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Classical concerts featuring
Gregory Kunde

Overview

Quick overview of musician Gregory Kunde by associated keywords

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These concerts featuring Gregory Kunde became visible lately at Concert Pulse.

Artistic depiction of the event
This season
In Hamburg

The great silence

Sun, Mar 15, 2026, 19:30
Omer Meir Wellber (Musical Director), Alice Meregaglia (Chorleitung), Ana Durlovski (Apollo), Gregory Kunde (Oebalus), Marie Maidowski (Melia), Damian Rebgetz (Hyazintus), Damian Rebgetz (Schauspieler), Hubert Kowalczyk (XXX - Bassbariton), Chor der Hamburgischen Staatsoper (Chorus), Philharmonisches Staatsorchester Hamburg (Orchestra)
IN FARAWAY PLACES - REDISCOVERING MOZART'S MUSIC Culture is meaningful. Culture not only keeps us busy - and thus structures our everyday lives - it seems to give us existential stability above all. Making music, together or alone, is one of the oldest and most deeply rooted rituals in our collective identity. Music still serves as a human compass today. Nevertheless, it does no harm to put ritualized processes to the test: In the music theater project The Great Silence, the music of Wolfgang Amadeus Mozart becomes existentially relevant for a group of people living in the future and far away from the earth. For them, unknown works by one of the most famous composers become both a daily reminder and a warning of what it means to be and remain human. Director Christopher Rüping, who is highly regarded and celebrated at home and abroad for his acting work and has been awarded the most important theater prizes, and his team make their long-awaited debut on the main stage of the Hamburg State Opera. They explore the question of what role and function such a timeless cultural asset as Mozart's music has for us and, in this music theater project, create the scenario of a remote world whose setting has little to do with our present-day reality. But man is the constant that has hardly changed fundamentally. What does Mozart's music trigger in us? How do people react to unexpected threats, how do they react to a real opportunity? And what happens when things go quiet after all? Musical direction: Omer Meir Wellber, Tohar Gil (26.3., 2.4.) Production: Christopher Rüping Stage: Jonathan Mertz Costumes: Lene Schwind Sound design: Jonas Holle Lighting: Benedikt Zehm Choir: Alice Meregaglia Dramaturgy: Malte Ubenauf, Christopher Warmuth Music theater project by Christopher Rüping, Omer Meir Wellber and Malte Ubenauf with music by Wolfgang Amadeus Mozart (2026)
Artistic depiction of the event
This season
In Hamburg

The great silence

Tue, Mar 17, 2026, 19:00
Omer Meir Wellber (Musical Director), Alice Meregaglia (Chorleitung), Ana Durlovski (Apollo), Gregory Kunde (Oebalus), Marie Maidowski (Melia), Damian Rebgetz (Hyazintus), Damian Rebgetz (Schauspieler), Hubert Kowalczyk (XXX - Bassbariton), Chor der Hamburgischen Staatsoper (Chorus), Philharmonisches Staatsorchester Hamburg (Orchestra)
IN FARAWAY PLACES - REDISCOVERING MOZART'S MUSIC Culture is meaningful. Culture not only keeps us busy - and thus structures our everyday lives - it seems to give us existential stability above all. Making music, together or alone, is one of the oldest and most deeply rooted rituals in our collective identity. Music still serves as a human compass today. Nevertheless, it does no harm to put ritualized processes to the test: In the music theater project The Great Silence, the music of Wolfgang Amadeus Mozart becomes existentially relevant for a group of people living in the future and far away from the earth. For them, unknown works by one of the most famous composers become both a daily reminder and a warning of what it means to be and remain human. Director Christopher Rüping, who is highly regarded and celebrated at home and abroad for his acting work and has been awarded the most important theater prizes, and his team make their long-awaited debut on the main stage of the Hamburg State Opera. They explore the question of what role and function such a timeless cultural asset as Mozart's music has for us and, in this music theater project, create the scenario of a remote world whose setting has little to do with our present-day reality. But man is the constant that has hardly changed fundamentally. What does Mozart's music trigger in us? How do people react to unexpected threats, how do they react to a real opportunity? And what happens when things go quiet after all? Musical direction: Omer Meir Wellber, Tohar Gil (26.3., 2.4.) Production: Christopher Rüping Stage: Jonathan Mertz Costumes: Lene Schwind Sound design: Jonas Holle Lighting: Benedikt Zehm Choir: Alice Meregaglia Dramaturgy: Malte Ubenauf, Christopher Warmuth Music theater project by Christopher Rüping, Omer Meir Wellber and Malte Ubenauf with music by Wolfgang Amadeus Mozart (2026)
Artistic depiction of the event
This season
In Hamburg

