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Classical concerts featuring
Henrik Nánási

Overview

Quick overview of musician Henrik Nánási by associated keywords

CitiesFrequently performs in

Hamburg
Germany
Hamburg
9

ProgramFrequently performs

Giuseppe Verdi
Works by
Giuseppe Verdi
9

MusiciansFrequently collaborate with

choir
Chor der Hamburgischen Staatsoper
9
orchestra
Philharmonisches Staatsorchester Hamburg
9
Musician
Yeonjoo Katharina Jang
8
Musician
Alexander Roslavets
5
Musician
Alice Meregaglia
5

New Arrivals

These concerts featuring Henrik Nánási became visible lately at Concert Pulse.

Artistic depiction of the event
This season
In Hamburg

Luisa Miller

Sun, May 24, 2026, 18:00
Hamburgische Staatsoper, Großes Haus (Hamburg)
Henrik Nánási (Musical Director), Alice Meregaglia (Chorus), Gábor Bretz (Il Conte di Walter), Pavol Breslik (Rodolfo), George Petean (Miller), Elbenita Kajtazi (Luisa), Alexander Roslavets (Wurm), Kristina Stanek (Federica), Elizaveta Kulagina (Laura), Philharmonisches Staatsorchester Hamburg (Orchestra), Chor der Hamburgischen Staatsoper (Chorus)
"Luisa Miller" is Giuseppe Verdi’s third setting of a play by Friedrich Schiller. “It is a great drama, full of passion and very effective in theatrical terms,” the composer wrote to the librettist Salvadore Cammarano about Kabale und Liebe. In order to conform to the expectations of the censors and audience, Verdi first had to reduce the play to a libretto suitable for opera, moving the focus from Schiller’s political tale to the family drama. In his opera, first performed in Naples in 1849, Verdi produced outstanding character studies of all his protagonists. In this work he laid the foundation for many “Verdi types” of later years, e.g. Iago, Giorgio Germont, Aida or Desdemona. Luisa Miller was first performed in Hamburg at the Hamburg State Opera in 1981 in a new production conducted by Giuseppe Sinopoli and directed by Luciano Damiani, who also designed the sets and costumes at the time. Director: Andreas Homoki Set Designer: Paul Zoller Costume Designer: Gideon Davey Lighting Designer: Franck Evin Premiere: 16.11.2014
Info & Ticket (www.staatsorchester-hamburg.de)
Artistic depiction of the event
This season
In Hamburg

Luisa Miller

Thu, May 28, 2026, 19:30
Hamburgische Staatsoper, Großes Haus (Hamburg)
Henrik Nánási (Musical Director), Alice Meregaglia (Chorus), Gábor Bretz (Il Conte di Walter), Pavol Breslik (Rodolfo), George Petean (Miller), Elbenita Kajtazi (Luisa), Alexander Roslavets (Wurm), Kristina Stanek (Federica), Elizaveta Kulagina (Laura), Philharmonisches Staatsorchester Hamburg (Orchestra), Chor der Hamburgischen Staatsoper (Chorus)
"Luisa Miller" is Giuseppe Verdi’s third setting of a play by Friedrich Schiller. “It is a great drama, full of passion and very effective in theatrical terms,” the composer wrote to the librettist Salvadore Cammarano about Kabale und Liebe. In order to conform to the expectations of the censors and audience, Verdi first had to reduce the play to a libretto suitable for opera, moving the focus from Schiller’s political tale to the family drama. In his opera, first performed in Naples in 1849, Verdi produced outstanding character studies of all his protagonists. In this work he laid the foundation for many “Verdi types” of later years, e.g. Iago, Giorgio Germont, Aida or Desdemona. Luisa Miller was first performed in Hamburg at the Hamburg State Opera in 1981 in a new production conducted by Giuseppe Sinopoli and directed by Luciano Damiani, who also designed the sets and costumes at the time. Director: Andreas Homoki Set Designer: Paul Zoller Costume Designer: Gideon Davey Lighting Designer: Franck Evin Premiere: 16.11.2014
Info & Ticket (www.staatsorchester-hamburg.de)
Artistic depiction of the event
This season
In Hamburg

