Concerts with works by

Camille Saint-Saëns

Saint-Saëns' romantic Cello Concerto No. 1 and Mendelssohn's Symphony No. 3

The Sunday Morning Concert brings you wonderful and much-loved compositions, performed by top musicians from the Netherlands and abroad. Enjoy the most beautiful music in the morning! You can make your Sunday complete by enjoying a delicious post-concert lunch in restaurant LIER.The Royal Concertgebouw is one of the best concert halls in the world, famous for its exceptional acoustics and varied programme. Attend a concert and have an experience you will never forget. Come and enjoy inspiring music in the beautiful surroundings of the Main Hall or the intimate Recital Hall.

Fauré!

4. Akademisches Konzert

Orgelstunde

The spiritual focus of this program is not the prominent names of Camille Saint-Saëns or Max Reger, whose works form the weighty framework of this organ lesson, but the coordinated miniatures by Nadia Boulanger and Philipp Maintz. At the request of Angela Metzger, the latter has composed a cycle of short organ pieces especially for use in the concert hall, the structure and charm of which unfold in particular in combination with the Trois Pièces by Nadia Boulanger. One of these three pieces will even be premiered in today's concert.

Marie Jacquot Veronika Eberle Kristine Tjøgersen Sergei Prokofiev Camille Saint-Saëns

Between Trees was the international breakthrough for the composer Kristine Tjøgersen (b. 1982) from Oslo. The Norwegian Radio Orchestra premiered the orchestral piece and was selected as “most outstanding work” at the prestigious award ceremony International Rostrum of Composers. Among the trees in the forest, “it teems with roots connected in a network of fungal threads,” the composer says. “These threads connect trees and plants so that they can communicate - like the forest’s own internet.” The piece is rich in unusual instrument sounds and techniques. She continues: “Fungal threads grow in pulses, so there is a rhythmically pulsating life unfolding beneath our feet. The opening is therefore buoyant and airy, like communicating trees. We then move over the ground, and hear flapping wings and various birds.”When the Russian Revolution was a fact in 1917, Sergei Prokofiev (1891-1953) left the eye of the storm, Petrograd (today’s St. Petersburg), and traveled to the far east, with a steam boat on the rivers Volga and kama towards the Ural Mountains. In these calm surroundings, he wrote his most famous work. There is little in the Violin Concerto No. 1 in D Major that bears witness to the troubled times - perhaps excluding the wild second movement. The first and third movement contains some of Prokofiev’s most dreamy, romantic music, and some of his most memorable melodies.“I gave everything to it I was able to give. What I have accomplished here, I will never achieve again,” Camille Saint-Saëns (1835-1921) said about his Symphony No. 3 in C minor, the “Organ Symphony”, which premiered in London in 1886. This would be his last symphony and one of his most famous pieces.After growing up as a child prodigy on the piano, Saint-Saëns got the most prestigious organist job in France, at the La Madeleine church in Paris. The composer Franz Liszt heard him play there and called him “the world’s best organist”. Symphony No. 3 culminates in a powerful ending with piano and organ.

CHRISTIANE KARG, MALCOLM MARTINEAU & HELMUT MOOSHAMMER

Mignon, Ophelia, and Mary, Queen of Scots—these three towering figures of literature and history provide the inspiration for an evening of words and music created by Christiane Karg, Malcolm Martineau, and actor Helmut Mooshammer. In addition to Goethe settings by Beethoven, Schubert, Wolf, Duparc, and Josephine Lange and Ophelia songs by Brahms, Strauss, Chausson, and Wolfgang Rihm, the program also includes Robert Schumann’s Gedichte der Königin Maria Stuart, the composer’s final vocal cycle written in 1852.

Fauré!

World Doctors Orchestra / Stefan Willich

Made up entirely of doctors from all over the world who have achieved musical excellence, the World Doctors Orchestra presents a rich French programme, from Tomasi’s brilliant Concerto to two pillars in the repertoire, by Debussy and Saint-Saëns.