The great silence

Thu, Mar 19, 2026, 19:00
Omer Meir Wellber (Musical Director), Alice Meregaglia (Chorleitung), Ana Durlovski (Apollo), Gregory Kunde (Oebalus), Marie Maidowski (Melia), Damian Rebgetz (Hyazintus), Damian Rebgetz (Schauspieler), Hubert Kowalczyk (XXX - Bassbariton), Chor der Hamburgischen Staatsoper (Chorus), Philharmonisches Staatsorchester Hamburg (Orchestra)
IN FARAWAY PLACES - REDISCOVERING MOZART'S MUSIC Culture is meaningful. Culture not only keeps us busy - and thus structures our everyday lives - it seems to give us existential stability above all. Making music, together or alone, is one of the oldest and most deeply rooted rituals in our collective identity. Music still serves as a human compass today. Nevertheless, it does no harm to put ritualized processes to the test: In the music theater project The Great Silence, the music of Wolfgang Amadeus Mozart becomes existentially relevant for a group of people living in the future and far away from the earth. For them, unknown works by one of the most famous composers become both a daily reminder and a warning of what it means to be and remain human. Director Christopher Rüping, who is highly regarded and celebrated at home and abroad for his acting work and has been awarded the most important theater prizes, and his team make their long-awaited debut on the main stage of the Hamburg State Opera. They explore the question of what role and function such a timeless cultural asset as Mozart's music has for us and, in this music theater project, create the scenario of a remote world whose setting has little to do with our present-day reality. But man is the constant that has hardly changed fundamentally. What does Mozart's music trigger in us? How do people react to unexpected threats, how do they react to a real opportunity? And what happens when things go quiet after all? Musical direction: Omer Meir Wellber, Tohar Gil (26.3., 2.4.) Production: Christopher Rüping Stage: Jonathan Mertz Costumes: Lene Schwind Sound design: Jonas Holle Lighting: Benedikt Zehm Choir: Alice Meregaglia Dramaturgy: Malte Ubenauf, Christopher Warmuth Music theater project by Christopher Rüping, Omer Meir Wellber and Malte Ubenauf with music by Wolfgang Amadeus Mozart (2026)

Upcoming Concerts

Concerts featuring Gregory Kunde in season 2024/25 or later

Artistic depiction of the event
Next week
In Hamburg

La Fanciulla del West (The Girl of the West)

Fri, Mar 21, 2025, 19:30
Paolo Carignani (Musical Director), Christian Günther (Chorleitung), Anna Pirozzi (Minnie), Claudio Sgura (Jack Rance), Gregory Kunde (Dick Johnson), Andrew Dickinson (Nick), Han Kim (Ashby), Tigran Martirossian (Sonora), Paul Kaufmann (Trin), Nicholas Mogg (Sid), Charles Rice (Bello), Mziwamadoda Sipho Nodlayiya (Harry), Ziad Nehme (Joe), William Desbiens (Happy), Grzegorz Pelutis (Larkens), Mateusz Ługowski (Billy Jackrabbit), Aebh Kelly (Wowkle), David Minseok Kang (Jake Wallace), Keith Klein (Josè Castro), Philharmonisches Staatsorchester Hamburg (Orchestra), Chor der Hamburgischen Staatsoper (Chorus)
California in 1850: hundreds of thousands have fallen for the gold rush – and some of them also for the barkeeper Minnie, at whose saloon various fortune seekers meet every evening. Among them is Sheriff Jack Rance. Minnie, however, falls in love with the stranger Dick Johnson. It soon turns out that Johnson is a wanted robber: the sheriff wants to see him hang and have Minnie to himself. A round of poker is to decide about Dick’s life: is there yet another trump up Minnie’s sleeve? Puccini certainly held a trump with his Fanciulla, and even considered the piece his best: after world hits such as La Bohème and Madama Butterfly he had reinvented himself with this “spaghetti western”. In La Fanciulla del West, he combined ragtime rhythms, allusions to gospel singing and the music of the native Americans with Italian melodiousness, resulting in a lushly orchestrated broadband sound. This did not fail to affect the audience at the first performance at New York’s Metropolitan Opera in 1910. And yet, compared to Puccini’s major hits, the piece languished in the shadows for a long time – until the musical gold diggers set out to reclaim it… Director: Vincent Boussard Set Designer: Vincent Lemaire Costume Designer: Christian Lacroix Lighting Designer: Guido Levi Premiere: 01.02.2015
Artistic depiction of the event
This month
In Hamburg

