Keywords: Symphony Concert
| Lorenzo Viotti | Conductor |
| Sol Gabetta | Cello |
| Wiener Symphoniker |
| "Im Sommerwind", Idyl for large Orchestra after a Poem by Bruno Wille | Anton Webern |
| Concerto for Violoncello and Orchestra No. 1 in a minor op. 33 | Camille Saint-Saëns |
| "Sheherazade", symphonic Suite op. 35 | Nikolai Rimski-Korsakow |
These events are similar in terms of concept, place, musicians or the program.
The SummerConcerts powered by VriendenLoterij present two months of wonderful concerts, from classical to jazz and from pop music to film scores. Top musicians from the Netherlands and around the world bring you all your favourite classical pieces, as well as tributes to Leonard Cohen and The Beatles, and all your favourite film music.We also present a host of young talent in our summer concerts, including youth orchestras from South Africa and Turkey, and top young classical soloists. After many of the concerts, we offer a meet-and-greet with the artists in an informal setting, or an afterparty with DJ in the Entrance Hall. In one of the world’s finest concert halls, there’s something for everyone this summer at The Concertgebouw!
Colourful, festive, refined – Camille Saint-Saëns’ “Organ Symphony” surprises us not only with its unexpected use of the organ, but also with its delicate sound textures. Kazuki Yamada, chief conductor of the orchestras in Birmingham and Monte-Carlo, conducts the work in his debut with the Berliner Philharmoniker; the organ part is played by Sebastian Heindl.The symphany will be preceded by two different kinds of water music: Ottorino Respighi’s gaudy, shimmering tone poem Fontane di Roma and Tōru Takemitsu’s mystical I Hear the Water Dreaming, featuring our solo flautist Emmanuel Pahud.
Colourful, festive, refined – Camille Saint-Saëns’ “Organ Symphony” surprises us not only with its unexpected use of the organ, but also with its delicate sound textures. Kazuki Yamada, chief conductor of the orchestras in Birmingham and Monte-Carlo, conducts the work in his debut with the Berliner Philharmoniker; the organ part is played by Sebastian Heindl.The symphany will be preceded by two different kinds of water music: Ottorino Respighi’s gaudy, shimmering tone poem Fontane di Roma and Tōru Takemitsu’s mystical I Hear the Water Dreaming, featuring our solo flautist Emmanuel Pahud.
Colourful, festive, refined – Camille Saint-Saëns’ “Organ Symphony” surprises us not only with its unexpected use of the organ, but also with its delicate sound textures. Kazuki Yamada, chief conductor of the orchestras in Birmingham and Monte-Carlo, conducts the work in his debut with the Berliner Philharmoniker; the organ part is played by Sebastian Heindl.The symphany will be preceded by two different kinds of water music: Ottorino Respighi’s gaudy, shimmering tone poem Fontane di Roma and Tōru Takemitsu’s mystical I Hear the Water Dreaming, featuring our solo flautist Emmanuel Pahud.
The Concertgebouw’s famous Main Hall is one of the best concert halls in the world, well-known for its exceptional acoustics and special atmosphere. In the Main Hall, you will feel history. Here, Gustav Mahler conducted his own compositions, as did Richard Strauss and Igor Stravinsky. Sergei Rachmaninoff played his own piano concertos in the Main Hall. This is also where musicians such as Leonard Bernstein, Vladimir Horowitz and Yehudi Menuhin gave legendary performances. Right up to now, the Main Hall offers a stage to the world’s best orchestras and musicians. Buy your tickets now and experience the magic of the Main Hall for yourself!
Between Trees was the international breakthrough for the composer Kristine Tjøgersen (b. 1982) from Oslo. The Norwegian Radio Orchestra premiered the orchestral piece and was selected as “most outstanding work” at the prestigious award ceremony International Rostrum of Composers. Among the trees in the forest, “it teems with roots connected in a network of fungal threads,” the composer says. “These threads connect trees and plants so that they can communicate - like the forest’s own internet.” The piece is rich in unusual instrument sounds and techniques. She continues: “Fungal threads grow in pulses, so there is a rhythmically pulsating life unfolding beneath our feet. The opening is therefore buoyant and airy, like communicating trees. We then move over the ground, and hear flapping wings and various birds.”When the Russian Revolution was a fact in 1917, Sergei Prokofiev (1891-1953) left the eye of the storm, Petrograd (today’s St. Petersburg), and traveled to the far east, with a steam boat on the rivers Volga and kama towards the Ural Mountains. In these calm surroundings, he wrote his most famous work. There is little in the Violin Concerto No. 1 in D Major that bears witness to the troubled times - perhaps excluding the wild second movement. The first and third movement contains some of Prokofiev’s most dreamy, romantic music, and some of his most memorable melodies.“I gave everything to it I was able to give. What I have accomplished here, I will never achieve again,” Camille Saint-Saëns (1835-1921) said about his Symphony No. 3 in C minor, the “Organ Symphony”, which premiered in London in 1886. This would be his last symphony and one of his most famous pieces.After growing up as a child prodigy on the piano, Saint-Saëns got the most prestigious organist job in France, at the La Madeleine church in Paris. The composer Franz Liszt heard him play there and called him “the world’s best organist”. Symphony No. 3 culminates in a powerful ending with piano and organ.
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