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Classical concerts featuring
Liv Redpath

Overview

Quick overview of musician Liv Redpath by associated keywords

CitiesFrequently performs in

Hamburg
Germany
Hamburg
4
Amsterdam
The Netherlands
Amsterdam
1
Paris
France
Paris
1

ProgramFrequently performs

Wolfgang Amadeus Mozart
Works by
Wolfgang Amadeus Mozart
7
Olivier Messiaen
Works by
Olivier Messiaen
2
Claude Debussy
Works by
Claude Debussy
1
Edvard Grieg
Works by
Edvard Grieg
1

MusiciansFrequently collaborate with

Musician
Aleksandra Olczyk
3
Musician
Alsterspatzen – Kinder- und Jugendchor der Hamburgischen Staatsoper
3
Musician
Andrew Hamilton
3
Musician
Chao Deng
3
choir
Chor der Hamburgischen Staatsoper
3

New Arrivals

These concerts featuring Liv Redpath became visible lately at Concert Pulse.

Artistic depiction of the event
This season
In Hamburg

Die Zauberflöte (The Magic Flute)

Sun, Nov 23, 2025, 16:30
Hamburgische Staatsoper, Großes Haus (Hamburg)
Keren Kagarlitsky (Musical Director), Christian Günther (Chorus), Hubert Kowalczyk (Sarastro), Liv Redpath (Pamina), Chao Deng (Speaker), Mziwamadoda Sipho Nodlayiya (Priester), Aleksandra Olczyk (Königin der Nacht), Narea Son (Erste Dame), Kady Evanyshyn (Zweite Dame), Michal Doron (Dritte Dame), Andrew Hamilton (Papageno), Peter Galliard (Monostatos), Marie Maidowski (Papagena), Jürgen Sacher (Erster Geharnischter), Keith Klein (Zweiter Geharnischter), Alsterspatzen – Kinder- und Jugendchor der Hamburgischen Staatsoper (Drei Knaben), Philharmonisches Staatsorchester Hamburg (Orchestra), Chor der Hamburgischen Staatsoper (Chorus)
This opera is the world in a theatrical nutshell: it deals with growing older, with trials and tribulations, with intransparent decisions. One person searches for individuality, another is too lazy to do so. Others postulate that the community is the only adequate place for the individual. Power has either been legitimised by long tradition or usurped by new regimes. Values such as assimilation and loyalty are set against self-assertiveness and independence. There is loving and dreaming, cheating and trusting. Suicides are prevented, tests passed, adventures survived. Who is right? Who has been wronged? The world of the magic flute is opaque, and everyone is looking for a pathway: within it, into it or out of it. Who holds the reigns? Who can be trusted? Could it be music? Director: Jette Steckel Set Designer: Florian Lösche Costume Designer: Pauline Hüners Dramaturgy: Johannes Blum, Carl Hegemann Video: EINS[23].TV (Alexander Bunge) Lighting Design: Paulus Vogt Premiere: 23.9.2016 Please note that stroboscope effects and partly very bright lights are being used.
Info & Ticket (www.staatsorchester-hamburg.de)
Artistic depiction of the event
This season
In Hamburg

Die Zauberflöte (The Magic Flute)

Tue, Dec 30, 2025, 19:00
Hamburgische Staatsoper, Großes Haus (Hamburg)
Keren Kagarlitsky (Musical Director), Christian Günther (Chorus), Hubert Kowalczyk (Sarastro), Dovlet Nurgeldiyev (Tamino), Liv Redpath (Pamina), Chao Deng (Speaker), Mziwamadoda Sipho Nodlayiya (Priester), Aleksandra Olczyk (Königin der Nacht), Narea Son (Erste Dame), Kady Evanyshyn (Zweite Dame), Ida Aldrian (Dritte Dame), Andrew Hamilton (Papageno), Peter Galliard (Monostatos), Marie Maidowski (Papagena), Jürgen Sacher (Erster Geharnischter), Keith Klein (Zweiter Geharnischter), Alsterspatzen – Kinder- und Jugendchor der Hamburgischen Staatsoper (Drei Knaben), Philharmonisches Staatsorchester Hamburg (Orchestra), Chor der Hamburgischen Staatsoper (Chorus)
This opera is the world in a theatrical nutshell: it deals with growing older, with trials and tribulations, with intransparent decisions. One person searches for individuality, another is too lazy to do so. Others postulate that the community is the only adequate place for the individual. Power has either been legitimised by long tradition or usurped by new regimes. Values such as assimilation and loyalty are set against self-assertiveness and independence. There is loving and dreaming, cheating and trusting. Suicides are prevented, tests passed, adventures survived. Who is right? Who has been wronged? The world of the magic flute is opaque, and everyone is looking for a pathway: within it, into it or out of it. Who holds the reigns? Who can be trusted? Could it be music? Director: Jette Steckel Set Designer: Florian Lösche Costume Designer: Pauline Hüners Dramaturgy: Johannes Blum, Carl Hegemann Video: EINS[23].TV (Alexander Bunge) Lighting Design: Paulus Vogt Premiere: 23.9.2016 Please note that stroboscope effects and partly very bright lights are being used.
Info & Ticket (www.staatsorchester-hamburg.de)
Artistic depiction of the event
This season
In Hamburg

