Classical concerts featuring
Katharina Konradi

Overview

Quick overview of musician Katharina Konradi by associated keywords

New Arrivals

These concerts featuring Katharina Konradi became visible lately at Concert Pulse.

This season

In Dresden

Mozart and Pärt

Fri, May 16, 2025, 19:30

Kulturpalast Dresden, Konzertsaal (Dresden)

Martin Lehmann (Conductor), Katharina Konradi (Soprano), Marie Henriette Reinhold (Alto), Patrick Grahl (Tenor), Krešimir Stražanac (Bass), Dresdner Kreuzchor, Dresdner Philharmonie

As different as their music is, both are considered as a kind of holy figures: Mozart and the Estonian composer Arvo Pärt have created works that deeply touch and can lead their listeners into spiritual realms. At least for many, this is the case with Mozart's Requiem, and also Pärt's choral works remind us that beyond the visible, there is also a spiritual world that connects us all. The Dresdner Kreuzchor and the Dresdner Philharmonie continue their tradition of joint concerts with works by these two composers and at the same time commemorate the end of World War II 80 years ago.

Info & Ticket (www.dresdnerphilharmonie.de)

This season

In Dresden

Mozart and Pärt

Sat, May 17, 2025, 19:30

Kulturpalast Dresden, Konzertsaal (Dresden)

Martin Lehmann (Conductor), Katharina Konradi (Soprano), Marie Henriette Reinhold (Alto), Patrick Grahl (Tenor), Krešimir Stražanac (Bass), Dresdner Kreuzchor, Dresdner Philharmonie

As different as their music is, both are considered as a kind of holy figures: Mozart and the Estonian composer Arvo Pärt have created works that deeply touch and can lead their listeners into spiritual realms. At least for many, this is the case with Mozart's Requiem, and also Pärt's choral works remind us that beyond the visible, there is also a spiritual world that connects us all. The Dresdner Kreuzchor and the Dresdner Philharmonie continue their tradition of joint concerts with works by these two composers and at the same time commemorate the end of World War II 80 years ago.

Info & Ticket (www.dresdnerphilharmonie.de)

This month

In Heidelberg

Katharina Konradi. Catriona Morison. Ammiel Bushakevitz Duft. Farbe. Klang

Sun, Mar 30, 2025, 11:00

Aula der Alten Universität Heidelberg (Heidelberg)

Katharina Konradi (Soprano), Catriona Morison (Mezzo-Soprano), Ammiel Bushakevitz (Piano)

Soprano Katharina Konradi and mezzo-soprano Catriona Morison present an evening of vocal duets exploring poetic moments of life and the intricate paths of love. Accompanied by pianist Ammiel Bushakevitz, they perform works by Brahms, Schumann, Chausson, Fauré, the Viardot sisters, Maria Malibran, Mel Bonis, and Fernando Obradors' "Canciones clásicas españolas".

Info & Ticket (www.heidelberger-fruehling.de)

Upcoming Concerts

Concerts featuring Katharina Konradi in season 2024/25 or later

This week

In Hamburg

Rigoletto

Sat, Mar 15, 2025, 19:30

Hamburgische Staatsoper, Großes Haus (Hamburg)

Henrik Nánási (Musical Director), Piero Pretti (Il Duca di Mantova), Amartuvshin Enkhbat (Rigoletto), Katharina Konradi (Gilda), Grzegorz Pelutis (Il Conte Monterone), Keith Klein (Il Conte di Ceprano), Yeonjoo Katharina Jang (La Contessa di Ceprano), David Minseok Kang (Marullo), Mziwamadoda Sipho Nodlayiya (Borsa), Hubert Kowalczyk (Sparafucile), Jana Kurucová (Maddalena), Katja Pieweck (Giovanna), Yeonjoo Katharina Jang (Il Paggio della Duchessa), William Desbiens (Un Usciere di Corte), Philharmonisches Staatsorchester Hamburg (Orchestra), Chor der Hamburgischen Staatsoper (Chorus)

Never one to miss an opportunity to make fun of others, the hunchback jester Rigoletto is employed by the Duke of Mantua. His only joy in life is his daughter Gilda. When Rigoletto must witness how she falls for the calculated vows of love of the unscrupulous Duke, he is out for revenge: he hires the contract killer Sparafucile to murder the seducer. Gilda, however, sacrifices herself for her lover. Rigoletto realises that he has driven his daughter to death and destroyed his own life. Ever since the figure of Rigoletto walked onstage for the first time in Venice in 1851, his fate has moved audiences at opera houses everywhere. Giuseppe Verdi achieved world fame with the opera and its ubiquitous melodies – although it is a piece without heroes: thus Rigoletto, that cynical and lovesick father, joined the broad ranks of Verdi figures who are social outcasts and previously never had a voice in the history of opera. Director: Andreas Homoki Set and Costme Designer: Wolfgang Gussmann Lighting Designer: Manfred Voss Premiere: 16.10.1994

