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Classical concerts featuring
Barno Ismatullaeva

Overview

Quick overview of musician Barno Ismatullaeva by associated keywords

New Arrivals

These concerts featuring Barno Ismatullaeva became visible lately at Concert Pulse.

Artistic depiction of the event
This season
In Hamburg

Madama Butterfly

Thu, Apr 16, 2026, 19:30
Alexander Joel (Musical Director), Alice Meregaglia (Chorus), Barno Ismatullaeva (Cio-Cio San), Ida Aldrian (Suzuki), Aebh Kelly (Kate Pinkerton), Atalla Ayan (Pinkerton), Kartal Karagedik (Sharpless), Daniel Kluge (Goro), William Desbiens (Il Principe Yamadori), Tigran Martirossian (Lo zio Bonzo), Philharmonisches Staatsorchester Hamburg (Orchestra), Chor der Hamburgischen Staatsoper (Chorus)
Nagasaki, Japan, ca. 1900: Pinkerton, a lieutenant in the American navy, has fallen in love with Cio-Cio-San, also known as “Butterfly”. The Japanese ritual marriage ceremony is merely a farce to him – and shortly thereafter, Pinkerton’s “plaything” is alone again, with their child. Three years later, he returns to Japan, but not because of Butterfly. Together with his new wife, he intends to pick up the child and take it to American with him. Butterfly commits suicide. The opera’s world premiere in 1904 was a historic fiasco: the audience at Milan’s La Scala failed to understand the exotic subject. Puccini, however, believed in the piece: “My Butterfly remains what it is. It is the most emotional opera I have written!” He was right: only a few months later, an altered version of Madama Butterfly proved a rousing success when it was premiered at the Teatro Grande in Brescia. To this day, Puccini’s “tragedia giapponese” has remained one of the most popular and moving operas ever written. Director: Vincent Boussard Set Designer: Vincent Lemaire Costume Designer: Christian Lacroix Lighting Designer: Guido Levi Dramaturgy: Barbara Weigel Premiere: 11.11.2012
Artistic depiction of the event
This season
In Hamburg

Madama Butterfly

Sat, Apr 18, 2026, 19:30
Alexander Joel (Musical Director), Alice Meregaglia (Chorus), Barno Ismatullaeva (Cio-Cio San), Ida Aldrian (Suzuki), Aebh Kelly (Kate Pinkerton), Atalla Ayan (Pinkerton), Kartal Karagedik (Sharpless), Daniel Kluge (Goro), William Desbiens (Il Principe Yamadori), Tigran Martirossian (Lo zio Bonzo), Philharmonisches Staatsorchester Hamburg (Orchestra), Chor der Hamburgischen Staatsoper (Chorus)
Nagasaki, Japan, ca. 1900: Pinkerton, a lieutenant in the American navy, has fallen in love with Cio-Cio-San, also known as “Butterfly”. The Japanese ritual marriage ceremony is merely a farce to him – and shortly thereafter, Pinkerton’s “plaything” is alone again, with their child. Three years later, he returns to Japan, but not because of Butterfly. Together with his new wife, he intends to pick up the child and take it to American with him. Butterfly commits suicide. The opera’s world premiere in 1904 was a historic fiasco: the audience at Milan’s La Scala failed to understand the exotic subject. Puccini, however, believed in the piece: “My Butterfly remains what it is. It is the most emotional opera I have written!” He was right: only a few months later, an altered version of Madama Butterfly proved a rousing success when it was premiered at the Teatro Grande in Brescia. To this day, Puccini’s “tragedia giapponese” has remained one of the most popular and moving operas ever written. Director: Vincent Boussard Set Designer: Vincent Lemaire Costume Designer: Christian Lacroix Lighting Designer: Guido Levi Dramaturgy: Barbara Weigel Premiere: 11.11.2012
Artistic depiction of the event
This season
In Hamburg

