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Concerts with works by
Caroline Shaw

Overview

Quick overview of Caroline Shaw by associated keywords

New Arrivals

These concerts with works by Caroline Shaw became visible lately at Concert Pulse.

Artistic depiction of the event
This month
In Heidelberg

Ruby Hughes. Manchester Collective End of My Days

Sat, Mar 29, 2025, 17:00
Ruby Hughes (Soprano), Manchester Collective (Streichquartett)
Soprano Ruby Hughes commented on her program "End of My Days," created with the Manchester Collective during the first COVID-19 lockdown: "Music always has the potential to speak to us, to comfort us, and to help us feel understood." The program's songs by John Dowland, Claude Debussy, Gustav Mahler, and other composers, including contemporary ones, empathetically explore themes of love, loss, and separation. Mahler's "Urlicht" conveys the confidence that we will return to where we came from when we enter eternity. The title song by Errollyn Wallen embraces death and celebrates life.
Artistic depiction of the event
This season
In Heidelberg

VOCES8 Love Endureth. Lieder von Liebe und Abschied

Sun, May 25, 2025, 16:00
VOCES8 (Vocal Ensemble)
VOCES8, renowned for their perfect blend of flawless execution and lively stage presence, return to Heidelberg. Their unique appeal stems from their captivating sound and innovative fusion of old and new, sacred and secular music. Artistic director Barnaby Smith aims for concerts that evoke both laughter and tears. This performance explores love, loss, and eternity, promising an emotional journey.
Artistic depiction of the event
Next month
In Heidelberg

LAB des Festivalcampus-Ensembles Timing Materials

Tue, Apr 8, 2025, 20:30
Mitglieder des Festivalcampus-Ensembles (Lea Luka Sikau Regie)
Was macht die Zeit mit den Dingen? Wie schlägt sie sich nieder – im Klang, im Material, in uns? Das LAB-Konzert des Festivalcampus-Ensembles erforscht unsere heutige Zeitwahrnehmung und setzt sie in Beziehung zu den Materialien, die uns umgeben. Von den hölzernen Resonanzräumen historischer Instrumente über Field Recordings aus Fabriken bis hin zu elektronischen Sounds der Gegenwart. Inspiriert vom Festivalmotto und dem architektonisch imposanten Foyer von Heidelberg Materials, kreieren die Instrumentalist*innen ein immersives Erlebnis aus Musik und Sound. Regie führt Lea Luka Sikau. Die junge Medienkünstlerin und Regisseurin, die mit Größen wie Marina Abramovic oder Romeo Castellucci zusammenarbeitet, ist eine der spannendsten Grenzgängerinnen zwischen Forschung, Multimedia und Musiktheater.Konzert ohne PauseDauer ca. 70 Minuten

Upcoming Concerts

Concerts in season 2024/25 or later where works by Caroline Shaw is performed

Artistic depiction of the event
Next week
In Amsterdam

Danish String Quartet: Schubert's last string quartet

Thu, Mar 20, 2025, 20:15
The Danish String Quartet
For lovers of chamber music the Recital Hall is the venue of choice. You can hear the musicians breathe and you can practically touch them. This hall is also cherished by musicians for its beautiful acoustics and direct contact with the audience. In the Recital Hall you can hear the best musicians of our time. Buy your tickets now and experience the magic of the Recital Hall for yourself!
Artistic depiction of the event
Next week
In Amsterdam

Danish String Quartet: Schubert's last string quartet

Sat, Mar 22, 2025, 20:15
The Danish String Quartet
For lovers of chamber music the Recital Hall is the venue of choice. You can hear the musicians breathe and you can practically touch them. This hall is also cherished by musicians for its beautiful acoustics and direct contact with the audience. In the Recital Hall you can hear the best musicians of our time. Buy your tickets now and experience the magic of the Recital Hall for yourself!
Artistic depiction of the event
This month
In Heidelberg

Ruby Hughes. Manchester Collective End of My Days

Sat, Mar 29, 2025, 17:00
Ruby Hughes (Soprano), Manchester Collective (Streichquartett)
Soprano Ruby Hughes commented on her program "End of My Days," created with the Manchester Collective during the first COVID-19 lockdown: "Music always has the potential to speak to us, to comfort us, and to help us feel understood." The program's songs by John Dowland, Claude Debussy, Gustav Mahler, and other composers, including contemporary ones, empathetically explore themes of love, loss, and separation. Mahler's "Urlicht" conveys the confidence that we will return to where we came from when we enter eternity. The title song by Errollyn Wallen embraces death and celebrates life.
Artistic depiction of the event
Next month
In Heidelberg