Info & Ticket (www.staatsorchester-hamburg.de)

Next week

In Hamburg

Rigoletto

Tue, Mar 18, 2025, 19:30

Hamburgische Staatsoper, Großes Haus (Hamburg)

Never one to miss an opportunity to make fun of others, the hunchback jester Rigoletto is employed by the Duke of Mantua. His only joy in life is his daughter Gilda. When Rigoletto must witness how she falls for the calculated vows of love of the unscrupulous Duke, he is out for revenge: he hires the contract killer Sparafucile to murder the seducer. Gilda, however, sacrifices herself for her lover. Rigoletto realises that he has driven his daughter to death and destroyed his own life. Ever since the figure of Rigoletto walked onstage for the first time in Venice in 1851, his fate has moved audiences at opera houses everywhere. Giuseppe Verdi achieved world fame with the opera and its ubiquitous melodies – although it is a piece without heroes: thus Rigoletto, that cynical and lovesick father, joined the broad ranks of Verdi figures who are social outcasts and previously never had a voice in the history of opera. Director: Andreas Homoki Set and Costme Designer: Wolfgang Gussmann Lighting Designer: Manfred Voss Premiere: 16.10.1994

Info & Ticket (www.staatsorchester-hamburg.de)

Next week

In Hamburg

Rigoletto

Thu, Mar 20, 2025, 19:30

Hamburgische Staatsoper, Großes Haus (Hamburg)

Never one to miss an opportunity to make fun of others, the hunchback jester Rigoletto is employed by the Duke of Mantua. His only joy in life is his daughter Gilda. When Rigoletto must witness how she falls for the calculated vows of love of the unscrupulous Duke, he is out for revenge: he hires the contract killer Sparafucile to murder the seducer. Gilda, however, sacrifices herself for her lover. Rigoletto realises that he has driven his daughter to death and destroyed his own life. Ever since the figure of Rigoletto walked onstage for the first time in Venice in 1851, his fate has moved audiences at opera houses everywhere. Giuseppe Verdi achieved world fame with the opera and its ubiquitous melodies – although it is a piece without heroes: thus Rigoletto, that cynical and lovesick father, joined the broad ranks of Verdi figures who are social outcasts and previously never had a voice in the history of opera. Director: Andreas Homoki Set and Costme Designer: Wolfgang Gussmann Lighting Designer: Manfred Voss Premiere: 16.10.1994

Info & Ticket (www.staatsorchester-hamburg.de)

This month

In Hamburg

Rigoletto

Sun, Mar 23, 2025, 15:00

Hamburgische Staatsoper, Großes Haus (Hamburg)

Never one to miss an opportunity to make fun of others, the hunchback jester Rigoletto is employed by the Duke of Mantua. His only joy in life is his daughter Gilda. When Rigoletto must witness how she falls for the calculated vows of love of the unscrupulous Duke, he is out for revenge: he hires the contract killer Sparafucile to murder the seducer. Gilda, however, sacrifices herself for her lover. Rigoletto realises that he has driven his daughter to death and destroyed his own life. Ever since the figure of Rigoletto walked onstage for the first time in Venice in 1851, his fate has moved audiences at opera houses everywhere. Giuseppe Verdi achieved world fame with the opera and its ubiquitous melodies – although it is a piece without heroes: thus Rigoletto, that cynical and lovesick father, joined the broad ranks of Verdi figures who are social outcasts and previously never had a voice in the history of opera. Director: Andreas Homoki Set and Costme Designer: Wolfgang Gussmann Lighting Designer: Manfred Voss Premiere: 16.10.1994

Info & Ticket (www.staatsorchester-hamburg.de)

This month

In Heidelberg

Katharina Konradi. Catriona Morison. Ammiel Bushakevitz Duft. Farbe. Klang

Sun, Mar 30, 2025, 11:00

Aula der Alten Universität Heidelberg (Heidelberg)

Katharina Konradi (Soprano), Catriona Morison (Mezzo-Soprano), Ammiel Bushakevitz (Piano)

Soprano Katharina Konradi and mezzo-soprano Catriona Morison present an evening of vocal duets exploring poetic moments of life and the intricate paths of love. Accompanied by pianist Ammiel Bushakevitz, they perform works by Brahms, Schumann, Chausson, Fauré, the Viardot sisters, Maria Malibran, Mel Bonis, and Fernando Obradors' "Canciones clásicas españolas".