Madama Butterfly

Fri, Apr 24, 2026, 19:30
Alexander Joel (Musical Director), Alice Meregaglia (Chorus), Barno Ismatullaeva (Cio-Cio San), Ida Aldrian (Suzuki), Aebh Kelly (Kate Pinkerton), Atalla Ayan (Pinkerton), Kartal Karagedik (Sharpless), Daniel Kluge (Goro), William Desbiens (Il Principe Yamadori), Tigran Martirossian (Lo zio Bonzo), Philharmonisches Staatsorchester Hamburg (Orchestra), Chor der Hamburgischen Staatsoper (Chorus)
Nagasaki, Japan, ca. 1900: Pinkerton, a lieutenant in the American navy, has fallen in love with Cio-Cio-San, also known as “Butterfly”. The Japanese ritual marriage ceremony is merely a farce to him – and shortly thereafter, Pinkerton’s “plaything” is alone again, with their child. Three years later, he returns to Japan, but not because of Butterfly. Together with his new wife, he intends to pick up the child and take it to American with him. Butterfly commits suicide. The opera’s world premiere in 1904 was a historic fiasco: the audience at Milan’s La Scala failed to understand the exotic subject. Puccini, however, believed in the piece: “My Butterfly remains what it is. It is the most emotional opera I have written!” He was right: only a few months later, an altered version of Madama Butterfly proved a rousing success when it was premiered at the Teatro Grande in Brescia. To this day, Puccini’s “tragedia giapponese” has remained one of the most popular and moving operas ever written. Director: Vincent Boussard Set Designer: Vincent Lemaire Costume Designer: Christian Lacroix Lighting Designer: Guido Levi Dramaturgy: Barbara Weigel Premiere: 11.11.2012

Upcoming Concerts

Concerts featuring Barno Ismatullaeva in season 2024/25 or later

Artistic depiction of the event
Next week
In Hamburg

Maria Stuarda

Sun, Mar 16, 2025, 18:00
Karin Beier (Inszenierung), Antonino Fogliani (Musical Director), Amber Vandenhoeck (Bühnenbild), Eva Dessecker (Costume), Annette ter Meulen (Licht), Severin Renke (Video), Rita Thiele (Dramaturgie), Eberhard Friedrich (Chorleitung), Barno Ismatullaeva (Elisabetta), Ermonela Jaho (Maria Stuarda), Aebh Kelly (Anna), Long Long (Roberto), Alexander Roslavets (Talbot), Gezim Myshketa (Cecil), Katja Danowski (Double Elisabetta), Sandra Gerling (Double Maria Stuarda), Chor der Hamburgischen Staatsoper (Chorus), Philharmonisches Staatsorchester Hamburg (Orchestra)
Maria and Elisabetta: two queens fight for power and love. Between them stands Count Leicester, Elisabetta's lover, who is attracted to Maria. The two women meet in the park of Fotheringhay Castle - a duel of emotions, fought with the weapons of bel canto, coloratura on a knife's edge. In the end, the Catholic Maria will ascend the scaffold with her head held high, while the Protestant Elisabetta will keep her throne but lose her love. Musical Direction: Antonino Fogliani Production: Karin Beier Stage: Amber Vandenhoeck Costumes: Eva Dessecker Lighting: Annette ter Meulen Lighting Dramaturgy: Rita Thiele
Artistic depiction of the event
Next week
In Hamburg

Maria Stuarda

Wed, Mar 19, 2025, 19:00
Karin Beier (Inszenierung), Antonino Fogliani (Musical Director), Amber Vandenhoeck (Bühnenbild), Eva Dessecker (Costume), Annette ter Meulen (Licht), Severin Renke (Video), Rita Thiele (Dramaturgie), Eberhard Friedrich (Chorleitung), Barno Ismatullaeva (Elisabetta), Ermonela Jaho (Maria Stuarda), Aebh Kelly (Anna), Long Long (Roberto), Alexander Roslavets (Talbot), Gezim Myshketa (Cecil), Katja Danowski (Double Elisabetta), Sandra Gerling (Double Maria Stuarda), Chor der Hamburgischen Staatsoper (Chorus), Philharmonisches Staatsorchester Hamburg (Orchestra)
Maria and Elisabetta: two queens fight for power and love. Between them stands Count Leicester, Elisabetta's lover, who is attracted to Maria. The two women meet in the park of Fotheringhay Castle - a duel of emotions, fought with the weapons of bel canto, coloratura on a knife's edge. In the end, the Catholic Maria will ascend the scaffold with her head held high, while the Protestant Elisabetta will keep her throne but lose her love. Musical Direction: Antonino Fogliani Production: Karin Beier Stage: Amber Vandenhoeck Costumes: Eva Dessecker Lighting: Annette ter Meulen Lighting Dramaturgy: Rita Thiele
Artistic depiction of the event
Next week
In Hamburg

