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Classical concerts featuring
Michal Doron

Overview

Quick overview of musician Michal Doron by associated keywords

CitiesFrequently performs in

Hamburg
Germany
Hamburg
6

ProgramFrequently performs

Richard Strauss
Works by
Richard Strauss
4
Wolfgang Amadeus Mozart
Works by
Wolfgang Amadeus Mozart
2

MusiciansFrequently collaborate with

Musician
Chao Deng
6
Musician
Kady Evanyshyn
6
Musician
Marie Maidowski
6
orchestra
Philharmonisches Staatsorchester Hamburg
6
Musician
Eliza Boom
5

New Arrivals

These concerts featuring Michal Doron became visible lately at Concert Pulse.

Artistic depiction of the event
This season
In Hamburg

Die Zauberflöte (The Magic Flute)

Sun, Nov 23, 2025, 16:30
Hamburgische Staatsoper, Großes Haus (Hamburg)
Keren Kagarlitsky (Musical Director), Christian Günther (Chorus), Hubert Kowalczyk (Sarastro), Liv Redpath (Pamina), Chao Deng (Speaker), Mziwamadoda Sipho Nodlayiya (Priester), Aleksandra Olczyk (Königin der Nacht), Narea Son (Erste Dame), Kady Evanyshyn (Zweite Dame), Michal Doron (Dritte Dame), Andrew Hamilton (Papageno), Peter Galliard (Monostatos), Marie Maidowski (Papagena), Jürgen Sacher (Erster Geharnischter), Keith Klein (Zweiter Geharnischter), Alsterspatzen – Kinder- und Jugendchor der Hamburgischen Staatsoper (Drei Knaben), Philharmonisches Staatsorchester Hamburg (Orchestra), Chor der Hamburgischen Staatsoper (Chorus)
This opera is the world in a theatrical nutshell: it deals with growing older, with trials and tribulations, with intransparent decisions. One person searches for individuality, another is too lazy to do so. Others postulate that the community is the only adequate place for the individual. Power has either been legitimised by long tradition or usurped by new regimes. Values such as assimilation and loyalty are set against self-assertiveness and independence. There is loving and dreaming, cheating and trusting. Suicides are prevented, tests passed, adventures survived. Who is right? Who has been wronged? The world of the magic flute is opaque, and everyone is looking for a pathway: within it, into it or out of it. Who holds the reigns? Who can be trusted? Could it be music? Director: Jette Steckel Set Designer: Florian Lösche Costume Designer: Pauline Hüners Dramaturgy: Johannes Blum, Carl Hegemann Video: EINS[23].TV (Alexander Bunge) Lighting Design: Paulus Vogt Premiere: 23.9.2016 Please note that stroboscope effects and partly very bright lights are being used.
Info & Ticket (www.staatsorchester-hamburg.de)
Artistic depiction of the event
This season
In Hamburg

Die Zauberflöte (The Magic Flute)

Wed, Dec 3, 2025, 19:30
Hamburgische Staatsoper, Großes Haus (Hamburg)
Keren Kagarlitsky (Musical Director), Christian Günther (Chorus), Hubert Kowalczyk (Sarastro), Eliza Boom (Pamina), Chao Deng (Speaker), Mziwamadoda Sipho Nodlayiya (Priester), Aleksandra Olczyk (Königin der Nacht), Narea Son (Erste Dame), Kady Evanyshyn (Zweite Dame), Michal Doron (Dritte Dame), Andrew Hamilton (Papageno), Daniel Kluge (Monostatos), Marie Maidowski (Papagena), Jürgen Sacher (Erster Geharnischter), Keith Klein (Zweiter Geharnischter), Alsterspatzen – Kinder- und Jugendchor der Hamburgischen Staatsoper (Drei Knaben), Philharmonisches Staatsorchester Hamburg (Orchestra), Chor der Hamburgischen Staatsoper (Chorus)
This opera is the world in a theatrical nutshell: it deals with growing older, with trials and tribulations, with intransparent decisions. One person searches for individuality, another is too lazy to do so. Others postulate that the community is the only adequate place for the individual. Power has either been legitimised by long tradition or usurped by new regimes. Values such as assimilation and loyalty are set against self-assertiveness and independence. There is loving and dreaming, cheating and trusting. Suicides are prevented, tests passed, adventures survived. Who is right? Who has been wronged? The world of the magic flute is opaque, and everyone is looking for a pathway: within it, into it or out of it. Who holds the reigns? Who can be trusted? Could it be music? Director: Jette Steckel Set Designer: Florian Lösche Costume Designer: Pauline Hüners Dramaturgy: Johannes Blum, Carl Hegemann Video: EINS[23].TV (Alexander Bunge) Lighting Design: Paulus Vogt Premiere: 23.9.2016 Please note that stroboscope effects and partly very bright lights are being used.
Info & Ticket (www.staatsorchester-hamburg.de)
Artistic depiction of the event
This season
In Hamburg