Info & Ticket (www.heidelberger-fruehling.de)

Next month

In Hamburg

Philharmonic Chamber Music Recital

Sun, Apr 13, 2025, 11:00

Elbphilharmonie, Kleiner Saal (Hamburg)

Katharina Konradi (Soprano), Konradin Seitzer (Violin), Mette Tjærby Korneliusen (Violin), Naomi Seiler (Viola), Olivia Jeremias (Cello)

This chamber music concert demonstrates how often music finds words for the inexpressible: Hugo Wolf composed his »Italian Serenade« for strings as an homage to the light-heartedness of his youth. If the tone in this work is cheerful, his songs reveal a different facet of the composer. In them, he attempted to unmask the masking of people, full of impressive authenticity and deep emotion. A composer’s life that wavered repeatedly between heaven and the abyss.

Info & Ticket (www.elbphilharmonie.de)

This season

In Dresden

Mozart and Pärt

Fri, May 16, 2025, 19:30

Kulturpalast Dresden, Konzertsaal (Dresden)

Martin Lehmann (Conductor), Katharina Konradi (Soprano), Marie Henriette Reinhold (Alto), Patrick Grahl (Tenor), Krešimir Stražanac (Bass), Dresdner Kreuzchor, Dresdner Philharmonie

As different as their music is, both are considered as a kind of holy figures: Mozart and the Estonian composer Arvo Pärt have created works that deeply touch and can lead their listeners into spiritual realms. At least for many, this is the case with Mozart's Requiem, and also Pärt's choral works remind us that beyond the visible, there is also a spiritual world that connects us all. The Dresdner Kreuzchor and the Dresdner Philharmonie continue their tradition of joint concerts with works by these two composers and at the same time commemorate the end of World War II 80 years ago.

Info & Ticket (www.dresdnerphilharmonie.de)

This season

In Dresden

Mozart and Pärt

Sat, May 17, 2025, 19:30

Kulturpalast Dresden, Konzertsaal (Dresden)

Martin Lehmann (Conductor), Katharina Konradi (Soprano), Marie Henriette Reinhold (Alto), Patrick Grahl (Tenor), Krešimir Stražanac (Bass), Dresdner Kreuzchor, Dresdner Philharmonie

As different as their music is, both are considered as a kind of holy figures: Mozart and the Estonian composer Arvo Pärt have created works that deeply touch and can lead their listeners into spiritual realms. At least for many, this is the case with Mozart's Requiem, and also Pärt's choral works remind us that beyond the visible, there is also a spiritual world that connects us all. The Dresdner Kreuzchor and the Dresdner Philharmonie continue their tradition of joint concerts with works by these two composers and at the same time commemorate the end of World War II 80 years ago.

Info & Ticket (www.dresdnerphilharmonie.de)

This season

In Hamburg

Mozart: Requiem

Mon, May 19, 2025, 19:00

Elbphilharmonie, Großer Saal (Hamburg)

Dresdner Philharmonie, Dresdner Kreuzchor, Katharina Konradi (Soprano), Marie Henriette Reinhold (Mezzo-Soprano), Patrick Grahl (Tenor), Krešimir Stražanac (Bass), Martin Lehmann (Director)

What would have happened if Wolfgang Amadeus Mozart had had time to complete his Requiem? What worlds might have opened up to us if the then 35-year-old had not been carried off in 1791 by the »severe miliary fever« – a diagnosis that has not been clearly identified to this day? Now his last, most mysterious and existential work has remained a fragment – albeit skilfully completed by Franz Xaver Süßmayr. It is only logical that the world-famous Dresdner Kreuzchor (boys’ choir) understands the fragmentary nature of the Requiem as a quality and sets it with works by a contemporary composer who is known for his deeply spiritual attitude like almost no other: Arvo Pärt. At the Elbphilharmonie, compositions by the Estonian composer are combined with the masterly sounds of Mozart to create a new whole that illuminates death – and life – from a perspective between then and now.