Maria Stuarda

Sat, Mar 22, 2025, 19:00
Karin Beier (Inszenierung), Antonino Fogliani (Musical Director), Amber Vandenhoeck (Bühnenbild), Eva Dessecker (Costume), Annette ter Meulen (Licht), Severin Renke (Video), Rita Thiele (Dramaturgie), Eberhard Friedrich (Chorleitung), Barno Ismatullaeva (Elisabetta), Ermonela Jaho (Maria Stuarda), Aebh Kelly (Anna), Long Long (Roberto), Alexander Roslavets (Talbot), Gezim Myshketa (Cecil), Katja Danowski (Double Elisabetta), Sandra Gerling (Double Maria Stuarda), Chor der Hamburgischen Staatsoper (Chorus), Philharmonisches Staatsorchester Hamburg (Orchestra)
Maria and Elisabetta: two queens fight for power and love. Between them stands Count Leicester, Elisabetta's lover, who is attracted to Maria. The two women meet in the park of Fotheringhay Castle - a duel of emotions, fought with the weapons of bel canto, coloratura on a knife's edge. In the end, the Catholic Maria will ascend the scaffold with her head held high, while the Protestant Elisabetta will keep her throne but lose her love. Musical Direction: Antonino Fogliani Production: Karin Beier Stage: Amber Vandenhoeck Costumes: Eva Dessecker Lighting: Annette ter Meulen Lighting Dramaturgy: Rita Thiele
Artistic depiction of the event
This month
In Hamburg

Maria Stuarda

Tue, Mar 25, 2025, 19:00
Karin Beier (Inszenierung), Antonino Fogliani (Musical Director), Amber Vandenhoeck (Bühnenbild), Eva Dessecker (Costume), Annette ter Meulen (Licht), Severin Renke (Video), Rita Thiele (Dramaturgie), Eberhard Friedrich (Chorleitung), Barno Ismatullaeva (Elisabetta), Ermonela Jaho (Maria Stuarda), Aebh Kelly (Anna), Long Long (Roberto), Alexander Roslavets (Talbot), Gezim Myshketa (Cecil), Katja Danowski (Double Elisabetta), Sandra Gerling (Double Maria Stuarda), Chor der Hamburgischen Staatsoper (Chorus), Philharmonisches Staatsorchester Hamburg (Orchestra)
Maria and Elisabetta: two queens fight for power and love. Between them stands Count Leicester, Elisabetta's lover, who is attracted to Maria. The two women meet in the park of Fotheringhay Castle - a duel of emotions, fought with the weapons of bel canto, coloratura on a knife's edge. In the end, the Catholic Maria will ascend the scaffold with her head held high, while the Protestant Elisabetta will keep her throne but lose her love. Musical Direction: Antonino Fogliani Production: Karin Beier Stage: Amber Vandenhoeck Costumes: Eva Dessecker Lighting: Annette ter Meulen Lighting Dramaturgy: Rita Thiele
Artistic depiction of the event
This month
In Hamburg

Maria Stuarda

Fri, Mar 28, 2025, 19:00
Karin Beier (Inszenierung), Antonino Fogliani (Musical Director), Amber Vandenhoeck (Bühnenbild), Eva Dessecker (Costume), Annette ter Meulen (Licht), Severin Renke (Video), Rita Thiele (Dramaturgie), Eberhard Friedrich (Chorleitung), Barno Ismatullaeva (Elisabetta), Ermonela Jaho (Maria Stuarda), Aebh Kelly (Anna), Long Long (Roberto), Alexander Roslavets (Talbot), Gezim Myshketa (Cecil), Katja Danowski (Double Elisabetta), Sandra Gerling (Double Maria Stuarda), Chor der Hamburgischen Staatsoper (Chorus), Philharmonisches Staatsorchester Hamburg (Orchestra)
Maria and Elisabetta: two queens fight for power and love. Between them stands Count Leicester, Elisabetta's lover, who is attracted to Maria. The two women meet in the park of Fotheringhay Castle - a duel of emotions, fought with the weapons of bel canto, coloratura on a knife's edge. In the end, the Catholic Maria will ascend the scaffold with her head held high, while the Protestant Elisabetta will keep her throne but lose her love. Musical Direction: Antonino Fogliani Production: Karin Beier Stage: Amber Vandenhoeck Costumes: Eva Dessecker Lighting: Annette ter Meulen Lighting Dramaturgy: Rita Thiele
Artistic depiction of the event
This month
In Hamburg