Die Zauberflöte (The Magic Flute)

Sat, Jan 3, 2026, 19:00
Hamburgische Staatsoper, Großes Haus (Hamburg)
Keren Kagarlitsky (Musical Director), Christian Günther (Chorus), Hubert Kowalczyk (Sarastro), Dovlet Nurgeldiyev (Tamino), Liv Redpath (Pamina), Chao Deng (Speaker), Mziwamadoda Sipho Nodlayiya (Priester), Aleksandra Olczyk (Königin der Nacht), Narea Son (Erste Dame), Kady Evanyshyn (Zweite Dame), Ida Aldrian (Dritte Dame), Andrew Hamilton (Papageno), Daniel Kluge (Monostatos), Marie Maidowski (Papagena), Jürgen Sacher (Erster Geharnischter), Keith Klein (Zweiter Geharnischter), Alsterspatzen – Kinder- und Jugendchor der Hamburgischen Staatsoper (Drei Knaben), Philharmonisches Staatsorchester Hamburg (Orchestra), Chor der Hamburgischen Staatsoper (Chorus)
This opera is the world in a theatrical nutshell: it deals with growing older, with trials and tribulations, with intransparent decisions. One person searches for individuality, another is too lazy to do so. Others postulate that the community is the only adequate place for the individual. Power has either been legitimised by long tradition or usurped by new regimes. Values such as assimilation and loyalty are set against self-assertiveness and independence. There is loving and dreaming, cheating and trusting. Suicides are prevented, tests passed, adventures survived. Who is right? Who has been wronged? The world of the magic flute is opaque, and everyone is looking for a pathway: within it, into it or out of it. Who holds the reigns? Who can be trusted? Could it be music? Director: Jette Steckel Set Designer: Florian Lösche Costume Designer: Pauline Hüners Dramaturgy: Johannes Blum, Carl Hegemann Video: EINS[23].TV (Alexander Bunge) Lighting Design: Paulus Vogt Premiere: 23.9.2016 Please note that stroboscope effects and partly very bright lights are being used.
Info & Ticket (www.staatsorchester-hamburg.de)

Upcoming Concerts

Concerts featuring Liv Redpath in season 2024/25 or later

Artistic depiction of the event
This season
In Paris

Orchestre Philharmonique de Radio France / George Benjamin

Fri, May 16, 2025, 20:00
Philharmonie de Paris, Grande salle Pierre Boulez (Paris)
Orchestre Philharmonique de Radio France, Maîtrise de Radio France, George Benjamin (Conductor), Liv Redpath (Soprano), Ema Nikolovska (Mezzo-Soprano), Sofi Jeannin (Chorus Master)
Debussy’s shimmering, pictorial score finds resonance with the work of Olivier Messiaen, a great colourist of orchestral material, at his best in Chronochromie, rich with the sounds of nature.
Info & Ticket (philharmoniedeparis.fr)
Artistic depiction of the event
This season
In Hamburg

Die Zauberflöte (The Magic Flute)

Sun, Nov 23, 2025, 16:30
Hamburgische Staatsoper, Großes Haus (Hamburg)
Keren Kagarlitsky (Musical Director), Christian Günther (Chorus), Hubert Kowalczyk (Sarastro), Liv Redpath (Pamina), Chao Deng (Speaker), Mziwamadoda Sipho Nodlayiya (Priester), Aleksandra Olczyk (Königin der Nacht), Narea Son (Erste Dame), Kady Evanyshyn (Zweite Dame), Michal Doron (Dritte Dame), Andrew Hamilton (Papageno), Peter Galliard (Monostatos), Marie Maidowski (Papagena), Jürgen Sacher (Erster Geharnischter), Keith Klein (Zweiter Geharnischter), Alsterspatzen – Kinder- und Jugendchor der Hamburgischen Staatsoper (Drei Knaben), Philharmonisches Staatsorchester Hamburg (Orchestra), Chor der Hamburgischen Staatsoper (Chorus)
This opera is the world in a theatrical nutshell: it deals with growing older, with trials and tribulations, with intransparent decisions. One person searches for individuality, another is too lazy to do so. Others postulate that the community is the only adequate place for the individual. Power has either been legitimised by long tradition or usurped by new regimes. Values such as assimilation and loyalty are set against self-assertiveness and independence. There is loving and dreaming, cheating and trusting. Suicides are prevented, tests passed, adventures survived. Who is right? Who has been wronged? The world of the magic flute is opaque, and everyone is looking for a pathway: within it, into it or out of it. Who holds the reigns? Who can be trusted? Could it be music? Director: Jette Steckel Set Designer: Florian Lösche Costume Designer: Pauline Hüners Dramaturgy: Johannes Blum, Carl Hegemann Video: EINS[23].TV (Alexander Bunge) Lighting Design: Paulus Vogt Premiere: 23.9.2016 Please note that stroboscope effects and partly very bright lights are being used.
Info & Ticket (www.staatsorchester-hamburg.de)
Artistic depiction of the event
This season
In Hamburg