La Fanciulla del West (The Girl of the West)

Wed, Mar 26, 2025, 19:30
Paolo Carignani (Musical Director), Christian Günther (Chorleitung), Anna Pirozzi (Minnie), Claudio Sgura (Jack Rance), Gregory Kunde (Dick Johnson), Andrew Dickinson (Nick), Han Kim (Ashby), Tigran Martirossian (Sonora), Paul Kaufmann (Trin), Nicholas Mogg (Sid), Charles Rice (Bello), Mziwamadoda Sipho Nodlayiya (Harry), Ziad Nehme (Joe), William Desbiens (Happy), Grzegorz Pelutis (Larkens), Mateusz Ługowski (Billy Jackrabbit), Aebh Kelly (Wowkle), David Minseok Kang (Jake Wallace), Keith Klein (Josè Castro), Philharmonisches Staatsorchester Hamburg (Orchestra), Chor der Hamburgischen Staatsoper (Chorus)
California in 1850: hundreds of thousands have fallen for the gold rush – and some of them also for the barkeeper Minnie, at whose saloon various fortune seekers meet every evening. Among them is Sheriff Jack Rance. Minnie, however, falls in love with the stranger Dick Johnson. It soon turns out that Johnson is a wanted robber: the sheriff wants to see him hang and have Minnie to himself. A round of poker is to decide about Dick’s life: is there yet another trump up Minnie’s sleeve? Puccini certainly held a trump with his Fanciulla, and even considered the piece his best: after world hits such as La Bohème and Madama Butterfly he had reinvented himself with this “spaghetti western”. In La Fanciulla del West, he combined ragtime rhythms, allusions to gospel singing and the music of the native Americans with Italian melodiousness, resulting in a lushly orchestrated broadband sound. This did not fail to affect the audience at the first performance at New York’s Metropolitan Opera in 1910. And yet, compared to Puccini’s major hits, the piece languished in the shadows for a long time – until the musical gold diggers set out to reclaim it… Director: Vincent Boussard Set Designer: Vincent Lemaire Costume Designer: Christian Lacroix Lighting Designer: Guido Levi Premiere: 01.02.2015
Artistic depiction of the event
This month
In Hamburg

La Fanciulla del West (The Girl of the West)

Sat, Mar 29, 2025, 19:30
Paolo Carignani (Musical Director), Christian Günther (Chorleitung), Anna Pirozzi (Minnie), Claudio Sgura (Jack Rance), Gregory Kunde (Dick Johnson), Andrew Dickinson (Nick), Han Kim (Ashby), Tigran Martirossian (Sonora), Paul Kaufmann (Trin), Nicholas Mogg (Sid), Charles Rice (Bello), Mziwamadoda Sipho Nodlayiya (Harry), Ziad Nehme (Joe), William Desbiens (Happy), Grzegorz Pelutis (Larkens), Mateusz Ługowski (Billy Jackrabbit), Aebh Kelly (Wowkle), David Minseok Kang (Jake Wallace), Keith Klein (Josè Castro), Philharmonisches Staatsorchester Hamburg (Orchestra), Chor der Hamburgischen Staatsoper (Chorus)
California in 1850: hundreds of thousands have fallen for the gold rush – and some of them also for the barkeeper Minnie, at whose saloon various fortune seekers meet every evening. Among them is Sheriff Jack Rance. Minnie, however, falls in love with the stranger Dick Johnson. It soon turns out that Johnson is a wanted robber: the sheriff wants to see him hang and have Minnie to himself. A round of poker is to decide about Dick’s life: is there yet another trump up Minnie’s sleeve? Puccini certainly held a trump with his Fanciulla, and even considered the piece his best: after world hits such as La Bohème and Madama Butterfly he had reinvented himself with this “spaghetti western”. In La Fanciulla del West, he combined ragtime rhythms, allusions to gospel singing and the music of the native Americans with Italian melodiousness, resulting in a lushly orchestrated broadband sound. This did not fail to affect the audience at the first performance at New York’s Metropolitan Opera in 1910. And yet, compared to Puccini’s major hits, the piece languished in the shadows for a long time – until the musical gold diggers set out to reclaim it… Director: Vincent Boussard Set Designer: Vincent Lemaire Costume Designer: Christian Lacroix Lighting Designer: Guido Levi Premiere: 01.02.2015
Artistic depiction of the event
Next month
In Hamburg

La Fanciulla del West (The Girl of the West)