Maria Stuarda

Sun, Mar 30, 2025, 17:00
Karin Beier (Inszenierung), Antonino Fogliani (Musical Director), Amber Vandenhoeck (Bühnenbild), Eva Dessecker (Costume), Annette ter Meulen (Licht), Rita Thiele (Dramaturgie), Eberhard Friedrich (Chorleitung), Barno Ismatullaeva (Elisabetta), Ermonela Jaho (Maria Stuarda), Aebh Kelly (Anna), Long Long (Roberto), Alexander Roslavets (Talbot), Gezim Myshketa (Cecil), Katja Danowski (Double Elisabetta), Sandra Gerling (Double Maria Stuarda), Chor der Hamburgischen Staatsoper (Chorus), Philharmonisches Staatsorchester Hamburg (Orchestra)
Maria and Elisabetta: two queens fight for power and love. Between them stands Count Leicester, Elisabetta's lover, who is attracted to Maria. The two women meet in the park of Fotheringhay Castle - a duel of emotions, fought with the weapons of bel canto, coloratura on a knife's edge. In the end, the Catholic Maria will ascend the scaffold with her head held high, while the Protestant Elisabetta will keep her throne but lose her love. Musical Direction: Antonino Fogliani Production: Karin Beier Stage: Amber Vandenhoeck Costumes: Eva Dessecker Lighting: Annette ter Meulen Lighting Dramaturgy: Rita Thiele
Artistic depiction of the event
Next month
In Hamburg

Maria Stuarda

Wed, Apr 2, 2025, 19:00
Karin Beier (Inszenierung), Antonino Fogliani (Musical Director), Amber Vandenhoeck (Bühnenbild), Eva Dessecker (Costume), Annette ter Meulen (Licht), Severin Renke (Video), Rita Thiele (Dramaturgie), Eberhard Friedrich (Chorleitung), Barno Ismatullaeva (Elisabetta), Ermonela Jaho (Maria Stuarda), Aebh Kelly (Anna), Long Long (Roberto), Alexander Roslavets (Talbot), Gezim Myshketa (Cecil), Katja Danowski (Double Elisabetta), Sandra Gerling (Double Maria Stuarda), Chor der Hamburgischen Staatsoper (Chorus), Philharmonisches Staatsorchester Hamburg (Orchestra)
Maria and Elisabetta: two queens fight for power and love. Between them stands Count Leicester, Elisabetta's lover, who is attracted to Maria. The two women meet in the park of Fotheringhay Castle - a duel of emotions, fought with the weapons of bel canto, coloratura on a knife's edge. In the end, the Catholic Maria will ascend the scaffold with her head held high, while the Protestant Elisabetta will keep her throne but lose her love. Musical Direction: Antonino Fogliani Production: Karin Beier Stage: Amber Vandenhoeck Costumes: Eva Dessecker Lighting: Annette ter Meulen Lighting Dramaturgy: Rita Thiele
Artistic depiction of the event
This season
In Hamburg

