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These Liedfestival concerts became visible lately at Concert Pulse.
Nikola Hillebrand, a former Mannheim National Theatre ensemble member and winner of the 2019 "Das Lied" competition, has joined the Semperoper ensemble. Celebrated in major European opera houses, especially for Mozart roles, she regularly performs with renowned orchestras. This program, developed with pianist Alexander Fleischer, showcases her nuanced soprano and artistic imagination.
Two prominent songwriters of their generation delve into Franz Schubert's final creative years with their "Schubert 200" project, commemorating the composer's upcoming 200th death anniversary in 2028. The second of five planned CD programs focuses on 1824/25, a time of both personal crisis and artistic triumph ("Light and Shadow") for Schubert, reflected in his emotionally charged songs.
Two years ago, baritone from Heidenheim impressed audiences at the Heidelberg Spring Song Academy. Now, a member of the Semperoper ensemble, he returns to Heidelberg with his former teacher's piano partner. The concert will feature settings of poems by Eichendorff, Verlaine, Mallarmé, and texts from "Des Knaben Wunderhorn". The concert will be performed without intermission.
Liedfestival concerts in season 2024/25 or later
Nikola Hillebrand, a former Mannheim National Theatre ensemble member and winner of the 2019 "Das Lied" competition, has joined the Semperoper ensemble. Celebrated in major European opera houses, especially for Mozart roles, she regularly performs with renowned orchestras. This program, developed with pianist Alexander Fleischer, showcases her nuanced soprano and artistic imagination.
Participants of all levels will work together under the guidance of VOCES8 founding member Paul Smith. The workshop method, developed and refined over many years and applied worldwide, is part of the successful concept of the renowned vocal ensemble VOCES8. The workshop will be held in English. The ticket entitles participation from 10am to 1pm.
Sing with the pros using the VOCES8 method! Discover harmony, rhythm, and create music note-free, regardless of experience. Join VOCES8 founder Paul Smith's workshop (10 am-1 pm), rehearse with VOCES8 (1:30-2:30 pm), and perform in a concert (4 pm) at the Neue Universität and Jesuitenkirche. Tickets include workshop, rehearsal, and concert participation.
VOCES8, renowned for their perfect blend of flawless execution and lively stage presence, return to Heidelberg. Their unique appeal stems from their captivating sound and innovative fusion of old and new, sacred and secular music. Artistic director Barnaby Smith aims for concerts that evoke both laughter and tears. This performance explores love, loss, and eternity, promising an emotional journey.
Franz Schubert cherished his "Winterreise" which depicts transcendental homelessness. This theme resonates today, inviting identification with the wanderer. Award-winning duo Timoshenko and Desseva, familiar faces in Heidelberg, present their interpretation of this classic after captivating audiences with sophisticated concept programs.
Vladimir Kornéev, a chansonnier and actor, is bringing his Weill interpretations to Heidelberg for the composer's 125th birthday. His show, "Youkali," is named after the song about a utopian island. Weill's emigrant fate resonates with Kornéev, who fled Georgia with his family at age six.
Talented alumni of the Heidelberg Spring Song Academy explore the Ethnographic Museum's collection, selecting captivating artifacts. Museum director Dr. Alban von Stockhausen will present the artifacts daily at 3 pm, followed by musical responses from the young artists. The artifacts are then integrated into the museum's display.
The brilliant young coloratura soprano from Frankfurt, Alina Wunderlin, is causing a sensation internationally, especially as Queen of the Night. Her clear, flawless voice is an event in itself. Her sensitivity and dramatic refinement make her a lied interpreter par excellence. Her French-German salon program, accompanied by a leading pianist of French song, effortlessly moves between styles, languages, and features many fascinating rarities. The concert is performed without intermission.
For decades, lyric tenor Christoph Prégardien has cultivated a wide repertoire and diverse artistic activity. His vocal nobility, stylistic sensitivity, and psychological nuance make his interpretations of oratorios and song cycles exceptional. He premiered Wolfgang Rihm's song cycle "Das Rot" in 1991. Schubert's last songs form another existential counterpart.
In public masterclasses, baritone Thomas Hampson works with the scholarship holders of the Heidelberg Spring Song Academy on musicality, technique, and expression in art song. The audience has the unique opportunity to get to know the up-and-coming song talents of tomorrow and to look over the shoulder of Thomas Hampson, one of the greatest song designers of our time, as he works. The masterclasses are part of the final work phase. Students have free admission.
Dietrich Fischer-Dieskau, born May 28, 1925, left a legacy of around 400 recordings, spanning a 50-year career. His vast repertoire and influence on singing solidify his status as a prominent figure. Thomas Hampson, Natasha Loges, and Julian Prégardien will explore Fischer-Dieskau's vocal prowess, artistic identity, and future relevance, particularly through his work with lieder.
Three weeks before Dietrich Fischer-Dieskau's death in spring 2012, Benjamin Appl visited him for a lesson. Fischer-Dieskau, a great lieder singer, was Appl's role model and close friend. Appl created a tribute for Fischer-Dieskau's 100th birthday using private documents. The result is a personal and multifaceted portrait of the exceptional artist.