Fri, Apr 4, 2025, 19:30
Paolo Carignani (Musical Director), Christian Günther (Chorleitung), Anna Pirozzi (Minnie), Claudio Sgura (Jack Rance), Gregory Kunde (Dick Johnson), Andrew Dickinson (Nick), Han Kim (Ashby), Tigran Martirossian (Sonora), Paul Kaufmann (Trin), Nicholas Mogg (Sid), Charles Rice (Bello), Mziwamadoda Sipho Nodlayiya (Harry), Ziad Nehme (Joe), William Desbiens (Happy), Grzegorz Pelutis (Larkens), Mateusz Ługowski (Billy Jackrabbit), Aebh Kelly (Wowkle), David Minseok Kang (Jake Wallace), Keith Klein (Josè Castro), Philharmonisches Staatsorchester Hamburg (Orchestra), Chor der Hamburgischen Staatsoper (Chorus)
California in 1850: hundreds of thousands have fallen for the gold rush – and some of them also for the barkeeper Minnie, at whose saloon various fortune seekers meet every evening. Among them is Sheriff Jack Rance. Minnie, however, falls in love with the stranger Dick Johnson. It soon turns out that Johnson is a wanted robber: the sheriff wants to see him hang and have Minnie to himself. A round of poker is to decide about Dick’s life: is there yet another trump up Minnie’s sleeve? Puccini certainly held a trump with his Fanciulla, and even considered the piece his best: after world hits such as La Bohème and Madama Butterfly he had reinvented himself with this “spaghetti western”. In La Fanciulla del West, he combined ragtime rhythms, allusions to gospel singing and the music of the native Americans with Italian melodiousness, resulting in a lushly orchestrated broadband sound. This did not fail to affect the audience at the first performance at New York’s Metropolitan Opera in 1910. And yet, compared to Puccini’s major hits, the piece languished in the shadows for a long time – until the musical gold diggers set out to reclaim it… Director: Vincent Boussard Set Designer: Vincent Lemaire Costume Designer: Christian Lacroix Lighting Designer: Guido Levi Premiere: 01.02.2015
Artistic depiction of the event
Next month
In Berlin

Ollikainen & Stoyanova

Sat, Apr 12, 2025, 20:00
Eva Ollikainen (Conductor), Krassimira Stoyanova (Soprano), Yajie Zhang (Mezzo-Soprano), Gregory Kunde (Tenor), Kostas Smoriginas (Bass-Bariton), Rundfunkchor Berlin (Choir), Julia Selina Blank (Chorus Master), Deutsches Symphonie-Orchester Berlin
»The omnipotent corruptor of taste in Italy.« »Immaturity, tastelessness, and ugliness.« Quite some impudence, what Verdi heard from Wagner conductor Hans von Bülow in 1874. Another critic found: »After all, isn’t the Italian entitled to ask whether he is allowed to speak Italian with God?« And for Verdi, this is how speaking with God about death in Italian goes: happy for some theatrics, but the Mass should by no means sound »like an opera«. Whether he succeeded—everyone will have to judge for themselves.
Artistic depiction of the event
This season
In Hamburg

The great silence

Sun, Mar 15, 2026, 19:30
Omer Meir Wellber (Musical Director), Alice Meregaglia (Chorleitung), Ana Durlovski (Apollo), Gregory Kunde (Oebalus), Marie Maidowski (Melia), Damian Rebgetz (Hyazintus), Damian Rebgetz (Schauspieler), Hubert Kowalczyk (XXX - Bassbariton), Chor der Hamburgischen Staatsoper (Chorus), Philharmonisches Staatsorchester Hamburg (Orchestra)
IN FARAWAY PLACES - REDISCOVERING MOZART'S MUSIC Culture is meaningful. Culture not only keeps us busy - and thus structures our everyday lives - it seems to give us existential stability above all. Making music, together or alone, is one of the oldest and most deeply rooted rituals in our collective identity. Music still serves as a human compass today. Nevertheless, it does no harm to put ritualized processes to the test: In the music theater project The Great Silence, the music of Wolfgang Amadeus Mozart becomes existentially relevant for a group of people living in the future and far away from the earth. For them, unknown works by one of the most famous composers become both a daily reminder and a warning of what it means to be and remain human. Director Christopher Rüping, who is highly regarded and celebrated at home and abroad for his acting work and has been awarded the most important theater prizes, and his team make their long-awaited debut on the main stage of the Hamburg State Opera. They explore the question of what role and function such a timeless cultural asset as Mozart's music has for us and, in this music theater project, create the scenario of a remote world whose setting has little to do with our present-day reality. But man is the constant that has hardly changed fundamentally. What does Mozart's music trigger in us? How do people react to unexpected threats, how do they react to a real opportunity? And what happens when things go quiet after all? Musical direction: Omer Meir Wellber, Tohar Gil (26.3., 2.4.) Production: Christopher Rüping Stage: Jonathan Mertz Costumes: Lene Schwind Sound design: Jonas Holle Lighting: Benedikt Zehm Choir: Alice Meregaglia Dramaturgy: Malte Ubenauf, Christopher Warmuth Music theater project by Christopher Rüping, Omer Meir Wellber and Malte Ubenauf with music by Wolfgang Amadeus Mozart (2026)
Artistic depiction of the event
This season
In Hamburg

