Concerts with works by

Sergei Rachmaninoff

Heavenly Voices: Netherlands Radio Choir and cellist Quirine Viersen

The Sunday Morning Concert brings you wonderful and much-loved compositions, performed by top musicians from the Netherlands and abroad. Enjoy the most beautiful music in the morning! You can make your Sunday complete by enjoying a delicious post-concert lunch in restaurant LIER.The Royal Concertgebouw is one of the best concert halls in the world, famous for its exceptional acoustics and varied programme. Attend a concert and have an experience you will never forget. Come and enjoy inspiring music in the beautiful surroundings of the Main Hall or the intimate Recital Hall.

Beethoven 7 and Rachmaninoff's Paganini Variations

The Sunday Morning Concert brings you wonderful and much-loved compositions, performed by top musicians from the Netherlands and abroad. Enjoy the most beautiful music in the morning! You can make your Sunday complete by enjoying a delicious post-concert lunch in restaurant LIER.The Royal Concertgebouw is one of the best concert halls in the world, famous for its exceptional acoustics and varied programme. Attend a concert and have an experience you will never forget. Come and enjoy inspiring music in the beautiful surroundings of the Main Hall or the intimate Recital Hall.

Concertgebouw Orchestra plays Rachmaninoff and Sibelius

Pianist Kirill Gerstein can do it all, having already demonstrated as much with the Concertgebouw Orchestra in works by Rachmaninoff – the Piano Concerto No. 2 and the Rhapsody on a Theme of Paganini – as well as Liszt, Richard Strauss, Shostakovich and Adès. Now he tackles the Mount Everest of piano concertos – Rachmaninoff’s Third. Rachmaninoff’s characteristic melancholy always culminates in exuberant finales. The Third Piano Concerto is an uncontested high point of his œuvre: it is not only a virtuoso work, but also a compelling dialogue between piano and orchestra. And the more you hear it, the more it reveals. This also applies to Anna Clyne’s turbulent Fractured Time, the second work on the orchestra’s repertoire by this successful and fascinating composer.And speaking of exuberant finales – the orchestra is performing Jean Sibelius’ Fifth Symphony after the interval. This well-loved symphony is sombre in character, the composer having suffered from deep depression. But during the compositional process, the sun gradually broke through, and the music culminates in a radiant and sublime ending. Sibelius’s symphonies fit Santtu-Matias Rouvali like a glove, and he has been a welcome guest with the Concertgebouw Orchestra since his first appearance in 2020. Like a passionate sculptor, the Finnish conductor moulds the orchestra in changeable shapes and colours – just what Sibelius’s epic music calls for.

Concertgebouw Orchestra plays Rachmaninoff and Sibelius

Pianist Kirill Gerstein can do it all, having already demonstrated as much with the Concertgebouw Orchestra in works by Rachmaninoff – the Piano Concerto No. 2 and the Rhapsody on a Theme of Paganini – as well as Liszt, Richard Strauss, Shostakovich and Adès. Now he tackles the Mount Everest of piano concertos – Rachmaninoff’s Third. Rachmaninoff’s characteristic melancholy always culminates in exuberant finales. The Third Piano Concerto is an uncontested high point of his œuvre: it is not only a virtuoso work, but also a compelling dialogue between piano and orchestra. And the more you hear it, the more it reveals. This also applies to Anna Clyne’s turbulent Fractured Time, the second work on the orchestra’s repertoire by this successful and fascinating composer.And speaking of exuberant finales – the orchestra is performing Jean Sibelius’ Fifth Symphony after the interval. This well-loved symphony is sombre in character, the composer having suffered from deep depression. But during the compositional process, the sun gradually broke through, and the music culminates in a radiant and sublime ending. Sibelius’s symphonies fit Santtu-Matias Rouvali like a glove, and he has been a welcome guest with the Concertgebouw Orchestra since his first appearance in 2020. Like a passionate sculptor, the Finnish conductor moulds the orchestra in changeable shapes and colours – just what Sibelius’s epic music calls for.

Concertgebouw Orchestra plays Rachmaninoff and Sibelius

Pianist Kirill Gerstein can do it all, having already demonstrated as much with the Concertgebouw Orchestra in works by Rachmaninoff – the Piano Concerto No. 2 and the Rhapsody on a Theme of Paganini – as well as Liszt, Richard Strauss, Shostakovich and Adès. Now he tackles the Mount Everest of piano concertos – Rachmaninoff’s Third. Rachmaninoff’s characteristic melancholy always culminates in exuberant finales. The Third Piano Concerto is an uncontested high point of his œuvre: it is not only a virtuoso work, but also a compelling dialogue between piano and orchestra. And the more you hear it, the more it reveals. This also applies to Anna Clyne’s turbulent Fractured Time, the second work on the orchestra’s repertoire by this successful and fascinating composer.And speaking of exuberant finales – the orchestra is performing Jean Sibelius’ Fifth Symphony after the interval. This well-loved symphony is sombre in character, the composer having suffered from deep depression. But during the compositional process, the sun gradually broke through, and the music culminates in a radiant and sublime ending. Sibelius’s symphonies fit Santtu-Matias Rouvali like a glove, and he has been a welcome guest with the Concertgebouw Orchestra since his first appearance in 2020. Like a passionate sculptor, the Finnish conductor moulds the orchestra in changeable shapes and colours – just what Sibelius’s epic music calls for.