Info & Ticket (www.elbphilharmonie.de)

This season

In Hamburg

Le Nozze di Figaro

Fri, Jun 27, 2025, 19:00

Hamburgische Staatsoper, Großes Haus (Hamburg)

Nicholas Carter (Musical Director), Kartal Karagedik (Il Conte d'Almaviva), Olga Peretyatko (La Contessa d'Almaviva), Katharina Konradi (Susanna), Chao Deng (Figaro), Julia Lezhneva (Cherubino), Claire Gascoin (Marcellina), Peter Galliard (Don Basilio), Jürgen Sacher (Don Curzio), Tigran Martirossian (Don Bartolo), Keith Klein (Antonio), Marie Maidowski (Barbarina), Philharmonisches Staatsorchester Hamburg (Orchestra), Chor der Hamburgischen Staatsoper (Chorus)

During times of historical upheaval, the victors are filled with euphoric jubilation while fear spreads on the side of the losers. When cheerfulness grips the figures in Mozart’s piece, it is the swan song, full of schadenfreude, of dying structures, ancient privileges and traditional manners – including those between man and woman. Mozart (and Beaumarchais) hold the balance on the threshold between eras – as artists en route to self-marketing, as portraitists of their times, by precisely rendering a society whose balance is shifting, making Almaviva a ridiculous figure. His class is losing political power, and he compensates for this loss by becoming a slave to his sexual desire. The wind is blowing from the past, giving wing to Walter Benjamin’s angel of history. It is a storm for the winners, and for the losers a mere melancholy breeze. The angel sees nothing but ruins. Director: Stefan Herheim Set Designer: Christof Hetzer Costume Designer: Gesine Völlm Lighting Designer: Phoenix (Andreas Hofer) Video: fettFilm Dramaturgy: Alexander Meier-Dörzenbach Premiere: 15.11.2015

Info & Ticket (www.staatsorchester-hamburg.de)

This season

In Hamburg

Le Nozze di Figaro

Sun, Jun 29, 2025, 18:00

Hamburgische Staatsoper, Großes Haus (Hamburg)

During times of historical upheaval, the victors are filled with euphoric jubilation while fear spreads on the side of the losers. When cheerfulness grips the figures in Mozart’s piece, it is the swan song, full of schadenfreude, of dying structures, ancient privileges and traditional manners – including those between man and woman. Mozart (and Beaumarchais) hold the balance on the threshold between eras – as artists en route to self-marketing, as portraitists of their times, by precisely rendering a society whose balance is shifting, making Almaviva a ridiculous figure. His class is losing political power, and he compensates for this loss by becoming a slave to his sexual desire. The wind is blowing from the past, giving wing to Walter Benjamin’s angel of history. It is a storm for the winners, and for the losers a mere melancholy breeze. The angel sees nothing but ruins. Director: Stefan Herheim Set Designer: Christof Hetzer Costume Designer: Gesine Völlm Lighting Designer: Phoenix (Andreas Hofer) Video: fettFilm Dramaturgy: Alexander Meier-Dörzenbach Premiere: 15.11.2015

Info & Ticket (www.staatsorchester-hamburg.de)

This season

In Hamburg

Le Nozze di Figaro

Thu, Jul 3, 2025, 19:00

Hamburgische Staatsoper, Großes Haus (Hamburg)

During times of historical upheaval, the victors are filled with euphoric jubilation while fear spreads on the side of the losers. When cheerfulness grips the figures in Mozart’s piece, it is the swan song, full of schadenfreude, of dying structures, ancient privileges and traditional manners – including those between man and woman. Mozart (and Beaumarchais) hold the balance on the threshold between eras – as artists en route to self-marketing, as portraitists of their times, by precisely rendering a society whose balance is shifting, making Almaviva a ridiculous figure. His class is losing political power, and he compensates for this loss by becoming a slave to his sexual desire. The wind is blowing from the past, giving wing to Walter Benjamin’s angel of history. It is a storm for the winners, and for the losers a mere melancholy breeze. The angel sees nothing but ruins. Director: Stefan Herheim Set Designer: Christof Hetzer Costume Designer: Gesine Völlm Lighting Designer: Phoenix (Andreas Hofer) Video: fettFilm Dramaturgy: Alexander Meier-Dörzenbach Premiere: 15.11.2015

Info & Ticket (www.staatsorchester-hamburg.de)

Classical concerts featuring
Katharina Konradi

Overview

CitiesFrequently performs in

ProgramFrequently performs

MusiciansFrequently collaborate with

New Arrivals

Mozart and Pärt

Mozart and Pärt

Katharina Konradi. Catriona Morison. Ammiel Bushakevitz Duft. Farbe. Klang

Upcoming Concerts

Rigoletto

Rigoletto

Rigoletto

Rigoletto

Katharina Konradi. Catriona Morison. Ammiel Bushakevitz Duft. Farbe. Klang

Philharmonic Chamber Music Recital

Mozart and Pärt

Mozart and Pärt

Mozart: Requiem

Le Nozze di Figaro

Le Nozze di Figaro

Le Nozze di Figaro

Classical concerts featuringKatharina Konradi

Overview

CitiesFrequently performs in

ProgramFrequently performs

MusiciansFrequently collaborate with

New Arrivals

Upcoming Concerts

Classical concerts featuring
Katharina Konradi