Set your preferred locations for a better search. You can sign up here.

Concertgebouw Orchestra plays Rachmaninoff and Sibelius

Date & Time
Wed, Mar 12, 2025, 20:15
Pianist Kirill Gerstein can do it all, having already demonstrated as much with the Concertgebouw Orchestra in works by Rachmaninoff – the Piano Concerto No. 2 and the Rhapsody on a Theme of Paganini – as well as Liszt, Richard Strauss, Shostakovich and Adès. Now he tackles the Mount Everest of piano concertos – Rachmaninoff’s Third. Rachmaninoff’s characteristic melancholy always culminates in exuberant finales. The Third Piano Concerto is an uncontested high point of his œuvre: it is not only... Read full text

Keywords: Symphony Concert

Artistic depiction of the event

Musicians

Concertgebouw Orchestra
Santtu-Matias RouvaliConductor
Kirill GersteinPiano

Program

ClyneFractured Time
Sergei RachmaninoffPiano Concerto No. 3 in d minor, op. 30
Jean SibeliusSymphony No. 5 in E-flat major, op. 82
Give feedback
Last update: Fri, Nov 22, 2024, 12:40

Similar events

These events are similar in terms of concept, place, musicians or the program.

Artistic depiction of the event
Finished

Concertgebouw Orchestra plays Rachmaninoff and Sibelius

Thu, Mar 13, 2025, 20:15
Concertgebouw Orchestra, Santtu-Matias Rouvali (Conductor), Kirill Gerstein (Piano)
Pianist Kirill Gerstein can do it all, having already demonstrated as much with the Concertgebouw Orchestra in works by Rachmaninoff – the Piano Concerto No. 2 and the Rhapsody on a Theme of Paganini – as well as Liszt, Richard Strauss, Shostakovich and Adès. Now he tackles the Mount Everest of piano concertos – Rachmaninoff’s Third. Rachmaninoff’s characteristic melancholy always culminates in exuberant finales. The Third Piano Concerto is an uncontested high point of his œuvre: it is not only a virtuoso work, but also a compelling dialogue between piano and orchestra. And the more you hear it, the more it reveals. This also applies to Anna Clyne’s turbulent Fractured Time, the second work on the orchestra’s repertoire by this successful and fascinating composer.And speaking of exuberant finales – the orchestra is performing Jean Sibelius’ Fifth Symphony after the interval. This well-loved symphony is sombre in character, the composer having suffered from deep depression. But during the compositional process, the sun gradually broke through, and the music culminates in a radiant and sublime ending. Sibelius’s symphonies fit Santtu-Matias Rouvali like a glove, and he has been a welcome guest with the Concertgebouw Orchestra since his first appearance in 2020. Like a passionate sculptor, the Finnish conductor moulds the orchestra in changeable shapes and colours – just what Sibelius’s epic music calls for.
Artistic depiction of the event
Finished

Concertgebouw Orchestra plays Rachmaninoff and Sibelius

Fri, Mar 14, 2025, 20:15
Concertgebouw Orchestra, Santtu-Matias Rouvali (Conductor), Kirill Gerstein (Piano)
Pianist Kirill Gerstein can do it all, having already demonstrated as much with the Concertgebouw Orchestra in works by Rachmaninoff – the Piano Concerto No. 2 and the Rhapsody on a Theme of Paganini – as well as Liszt, Richard Strauss, Shostakovich and Adès. Now he tackles the Mount Everest of piano concertos – Rachmaninoff’s Third. Rachmaninoff’s characteristic melancholy always culminates in exuberant finales. The Third Piano Concerto is an uncontested high point of his œuvre: it is not only a virtuoso work, but also a compelling dialogue between piano and orchestra. And the more you hear it, the more it reveals. This also applies to Anna Clyne’s turbulent Fractured Time, the second work on the orchestra’s repertoire by this successful and fascinating composer.And speaking of exuberant finales – the orchestra is performing Jean Sibelius’ Fifth Symphony after the interval. This well-loved symphony is sombre in character, the composer having suffered from deep depression. But during the compositional process, the sun gradually broke through, and the music culminates in a radiant and sublime ending. Sibelius’s symphonies fit Santtu-Matias Rouvali like a glove, and he has been a welcome guest with the Concertgebouw Orchestra since his first appearance in 2020. Like a passionate sculptor, the Finnish conductor moulds the orchestra in changeable shapes and colours – just what Sibelius’s epic music calls for.
Artistic depiction of the event
Finished