Guest performance

Guildhall School Chamber Music Festival: Finale

For the finale of Guildhall School’s 2025 Chamber Music Festival, Guildhall performers and professors present a rich programme of music by Rachmaninov, Shostakovich, Stravinsky, Stamitz and Fauré.

Guest performance

NDR Vokalensemble / Simon Halsey

British conductor Simon Halsey leads »SINGING!« 2025 and, together with the NDR Vokalensemble, the award-winning choral conductor wants to breathe new life into the participatory concert after the coronavirus years. Register now to take part!

Réminiscences de l’inoubliable concert « Ce qu’a vu le vent d’Est » 2023

Nouveaux Virtuoses – avec Ryutaro Suzuki

Pianist Series: Alexander Gavrylyuk

The Concertgebouw’s famous Main Hall is one of the best concert halls in the world, well-known for its exceptional acoustics and special atmosphere. In the Main Hall, you will feel history. Here, Gustav Mahler conducted his own compositions, as did Richard Strauss and Igor Stravinsky. Sergei Rachmaninoff played his own piano concertos in the Main Hall. This is also where musicians such as Leonard Bernstein, Vladimir Horowitz and Yehudi Menuhin gave legendary performances. Right up to now, the Main Hall offers a stage to the world’s best orchestras and musicians. Buy your tickets now and experience the magic of the Main Hall for yourself!

Junior Guildhall Symphony Orchestra

Julian Clayton conducts the outstanding young musicians of Junior Guildhall in a programme of 20th-century America-inspired works.

Gabriela Montero Charlie Chaplins „The Immigrant“

Im Jahr 2018 erhielt Gabriela Montero den Heidelberger Frühling Musikpreis für ihren leidenschaftlichen Einsatz als Musikvermittlerin, gesellschaftliche Brückenbauerin und für ihre großartigen Improvisationen. Als Gastkünstlerin beim „Frühling“ wird sie stets warmherzig von ihrem Publikum empfangen. Doch die Venezolanerin, die seit vielen Jahren fernab ihrer von Krisen erschütterten Heimat lebt, kennt das Fremdsein nur zu gut und hat diesem Gefühl ein Rezital gewidmet. Zu hören sind die Werke von drei Russen, deren Biografien ebenfalls durch ein Leben im Exil geprägt waren: das groteske Lachen Prokofjews, die nüchterne Tonsprache Strawinskys und die Musik des missverstandenen Rachmaninow, dessen Melodien nur allzu oft verramscht wurden. Sie münden in den Chaplin-Stummfilm „The Immigrant“, zu dem Montero live improvisieren wird.Das Konzert endet mit einer Live-Improvisation zum Stummfilm „The Immigrant“ von Charlie Chaplin.Im Anschluss findet ein Künstlergespräch mit Anselm Cybinski im Festivalzentrum statt.*Restored by Lobster Films and Cineteca di Bologna under the aegis of Association Chaplin © Film Preservation Associates Inc., 2012, © Lobster Films

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Récital Seonghyeon Leem, piano

Anna El-Khashem. Keval Shah Was blüht denn da?

Anna El-Khashem, who declared her ambition to be an opera singer as early as kindergarten, launched an impressive career, joining the Saint Petersburg Conservatory at 17 and the Bavarian State Opera's studio three years later. In 2018, she won the International Mozart Competition in Salzburg and recently debuted there as Zerlina. Her Heidelberg debut features romantic flower songs and Russian art songs.

Irma Gigani aux Pianissimes

NDR Elbphilharmonie Orchestra / Håkan Hardenberger / Jonathon Heyward

Instead of Gustav Holst’s »Planets«, this concert will feature Sergei Rachmaninov’s Second Symphony. Subscribers and ticket purchasers will be informed of the change by email.

Easter Festival Baden-Baden 2025

Pianist Roman Borisov: Beethoven, Rachmaninov and more

For lovers of chamber music the Recital Hall is the venue of choice. You can hear the musicians breathe and you can practically touch them. This hall is also cherished by musicians for its beautiful acoustics and direct contact with the audience. In the Recital Hall you can hear the best musicians of our time. Buy your tickets now and experience the magic of the Recital Hall for yourself!