Luisa Miller

Sat, May 30, 2026, 19:30
Hamburgische Staatsoper, Großes Haus (Hamburg)
Henrik Nánási (Musical Director), Alice Meregaglia (Chorus), Gábor Bretz (Il Conte di Walter), Pavol Breslik (Rodolfo), George Petean (Miller), Elbenita Kajtazi (Luisa), Alexander Roslavets (Wurm), Kristina Stanek (Federica), Elizaveta Kulagina (Laura), Philharmonisches Staatsorchester Hamburg (Orchestra), Chor der Hamburgischen Staatsoper (Chorus)
"Luisa Miller" is Giuseppe Verdi’s third setting of a play by Friedrich Schiller. “It is a great drama, full of passion and very effective in theatrical terms,” the composer wrote to the librettist Salvadore Cammarano about Kabale und Liebe. In order to conform to the expectations of the censors and audience, Verdi first had to reduce the play to a libretto suitable for opera, moving the focus from Schiller’s political tale to the family drama. In his opera, first performed in Naples in 1849, Verdi produced outstanding character studies of all his protagonists. In this work he laid the foundation for many “Verdi types” of later years, e.g. Iago, Giorgio Germont, Aida or Desdemona. Luisa Miller was first performed in Hamburg at the Hamburg State Opera in 1981 in a new production conducted by Giuseppe Sinopoli and directed by Luciano Damiani, who also designed the sets and costumes at the time. Director: Andreas Homoki Set Designer: Paul Zoller Costume Designer: Gideon Davey Lighting Designer: Franck Evin Premiere: 16.11.2014
Info & Ticket (www.staatsorchester-hamburg.de)

Upcoming Concerts

Concerts featuring Henrik Nánási in season 2024/25 or later

Artistic depiction of the event
This week
In Hamburg

Rigoletto

Sat, Mar 15, 2025, 19:30
Hamburgische Staatsoper, Großes Haus (Hamburg)
Henrik Nánási (Musical Director), Piero Pretti (Il Duca di Mantova), Amartuvshin Enkhbat (Rigoletto), Katharina Konradi (Gilda), Grzegorz Pelutis (Il Conte Monterone), Keith Klein (Il Conte di Ceprano), Yeonjoo Katharina Jang (La Contessa di Ceprano), David Minseok Kang (Marullo), Mziwamadoda Sipho Nodlayiya (Borsa), Hubert Kowalczyk (Sparafucile), Jana Kurucová (Maddalena), Katja Pieweck (Giovanna), Yeonjoo Katharina Jang (Il Paggio della Duchessa), William Desbiens (Un Usciere di Corte), Philharmonisches Staatsorchester Hamburg (Orchestra), Chor der Hamburgischen Staatsoper (Chorus)
Never one to miss an opportunity to make fun of others, the hunchback jester Rigoletto is employed by the Duke of Mantua. His only joy in life is his daughter Gilda. When Rigoletto must witness how she falls for the calculated vows of love of the unscrupulous Duke, he is out for revenge: he hires the contract killer Sparafucile to murder the seducer. Gilda, however, sacrifices herself for her lover. Rigoletto realises that he has driven his daughter to death and destroyed his own life. Ever since the figure of Rigoletto walked onstage for the first time in Venice in 1851, his fate has moved audiences at opera houses everywhere. Giuseppe Verdi achieved world fame with the opera and its ubiquitous melodies – although it is a piece without heroes: thus Rigoletto, that cynical and lovesick father, joined the broad ranks of Verdi figures who are social outcasts and previously never had a voice in the history of opera. Director: Andreas Homoki Set and Costme Designer: Wolfgang Gussmann Lighting Designer: Manfred Voss Premiere: 16.10.1994
Info & Ticket (www.staatsorchester-hamburg.de)
Artistic depiction of the event
Next week
In Hamburg

Rigoletto

Tue, Mar 18, 2025, 19:30
Hamburgische Staatsoper, Großes Haus (Hamburg)
Henrik Nánási (Musical Director), Piero Pretti (Il Duca di Mantova), Amartuvshin Enkhbat (Rigoletto), Katharina Konradi (Gilda), Grzegorz Pelutis (Il Conte Monterone), Keith Klein (Il Conte di Ceprano), Yeonjoo Katharina Jang (La Contessa di Ceprano), David Minseok Kang (Marullo), Mziwamadoda Sipho Nodlayiya (Borsa), Hubert Kowalczyk (Sparafucile), Jana Kurucová (Maddalena), Katja Pieweck (Giovanna), Yeonjoo Katharina Jang (Il Paggio della Duchessa), William Desbiens (Un Usciere di Corte), Philharmonisches Staatsorchester Hamburg (Orchestra), Chor der Hamburgischen Staatsoper (Chorus)
Never one to miss an opportunity to make fun of others, the hunchback jester Rigoletto is employed by the Duke of Mantua. His only joy in life is his daughter Gilda. When Rigoletto must witness how she falls for the calculated vows of love of the unscrupulous Duke, he is out for revenge: he hires the contract killer Sparafucile to murder the seducer. Gilda, however, sacrifices herself for her lover. Rigoletto realises that he has driven his daughter to death and destroyed his own life. Ever since the figure of Rigoletto walked onstage for the first time in Venice in 1851, his fate has moved audiences at opera houses everywhere. Giuseppe Verdi achieved world fame with the opera and its ubiquitous melodies – although it is a piece without heroes: thus Rigoletto, that cynical and lovesick father, joined the broad ranks of Verdi figures who are social outcasts and previously never had a voice in the history of opera. Director: Andreas Homoki Set and Costme Designer: Wolfgang Gussmann Lighting Designer: Manfred Voss Premiere: 16.10.1994
Info & Ticket (www.staatsorchester-hamburg.de)
Artistic depiction of the event
Next week
In Hamburg