The great silence

Tue, Mar 17, 2026, 19:00
Omer Meir Wellber (Musical Director), Alice Meregaglia (Chorleitung), Ana Durlovski (Apollo), Gregory Kunde (Oebalus), Marie Maidowski (Melia), Damian Rebgetz (Hyazintus), Damian Rebgetz (Schauspieler), Hubert Kowalczyk (XXX - Bassbariton), Chor der Hamburgischen Staatsoper (Chorus), Philharmonisches Staatsorchester Hamburg (Orchestra)
IN FARAWAY PLACES - REDISCOVERING MOZART'S MUSIC Culture is meaningful. Culture not only keeps us busy - and thus structures our everyday lives - it seems to give us existential stability above all. Making music, together or alone, is one of the oldest and most deeply rooted rituals in our collective identity. Music still serves as a human compass today. Nevertheless, it does no harm to put ritualized processes to the test: In the music theater project The Great Silence, the music of Wolfgang Amadeus Mozart becomes existentially relevant for a group of people living in the future and far away from the earth. For them, unknown works by one of the most famous composers become both a daily reminder and a warning of what it means to be and remain human. Director Christopher Rüping, who is highly regarded and celebrated at home and abroad for his acting work and has been awarded the most important theater prizes, and his team make their long-awaited debut on the main stage of the Hamburg State Opera. They explore the question of what role and function such a timeless cultural asset as Mozart's music has for us and, in this music theater project, create the scenario of a remote world whose setting has little to do with our present-day reality. But man is the constant that has hardly changed fundamentally. What does Mozart's music trigger in us? How do people react to unexpected threats, how do they react to a real opportunity? And what happens when things go quiet after all? Musical direction: Omer Meir Wellber, Tohar Gil (26.3., 2.4.) Production: Christopher Rüping Stage: Jonathan Mertz Costumes: Lene Schwind Sound design: Jonas Holle Lighting: Benedikt Zehm Choir: Alice Meregaglia Dramaturgy: Malte Ubenauf, Christopher Warmuth Music theater project by Christopher Rüping, Omer Meir Wellber and Malte Ubenauf with music by Wolfgang Amadeus Mozart (2026)
Artistic depiction of the event
This season
In Hamburg

The great silence

Thu, Mar 19, 2026, 19:00
Omer Meir Wellber (Musical Director), Alice Meregaglia (Chorleitung), Ana Durlovski (Apollo), Gregory Kunde (Oebalus), Marie Maidowski (Melia), Damian Rebgetz (Hyazintus), Damian Rebgetz (Schauspieler), Hubert Kowalczyk (XXX - Bassbariton), Chor der Hamburgischen Staatsoper (Chorus), Philharmonisches Staatsorchester Hamburg (Orchestra)
IN FARAWAY PLACES - REDISCOVERING MOZART'S MUSIC Culture is meaningful. Culture not only keeps us busy - and thus structures our everyday lives - it seems to give us existential stability above all. Making music, together or alone, is one of the oldest and most deeply rooted rituals in our collective identity. Music still serves as a human compass today. Nevertheless, it does no harm to put ritualized processes to the test: In the music theater project The Great Silence, the music of Wolfgang Amadeus Mozart becomes existentially relevant for a group of people living in the future and far away from the earth. For them, unknown works by one of the most famous composers become both a daily reminder and a warning of what it means to be and remain human. Director Christopher Rüping, who is highly regarded and celebrated at home and abroad for his acting work and has been awarded the most important theater prizes, and his team make their long-awaited debut on the main stage of the Hamburg State Opera. They explore the question of what role and function such a timeless cultural asset as Mozart's music has for us and, in this music theater project, create the scenario of a remote world whose setting has little to do with our present-day reality. But man is the constant that has hardly changed fundamentally. What does Mozart's music trigger in us? How do people react to unexpected threats, how do they react to a real opportunity? And what happens when things go quiet after all? Musical direction: Omer Meir Wellber, Tohar Gil (26.3., 2.4.) Production: Christopher Rüping Stage: Jonathan Mertz Costumes: Lene Schwind Sound design: Jonas Holle Lighting: Benedikt Zehm Choir: Alice Meregaglia Dramaturgy: Malte Ubenauf, Christopher Warmuth Music theater project by Christopher Rüping, Omer Meir Wellber and Malte Ubenauf with music by Wolfgang Amadeus Mozart (2026)
Artistic depiction of the event
This season
In Hamburg