Die Zauberflöte (The Magic Flute)

Tue, Dec 30, 2025, 19:00
Hamburgische Staatsoper, Großes Haus (Hamburg)
Keren Kagarlitsky (Musical Director), Christian Günther (Chorus), Hubert Kowalczyk (Sarastro), Dovlet Nurgeldiyev (Tamino), Liv Redpath (Pamina), Chao Deng (Speaker), Mziwamadoda Sipho Nodlayiya (Priester), Aleksandra Olczyk (Königin der Nacht), Narea Son (Erste Dame), Kady Evanyshyn (Zweite Dame), Ida Aldrian (Dritte Dame), Andrew Hamilton (Papageno), Peter Galliard (Monostatos), Marie Maidowski (Papagena), Jürgen Sacher (Erster Geharnischter), Keith Klein (Zweiter Geharnischter), Alsterspatzen – Kinder- und Jugendchor der Hamburgischen Staatsoper (Drei Knaben), Philharmonisches Staatsorchester Hamburg (Orchestra), Chor der Hamburgischen Staatsoper (Chorus)
This opera is the world in a theatrical nutshell: it deals with growing older, with trials and tribulations, with intransparent decisions. One person searches for individuality, another is too lazy to do so. Others postulate that the community is the only adequate place for the individual. Power has either been legitimised by long tradition or usurped by new regimes. Values such as assimilation and loyalty are set against self-assertiveness and independence. There is loving and dreaming, cheating and trusting. Suicides are prevented, tests passed, adventures survived. Who is right? Who has been wronged? The world of the magic flute is opaque, and everyone is looking for a pathway: within it, into it or out of it. Who holds the reigns? Who can be trusted? Could it be music? Director: Jette Steckel Set Designer: Florian Lösche Costume Designer: Pauline Hüners Dramaturgy: Johannes Blum, Carl Hegemann Video: EINS[23].TV (Alexander Bunge) Lighting Design: Paulus Vogt Premiere: 23.9.2016 Please note that stroboscope effects and partly very bright lights are being used.
Info & Ticket (www.staatsorchester-hamburg.de)
Artistic depiction of the event
This season
In Hamburg

Die Zauberflöte (The Magic Flute)

Sat, Jan 3, 2026, 19:00
Hamburgische Staatsoper, Großes Haus (Hamburg)
Keren Kagarlitsky (Musical Director), Christian Günther (Chorus), Hubert Kowalczyk (Sarastro), Dovlet Nurgeldiyev (Tamino), Liv Redpath (Pamina), Chao Deng (Speaker), Mziwamadoda Sipho Nodlayiya (Priester), Aleksandra Olczyk (Königin der Nacht), Narea Son (Erste Dame), Kady Evanyshyn (Zweite Dame), Ida Aldrian (Dritte Dame), Andrew Hamilton (Papageno), Daniel Kluge (Monostatos), Marie Maidowski (Papagena), Jürgen Sacher (Erster Geharnischter), Keith Klein (Zweiter Geharnischter), Alsterspatzen – Kinder- und Jugendchor der Hamburgischen Staatsoper (Drei Knaben), Philharmonisches Staatsorchester Hamburg (Orchestra), Chor der Hamburgischen Staatsoper (Chorus)
This opera is the world in a theatrical nutshell: it deals with growing older, with trials and tribulations, with intransparent decisions. One person searches for individuality, another is too lazy to do so. Others postulate that the community is the only adequate place for the individual. Power has either been legitimised by long tradition or usurped by new regimes. Values such as assimilation and loyalty are set against self-assertiveness and independence. There is loving and dreaming, cheating and trusting. Suicides are prevented, tests passed, adventures survived. Who is right? Who has been wronged? The world of the magic flute is opaque, and everyone is looking for a pathway: within it, into it or out of it. Who holds the reigns? Who can be trusted? Could it be music? Director: Jette Steckel Set Designer: Florian Lösche Costume Designer: Pauline Hüners Dramaturgy: Johannes Blum, Carl Hegemann Video: EINS[23].TV (Alexander Bunge) Lighting Design: Paulus Vogt Premiere: 23.9.2016 Please note that stroboscope effects and partly very bright lights are being used.
Info & Ticket (www.staatsorchester-hamburg.de)