaan, seeks revenge and demands his head - a price the male-dominated society around Herod is willing to pay for their dance. Now that Salome holds his severed head in her hands, she can kiss Jochanaan, possess him if not alive, then dead. As if under a burning glass, Strauss pours Oscar Wilde's demonic dramaturgy into sound like an eruption of the psyche, accompanying his protagonist from her failed escape from the decadence of her existence to her death. Production: Dmitri Tcherniakov Costumes: Elena Zaytseva Lighting: Gleb Filshtinsky Dramaturgy: Tatiana Verestchagina, Janina Zell
Info & Ticket (www.staatsorchester-hamburg.de)
Artistic depiction of the event
This season
In Hamburg

Salome

Tue, Oct 7, 2025, 19:00
Hamburgische Staatsoper, Großes Haus (Hamburg)
Omer Meir Wellber (Musical Director), Wolfgang Ablinger-Sperrhacke (Herodes), Doris Soffel (Herodias), Asmik Grigorian (Salome), Kyle Ketelsen (Jochanaan), Aebh Kelly (Page), Oleksiy Palchykov (Narraboth), James Kryshak (1. Jude), Colin Aikins (2. Jude), Daniel Kluge (3. Jude), Mziwamadoda Sipho Nodlayiya (4. Jude), Keith Klein (5. Jude), Nicholas Mogg (1. Nazarener), William Desbiens (2. Nazarener), Hubert Kowalczyk (1. Soldat), Philharmonisches Staatsorchester Hamburg (Orchestra)
Under the face of the wandering moon, spirit and body quarrel in all their greatness and wretchedness until the blood of two bodies flows. Strauss remains close to Wilde's re-creation of the biblical material, which leads Salome from her mother's tool to autonomy. It is she who, in her unfulfilled desire for the liberatingly different, the body of the prophet Jochanaan, seeks revenge and demands his head - a price the male-dominated society around Herod is willing to pay for their dance. Now that Salome holds his severed head in her hands, she can kiss Jochanaan, possess him if not alive, then dead. As if under a burning glass, Strauss pours Oscar Wilde's demonic dramaturgy into sound like an eruption of the psyche, accompanying his protagonist from her failed escape from the decadence of her existence to her death. Production: Dmitri Tcherniakov Costumes: Elena Zaytseva Lighting: Gleb Filshtinsky Dramaturgy: Tatiana Verestchagina, Janina Zell
Info & Ticket (www.staatsorchester-hamburg.de)
Artistic depiction of the event
This season
In Hamburg

Salome

Thu, Oct 9, 2025, 19:30
Hamburgische Staatsoper, Großes Haus (Hamburg)
Omer Meir Wellber (Musical Director), Wolfgang Ablinger-Sperrhacke (Herodes), Doris Soffel (Herodias), Asmik Grigorian (Salome), Kyle Ketelsen (Jochanaan), Aebh Kelly (Page), Oleksiy Palchykov (Narraboth), James Kryshak (1. Jude), Colin Aikins (2. Jude), Daniel Kluge (3. Jude), Mziwamadoda Sipho Nodlayiya (4. Jude), Keith Klein (5. Jude), Nicholas Mogg (1. Nazarener), William Desbiens (2. Nazarener), Hubert Kowalczyk (1. Soldat), Philharmonisches Staatsorchester Hamburg (Orchestra)
Under the face of the wandering moon, spirit and body quarrel in all their greatness and wretchedness until the blood of two bodies flows. Strauss remains close to Wilde's re-creation of the biblical material, which leads Salome from her mother's tool to autonomy. It is she who, in her unfulfilled desire for the liberatingly different, the body of the prophet Jochanaan, seeks revenge and demands his head - a price the male-dominated society around Herod is willing to pay for their dance. Now that Salome holds his severed head in her hands, she can kiss Jochanaan, possess him if not alive, then dead. As if under a burning glass, Strauss pours Oscar Wilde's demonic dramaturgy into sound like an eruption of the psyche, accompanying his protagonist from her failed escape from the decadence of her existence to her death. Production: Dmitri Tcherniakov Costumes: Elena Zaytseva Lighting: Gleb Filshtinsky Dramaturgy: Tatiana Verestchagina, Janina Zell
Info & Ticket (www.staatsorchester-hamburg.de)