The great silence

Sat, Mar 21, 2026, 19:00
Omer Meir Wellber (Musical Director), Alice Meregaglia (Chorleitung), Ana Durlovski (Apollo), Gregory Kunde (Oebalus), Marie Maidowski (Melia), Damian Rebgetz (Hyazintus), Damian Rebgetz (Schauspieler), Hubert Kowalczyk (XXX - Bassbariton), Chor der Hamburgischen Staatsoper (Chorus), Philharmonisches Staatsorchester Hamburg (Orchestra)
IN FARAWAY PLACES - REDISCOVERING MOZART'S MUSIC Culture is meaningful. Culture not only keeps us busy - and thus structures our everyday lives - it seems to give us existential stability above all. Making music, together or alone, is one of the oldest and most deeply rooted rituals in our collective identity. Music still serves as a human compass today. Nevertheless, it does no harm to put ritualized processes to the test: In the music theater project The Great Silence, the music of Wolfgang Amadeus Mozart becomes existentially relevant for a group of people living in the future and far away from the earth. For them, unknown works by one of the most famous composers become both a daily reminder and a warning of what it means to be and remain human. Director Christopher Rüping, who is highly regarded and celebrated at home and abroad for his acting work and has been awarded the most important theater prizes, and his team make their long-awaited debut on the main stage of the Hamburg State Opera. They explore the question of what role and function such a timeless cultural asset as Mozart's music has for us and, in this music theater project, create the scenario of a remote world whose setting has little to do with our present-day reality. But man is the constant that has hardly changed fundamentally. What does Mozart's music trigger in us? How do people react to unexpected threats, how do they react to a real opportunity? And what happens when things go quiet after all? Musical direction: Omer Meir Wellber, Tohar Gil (26.3., 2.4.) Production: Christopher Rüping Stage: Jonathan Mertz Costumes: Lene Schwind Sound design: Jonas Holle Lighting: Benedikt Zehm Choir: Alice Meregaglia Dramaturgy: Malte Ubenauf, Christopher Warmuth Music theater project by Christopher Rüping, Omer Meir Wellber and Malte Ubenauf with music by Wolfgang Amadeus Mozart (2026)
Artistic depiction of the event
This season
In Hamburg

The great silence

Thu, Mar 26, 2026, 19:00
Tohar Gil (Musical Director), Alice Meregaglia (Chorleitung), Ana Durlovski (Apollo), Gregory Kunde (Oebalus), Marie Maidowski (Melia), Damian Rebgetz (Hyazintus), Damian Rebgetz (Schauspieler), Hubert Kowalczyk (XXX - Bassbariton), Chor der Hamburgischen Staatsoper (Chorus), Philharmonisches Staatsorchester Hamburg (Orchestra)
IN FARAWAY PLACES - REDISCOVERING MOZART'S MUSIC Culture is meaningful. Culture not only keeps us busy - and thus structures our everyday lives - it seems to give us existential stability above all. Making music, together or alone, is one of the oldest and most deeply rooted rituals in our collective identity. Music still serves as a human compass today. Nevertheless, it does no harm to put ritualized processes to the test: In the music theater project The Great Silence, the music of Wolfgang Amadeus Mozart becomes existentially relevant for a group of people living in the future and far away from the earth. For them, unknown works by one of the most famous composers become both a daily reminder and a warning of what it means to be and remain human. Director Christopher Rüping, who is highly regarded and celebrated at home and abroad for his acting work and has been awarded the most important theater prizes, and his team make their long-awaited debut on the main stage of the Hamburg State Opera. They explore the question of what role and function such a timeless cultural asset as Mozart's music has for us and, in this music theater project, create the scenario of a remote world whose setting has little to do with our present-day reality. But man is the constant that has hardly changed fundamentally. What does Mozart's music trigger in us? How do people react to unexpected threats, how do they react to a real opportunity? And what happens when things go quiet after all? Musical direction: Omer Meir Wellber, Tohar Gil (26.3., 2.4.) Production: Christopher Rüping Stage: Jonathan Mertz Costumes: Lene Schwind Sound design: Jonas Holle Lighting: Benedikt Zehm Choir: Alice Meregaglia Dramaturgy: Malte Ubenauf, Christopher Warmuth Music theater project by Christopher Rüping, Omer Meir Wellber and Malte Ubenauf with music by Wolfgang Amadeus Mozart (2026)
Artistic depiction of the event
This season
In Hamburg