Madama Butterfly

Thu, Apr 16, 2026, 19:30
Alexander Joel (Musical Director), Alice Meregaglia (Chorus), Barno Ismatullaeva (Cio-Cio San), Ida Aldrian (Suzuki), Aebh Kelly (Kate Pinkerton), Atalla Ayan (Pinkerton), Kartal Karagedik (Sharpless), Daniel Kluge (Goro), William Desbiens (Il Principe Yamadori), Tigran Martirossian (Lo zio Bonzo), Philharmonisches Staatsorchester Hamburg (Orchestra), Chor der Hamburgischen Staatsoper (Chorus)
Nagasaki, Japan, ca. 1900: Pinkerton, a lieutenant in the American navy, has fallen in love with Cio-Cio-San, also known as “Butterfly”. The Japanese ritual marriage ceremony is merely a farce to him – and shortly thereafter, Pinkerton’s “plaything” is alone again, with their child. Three years later, he returns to Japan, but not because of Butterfly. Together with his new wife, he intends to pick up the child and take it to American with him. Butterfly commits suicide. The opera’s world premiere in 1904 was a historic fiasco: the audience at Milan’s La Scala failed to understand the exotic subject. Puccini, however, believed in the piece: “My Butterfly remains what it is. It is the most emotional opera I have written!” He was right: only a few months later, an altered version of Madama Butterfly proved a rousing success when it was premiered at the Teatro Grande in Brescia. To this day, Puccini’s “tragedia giapponese” has remained one of the most popular and moving operas ever written. Director: Vincent Boussard Set Designer: Vincent Lemaire Costume Designer: Christian Lacroix Lighting Designer: Guido Levi Dramaturgy: Barbara Weigel Premiere: 11.11.2012
Artistic depiction of the event
This season
In Hamburg

Madama Butterfly

Sat, Apr 18, 2026, 19:30
Alexander Joel (Musical Director), Alice Meregaglia (Chorus), Barno Ismatullaeva (Cio-Cio San), Ida Aldrian (Suzuki), Aebh Kelly (Kate Pinkerton), Atalla Ayan (Pinkerton), Kartal Karagedik (Sharpless), Daniel Kluge (Goro), William Desbiens (Il Principe Yamadori), Tigran Martirossian (Lo zio Bonzo), Philharmonisches Staatsorchester Hamburg (Orchestra), Chor der Hamburgischen Staatsoper (Chorus)
Nagasaki, Japan, ca. 1900: Pinkerton, a lieutenant in the American navy, has fallen in love with Cio-Cio-San, also known as “Butterfly”. The Japanese ritual marriage ceremony is merely a farce to him – and shortly thereafter, Pinkerton’s “plaything” is alone again, with their child. Three years later, he returns to Japan, but not because of Butterfly. Together with his new wife, he intends to pick up the child and take it to American with him. Butterfly commits suicide. The opera’s world premiere in 1904 was a historic fiasco: the audience at Milan’s La Scala failed to understand the exotic subject. Puccini, however, believed in the piece: “My Butterfly remains what it is. It is the most emotional opera I have written!” He was right: only a few months later, an altered version of Madama Butterfly proved a rousing success when it was premiered at the Teatro Grande in Brescia. To this day, Puccini’s “tragedia giapponese” has remained one of the most popular and moving operas ever written. Director: Vincent Boussard Set Designer: Vincent Lemaire Costume Designer: Christian Lacroix Lighting Designer: Guido Levi Dramaturgy: Barbara Weigel Premiere: 11.11.2012
Artistic depiction of the event
This season
In Hamburg

Madama Butterfly

Fri, Apr 24, 2026, 19:30
Alexander Joel (Musical Director), Alice Meregaglia (Chorus), Barno Ismatullaeva (Cio-Cio San), Ida Aldrian (Suzuki), Aebh Kelly (Kate Pinkerton), Atalla Ayan (Pinkerton), Kartal Karagedik (Sharpless), Daniel Kluge (Goro), William Desbiens (Il Principe Yamadori), Tigran Martirossian (Lo zio Bonzo), Philharmonisches Staatsorchester Hamburg (Orchestra), Chor der Hamburgischen Staatsoper (Chorus)
Nagasaki, Japan, ca. 1900: Pinkerton, a lieutenant in the American navy, has fallen in love with Cio-Cio-San, also known as “Butterfly”. The Japanese ritual marriage ceremony is merely a farce to him – and shortly thereafter, Pinkerton’s “plaything” is alone again, with their child. Three years later, he returns to Japan, but not because of Butterfly. Together with his new wife, he intends to pick up the child and take it to American with him. Butterfly commits suicide. The opera’s world premiere in 1904 was a historic fiasco: the audience at Milan’s La Scala failed to understand the exotic subject. Puccini, however, believed in the piece: “My Butterfly remains what it is. It is the most emotional opera I have written!” He was right: only a few months later, an altered version of Madama Butterfly proved a rousing success when it was premiered at the Teatro Grande in Brescia. To this day, Puccini’s “tragedia giapponese” has remained one of the most popular and moving operas ever written. Director: Vincent Boussard Set Designer: Vincent Lemaire Costume Designer: Christian Lacroix Lighting Designer: Guido Levi Dramaturgy: Barbara Weigel Premiere: 11.11.2012
Artistic depiction of the event
This season
In Hamburg

