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Classical concerts featuring
Barockorchester L’arpa festante

Overview

Quick overview of musician Barockorchester L’arpa festante by associated keywords

New Arrivals

These concerts featuring Barockorchester L’arpa festante became visible lately at Concert Pulse.

Artistic depiction of the event
This month
In Heidelberg

L’arpa festante. Markus Uhl 25. März 1725. Dreihundert Jahre BWV 1

Tue, Mar 25, 2025, 19:30
Marie Luise Werneburg (Soprano), Heike Heilmann (Soprano), Franz Vitzthum (Altus), Daniel Schreiber (Tenor), Felix Schwandtke (Bass), Barockorchester L’arpa festante, Markus Uhl (Organ), Markus Uhl (Director)
The cantata "Wie schön leuchtet der Morgenstern" opened the first volume of the Bach Complete Edition in 1851, which is why it was given number 1 in the Bach Works Catalogue (BWV) in 1950. The occasion for the composition was the Feast of the Annunciation on March 25, 1725. The concert attempts a reconstruction of the vespers service that took place on this day in Leipzig. At the same time, the musicologically well-founded approach is pursued to perform Bach's vocal works without a choir, only with five excellent vocal soloists and a baroque orchestra. Bach's music will thus sound - beyond familiar performance traditions - in the most original way possible. Concert without intermission.

Upcoming Concerts

Concerts featuring Barockorchester L’arpa festante in season 2024/25 or later

Artistic depiction of the event
This month
In Heidelberg

L’arpa festante. Markus Uhl 25. März 1725. Dreihundert Jahre BWV 1

Tue, Mar 25, 2025, 19:30
Marie Luise Werneburg (Soprano), Heike Heilmann (Soprano), Franz Vitzthum (Altus), Daniel Schreiber (Tenor), Felix Schwandtke (Bass), Barockorchester L’arpa festante, Markus Uhl (Organ), Markus Uhl (Director)
The cantata "Wie schön leuchtet der Morgenstern" opened the first volume of the Bach Complete Edition in 1851, which is why it was given number 1 in the Bach Works Catalogue (BWV) in 1950. The occasion for the composition was the Feast of the Annunciation on March 25, 1725. The concert attempts a reconstruction of the vespers service that took place on this day in Leipzig. At the same time, the musicologically well-founded approach is pursued to perform Bach's vocal works without a choir, only with five excellent vocal soloists and a baroque orchestra. Bach's music will thus sound - beyond familiar performance traditions - in the most original way possible. Concert without intermission.