Elektra

Tue, Apr 14, 2026, 19:30
Hamburgische Staatsoper, Großes Haus (Hamburg)
Anja Bihlmaier (Musical Director), Violeta Urmana (Klytämnestra), Aušriné Stundyté (Elektra), Jennifer Holloway (Chrysothemis), Wolfgang Ablinger-Sperrhacke (Aegisth), Chao Deng (Pfleger des Orest), Marie Maidowski (Schleppträgerin), Oleksiy Palchykov (Junger Diener), William Desbiens (Alter Diener), Katja Pieweck (Aufseherin), Michal Doron (Erste Magd), Ida Aldrian (Zweite Magd), Kady Evanyshyn (Dritte Magd), Eliza Boom (Vierte Magd), Hellen Kwon (Fünfte Magd), Philharmonisches Staatsorchester Hamburg (Orchestra)
The war is over, and tragedy takes its course: the mother and her lover murder the father upon his return. The daughter hides her brother, keeping him safe. – Every day, Elektra thinks of her murdered father, plotting blood-stained celebrations of victory and waiting for the moment when her brother, reared as an avenger, returns. Under one roof with her father’s murderers, thirst for blood and revenge collide with the future plans of her younger sister, who longs for marriage and children, a life in harmony and bliss. The mother is governed by another delusion: “It is not a word, it is not pain, it does not pinch me or strangle me, … and yet it is so terrible that my soul wishes it had been hanged, and every part of my body cries out for death.” Sacrifice is meant to bring relief. Director and Set Design: Dmitri Tcherniakov Assistant Director: Thorsten Cölle Costumes: Elena Zaytseva Light: Gleb Filshtinsky Video: Tieni Burkhalter Dramaturgy: Tatiana Werestchagina
Info & Ticket (www.staatsorchester-hamburg.de)

Upcoming Concerts

Concerts featuring Michal Doron in season 2024/25 or later

Artistic depiction of the event
This season
In Hamburg

Die Zauberflöte (The Magic Flute)

Sun, Nov 23, 2025, 16:30
Hamburgische Staatsoper, Großes Haus (Hamburg)
Keren Kagarlitsky (Musical Director), Christian Günther (Chorus), Hubert Kowalczyk (Sarastro), Liv Redpath (Pamina), Chao Deng (Speaker), Mziwamadoda Sipho Nodlayiya (Priester), Aleksandra Olczyk (Königin der Nacht), Narea Son (Erste Dame), Kady Evanyshyn (Zweite Dame), Michal Doron (Dritte Dame), Andrew Hamilton (Papageno), Peter Galliard (Monostatos), Marie Maidowski (Papagena), Jürgen Sacher (Erster Geharnischter), Keith Klein (Zweiter Geharnischter), Alsterspatzen – Kinder- und Jugendchor der Hamburgischen Staatsoper (Drei Knaben), Philharmonisches Staatsorchester Hamburg (Orchestra), Chor der Hamburgischen Staatsoper (Chorus)
This opera is the world in a theatrical nutshell: it deals with growing older, with trials and tribulations, with intransparent decisions. One person searches for individuality, another is too lazy to do so. Others postulate that the community is the only adequate place for the individual. Power has either been legitimised by long tradition or usurped by new regimes. Values such as assimilation and loyalty are set against self-assertiveness and independence. There is loving and dreaming, cheating and trusting. Suicides are prevented, tests passed, adventures survived. Who is right? Who has been wronged? The world of the magic flute is opaque, and everyone is looking for a pathway: within it, into it or out of it. Who holds the reigns? Who can be trusted? Could it be music? Director: Jette Steckel Set Designer: Florian Lösche Costume Designer: Pauline Hüners Dramaturgy: Johannes Blum, Carl Hegemann Video: EINS[23].TV (Alexander Bunge) Lighting Design: Paulus Vogt Premiere: 23.9.2016 Please note that stroboscope effects and partly very bright lights are being used.
Info & Ticket (www.staatsorchester-hamburg.de)
Artistic depiction of the event
This season
In Hamburg

Die Zauberflöte (The Magic Flute)