Madama Butterfly

Wed, Apr 29, 2026, 19:30
Alexander Joel (Musical Director), Alice Meregaglia (Chorus), Barno Ismatullaeva (Cio-Cio San), Ida Aldrian (Suzuki), Aebh Kelly (Kate Pinkerton), Atalla Ayan (Pinkerton), Kartal Karagedik (Sharpless), Daniel Kluge (Goro), William Desbiens (Il Principe Yamadori), Tigran Martirossian (Lo zio Bonzo), Philharmonisches Staatsorchester Hamburg (Orchestra), Chor der Hamburgischen Staatsoper (Chorus)
Nagasaki, Japan, ca. 1900: Pinkerton, a lieutenant in the American navy, has fallen in love with Cio-Cio-San, also known as “Butterfly”. The Japanese ritual marriage ceremony is merely a farce to him – and shortly thereafter, Pinkerton’s “plaything” is alone again, with their child. Three years later, he returns to Japan, but not because of Butterfly. Together with his new wife, he intends to pick up the child and take it to American with him. Butterfly commits suicide. The opera’s world premiere in 1904 was a historic fiasco: the audience at Milan’s La Scala failed to understand the exotic subject. Puccini, however, believed in the piece: “My Butterfly remains what it is. It is the most emotional opera I have written!” He was right: only a few months later, an altered version of Madama Butterfly proved a rousing success when it was premiered at the Teatro Grande in Brescia. To this day, Puccini’s “tragedia giapponese” has remained one of the most popular and moving operas ever written. Director: Vincent Boussard Set Designer: Vincent Lemaire Costume Designer: Christian Lacroix Lighting Designer: Guido Levi Dramaturgy: Barbara Weigel Premiere: 11.11.2012
Artistic depiction of the event
This season
In Hamburg

Madama Butterfly

Sat, May 9, 2026, 19:30
Alexander Joel (Musical Director), Alice Meregaglia (Chorus), Barno Ismatullaeva (Cio-Cio San), Ida Aldrian (Suzuki), Aebh Kelly (Kate Pinkerton), Atalla Ayan (Pinkerton), Kartal Karagedik (Sharpless), Daniel Kluge (Goro), William Desbiens (Il Principe Yamadori), Tigran Martirossian (Lo zio Bonzo), Philharmonisches Staatsorchester Hamburg (Orchestra), Chor der Hamburgischen Staatsoper (Chorus)
Nagasaki, Japan, ca. 1900: Pinkerton, a lieutenant in the American navy, has fallen in love with Cio-Cio-San, also known as “Butterfly”. The Japanese ritual marriage ceremony is merely a farce to him – and shortly thereafter, Pinkerton’s “plaything” is alone again, with their child. Three years later, he returns to Japan, but not because of Butterfly. Together with his new wife, he intends to pick up the child and take it to American with him. Butterfly commits suicide. The opera’s world premiere in 1904 was a historic fiasco: the audience at Milan’s La Scala failed to understand the exotic subject. Puccini, however, believed in the piece: “My Butterfly remains what it is. It is the most emotional opera I have written!” He was right: only a few months later, an altered version of Madama Butterfly proved a rousing success when it was premiered at the Teatro Grande in Brescia. To this day, Puccini’s “tragedia giapponese” has remained one of the most popular and moving operas ever written. Director: Vincent Boussard Set Designer: Vincent Lemaire Costume Designer: Christian Lacroix Lighting Designer: Guido Levi Dramaturgy: Barbara Weigel Premiere: 11.11.2012