Upcoming Concerts

Concerts featuring Wolfgang Ablinger-Sperrhacke in season 2024/25 or later

Artistic depiction of the event
This season
In Hamburg

Salome

Sun, Oct 5, 2025, 18:00
Hamburgische Staatsoper, Großes Haus (Hamburg)
Omer Meir Wellber (Musical Director), Wolfgang Ablinger-Sperrhacke (Herodes), Doris Soffel (Herodias), Ambur Braid (Salome), Kyle Ketelsen (Jochanaan), Aebh Kelly (Page), Oleksiy Palchykov (Narraboth), James Kryshak (1. Jude), Colin Aikins (2. Jude), Daniel Kluge (3. Jude), Mziwamadoda Sipho Nodlayiya (4. Jude), Keith Klein (5. Jude), Nicholas Mogg (1. Nazarener), William Desbiens (2. Nazarener), Hubert Kowalczyk (1. Soldat), Philharmonisches Staatsorchester Hamburg (Orchestra)
Under the face of the wandering moon, spirit and body quarrel in all their greatness and wretchedness until the blood of two bodies flows. Strauss remains close to Wilde's re-creation of the biblical material, which leads Salome from her mother's tool to autonomy. It is she who, in her unfulfilled desire for the liberatingly different, the body of the prophet Jochanaan, seeks revenge and demands his head - a price the male-dominated society around Herod is willing to pay for their dance. Now that Salome holds his severed head in her hands, she can kiss Jochanaan, possess him if not alive, then dead. As if under a burning glass, Strauss pours Oscar Wilde's demonic dramaturgy into sound like an eruption of the psyche, accompanying his protagonist from her failed escape from the decadence of her existence to her death. Production: Dmitri Tcherniakov Costumes: Elena Zaytseva Lighting: Gleb Filshtinsky Dramaturgy: Tatiana Verestchagina, Janina Zell
Info & Ticket (www.staatsorchester-hamburg.de)
Artistic depiction of the event
This season
In Hamburg

Salome

Tue, Oct 7, 2025, 19:00
Hamburgische Staatsoper, Großes Haus (Hamburg)
Omer Meir Wellber (Musical Director), Wolfgang Ablinger-Sperrhacke (Herodes), Doris Soffel (Herodias), Asmik Grigorian (Salome), Kyle Ketelsen (Jochanaan), Aebh Kelly (Page), Oleksiy Palchykov (Narraboth), James Kryshak (1. Jude), Colin Aikins (2. Jude), Daniel Kluge (3. Jude), Mziwamadoda Sipho Nodlayiya (4. Jude), Keith Klein (5. Jude), Nicholas Mogg (1. Nazarener), William Desbiens (2. Nazarener), Hubert Kowalczyk (1. Soldat), Philharmonisches Staatsorchester Hamburg (Orchestra)
Under the face of the wandering moon, spirit and body quarrel in all their greatness and wretchedness until the blood of two bodies flows. Strauss remains close to Wilde's re-creation of the biblical material, which leads Salome from her mother's tool to autonomy. It is she who, in her unfulfilled desire for the liberatingly different, the body of the prophet Jochanaan, seeks revenge and demands his head - a price the male-dominated society around Herod is willing to pay for their dance. Now that Salome holds his severed head in her hands, she can kiss Jochanaan, possess him if not alive, then dead. As if under a burning glass, Strauss pours Oscar Wilde's demonic dramaturgy into sound like an eruption of the psyche, accompanying his protagonist from her failed escape from the decadence of her existence to her death. Production: Dmitri Tcherniakov Costumes: Elena Zaytseva Lighting: Gleb Filshtinsky Dramaturgy: Tatiana Verestchagina, Janina Zell
Info & Ticket (www.staatsorchester-hamburg.de)
Artistic depiction of the event
This season
In Hamburg

Salome

Thu, Oct 9, 2025, 19:30
Hamburgische Staatsoper, Großes Haus (Hamburg)
Omer Meir Wellber (Musical Director), Wolfgang Ablinger-Sperrhacke (Herodes), Doris Soffel (Herodias), Asmik Grigorian (Salome), Kyle Ketelsen (Jochanaan), Aebh Kelly (Page), Oleksiy Palchykov (Narraboth), James Kryshak (1. Jude), Colin Aikins (2. Jude), Daniel Kluge (3. Jude), Mziwamadoda Sipho Nodlayiya (4. Jude), Keith Klein (5. Jude), Nicholas Mogg (1. Nazarener), William Desbiens (2. Nazarener), Hubert Kowalczyk (1. Soldat), Philharmonisches Staatsorchester Hamburg (Orchestra)
Under the face of the wandering moon, spirit and body quarrel in all their greatness and wretchedness until the blood of two bodies flows. Strauss remains close to Wilde's re-creation of the biblical material, which leads Salome from her mother's tool to autonomy. It is she who, in her unfulfilled desire for the liberatingly different, the body of the prophet Jochanaan, seeks revenge and demands his head - a price the male-dominated society around Herod is willing to pay for their dance. Now that Salome holds his severed head in her hands, she can kiss Jochanaan, possess him if not alive, then dead. As if under a burning glass, Strauss pours Oscar Wilde's demonic dramaturgy into sound like an eruption of the psyche, accompanying his protagonist from her failed escape from the decadence of her existence to her death. Production: Dmitri Tcherniakov Costumes: Elena Zaytseva Lighting: Gleb Filshtinsky Dramaturgy: Tatiana Verestchagina, Janina Zell
Info & Ticket (www.staatsorchester-hamburg.de)
Artistic depiction of the event
This season
In Hamburg