LAB des Festivalcampus-Ensembles Timing Materials

Tue, Apr 8, 2025, 20:30
Mitglieder des Festivalcampus-Ensembles (Lea Luka Sikau Regie)
Was macht die Zeit mit den Dingen? Wie schlägt sie sich nieder – im Klang, im Material, in uns? Das LAB-Konzert des Festivalcampus-Ensembles erforscht unsere heutige Zeitwahrnehmung und setzt sie in Beziehung zu den Materialien, die uns umgeben. Von den hölzernen Resonanzräumen historischer Instrumente über Field Recordings aus Fabriken bis hin zu elektronischen Sounds der Gegenwart. Inspiriert vom Festivalmotto und dem architektonisch imposanten Foyer von Heidelberg Materials, kreieren die Instrumentalist*innen ein immersives Erlebnis aus Musik und Sound. Regie führt Lea Luka Sikau. Die junge Medienkünstlerin und Regisseurin, die mit Größen wie Marina Abramovic oder Romeo Castellucci zusammenarbeitet, ist eine der spannendsten Grenzgängerinnen zwischen Forschung, Multimedia und Musiktheater.Konzert ohne PauseDauer ca. 70 Minuten
Artistic depiction of the event
Next month
In Heidelberg

LAB des Festivalcampus-Ensembles Timing Materials

Wed, Apr 9, 2025, 20:30
Mitglieder des Festivalcampus-Ensembles (Lea Luka Sikau Regie)
Was macht die Zeit mit den Dingen? Wie schlägt sie sich nieder – im Klang, im Material, in uns? Das LAB-Konzert des Festivalcampus-Ensembles erforscht unsere heutige Zeitwahrnehmung und setzt sie in Beziehung zu den Materialien, die uns umgeben. Von den hölzernen Resonanzräumen historischer Instrumente über Field Recordings aus Fabriken bis hin zu elektronischen Sounds der Gegenwart. Inspiriert vom Festivalmotto und dem architektonisch imposanten Foyer von Heidelberg Materials, kreieren die Instrumentalist*innen ein immersives Erlebnis aus Musik und Sound. Regie führt Lea Luka Sikau. Die junge Medienkünstlerin und Regisseurin, die mit Größen wie Marina Abramovic oder Romeo Castellucci zusammenarbeitet, ist eine der spannendsten Grenzgängerinnen zwischen Forschung, Multimedia und Musiktheater.Konzert ohne PauseDauer ca. 70 Minuten
Artistic depiction of the event
This season
In London

Her Ensemble: The Three Dancers with Jess Gillam and Laura Van der Heijden

Wed, May 7, 2025, 20:00
Her Ensemble, Laura Van Der Heijden (Cello), Jess Gillam (Saxophon), Junyan Chen (Piano)
Three beautifully-conceived 21st century works inspired by the visual arts, culminating in a celebration of Balkan folk tunes herald the return of Ellie Consta’s pioneering Her Ensemble.
Artistic depiction of the event
This season
In Heidelberg

VOCES8 Love Endureth. Lieder von Liebe und Abschied

Sun, May 25, 2025, 16:00
VOCES8 (Vocal Ensemble)
VOCES8, renowned for their perfect blend of flawless execution and lively stage presence, return to Heidelberg. Their unique appeal stems from their captivating sound and innovative fusion of old and new, sacred and secular music. Artistic director Barnaby Smith aims for concerts that evoke both laughter and tears. This performance explores love, loss, and eternity, promising an emotional journey.
Artistic depiction of the event
This season
In Berlin

DANISH STRING QUARTET

Tue, Jun 10, 2025, 19:30
Danish String Quartet (String Quartet)
Audiences of the Danish String Quartet know that the ensemble likes to blur the boundaries between folk music and classical music. In this concert, the four Scandinavians combine traditional melodies by 18th­-century Irish harper Turlough O’Carolan with works from different eras to create a sound world that transcends styles and genres. In addition to Stravinsky’s Three Pieces for String Quartet, which evoke Russian dance rhythms and sacred chants, the program includes Mozart’s delightful F-­major Divertimento and Caroline Shaw’s Haydn­inspired Entr’acte.