Concertgebouw Orchestra Essentials: Sibelius

Sat, Mar 15, 2025, 21:00
Concertgebouw Orchestra, Santtu-Matias Rouvali (Conductor), Thomas Vanderveken (Presentation)
The Essentials series introduces you to the masterpieces you will be happy to know, performed by the world-famous Concertgebouw Orchestra and complete with a lively introduction by the incomparable Thomas Vanderveken. At Essentials we welcome a new generation of music lovers, and the concerts typically have a pleasant informal atmosphere.Grand, epic, mysterious: Jean Sibelius’ Fifth Symphony is an enigma. ‘It was as if God the Father was throwing pieces of mosaic from the edge of heaven and asking me to figure out what the pattern was,’ wrote Sibelius of composing the symphony, inspired by the vast natural landscapes of Finland. The Fifth is sombre in character, the composer having suffered from deep depression. But the sun gradually broke through, and the music culminates in a radiant and sublime ending.Sibelius’s symphonies fit Santtu-Matias Rouvali like a glove, and he has been a welcome guest with the Concertgebouw Orchestra since his first appearance in 2020. Like a passionate sculptor, the Finnish conductor moulds the orchestra in changeable shapes and colours – just what Sibelius’s epic music calls for.Essentials starts at 9 p.m. with an imaginative introduction to the programme (in Dutch).
Artistic depiction of the event
Finished

Concertgebouw Orchestra plays Bruckner and Messiaen

Thu, Jan 16, 2025, 20:15
Concertgebouw Orchestra, Simone Young (Conductor)
Anton Bruckner was a deeply religious organist, as well as a composer whose highly personal sound was far ahead of its time. The same was true of Olivier Messiaen a century later. Simone Young forges a musical and spiritual bond between Bruckner’s Sixth Symphony and Messiaen’s exquisite symphonic meditations on the Ascension.The Sixth Symphony is shorter, lighter in tone and less monumental than Bruckner’s other symphonies. ‘Die Sechste ist die keckste’ (the Sixth is the sauciest), Bruckner himself once wrote. Perhaps most remarkable is the third movement: instead of the lively, Ländler-like folk dances that characterise his scherzos, Bruckner wrote a rather dark and eerie movement here, with a theme from his Fifth appearing in the Trio. Conductor Simone Young: ‘In his symphonies, Bruckner lived the drama and the emotions he could not find in his personal life.’
Artistic depiction of the event
Finished

Concertgebouw Orchestra plays Bruckner and Messiaen

Sun, Jan 19, 2025, 14:15
Concertgebouw Orchestra, Simone Young (Conductor)
Anton Bruckner was a deeply religious organist, as well as a composer whose highly personal sound was far ahead of its time. The same was true of Olivier Messiaen a century later. Simone Young forges a musical and spiritual bond between Bruckner’s Sixth Symphony and Messiaen’s exquisite symphonic meditations on the Ascension.The Sixth Symphony is shorter, lighter in tone and less monumental than Bruckner’s other symphonies. ‘Die Sechste ist die keckste’ (the Sixth is the sauciest), Bruckner himself once wrote. Perhaps most remarkable is the third movement: instead of the lively, Ländler-like folk dances that characterise his scherzos, Bruckner wrote a rather dark and eerie movement here, with a theme from his Fifth appearing in the Trio. Conductor Simone Young: ‘In his symphonies, Bruckner lived the drama and the emotions he could not find in his personal life.’
Artistic depiction of the event
Finished

Philips Symphony Orchestra plays Glière and Rachmaninoff

Sat, Nov 2, 2024, 20:15
Philips Symfonie Orkest, Txemi Etxebarria (Conductor), José Luis Sogorb Jover (French horn)
The Concertgebouw is right at the heart of Dutch music. That is why we love to welcome the best amateur orchestras and choirs of the Netherlands. To an amateur musician a performance at the Concertgebouw is always special, often marking the end of an extensive period of rehearsals. Please note: although these concerts are of a high standard, they are not performed by professional ensembles.
Artistic depiction of the event
This season
In Amsterdam

