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Classical concerts featuring
George Petean

Overview

Quick overview of musician George Petean by associated keywords

CitiesFrequently performs in

Hamburg
Germany
Hamburg
9

ProgramFrequently performs

Giuseppe Verdi
Works by
Giuseppe Verdi
9

MusiciansFrequently collaborate with

choir
Chor der Hamburgischen Staatsoper
9
Musician
Kristina Stanek
9
orchestra
Philharmonisches Staatsorchester Hamburg
9
Musician
Alexander Roslavets
5
Musician
Alice Meregaglia
5

New Arrivals

These concerts featuring George Petean became visible lately at Concert Pulse.

Artistic depiction of the event
This season
In Hamburg

Luisa Miller

Sun, May 24, 2026, 18:00
Hamburgische Staatsoper, Großes Haus (Hamburg)
Henrik Nánási (Musical Director), Alice Meregaglia (Chorus), Gábor Bretz (Il Conte di Walter), Pavol Breslik (Rodolfo), George Petean (Miller), Elbenita Kajtazi (Luisa), Alexander Roslavets (Wurm), Kristina Stanek (Federica), Elizaveta Kulagina (Laura), Philharmonisches Staatsorchester Hamburg (Orchestra), Chor der Hamburgischen Staatsoper (Chorus)
"Luisa Miller" is Giuseppe Verdi’s third setting of a play by Friedrich Schiller. “It is a great drama, full of passion and very effective in theatrical terms,” the composer wrote to the librettist Salvadore Cammarano about Kabale und Liebe. In order to conform to the expectations of the censors and audience, Verdi first had to reduce the play to a libretto suitable for opera, moving the focus from Schiller’s political tale to the family drama. In his opera, first performed in Naples in 1849, Verdi produced outstanding character studies of all his protagonists. In this work he laid the foundation for many “Verdi types” of later years, e.g. Iago, Giorgio Germont, Aida or Desdemona. Luisa Miller was first performed in Hamburg at the Hamburg State Opera in 1981 in a new production conducted by Giuseppe Sinopoli and directed by Luciano Damiani, who also designed the sets and costumes at the time. Director: Andreas Homoki Set Designer: Paul Zoller Costume Designer: Gideon Davey Lighting Designer: Franck Evin Premiere: 16.11.2014
Info & Ticket (www.staatsorchester-hamburg.de)
Artistic depiction of the event
This season
In Hamburg

Luisa Miller

Thu, May 28, 2026, 19:30
Hamburgische Staatsoper, Großes Haus (Hamburg)
Henrik Nánási (Musical Director), Alice Meregaglia (Chorus), Gábor Bretz (Il Conte di Walter), Pavol Breslik (Rodolfo), George Petean (Miller), Elbenita Kajtazi (Luisa), Alexander Roslavets (Wurm), Kristina Stanek (Federica), Elizaveta Kulagina (Laura), Philharmonisches Staatsorchester Hamburg (Orchestra), Chor der Hamburgischen Staatsoper (Chorus)
"Luisa Miller" is Giuseppe Verdi’s third setting of a play by Friedrich Schiller. “It is a great drama, full of passion and very effective in theatrical terms,” the composer wrote to the librettist Salvadore Cammarano about Kabale und Liebe. In order to conform to the expectations of the censors and audience, Verdi first had to reduce the play to a libretto suitable for opera, moving the focus from Schiller’s political tale to the family drama. In his opera, first performed in Naples in 1849, Verdi produced outstanding character studies of all his protagonists. In this work he laid the foundation for many “Verdi types” of later years, e.g. Iago, Giorgio Germont, Aida or Desdemona. Luisa Miller was first performed in Hamburg at the Hamburg State Opera in 1981 in a new production conducted by Giuseppe Sinopoli and directed by Luciano Damiani, who also designed the sets and costumes at the time. Director: Andreas Homoki Set Designer: Paul Zoller Costume Designer: Gideon Davey Lighting Designer: Franck Evin Premiere: 16.11.2014
Info & Ticket (www.staatsorchester-hamburg.de)
Artistic depiction of the event
This season
In Hamburg

Luisa Miller

Sat, May 30, 2026, 19:30
Hamburgische Staatsoper, Großes Haus (Hamburg)
Henrik Nánási (Musical Director), Alice Meregaglia (Chorus), Gábor Bretz (Il Conte di Walter), Pavol Breslik (Rodolfo), George Petean (Miller), Elbenita Kajtazi (Luisa), Alexander Roslavets (Wurm), Kristina Stanek (Federica), Elizaveta Kulagina (Laura), Philharmonisches Staatsorchester Hamburg (Orchestra), Chor der Hamburgischen Staatsoper (Chorus)
"Luisa Miller" is Giuseppe Verdi’s third setting of a play by Friedrich Schiller. “It is a great drama, full of passion and very effective in theatrical terms,” the composer wrote to the librettist Salvadore Cammarano about Kabale und Liebe. In order to conform to the expectations of the censors and audience, Verdi first had to reduce the play to a libretto suitable for opera, moving the focus from Schiller’s political tale to the family drama. In his opera, first performed in Naples in 1849, Verdi produced outstanding character studies of all his protagonists. In this work he laid the foundation for many “Verdi types” of later years, e.g. Iago, Giorgio Germont, Aida or Desdemona. Luisa Miller was first performed in Hamburg at the Hamburg State Opera in 1981 in a new production conducted by Giuseppe Sinopoli and directed by Luciano Damiani, who also designed the sets and costumes at the time. Director: Andreas Homoki Set Designer: Paul Zoller Costume Designer: Gideon Davey Lighting Designer: Franck Evin Premiere: 16.11.2014
Info & Ticket (www.staatsorchester-hamburg.de)