In public masterclasses, baritone Thomas Hampson works with the scholarship holders of the Heidelberg Spring Song Academy on musicality, technique, and expression in art song. The audience has the unique opportunity to get to know the up-and-coming song talents of tomorrow and to look over the shoulder of Thomas Hampson, one of the greatest song designers of our time, as he works. The masterclasses are part of the final work phase. Students have free admission.
In public masterclasses, baritone Thomas Hampson works with the scholarship holders of the Heidelberg Spring Song Academy on musicality, technique, and expression in art song. The audience has the unique opportunity to get to know the up-and-coming song talents of tomorrow and to look over the shoulder of Thomas Hampson, one of the greatest song designers of our time, as he works. The masterclasses are part of the final work phase. Students have free admission.
Talented alumni of the Heidelberg Spring Song Academy explore the Ethnographic Museum's collection, selecting captivating artifacts. Museum director Dr. Alban von Stockhausen will present the artifacts daily at 3 pm, followed by musical responses from the young artists. The artifacts are then integrated into the museum's display.
Two prominent songwriters of their generation delve into Franz Schubert's final creative years with their "Schubert 200" project, commemorating the composer's upcoming 200th death anniversary in 2028. The second of five planned CD programs focuses on 1824/25, a time of both personal crisis and artistic triumph ("Light and Shadow") for Schubert, reflected in his emotionally charged songs.
Three outstanding artists perform old and new songs, blending poetic reflection and political engagement. Hêja Netirk's contemporary Kurdish music, Mais Harb's Druze music, and Julian Prégardien's Schubert lieder are showcased in solo performances and inspiring collaborations, featuring shared melodies and song parts from Germany, Kurdistan, Syria, Iran, and Austria. "Liedstadt," a non-profit cultural startup initiated by Prégardien, Pisaroni, and Jazdi, chose Hamburg as its festival home and aims to revitalize and share songs innovatively across German-speaking regions.
In public masterclasses, baritone Thomas Hampson works with the scholarship holders of the Heidelberg Spring Song Academy on musicality, technique, and expression in art song. The audience has the unique opportunity to get to know the up-and-coming song talents of tomorrow and to look over the shoulder of Thomas Hampson, one of the greatest song designers of our time, as he works. The masterclasses are part of the final work phase. Students have free admission.
In this public masterclass, Susan Manoff works with the scholarship holders of the Heidelberg Spring Song Academy on musicality, technique, and expressiveness in art song. The audience has the unique opportunity to get to know the next generation of song artists and to observe Susan Manoff at work. The masterclasses are part of the final work phase, culminating in a grand final concert. The impressive progress of the young singers and pianists will be noticeable.
Talented alumni of the Heidelberg Spring Song Academy explore the Ethnographic Museum's collection, selecting captivating artifacts. Museum director Dr. Alban von Stockhausen will present the artifacts daily at 3 pm, followed by musical responses from the young artists. The artifacts are then integrated into the museum's display.
A young mezzo-soprano born in 2003, Anja Mittermüller, rarely seen at festivals, won the Wigmore Hall/Bollinger International Song Competition. Her debut recital, spanning Schubert to Obradors, showcases her vocal finesse and natural authority in the art form, exploring themes of longing for infinity.
Much has happened since Hanna-Elisabeth Müller and her piano partner first collaborated at the 2011 Heidelberg Spring Music Festival, which developed into a highly successful song duo. The Mannheim-born soprano's brilliant career has taken her to the world's best opera houses, and she is also a regular soloist with top international orchestras. This exquisite program, spanning four languages, showcases Müller's love and intelligence for her Lieder evenings. Daniel Ottensamer, solo clarinetist of the Vienna Philharmonic, joins as a virtuoso guest.
In public masterclasses, baritone Thomas Hampson works with the scholarship holders of the Heidelberg Spring Song Academy on musicality, technique, and expression in art song. The audience has the unique opportunity to get to know the up-and-coming song talents of tomorrow and to look over the shoulder of Thomas Hampson, one of the greatest song designers of our time, as he works. The masterclasses are part of the final work phase. Students have free admission.
Talented alumni of the Heidelberg Spring Song Academy explore the Ethnographic Museum's collection, selecting captivating artifacts. Museum director Dr. Alban von Stockhausen will present the artifacts daily at 3 pm, followed by musical responses from the young artists. The artifacts are then integrated into the museum's display.
Two years ago, baritone from Heidenheim impressed audiences at the Heidelberg Spring Song Academy. Now, a member of the Semperoper ensemble, he returns to Heidelberg with his former teacher's piano partner. The concert will feature settings of poems by Eichendorff, Verlaine, Mallarmé, and texts from "Des Knaben Wunderhorn". The concert will be performed without intermission.
One of the greatest sopranos of our time, Dorothea Röschmann, prioritizes the patient development of her vocal range over the spotlight. Mentored by Nikolaus Harnoncourt, she debuted as Susanna in "Figaro" in 1995. Her singing, described as wise and resonant, makes her recitals moments of profound human expression.
The final concert of the Heidelberg Spring Song Academy showcases the results of the work of newcomers with Thomas Hampson. Each year's program develops its own dynamic, and this time, the theme is "diary," guiding the passionate young artists' song relay. Academy events are also bookable as a pass, with free admission for students.
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