Rigoletto

Thu, Mar 20, 2025, 19:30
Hamburgische Staatsoper, Großes Haus (Hamburg)
Henrik Nánási (Musical Director), Piero Pretti (Il Duca di Mantova), Amartuvshin Enkhbat (Rigoletto), Katharina Konradi (Gilda), Grzegorz Pelutis (Il Conte Monterone), Keith Klein (Il Conte di Ceprano), Yeonjoo Katharina Jang (La Contessa di Ceprano), David Minseok Kang (Marullo), Mziwamadoda Sipho Nodlayiya (Borsa), Hubert Kowalczyk (Sparafucile), Jana Kurucová (Maddalena), Katja Pieweck (Giovanna), Yeonjoo Katharina Jang (Il Paggio della Duchessa), William Desbiens (Un Usciere di Corte), Philharmonisches Staatsorchester Hamburg (Orchestra), Chor der Hamburgischen Staatsoper (Chorus)
Never one to miss an opportunity to make fun of others, the hunchback jester Rigoletto is employed by the Duke of Mantua. His only joy in life is his daughter Gilda. When Rigoletto must witness how she falls for the calculated vows of love of the unscrupulous Duke, he is out for revenge: he hires the contract killer Sparafucile to murder the seducer. Gilda, however, sacrifices herself for her lover. Rigoletto realises that he has driven his daughter to death and destroyed his own life. Ever since the figure of Rigoletto walked onstage for the first time in Venice in 1851, his fate has moved audiences at opera houses everywhere. Giuseppe Verdi achieved world fame with the opera and its ubiquitous melodies – although it is a piece without heroes: thus Rigoletto, that cynical and lovesick father, joined the broad ranks of Verdi figures who are social outcasts and previously never had a voice in the history of opera. Director: Andreas Homoki Set and Costme Designer: Wolfgang Gussmann Lighting Designer: Manfred Voss Premiere: 16.10.1994
Info & Ticket (www.staatsorchester-hamburg.de)
Artistic depiction of the event
This month
In Hamburg

Rigoletto

Sun, Mar 23, 2025, 15:00
Hamburgische Staatsoper, Großes Haus (Hamburg)
Henrik Nánási (Musical Director), Piero Pretti (Il Duca di Mantova), Amartuvshin Enkhbat (Rigoletto), Katharina Konradi (Gilda), Grzegorz Pelutis (Il Conte Monterone), Keith Klein (Il Conte di Ceprano), Yeonjoo Katharina Jang (La Contessa di Ceprano), David Minseok Kang (Marullo), Mziwamadoda Sipho Nodlayiya (Borsa), Hubert Kowalczyk (Sparafucile), Jana Kurucová (Maddalena), Katja Pieweck (Giovanna), Yeonjoo Katharina Jang (Il Paggio della Duchessa), William Desbiens (Un Usciere di Corte), Philharmonisches Staatsorchester Hamburg (Orchestra), Chor der Hamburgischen Staatsoper (Chorus)
Never one to miss an opportunity to make fun of others, the hunchback jester Rigoletto is employed by the Duke of Mantua. His only joy in life is his daughter Gilda. When Rigoletto must witness how she falls for the calculated vows of love of the unscrupulous Duke, he is out for revenge: he hires the contract killer Sparafucile to murder the seducer. Gilda, however, sacrifices herself for her lover. Rigoletto realises that he has driven his daughter to death and destroyed his own life. Ever since the figure of Rigoletto walked onstage for the first time in Venice in 1851, his fate has moved audiences at opera houses everywhere. Giuseppe Verdi achieved world fame with the opera and its ubiquitous melodies – although it is a piece without heroes: thus Rigoletto, that cynical and lovesick father, joined the broad ranks of Verdi figures who are social outcasts and previously never had a voice in the history of opera. Director: Andreas Homoki Set and Costme Designer: Wolfgang Gussmann Lighting Designer: Manfred Voss Premiere: 16.10.1994
Info & Ticket (www.staatsorchester-hamburg.de)
Artistic depiction of the event
This season
In Hamburg