Easter Festival Baden-Baden 2025

Konzerthausorchester Berlin, Juraj Valčuha

Hans Christian Andersen's fairy tale of the Little Mermaid is world-famous: In the depths of the sea, the mermaid swaps her fish tail for legs with the sea witch so that she can emerge into the human world. This costs her her voice. During a storm, she rescues a prince. However, he ends up marrying someone else and she, the creature of nature, has to perish as foam on the waves. Alexander Zemlinsky has captured her tragic fate in impressive, dazzling orchestral colours. Sergei Rachmaninov's Piano Concerto No. 3 is also a work full of passion and is one of the composer's most popular works. He played the New York premiere in 1909 himself and gave it the nickname ‘Concerto for Elephants’, as elephants are considered to be extremely sensitive animals. It requires both enormous technical skill and a very sensitive interpretation of the lyrical passages. In them, the composer pays homage to his Russian homeland, from which he was to flee eight years later, never to return.

Konzerthausorchester Berlin, Juraj Valčuha

Hans Christian Andersen's fairy tale of the Little Mermaid is world-famous: In the depths of the sea, the mermaid swaps her fish tail for legs with the sea witch so that she can emerge into the human world. This costs her her voice. During a storm, she rescues a prince. However, he ends up marrying someone else and she, the creature of nature, has to perish as foam on the waves. Alexander Zemlinsky has captured her tragic fate in impressive, dazzling orchestral colours. Sergei Rachmaninov's Piano Concerto No. 3 is also a work full of passion and is one of the composer's most popular works. He played the New York premiere in 1909 himself and gave it the nickname ‘Concerto for Elephants’, as elephants are considered to be extremely sensitive animals. It requires both enormous technical skill and a very sensitive interpretation of the lyrical passages. In them, the composer pays homage to his Russian homeland, from which he was to flee eight years later, never to return.

Dear to the heart

Supporting the »wir helfen« (we help) campaign by the newspaper Kölner Stadt-Anzeiger is more than just a tradition upheld by the Gürzenich Orchestra – it is of heartfelt importance. This season, contributing to the initiative for underprivileged children and adolescents in the region, the orchestra will play a passionate concert full of deep emotions. Before giving birth to his second concerto for piano and orchestra, with its endless melodies and sweeping, intense drama, Sergei Rachmaninoff had to fight his way through a deep valley of depression and self-doubt. In the end, hypno-therapy is what helped the Russian composer dissolve his writer’s block. Against all expectations, the concerto was a great success: It offers everything ranging from chamber musical intimacy to symphonic opulence, and demands everything from the soloist, emotionally and technically. No problem for the 24-year-old Russian pianist Alexander Malofeev, a sensational shooting star who has won countless prizes and travels the world. Pyotr Ilyich Tchaikovsky described his last symphony, the »Pathétique,« as his best work, as being dear to his heart. He claimed to have put »all his soul« into it. The fact that he died just a few days after the premiere amplifies the impression of someone who condenses all facets of his artistic identity and symphonic oeuvre, and puts them to paper. Yet the musical approach he chooses is absolutely surprising. One would think he might bring his last symphony to a rejoicing and triumphant end, an emphatic summary of his own highly successful career. Instead, Tchaikovsky chooses a melancholy, introspective ending – not so much a real finale as a touching farewell with many open questions, a musical »good bye« which, still today, goes straight to the heart.

Konzerthausorchester Berlin, Juraj Valčuha

Hans Christian Andersen's fairy tale of the Little Mermaid is world-famous: In the depths of the sea, the mermaid swaps her fish tail for legs with the sea witch so that she can emerge into the human world. This costs her her voice. During a storm, she rescues a prince. However, he ends up marrying someone else and she, the creature of nature, has to perish as foam on the waves. Alexander Zemlinsky has captured her tragic fate in impressive, dazzling orchestral colours. Sergei Rachmaninov's Piano Concerto No. 3 is also a work full of passion and one of the composer's most popular works. He played the New York premiere in 1909 himself and gave it the nickname ‘Concerto for Elephants’, as elephants are considered to be extremely sensitive animals. It requires both enormous technical skill and a very sensitive interpretation of the lyrical passages. In them, the composer pays homage to his Russian homeland, from which he was to flee eight years later, never to return.

Anna Vinnitskaya: A Piano Showcase

Pianist Anna Vinnitskaya owes her world career to her talent, skill, and love for music. Her teacher advised her to "play as you are." Now a professor, she happily shares her knowledge with the next generation. Vinnitskaya is offering her promising Hamburg piano students the opportunity to perform for the public in Essen.

Académie Piano Piano 2024-2025 – Concert de Clôture

Eschenbach, Melnikov · Dvořák, Rachmaninoff

Fridays@7 with Eschenbach and Melnikov

Concert in Paris