Sweelinck Orchestra plays Schubert, Britten and Sibelius

Tue, Jun 17, 2025, 20:15
UvA-Orkest J.Pzn Sweelinck, Jurjen Hempel (Conductor)
The Concertgebouw’s famous Main Hall is one of the best concert halls in the world, well-known for its exceptional acoustics and special atmosphere. In the Main Hall, you will feel history. Here, Gustav Mahler conducted his own compositions, as did Richard Strauss and Igor Stravinsky. Sergei Rachmaninoff played his own piano concertos in the Main Hall. This is also where musicians such as Leonard Bernstein, Vladimir Horowitz and Yehudi Menuhin gave legendary performances. Right up to now, the Main Hall offers a stage to the world’s best orchestras and musicians. Buy your tickets now and experience the magic of the Main Hall for yourself!
Artistic depiction of the event
This season
In Amsterdam

Concertgebouw Orchestra plays Beethoven

Thu, Jun 19, 2025, 20:15
Concertgebouw Orchestra, Han-Na Chang (Conductor), Santa Vižine (Viola), Tatjana Vassiljeva (Cello)
In her first performance with the Concertgebouw Orchestra, Han-Na Chang champions Beethoven’s lyrical Fourth Symphony. Bernd Richard Deutsch’s Phantasma was inspired by Beethoven and Gustav Klimt’s Beethoven Frieze on display in Vienna’s Secession Building. Phantasma made a big impression on audiences at its world premiere, performed by the Concertgebouw Orchestra in October 2022. Klimt’s idealised vision of the world, brilliant explosions of colour, symbols and even gold – Deutsch brings them all to life in the music.Richard Strauss was unrivalled in his ability to make the most fantastic scenes come to life in music. Cervantes’s novel Don Quixote served as Strauss’s inspiration for his Fantastic Variations on a Theme of Knightly Character. The adventures of the knight-errant and his faithful squire, as heroic as they are hilarious, come to life as the orchestra’s principal cellist Tatiana Vassiljeva and principal violist Santa Vižine, with support from the tenor tuba and bass clarinet, join their orchestra in battle. But who are they fighting? Windmills, sheep and, of course, the knight of the bright moon. Han-Na Chang now makes her first appearance with the Concertgebouw Orchestra five years after it was originally scheduled owing to the coronavirus pandemic.
Artistic depiction of the event
Finished

Klaus Mäkelä conducts Rachmaninoff and Prokofiev with the Concertgebouw Orchestra

Wed, Nov 13, 2024, 20:15
Concertgebouw Orchestra, Klaus Mäkelä (Conductor), Lisa Batiashvili (Violin)
Since her first appearance in 2001, the violinist Lisa Batiashvili has always given performances to look forward to. She now returns to perform as soloist in Prokofiev’s delightfully melodious Second Violin Concerto. Klaus Mäkelä has paired it with Rachmaninoff’s irresistible Second Symphony, a work with which the composer avenged the failure of his First. And how! The melancholy theme of the third movement has brought tears to the eyes of many since the 1908 premiere, and will always continue to do so.Also on the programme is a surprise: a newly commissioned work, Body Cosmic, by the American composer Ellen Reid to mark her residency at the Concertgebouw and with the Concertgebouw Orchestra in the 2023-2024 season. Audiences have come to know her as a musical jack-of-all-trades, who moves effortlessly across a wide range of disparate styles and genres – from classical to avant-garde pop and electronic soundscapes. This should be interesting!
Artistic depiction of the event
Finished

Klaus Mäkelä conducts Rachmaninoff and Prokofiev with the Concertgebouw Orchestra

Thu, Nov 14, 2024, 20:15
Concertgebouw Orchestra, Klaus Mäkelä (Conductor), Lisa Batiashvili (Violin)
Since her first appearance in 2001, the violinist Lisa Batiashvili has always given performances to look forward to. She now returns to perform as soloist in Prokofiev’s delightfully melodious Second Violin Concerto. Klaus Mäkelä has paired it with Rachmaninoff’s irresistible Second Symphony, a work with which the composer avenged the failure of his First. And how! The melancholy theme of the third movement has brought tears to the eyes of many since the 1908 premiere, and will always continue to do so.Also on the programme is a surprise: a newly commissioned work, Body Cosmic, by the American composer Ellen Reid to mark her residency at the Concertgebouw and with the Concertgebouw Orchestra in the 2023-2024 season. Audiences have come to know her as a musical jack-of-all-trades, who moves effortlessly across a wide range of disparate styles and genres – from classical to avant-garde pop and electronic soundscapes. This should be interesting!