Wed, Dec 3, 2025, 19:30
Hamburgische Staatsoper, Großes Haus (Hamburg)
Keren Kagarlitsky (Musical Director), Christian Günther (Chorus), Hubert Kowalczyk (Sarastro), Eliza Boom (Pamina), Chao Deng (Speaker), Mziwamadoda Sipho Nodlayiya (Priester), Aleksandra Olczyk (Königin der Nacht), Narea Son (Erste Dame), Kady Evanyshyn (Zweite Dame), Michal Doron (Dritte Dame), Andrew Hamilton (Papageno), Daniel Kluge (Monostatos), Marie Maidowski (Papagena), Jürgen Sacher (Erster Geharnischter), Keith Klein (Zweiter Geharnischter), Alsterspatzen – Kinder- und Jugendchor der Hamburgischen Staatsoper (Drei Knaben), Philharmonisches Staatsorchester Hamburg (Orchestra), Chor der Hamburgischen Staatsoper (Chorus)
This opera is the world in a theatrical nutshell: it deals with growing older, with trials and tribulations, with intransparent decisions. One person searches for individuality, another is too lazy to do so. Others postulate that the community is the only adequate place for the individual. Power has either been legitimised by long tradition or usurped by new regimes. Values such as assimilation and loyalty are set against self-assertiveness and independence. There is loving and dreaming, cheating and trusting. Suicides are prevented, tests passed, adventures survived. Who is right? Who has been wronged? The world of the magic flute is opaque, and everyone is looking for a pathway: within it, into it or out of it. Who holds the reigns? Who can be trusted? Could it be music? Director: Jette Steckel Set Designer: Florian Lösche Costume Designer: Pauline Hüners Dramaturgy: Johannes Blum, Carl Hegemann Video: EINS[23].TV (Alexander Bunge) Lighting Design: Paulus Vogt Premiere: 23.9.2016 Please note that stroboscope effects and partly very bright lights are being used.
Info & Ticket (www.staatsorchester-hamburg.de)
Artistic depiction of the event
This season
In Hamburg

Elektra

Tue, Apr 14, 2026, 19:30
Hamburgische Staatsoper, Großes Haus (Hamburg)
Anja Bihlmaier (Musical Director), Violeta Urmana (Klytämnestra), Aušriné Stundyté (Elektra), Jennifer Holloway (Chrysothemis), Wolfgang Ablinger-Sperrhacke (Aegisth), Chao Deng (Pfleger des Orest), Marie Maidowski (Schleppträgerin), Oleksiy Palchykov (Junger Diener), William Desbiens (Alter Diener), Katja Pieweck (Aufseherin), Michal Doron (Erste Magd), Ida Aldrian (Zweite Magd), Kady Evanyshyn (Dritte Magd), Eliza Boom (Vierte Magd), Hellen Kwon (Fünfte Magd), Philharmonisches Staatsorchester Hamburg (Orchestra)
The war is over, and tragedy takes its course: the mother and her lover murder the father upon his return. The daughter hides her brother, keeping him safe. – Every day, Elektra thinks of her murdered father, plotting blood-stained celebrations of victory and waiting for the moment when her brother, reared as an avenger, returns. Under one roof with her father’s murderers, thirst for blood and revenge collide with the future plans of her younger sister, who longs for marriage and children, a life in harmony and bliss. The mother is governed by another delusion: “It is not a word, it is not pain, it does not pinch me or strangle me, … and yet it is so terrible that my soul wishes it had been hanged, and every part of my body cries out for death.” Sacrifice is meant to bring relief. Director and Set Design: Dmitri Tcherniakov Assistant Director: Thorsten Cölle Costumes: Elena Zaytseva Light: Gleb Filshtinsky Video: Tieni Burkhalter Dramaturgy: Tatiana Werestchagina
Info & Ticket (www.staatsorchester-hamburg.de)
Artistic depiction of the event
This season
In Hamburg