The great silence

Sun, Mar 29, 2026, 19:00
Omer Meir Wellber (Musical Director), Alice Meregaglia (Chorleitung), Ana Durlovski (Apollo), Gregory Kunde (Oebalus), Marie Maidowski (Melia), Damian Rebgetz (Hyazintus), Damian Rebgetz (Schauspieler), Hubert Kowalczyk (XXX - Bassbariton), Chor der Hamburgischen Staatsoper (Chorus), Philharmonisches Staatsorchester Hamburg (Orchestra)
IN FARAWAY PLACES - REDISCOVERING MOZART'S MUSIC Culture is meaningful. Culture not only keeps us busy - and thus structures our everyday lives - it seems to give us existential stability above all. Making music, together or alone, is one of the oldest and most deeply rooted rituals in our collective identity. Music still serves as a human compass today. Nevertheless, it does no harm to put ritualized processes to the test: In the music theater project The Great Silence, the music of Wolfgang Amadeus Mozart becomes existentially relevant for a group of people living in the future and far away from the earth. For them, unknown works by one of the most famous composers become both a daily reminder and a warning of what it means to be and remain human. Director Christopher Rüping, who is highly regarded and celebrated at home and abroad for his acting work and has been awarded the most important theater prizes, and his team make their long-awaited debut on the main stage of the Hamburg State Opera. They explore the question of what role and function such a timeless cultural asset as Mozart's music has for us and, in this music theater project, create the scenario of a remote world whose setting has little to do with our present-day reality. But man is the constant that has hardly changed fundamentally. What does Mozart's music trigger in us? How do people react to unexpected threats, how do they react to a real opportunity? And what happens when things go quiet after all? Musical direction: Omer Meir Wellber, Tohar Gil (26.3., 2.4.) Production: Christopher Rüping Stage: Jonathan Mertz Costumes: Lene Schwind Sound design: Jonas Holle Lighting: Benedikt Zehm Choir: Alice Meregaglia Dramaturgy: Malte Ubenauf, Christopher Warmuth Music theater project by Christopher Rüping, Omer Meir Wellber and Malte Ubenauf with music by Wolfgang Amadeus Mozart (2026)
Artistic depiction of the event
This season
In Hamburg

The great silence

Thu, Apr 2, 2026, 19:00
Tohar Gil (Musical Director), Alice Meregaglia (Chorleitung), Ana Durlovski (Apollo), Gregory Kunde (Oebalus), Marie Maidowski (Melia), Damian Rebgetz (Hyazintus), Damian Rebgetz (Schauspieler), Hubert Kowalczyk (XXX - Bassbariton), Chor der Hamburgischen Staatsoper (Chorus), Philharmonisches Staatsorchester Hamburg (Orchestra)
IN FARAWAY PLACES - REDISCOVERING MOZART'S MUSIC Culture is meaningful. Culture not only keeps us busy - and thus structures our everyday lives - it seems to give us existential stability above all. Making music, together or alone, is one of the oldest and most deeply rooted rituals in our collective identity. Music still serves as a human compass today. Nevertheless, it does no harm to put ritualized processes to the test: In the music theater project The Great Silence, the music of Wolfgang Amadeus Mozart becomes existentially relevant for a group of people living in the future and far away from the earth. For them, unknown works by one of the most famous composers become both a daily reminder and a warning of what it means to be and remain human. Director Christopher Rüping, who is highly regarded and celebrated at home and abroad for his acting work and has been awarded the most important theater prizes, and his team make their long-awaited debut on the main stage of the Hamburg State Opera. They explore the question of what role and function such a timeless cultural asset as Mozart's music has for us and, in this music theater project, create the scenario of a remote world whose setting has little to do with our present-day reality. But man is the constant that has hardly changed fundamentally. What does Mozart's music trigger in us? How do people react to unexpected threats, how do they react to a real opportunity? And what happens when things go quiet after all? Musical direction: Omer Meir Wellber, Tohar Gil (26.3., 2.4.) Production: Christopher Rüping Stage: Jonathan Mertz Costumes: Lene Schwind Sound design: Jonas Holle Lighting: Benedikt Zehm Choir: Alice Meregaglia Dramaturgy: Malte Ubenauf, Christopher Warmuth Music theater project by Christopher Rüping, Omer Meir Wellber and Malte Ubenauf with music by Wolfgang Amadeus Mozart (2026)
Artistic depiction of the event
This season
In Hamburg

