Quick overview of Jesuitenkirche by associated keywords
These concerts at Jesuitenkirche became visible lately at Concert Pulse.
Augustin Hadelich performs Bach's Sonatas and Partitas for solo violin, alongside Ysaÿe's "Ballade" and works by Coleridge-Taylor Perkinson and David Lang. "Blue/s Forms" evokes a blend of blues, vibrant colors, and melancholic moods, combining jazz and classical traditions.
Icons in Eastern Orthodox churches are seen as windows to eternity, connecting worshippers with saints. Similarly, J.S. Bach's music is iconic. Sebastian Heindl, organist at Berlin's Gedächtniskirche, connects Bach's baroque with contemporary compositions, including his own. Messiaen builds a celestial church, Pärt revisits Catholic Mass tradition, and Glass works with expanding figurations.
Sebastian Küchler-Blessing, Essen Cathedral organist, explores the Kuhn organ at the Jesuit Church. His improvisational journey through the organ's sounds is framed by Bach's works and 20th-century music, culminating in Reger's homage to the B-A-C-H motif. The concert also features a discussion on Bach's Toccata.
Concerts at Jesuitenkirche in season 2024/25 or later
Augustin Hadelich performs Bach's Sonatas and Partitas for solo violin, alongside Ysaÿe's "Ballade" and works by Coleridge-Taylor Perkinson and David Lang. "Blue/s Forms" evokes a blend of blues, vibrant colors, and melancholic moods, combining jazz and classical traditions.
The cantata "Wie schön leuchtet der Morgenstern" opened the first volume of the Bach Complete Edition in 1851, which is why it was given number 1 in the Bach Works Catalogue (BWV) in 1950. The occasion for the composition was the Feast of the Annunciation on March 25, 1725. The concert attempts a reconstruction of the vespers service that took place on this day in Leipzig. At the same time, the musicologically well-founded approach is pursued to perform Bach's vocal works without a choir, only with five excellent vocal soloists and a baroque orchestra. Bach's music will thus sound - beyond familiar performance traditions - in the most original way possible. Concert without intermission.
Icons in Eastern Orthodox churches are seen as windows to eternity, connecting worshippers with saints. Similarly, J.S. Bach's music is iconic. Sebastian Heindl, organist at Berlin's Gedächtniskirche, connects Bach's baroque with contemporary compositions, including his own. Messiaen builds a celestial church, Pärt revisits Catholic Mass tradition, and Glass works with expanding figurations.
Sebastian Küchler-Blessing, Essen Cathedral organist, explores the Kuhn organ at the Jesuit Church. His improvisational journey through the organ's sounds is framed by Bach's works and 20th-century music, culminating in Reger's homage to the B-A-C-H motif. The concert also features a discussion on Bach's Toccata.
VOCES8, renowned for their perfect blend of flawless execution and lively stage presence, return to Heidelberg. Their unique appeal stems from their captivating sound and innovative fusion of old and new, sacred and secular music. Artistic director Barnaby Smith aims for concerts that evoke both laughter and tears. This performance explores love, loss, and eternity, promising an emotional journey.
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