Classic with baby

A chamber music concert for adults with babies aged 0–12 months. This half hour of music is adapted to suit adult tastes and babies’ hearing. Gentle and soft, with plenty of space in the auditorium. The audience sits on the floor in front of the stage, or on benches further back in the auditorium – the choice is yours.Two of the country’s most acclaimed top musicians are the guests at Classic with Baby this time: clarinet virtuoso Emil Jonason – a musician who makes the impossible possible on his instrument – and performing alongside him is one of Sweden’s absolute finest pianists, Peter Friis Johansson. As a duo, Emil and Peter have been touring together for nearly 15 years, performing concerts all across Sweden as well as on major stages throughout Europe.Concert pianist Natalie Gourman Syberg is host, and also initiated Classical with Babies. ***The possibility of bringing a pram into Konserthuset is very limited, so please consider leaving the pram at home.

Classic with baby

A chamber music concert for adults with babies aged 0–12 months. This half hour of music is adapted to suit adult tastes and babies’ hearing. Gentle and soft, with plenty of space in the auditorium. The audience sits on the floor in front of the stage, or on benches further back in the auditorium – the choice is yours.Two of the country’s most acclaimed top musicians are the guests at Classic with Baby this time: clarinet virtuoso Emil Jonason – a musician who makes the impossible possible on his instrument – and performing alongside him is one of Sweden’s absolute finest pianists, Peter Friis Johansson. As a duo, Emil and Peter have been touring together for nearly 15 years, performing concerts all across Sweden as well as on major stages throughout Europe.Concert pianist Natalie Gourman Syberg is host, and also initiated Classical with Babies. ***The possibility of bringing a pram into Konserthuset is very limited, so please consider leaving the pram at home.

Classic with baby

A chamber music concert for adults with babies aged 0–12 months. This half hour of music is adapted to suit adult tastes and babies’ hearing. Gentle and soft, with plenty of space in the auditorium. The audience sits on the floor in front of the stage, or on benches further back in the auditorium – the choice is yours.Concert pianist Natalie Gourman Syberg is host, and also initiated Classical with Babies. ***The possibility of bringing a pram into Konserthuset is very limited, so please consider leaving the pram at home.

Classic with baby

A chamber music concert for adults with babies aged 0–12 months. This half hour of music is adapted to suit adult tastes and babies’ hearing. Gentle and soft, with plenty of space in the auditorium. The audience sits on the floor in front of the stage, or on benches further back in the auditorium – the choice is yours.Concert pianist Natalie Gourman Syberg is host, and also initiated Classical with Babies. ***The possibility of bringing a pram into Konserthuset is very limited, so please consider leaving the pram at home.

School concert: The Carnival of the Animals

School concert: The Carnival of the Animals

School concert: The Carnival of the Animals

School concert: The Carnival of the Animals

Family concert: The Carnival of the Animals

Family concert: The Carnival of the Animals

Renouveau Kammerkonzert 8

Musicians of the Komische Oper Berlin present intensive listening experiences in special locations as part of their chamber concerts. From the festive ambience of the Schiller Theater to the monumental vastness of the old hangar at Tempelhof Airport, with new sound worlds at the Kindl site to enchanting experiences in a tent.

Orgelstunde an Christi Himmelfahrt

Iveta Apkalna, organ

Iveta Apkalna pursues two milestones in organ music: Johann Sebastian Bach’s enormous Chaconne and César Franck’s ground-breaking »Grande pièce symphonique«, whose title alludes to the symphonic sound possibilities of the organ and fully exploits them. The titular organist of the Elbphilharmonie complements her solo programme with three further pieces, which also showcase »her« instrument in full splendour. Johann Sebastian Bach’s Chaconne was originally composed for violin. The contrapuntal entanglements which Bach created within it have, however, inspired several composers to arrange this work for organ. Also, the »Danse Macabre« by Camille Saint-Saëns, originally composed for voice and piano, only became famous in its orchestral version and sounds just as very wonderfully eerie on the organ. César Franck dedicated his »Prélude, fugue et variation« to his friend and organ colleague Saint-Saëns; the three movements seem very different and yet hang together thematically. As one of the forefathers of organ symphony, Franck is at the inception of a development which had far-reaching consequences for organ building and organ music: to this day (and so also at the Elbphilharmonie), the thousand organ pipes of one instrument should ideally cover the full range of symphonic sound. Iveta Akpalna, who, as the titular organist, knows the Elbphilharmonie organ like hardly anyone else, can exploit the entire colourful richness of the instrument to perfectly set the scene for each piece of her programme.

