Beethoven 7 and Rachmaninoff's Paganini Variations

Beethoven's Symphony No. 7 and Anastasia Kobekina plays Rococo Variations

The Sunday Morning Concert brings you wonderful and much-loved compositions, performed by top musicians from the Netherlands and abroad. Enjoy the most beautiful music in the morning! You can make your Sunday complete by enjoying a delicious post-concert lunch in restaurant LIER.The Royal Concertgebouw is one of the best concert halls in the world, famous for its exceptional acoustics and varied programme. Attend a concert and have an experience you will never forget. Come and enjoy inspiring music in the beautiful surroundings of the Main Hall or the intimate Recital Hall.

Best of Classics: Beethoven 7

In the concerts of the series "Best of Classical Music," you will hear the most famous works of classical music. A brief introduction at the beginning will guide you through the piece and provide listening tips. The entire work will then be performed. Afterwards, we would be happy to welcome you to our bar on the 1st floor, where our host will meet with the conductor for an artist talk. This conversation will not be strictly academic - rather, we aim to take you into the personal world of our guests. About the concert: One of the unsolved mysteries of music history, a fast tempo, and a motif of death. All this and much more is contained in Beethoven's Seventh Symphony, which many consider to be his most cheerful and positive. It is no wonder, as the first movement already features dance-like rhythms, and in the final movement, the musicians really go all out. Some parts of the first movement resemble a Mozart symphony so much, even though Beethoven was not familiar with it, that one suspects a different influence. But what is it? That remains a secret to this day. The slow movement is also mysterious, with a haunting motif that evokes sadness and death. It is not easily forgotten.

Beethoven and Nielsen

Beethoven's overture to Heinrich Joseph von Collin's tragic drama about the Roman general Coriolanus is grandiose and dramatic, yet also enchantingly beautiful. It is written in the key of C minor, which Beethoven often used in his most intense and heroic works.With Nielsen, humour is often present. This is particularly true for his second symphony, which was inspired by a visit to a village inn. On the wall hung a painting that ironically depicted the four temperaments of humans – the choleric, the phlegmatic, the melancholic, and the sanguine – which Nielsen portrays with good humour, a touch of drama, and palpable warmth in his second symphony, also known as the "Four Temperaments".The Royal Stockholm Philharmonic Orchestra is conducted by Alan Gilbert, the orchestra's former chief conductor (2000–2008) and since then its Conductor Laureate. He has served as the music director of the New York Philharmonic Orchestra and is currently the chief conductor of the NDR Elbphilharmonie Orchestra in Hamburg and the music director of the Royal Swedish Opera in Stockholm.

Beethoven and Pejacevic

Beethoven was drawn to figures, fictional or real, who dared to stand up against injustices. Egmont in Goethe's drama of the same name was one such fictional but clearly influential figure for Beethoven. In the overture, he summarizes the drama, from the slow introduction through tragedy to a triumphant conclusion.The orchestra is led by the young and increasingly renowned Czech conductor Jirí Rozen, who is making his debut with the Royal Stockholm Philharmonic Orchestra.In Dora Pejacevic's music, traces of Wagner, Brahms, and Bruckner can be found, but it is also strongly personal with rich colors and profound seriousness. After a cautious, slow introduction, the contrastive and determined music of this symphony from 1918 unfolds, painting vivid natural scenes. The music also contains exuberant pirouettes that are swept away by dazzling outbursts towards the end. It is an impressive work by a composer who was long neglected.

Beethoven and Price

In a completely new manner from before, Beethoven infused his second symphony with surprising effects. The orchestra swiftly switches between the faintest of whispers to thunderous outbursts in sudden turns. Here, wild humor and dramatic mood abound. Portuguese conductor Dinis Sousa leads the Royal Stockholm Philharmonic Orchestra in this symphonic milestone.The concert appropriately commences with an overture: Dvorák's powerful and darkly evocative Othello – one of three concert overtures Dvorák wrote to musically portray various aspects of human existence.The young British pianist Jeneba Kanneh-Mason (born 2003) makes her debut with the Royal Stockholm Philharmonic Orchestra. She is at the beginning of a flourishing career and performs here with the romantically grandiose piano concerto by American composer Florence Price (1887–1953) – music never before heard in Konserthuset.Jeneba Kanneh-Mason is the sister of cellist Sheku Kanneh-Mason – who performed at the wedding of Prince Harry and Meghan Markle – and pianist Isata Kanneh-Mason. Both have previously appeared at Konserthuset. They are three of seven extremely talented siblings often referred to as The Kanneh-Masons.

Dvořák and Beethoven

Fridays@7 with Viotti and Gabetta

Fridays@7 with Eschenbach and Melnikov

Fridays@7 with Greters and Buchbinder