Luisa Miller

Sun, May 24, 2026, 18:00
Hamburgische Staatsoper, Großes Haus (Hamburg)
Henrik Nánási (Musical Director), Alice Meregaglia (Chorus), Gábor Bretz (Il Conte di Walter), Pavol Breslik (Rodolfo), George Petean (Miller), Elbenita Kajtazi (Luisa), Alexander Roslavets (Wurm), Kristina Stanek (Federica), Elizaveta Kulagina (Laura), Philharmonisches Staatsorchester Hamburg (Orchestra), Chor der Hamburgischen Staatsoper (Chorus)
"Luisa Miller" is Giuseppe Verdi’s third setting of a play by Friedrich Schiller. “It is a great drama, full of passion and very effective in theatrical terms,” the composer wrote to the librettist Salvadore Cammarano about Kabale und Liebe. In order to conform to the expectations of the censors and audience, Verdi first had to reduce the play to a libretto suitable for opera, moving the focus from Schiller’s political tale to the family drama. In his opera, first performed in Naples in 1849, Verdi produced outstanding character studies of all his protagonists. In this work he laid the foundation for many “Verdi types” of later years, e.g. Iago, Giorgio Germont, Aida or Desdemona. Luisa Miller was first performed in Hamburg at the Hamburg State Opera in 1981 in a new production conducted by Giuseppe Sinopoli and directed by Luciano Damiani, who also designed the sets and costumes at the time. Director: Andreas Homoki Set Designer: Paul Zoller Costume Designer: Gideon Davey Lighting Designer: Franck Evin Premiere: 16.11.2014
Info & Ticket (www.staatsorchester-hamburg.de)
Artistic depiction of the event
This season
In Hamburg

Luisa Miller

Thu, May 28, 2026, 19:30
Hamburgische Staatsoper, Großes Haus (Hamburg)
Henrik Nánási (Musical Director), Alice Meregaglia (Chorus), Gábor Bretz (Il Conte di Walter), Pavol Breslik (Rodolfo), George Petean (Miller), Elbenita Kajtazi (Luisa), Alexander Roslavets (Wurm), Kristina Stanek (Federica), Elizaveta Kulagina (Laura), Philharmonisches Staatsorchester Hamburg (Orchestra), Chor der Hamburgischen Staatsoper (Chorus)
"Luisa Miller" is Giuseppe Verdi’s third setting of a play by Friedrich Schiller. “It is a great drama, full of passion and very effective in theatrical terms,” the composer wrote to the librettist Salvadore Cammarano about Kabale und Liebe. In order to conform to the expectations of the censors and audience, Verdi first had to reduce the play to a libretto suitable for opera, moving the focus from Schiller’s political tale to the family drama. In his opera, first performed in Naples in 1849, Verdi produced outstanding character studies of all his protagonists. In this work he laid the foundation for many “Verdi types” of later years, e.g. Iago, Giorgio Germont, Aida or Desdemona. Luisa Miller was first performed in Hamburg at the Hamburg State Opera in 1981 in a new production conducted by Giuseppe Sinopoli and directed by Luciano Damiani, who also designed the sets and costumes at the time. Director: Andreas Homoki Set Designer: Paul Zoller Costume Designer: Gideon Davey Lighting Designer: Franck Evin Premiere: 16.11.2014
Info & Ticket (www.staatsorchester-hamburg.de)
Artistic depiction of the event
This season
In Hamburg