Elektra

Sun, Apr 19, 2026, 15:00
Hamburgische Staatsoper, Großes Haus (Hamburg)
Anja Bihlmaier (Musical Director), Violeta Urmana (Klytämnestra), Aušriné Stundyté (Elektra), Jennifer Holloway (Chrysothemis), Wolfgang Ablinger-Sperrhacke (Aegisth), Chao Deng (Pfleger des Orest), Marie Maidowski (Schleppträgerin), Oleksiy Palchykov (Junger Diener), William Desbiens (Alter Diener), Katja Pieweck (Aufseherin), Michal Doron (Erste Magd), Ida Aldrian (Zweite Magd), Kady Evanyshyn (Dritte Magd), Eliza Boom (Vierte Magd), Hellen Kwon (Fünfte Magd), Philharmonisches Staatsorchester Hamburg (Orchestra)
The war is over, and tragedy takes its course: the mother and her lover murder the father upon his return. The daughter hides her brother, keeping him safe. – Every day, Elektra thinks of her murdered father, plotting blood-stained celebrations of victory and waiting for the moment when her brother, reared as an avenger, returns. Under one roof with her father’s murderers, thirst for blood and revenge collide with the future plans of her younger sister, who longs for marriage and children, a life in harmony and bliss. The mother is governed by another delusion: “It is not a word, it is not pain, it does not pinch me or strangle me, … and yet it is so terrible that my soul wishes it had been hanged, and every part of my body cries out for death.” Sacrifice is meant to bring relief. Director and Set Design: Dmitri Tcherniakov Assistant Director: Thorsten Cölle Costumes: Elena Zaytseva Light: Gleb Filshtinsky Video: Tieni Burkhalter Dramaturgy: Tatiana Werestchagina
Info & Ticket (www.staatsorchester-hamburg.de)
Artistic depiction of the event
This season
In Hamburg

Elektra

Fri, May 1, 2026, 19:30
Hamburgische Staatsoper, Großes Haus (Hamburg)
Anja Bihlmaier (Musical Director), Violeta Urmana (Klytämnestra), Aušriné Stundyté (Elektra), Jennifer Holloway (Chrysothemis), Wolfgang Ablinger-Sperrhacke (Aegisth), Chao Deng (Pfleger des Orest), Marie Maidowski (Schleppträgerin), Oleksiy Palchykov (Junger Diener), William Desbiens (Alter Diener), Katja Pieweck (Aufseherin), Michal Doron (Erste Magd), Ida Aldrian (Zweite Magd), Kady Evanyshyn (Dritte Magd), Eliza Boom (Vierte Magd), Hellen Kwon (Fünfte Magd), Philharmonisches Staatsorchester Hamburg (Orchestra)
The war is over, and tragedy takes its course: the mother and her lover murder the father upon his return. The daughter hides her brother, keeping him safe. – Every day, Elektra thinks of her murdered father, plotting blood-stained celebrations of victory and waiting for the moment when her brother, reared as an avenger, returns. Under one roof with her father’s murderers, thirst for blood and revenge collide with the future plans of her younger sister, who longs for marriage and children, a life in harmony and bliss. The mother is governed by another delusion: “It is not a word, it is not pain, it does not pinch me or strangle me, … and yet it is so terrible that my soul wishes it had been hanged, and every part of my body cries out for death.” Sacrifice is meant to bring relief. Director and Set Design: Dmitri Tcherniakov Assistant Director: Thorsten Cölle Costumes: Elena Zaytseva Light: Gleb Filshtinsky Video: Tieni Burkhalter Dramaturgy: Tatiana Werestchagina
Info & Ticket (www.staatsorchester-hamburg.de)
Artistic depiction of the event
This season
In Hamburg

Elektra

Fri, May 8, 2026, 19:30
Hamburgische Staatsoper, Großes Haus (Hamburg)
Anja Bihlmaier (Musical Director), Violeta Urmana (Klytämnestra), Aušriné Stundyté (Elektra), Jennifer Holloway (Chrysothemis), Wolfgang Ablinger-Sperrhacke (Aegisth), Chao Deng (Pfleger des Orest), Marie Maidowski (Schleppträgerin), Oleksiy Palchykov (Junger Diener), William Desbiens (Alter Diener), Katja Pieweck (Aufseherin), Michal Doron (Erste Magd), Ida Aldrian (Zweite Magd), Kady Evanyshyn (Dritte Magd), Eliza Boom (Vierte Magd), Hellen Kwon (Fünfte Magd), Philharmonisches Staatsorchester Hamburg (Orchestra)
The war is over, and tragedy takes its course: the mother and her lover murder the father upon his return. The daughter hides her brother, keeping him safe. – Every day, Elektra thinks of her murdered father, plotting blood-stained celebrations of victory and waiting for the moment when her brother, reared as an avenger, returns. Under one roof with her father’s murderers, thirst for blood and revenge collide with the future plans of her younger sister, who longs for marriage and children, a life in harmony and bliss. The mother is governed by another delusion: “It is not a word, it is not pain, it does not pinch me or strangle me, … and yet it is so terrible that my soul wishes it had been hanged, and every part of my body cries out for death.” Sacrifice is meant to bring relief. Director and Set Design: Dmitri Tcherniakov Assistant Director: Thorsten Cölle Costumes: Elena Zaytseva Light: Gleb Filshtinsky Video: Tieni Burkhalter Dramaturgy: Tatiana Werestchagina
Info & Ticket (www.staatsorchester-hamburg.de)