Salome

Sun, Oct 12, 2025, 19:30
Hamburgische Staatsoper, Großes Haus (Hamburg)
Omer Meir Wellber (Musical Director), Wolfgang Ablinger-Sperrhacke (Herodes), Doris Soffel (Herodias), Asmik Grigorian (Salome), Kyle Ketelsen (Jochanaan), Aebh Kelly (Page), Oleksiy Palchykov (Narraboth), James Kryshak (1. Jude), Colin Aikins (2. Jude), Daniel Kluge (3. Jude), Mziwamadoda Sipho Nodlayiya (4. Jude), Nicholas Mogg (1. Nazarener), William Desbiens (2. Nazarener), Hubert Kowalczyk (1. Soldat), Philharmonisches Staatsorchester Hamburg (Orchestra)
Under the face of the wandering moon, spirit and body quarrel in all their greatness and wretchedness until the blood of two bodies flows. Strauss remains close to Wilde's re-creation of the biblical material, which leads Salome from her mother's tool to autonomy. It is she who, in her unfulfilled desire for the liberatingly different, the body of the prophet Jochanaan, seeks revenge and demands his head - a price the male-dominated society around Herod is willing to pay for their dance. Now that Salome holds his severed head in her hands, she can kiss Jochanaan, possess him if not alive, then dead. As if under a burning glass, Strauss pours Oscar Wilde's demonic dramaturgy into sound like an eruption of the psyche, accompanying his protagonist from her failed escape from the decadence of her existence to her death. Production: Dmitri Tcherniakov Costumes: Elena Zaytseva Lighting: Gleb Filshtinsky Dramaturgy: Tatiana Verestchagina, Janina Zell
Info & Ticket (www.staatsorchester-hamburg.de)
Artistic depiction of the event
This season
In Hamburg

Elektra

Tue, Apr 14, 2026, 19:30
Hamburgische Staatsoper, Großes Haus (Hamburg)
Anja Bihlmaier (Musical Director), Violeta Urmana (Klytämnestra), Aušriné Stundyté (Elektra), Jennifer Holloway (Chrysothemis), Wolfgang Ablinger-Sperrhacke (Aegisth), Chao Deng (Pfleger des Orest), Marie Maidowski (Schleppträgerin), Oleksiy Palchykov (Junger Diener), William Desbiens (Alter Diener), Katja Pieweck (Aufseherin), Michal Doron (Erste Magd), Ida Aldrian (Zweite Magd), Kady Evanyshyn (Dritte Magd), Eliza Boom (Vierte Magd), Hellen Kwon (Fünfte Magd), Philharmonisches Staatsorchester Hamburg (Orchestra)
The war is over, and tragedy takes its course: the mother and her lover murder the father upon his return. The daughter hides her brother, keeping him safe. – Every day, Elektra thinks of her murdered father, plotting blood-stained celebrations of victory and waiting for the moment when her brother, reared as an avenger, returns. Under one roof with her father’s murderers, thirst for blood and revenge collide with the future plans of her younger sister, who longs for marriage and children, a life in harmony and bliss. The mother is governed by another delusion: “It is not a word, it is not pain, it does not pinch me or strangle me, … and yet it is so terrible that my soul wishes it had been hanged, and every part of my body cries out for death.” Sacrifice is meant to bring relief. Director and Set Design: Dmitri Tcherniakov Assistant Director: Thorsten Cölle Costumes: Elena Zaytseva Light: Gleb Filshtinsky Video: Tieni Burkhalter Dramaturgy: Tatiana Werestchagina
Info & Ticket (www.staatsorchester-hamburg.de)
Artistic depiction of the event
This season
In Hamburg