The great silence

Sun, Apr 5, 2026, 16:00
Omer Meir Wellber (Musical Director), Alice Meregaglia (Chorleitung), Ana Durlovski (Apollo), Gregory Kunde (Oebalus), Marie Maidowski (Melia), Damian Rebgetz (Hyazintus), Damian Rebgetz (Schauspieler), Hubert Kowalczyk (XXX - Bassbariton), Chor der Hamburgischen Staatsoper (Chorus), Philharmonisches Staatsorchester Hamburg (Orchestra)
IN FARAWAY PLACES - REDISCOVERING MOZART'S MUSIC Culture is meaningful. Culture not only keeps us busy - and thus structures our everyday lives - it seems to give us existential stability above all. Making music, together or alone, is one of the oldest and most deeply rooted rituals in our collective identity. Music still serves as a human compass today. Nevertheless, it does no harm to put ritualized processes to the test: In the music theater project The Great Silence, the music of Wolfgang Amadeus Mozart becomes existentially relevant for a group of people living in the future and far away from the earth. For them, unknown works by one of the most famous composers become both a daily reminder and a warning of what it means to be and remain human. Director Christopher Rüping, who is highly regarded and celebrated at home and abroad for his acting work and has been awarded the most important theater prizes, and his team make their long-awaited debut on the main stage of the Hamburg State Opera. They explore the question of what role and function such a timeless cultural asset as Mozart's music has for us and, in this music theater project, create the scenario of a remote world whose setting has little to do with our present-day reality. But man is the constant that has hardly changed fundamentally. What does Mozart's music trigger in us? How do people react to unexpected threats, how do they react to a real opportunity? And what happens when things go quiet after all? Musical direction: Omer Meir Wellber, Tohar Gil (26.3., 2.4.) Production: Christopher Rüping Stage: Jonathan Mertz Costumes: Lene Schwind Sound design: Jonas Holle Lighting: Benedikt Zehm Choir: Alice Meregaglia Dramaturgy: Malte Ubenauf, Christopher Warmuth Music theater project by Christopher Rüping, Omer Meir Wellber and Malte Ubenauf with music by Wolfgang Amadeus Mozart (2026)
Artistic depiction of the event
This season
In Hamburg

The great silence

Fri, Apr 10, 2026, 19:00
Omer Meir Wellber (Musical Director), Alice Meregaglia (Chorleitung), Ana Durlovski (Apollo), Gregory Kunde (Oebalus), Marie Maidowski (Melia), Damian Rebgetz (Hyazintus), Damian Rebgetz (Schauspieler), Hubert Kowalczyk (XXX - Bassbariton), Chor der Hamburgischen Staatsoper (Chorus), Philharmonisches Staatsorchester Hamburg (Orchestra)
IN FARAWAY PLACES - REDISCOVERING MOZART'S MUSIC Culture is meaningful. Culture not only keeps us busy - and thus structures our everyday lives - it seems to give us existential stability above all. Making music, together or alone, is one of the oldest and most deeply rooted rituals in our collective identity. Music still serves as a human compass today. Nevertheless, it does no harm to put ritualized processes to the test: In the music theater project The Great Silence, the music of Wolfgang Amadeus Mozart becomes existentially relevant for a group of people living in the future and far away from the earth. For them, unknown works by one of the most famous composers become both a daily reminder and a warning of what it means to be and remain human. Director Christopher Rüping, who is highly regarded and celebrated at home and abroad for his acting work and has been awarded the most important theater prizes, and his team make their long-awaited debut on the main stage of the Hamburg State Opera. They explore the question of what role and function such a timeless cultural asset as Mozart's music has for us and, in this music theater project, create the scenario of a remote world whose setting has little to do with our present-day reality. But man is the constant that has hardly changed fundamentally. What does Mozart's music trigger in us? How do people react to unexpected threats, how do they react to a real opportunity? And what happens when things go quiet after all? Musical direction: Omer Meir Wellber, Tohar Gil (26.3., 2.4.) Production: Christopher Rüping Stage: Jonathan Mertz Costumes: Lene Schwind Sound design: Jonas Holle Lighting: Benedikt Zehm Choir: Alice Meregaglia Dramaturgy: Malte Ubenauf, Christopher Warmuth Music theater project by Christopher Rüping, Omer Meir Wellber and Malte Ubenauf with music by Wolfgang Amadeus Mozart (2026)