Luisa Miller

Sat, May 30, 2026, 19:30
Hamburgische Staatsoper, Großes Haus (Hamburg)
Henrik Nánási (Musical Director), Alice Meregaglia (Chorus), Gábor Bretz (Il Conte di Walter), Pavol Breslik (Rodolfo), George Petean (Miller), Elbenita Kajtazi (Luisa), Alexander Roslavets (Wurm), Kristina Stanek (Federica), Elizaveta Kulagina (Laura), Philharmonisches Staatsorchester Hamburg (Orchestra), Chor der Hamburgischen Staatsoper (Chorus)
"Luisa Miller" is Giuseppe Verdi’s third setting of a play by Friedrich Schiller. “It is a great drama, full of passion and very effective in theatrical terms,” the composer wrote to the librettist Salvadore Cammarano about Kabale und Liebe. In order to conform to the expectations of the censors and audience, Verdi first had to reduce the play to a libretto suitable for opera, moving the focus from Schiller’s political tale to the family drama. In his opera, first performed in Naples in 1849, Verdi produced outstanding character studies of all his protagonists. In this work he laid the foundation for many “Verdi types” of later years, e.g. Iago, Giorgio Germont, Aida or Desdemona. Luisa Miller was first performed in Hamburg at the Hamburg State Opera in 1981 in a new production conducted by Giuseppe Sinopoli and directed by Luciano Damiani, who also designed the sets and costumes at the time. Director: Andreas Homoki Set Designer: Paul Zoller Costume Designer: Gideon Davey Lighting Designer: Franck Evin Premiere: 16.11.2014
Info & Ticket (www.staatsorchester-hamburg.de)
Artistic depiction of the event
This season
In Hamburg

Luisa Miller

Wed, Jun 3, 2026, 19:30
Hamburgische Staatsoper, Großes Haus (Hamburg)
Henrik Nánási (Musical Director), Alice Meregaglia (Chorus), Gábor Bretz (Il Conte di Walter), Pavol Breslik (Rodolfo), George Petean (Miller), Elbenita Kajtazi (Luisa), Alexander Roslavets (Wurm), Kristina Stanek (Federica), Elizaveta Kulagina (Laura), Philharmonisches Staatsorchester Hamburg (Orchestra), Chor der Hamburgischen Staatsoper (Chorus)
"Luisa Miller" is Giuseppe Verdi’s third setting of a play by Friedrich Schiller. “It is a great drama, full of passion and very effective in theatrical terms,” the composer wrote to the librettist Salvadore Cammarano about Kabale und Liebe. In order to conform to the expectations of the censors and audience, Verdi first had to reduce the play to a libretto suitable for opera, moving the focus from Schiller’s political tale to the family drama. In his opera, first performed in Naples in 1849, Verdi produced outstanding character studies of all his protagonists. In this work he laid the foundation for many “Verdi types” of later years, e.g. Iago, Giorgio Germont, Aida or Desdemona. Luisa Miller was first performed in Hamburg at the Hamburg State Opera in 1981 in a new production conducted by Giuseppe Sinopoli and directed by Luciano Damiani, who also designed the sets and costumes at the time. Director: Andreas Homoki Set Designer: Paul Zoller Costume Designer: Gideon Davey Lighting Designer: Franck Evin Premiere: 16.11.2014
Info & Ticket (www.staatsorchester-hamburg.de)
Artistic depiction of the event
This season
In Hamburg

Luisa Miller

Fri, Jun 5, 2026, 19:00
Hamburgische Staatsoper, Großes Haus (Hamburg)
Henrik Nánási (Musical Director), Alice Meregaglia (Chorus), Gábor Bretz (Il Conte di Walter), Pavol Breslik (Rodolfo), George Petean (Miller), Elbenita Kajtazi (Luisa), Alexander Roslavets (Wurm), Kristina Stanek (Federica), Elizaveta Kulagina (Laura), Philharmonisches Staatsorchester Hamburg (Orchestra), Chor der Hamburgischen Staatsoper (Chorus)
"Luisa Miller" is Giuseppe Verdi’s third setting of a play by Friedrich Schiller. “It is a great drama, full of passion and very effective in theatrical terms,” the composer wrote to the librettist Salvadore Cammarano about Kabale und Liebe. In order to conform to the expectations of the censors and audience, Verdi first had to reduce the play to a libretto suitable for opera, moving the focus from Schiller’s political tale to the family drama. In his opera, first performed in Naples in 1849, Verdi produced outstanding character studies of all his protagonists. In this work he laid the foundation for many “Verdi types” of later years, e.g. Iago, Giorgio Germont, Aida or Desdemona. Luisa Miller was first performed in Hamburg at the Hamburg State Opera in 1981 in a new production conducted by Giuseppe Sinopoli and directed by Luciano Damiani, who also designed the sets and costumes at the time. Director: Andreas Homoki Set Designer: Paul Zoller Costume Designer: Gideon Davey Lighting Designer: Franck Evin Premiere: 16.11.2014
Info & Ticket (www.staatsorchester-hamburg.de)