Elektra

Sun, Apr 19, 2026, 15:00
Hamburgische Staatsoper, Großes Haus (Hamburg)
Anja Bihlmaier (Musical Director), Violeta Urmana (Klytämnestra), Aušriné Stundyté (Elektra), Jennifer Holloway (Chrysothemis), Wolfgang Ablinger-Sperrhacke (Aegisth), Chao Deng (Pfleger des Orest), Marie Maidowski (Schleppträgerin), Oleksiy Palchykov (Junger Diener), William Desbiens (Alter Diener), Katja Pieweck (Aufseherin), Michal Doron (Erste Magd), Ida Aldrian (Zweite Magd), Kady Evanyshyn (Dritte Magd), Eliza Boom (Vierte Magd), Hellen Kwon (Fünfte Magd), Philharmonisches Staatsorchester Hamburg (Orchestra)
The war is over, and tragedy takes its course: the mother and her lover murder the father upon his return. The daughter hides her brother, keeping him safe. – Every day, Elektra thinks of her murdered father, plotting blood-stained celebrations of victory and waiting for the moment when her brother, reared as an avenger, returns. Under one roof with her father’s murderers, thirst for blood and revenge collide with the future plans of her younger sister, who longs for marriage and children, a life in harmony and bliss. The mother is governed by another delusion: “It is not a word, it is not pain, it does not pinch me or strangle me, … and yet it is so terrible that my soul wishes it had been hanged, and every part of my body cries out for death.” Sacrifice is meant to bring relief. Director and Set Design: Dmitri Tcherniakov Assistant Director: Thorsten Cölle Costumes: Elena Zaytseva Light: Gleb Filshtinsky Video: Tieni Burkhalter Dramaturgy: Tatiana Werestchagina
Info & Ticket (www.staatsorchester-hamburg.de)
Artistic depiction of the event
This season
In Hamburg

Elektra

Fri, May 1, 2026, 19:30
Hamburgische Staatsoper, Großes Haus (Hamburg)
Anja Bihlmaier (Musical Director), Violeta Urmana (Klytämnestra), Aušriné Stundyté (Elektra), Jennifer Holloway (Chrysothemis), Wolfgang Ablinger-Sperrhacke (Aegisth), Chao Deng (Pfleger des Orest), Marie Maidowski (Schleppträgerin), Oleksiy Palchykov (Junger Diener), William Desbiens (Alter Diener), Katja Pieweck (Aufseherin), Michal Doron (Erste Magd), Ida Aldrian (Zweite Magd), Kady Evanyshyn (Dritte Magd), Eliza Boom (Vierte Magd), Hellen Kwon (Fünfte Magd), Philharmonisches Staatsorchester Hamburg (Orchestra)
The war is over, and tragedy takes its course: the mother and her lover murder the father upon his return. The daughter hides her brother, keeping him safe. – Every day, Elektra thinks of her murdered father, plotting blood-stained celebrations of victory and waiting for the moment when her brother, reared as an avenger, returns. Under one roof with her father’s murderers, thirst for blood and revenge collide with the future plans of her younger sister, who longs for marriage and children, a life in harmony and bliss. The mother is governed by another delusion: “It is not a word, it is not pain, it does not pinch me or strangle me, … and yet it is so terrible that my soul wishes it had been hanged, and every part of my body cries out for death.” Sacrifice is meant to bring relief. Director and Set Design: Dmitri Tcherniakov Assistant Director: Thorsten Cölle Costumes: Elena Zaytseva Light: Gleb Filshtinsky Video: Tieni Burkhalter Dramaturgy: Tatiana Werestchagina
Info & Ticket (www.staatsorchester-hamburg.de)
Artistic depiction of the event
This season
In Hamburg

Elektra

Fri, May 8, 2026, 19:30
Hamburgische Staatsoper, Großes Haus (Hamburg)
Anja Bihlmaier (Musical Director), Violeta Urmana (Klytämnestra), Aušriné Stundyté (Elektra), Jennifer Holloway (Chrysothemis), Wolfgang Ablinger-Sperrhacke (Aegisth), Chao Deng (Pfleger des Orest), Marie Maidowski (Schleppträgerin), Oleksiy Palchykov (Junger Diener), William Desbiens (Alter Diener), Katja Pieweck (Aufseherin), Michal Doron (Erste Magd), Ida Aldrian (Zweite Magd), Kady Evanyshyn (Dritte Magd), Eliza Boom (Vierte Magd), Hellen Kwon (Fünfte Magd), Philharmonisches Staatsorchester Hamburg (Orchestra)
The war is over, and tragedy takes its course: the mother and her lover murder the father upon his return. The daughter hides her brother, keeping him safe. – Every day, Elektra thinks of her murdered father, plotting blood-stained celebrations of victory and waiting for the moment when her brother, reared as an avenger, returns. Under one roof with her father’s murderers, thirst for blood and revenge collide with the future plans of her younger sister, who longs for marriage and children, a life in harmony and bliss. The mother is governed by another delusion: “It is not a word, it is not pain, it does not pinch me or strangle me, … and yet it is so terrible that my soul wishes it had been hanged, and every part of my body cries out for death.” Sacrifice is meant to bring relief. Director and Set Design: Dmitri Tcherniakov Assistant Director: Thorsten Cölle Costumes: Elena Zaytseva Light: Gleb Filshtinsky Video: Tieni Burkhalter Dramaturgy: Tatiana Werestchagina
Info & Ticket (www.staatsorchester-hamburg.de)