Orchestre Neojiba / Ricardo Castro

In this lively and festive programme, the Neojiba Orchestra pairs the delightful Carnival of the Animals—brought to life by Lambert Wilson and Katia and Marielle Labèque—with the exhilarating Symphonic Dances from West Side Story.

Orchestre de Paris / Klaus Mäkelä

Yunchan Lim's galvanising virtuosity takes hold of Concerto No.4, the least performed of Rachmaninoff's concertos, but also the richest and most adventurous of the series. And, in response, we have the flamboyant grandeur of Saint-Saëns's Organ Symphony.

Classical Highlights: Cello Classics with Julia Hagen

For lovers of chamber music the Recital Hall is the venue of choice. You can hear the musicians breathe and you can practically touch them. This hall is also cherished by musicians for its beautiful acoustics and direct contact with the audience. In the Recital Hall you can hear the best musicians of our time. Buy your tickets now and experience the magic of the Recital Hall for yourself!

Orchestre de Paris / Klaus Mäkelä

Yunchan Lim's galvanising virtuosity takes hold of Concerto No.4, the least performed of Rachmaninoff's concertos, but also the richest and most adventurous of the series. And, in response, we have the flamboyant grandeur of Saint-Saëns's Organ Symphony.

NDR Elbphilharmonie Orchestra / James Ehnes / Antoine Tamestit / Louis Langrée

The NDR Elbphilharmonie Orchestra adds a few French touches of colour throughout the season. This includes Louis Langrée, a native of Alsace and experienced conductor, who has selected works from three different eras and very different sound worlds for his debut with the orchestra.

Viotti, Gabetta · Saint-Saëns, Rimsky-Korsakov

Saint-Saëns’ “Organ Symphony” and Respighi’s “Fontane di Roma”

Colourful, festive, refined – Camille Saint-Saëns’ “Organ Symphony” surprises us not only with its unexpected use of the organ, but also with its delicate sound textures. Kazuki Yamada, chief conductor of the orchestras in Birmingham and Monte-Carlo, conducts the work in his debut with the Berliner Philharmoniker; the organ part is played by Sebastian Heindl.The symphany will be preceded by two different kinds of water music: Ottorino Respighi’s gaudy, shimmering tone poem Fontane di Roma and Tōru Takemitsu’s mystical I Hear the Water Dreaming, featuring our solo flautist Emmanuel Pahud.

Fridays@7 with Viotti and Gabetta

Saint-Saëns’ “Organ Symphony” and Respighi’s “Fontane di Roma”

Colourful, festive, refined – Camille Saint-Saëns’ “Organ Symphony” surprises us not only with its unexpected use of the organ, but also with its delicate sound textures. Kazuki Yamada, chief conductor of the orchestras in Birmingham and Monte-Carlo, conducts the work in his debut with the Berliner Philharmoniker; the organ part is played by Sebastian Heindl.The symphany will be preceded by two different kinds of water music: Ottorino Respighi’s gaudy, shimmering tone poem Fontane di Roma and Tōru Takemitsu’s mystical I Hear the Water Dreaming, featuring our solo flautist Emmanuel Pahud.

Saint-Saëns’ “Organ Symphony” and Respighi’s “Fontane di Roma”

Colourful, festive, refined – Camille Saint-Saëns’ “Organ Symphony” surprises us not only with its unexpected use of the organ, but also with its delicate sound textures. Kazuki Yamada, chief conductor of the orchestras in Birmingham and Monte-Carlo, conducts the work in his debut with the Berliner Philharmoniker; the organ part is played by Sebastian Heindl.The symphany will be preceded by two different kinds of water music: Ottorino Respighi’s gaudy, shimmering tone poem Fontane di Roma and Tōru Takemitsu’s mystical I Hear the Water Dreaming, featuring our solo flautist Emmanuel Pahud.