Upcoming Concerts

Concerts featuring George Petean in season 2024/25 or later

Artistic depiction of the event
This month
In Hamburg

Il trovatore

Thu, Mar 27, 2025, 19:30
Hamburgische Staatsoper, Großes Haus (Hamburg)
Paolo Arrivabeni (Musical Director), Christian Günther (Chorleitung), George Petean (Luna), Marco Berti (Manrico), Olga Peretyatko (Leonora), Kristina Stanek (Azucena), Hubert Kowalczyk (Ferrando), Marie Maidowski (Inez), Aaron Godfrey-Mayes (Ruiz), Chor der Hamburgischen Staatsoper (Chorus), Philharmonisches Staatsorchester Hamburg (Orchestra)
For Leonora, the song of the troubadour Manrico holds the promise and glow of love; Manrico's rival Count Luna perceives in it threat and danger. Verdi's opera is a celebration of Italian opera singing at its best - so it is no coincidence that the title character is a singer himself. And yet for the composer, Azucena, Manrico's mother, was the real protagonist. Il trovatore is rich in dramatic intricacies and intense emotions, which Verdi abruptly juxtaposes in images and scenes. Tragedy relentlessly unfolds before our eyes and ears until the truth is revealed in the opera's final seconds. Stage: Alex Eales Costumes: Herbert Murauer Lighting: James Farncombe Video: Philipp Contag-Lada Dramaturgy: Ralf Waldschmidt Chorus: Christian Günther
Info & Ticket (www.staatsorchester-hamburg.de)
Artistic depiction of the event
Next month
In Hamburg

Il trovatore

Tue, Apr 1, 2025, 19:30
Hamburgische Staatsoper, Großes Haus (Hamburg)
Paolo Arrivabeni (Musical Director), Christian Günther (Chorleitung), George Petean (Luna), Marco Berti (Manrico), Olga Peretyatko (Leonora), Kristina Stanek (Azucena), Hubert Kowalczyk (Ferrando), Marie Maidowski (Inez), Aaron Godfrey-Mayes (Ruiz), Chor der Hamburgischen Staatsoper (Chorus), Philharmonisches Staatsorchester Hamburg (Orchestra)
For Leonora, the song of the troubadour Manrico holds the promise and glow of love; Manrico's rival Count Luna perceives in it threat and danger. Verdi's opera is a celebration of Italian opera singing at its best - so it is no coincidence that the title character is a singer himself. And yet for the composer, Azucena, Manrico's mother, was the real protagonist. Il trovatore is rich in dramatic intricacies and intense emotions, which Verdi abruptly juxtaposes in images and scenes. Tragedy relentlessly unfolds before our eyes and ears until the truth is revealed in the opera's final seconds. Stage: Alex Eales Costumes: Herbert Murauer Lighting: James Farncombe Video: Philipp Contag-Lada Dramaturgy: Ralf Waldschmidt Chorus: Christian Günther
Info & Ticket (www.staatsorchester-hamburg.de)
Artistic depiction of the event
Next month
In Hamburg

Il trovatore

Sat, Apr 5, 2025, 19:00
Hamburgische Staatsoper, Großes Haus (Hamburg)
Paolo Arrivabeni (Musical Director), Christian Günther (Chorleitung), George Petean (Luna), Marco Berti (Manrico), Olga Peretyatko (Leonora), Kristina Stanek (Azucena), Hubert Kowalczyk (Ferrando), Marie Maidowski (Inez), Aaron Godfrey-Mayes (Ruiz), Chor der Hamburgischen Staatsoper (Chorus), Philharmonisches Staatsorchester Hamburg (Orchestra)
For Leonora, the song of the troubadour Manrico holds the promise and glow of love; Manrico's rival Count Luna perceives in it threat and danger. Verdi's opera is a celebration of Italian opera singing at its best - so it is no coincidence that the title character is a singer himself. And yet for the composer, Azucena, Manrico's mother, was the real protagonist. Il trovatore is rich in dramatic intricacies and intense emotions, which Verdi abruptly juxtaposes in images and scenes. Tragedy relentlessly unfolds before our eyes and ears until the truth is revealed in the opera's final seconds. Stage: Alex Eales Costumes: Herbert Murauer Lighting: James Farncombe Video: Philipp Contag-Lada Dramaturgy: Ralf Waldschmidt Chorus: Christian Günther
Info & Ticket (www.staatsorchester-hamburg.de)
Artistic depiction of the event
Next month
In Hamburg

Il trovatore

Wed, Apr 9, 2025, 19:00
Hamburgische Staatsoper, Großes Haus (Hamburg)
Paolo Arrivabeni (Musical Director), Christian Günther (Chorleitung), George Petean (Luna), Marco Berti (Manrico), Olga Peretyatko (Leonora), Kristina Stanek (Azucena), Hubert Kowalczyk (Ferrando), Marie Maidowski (Inez), Aaron Godfrey-Mayes (Ruiz), Chor der Hamburgischen Staatsoper (Chorus), Philharmonisches Staatsorchester Hamburg (Orchestra)
For Leonora, the song of the troubadour Manrico holds the promise and glow of love; Manrico's rival Count Luna perceives in it threat and danger. Verdi's opera is a celebration of Italian opera singing at its best - so it is no coincidence that the title character is a singer himself. And yet for the composer, Azucena, Manrico's mother, was the real protagonist. Il trovatore is rich in dramatic intricacies and intense emotions, which Verdi abruptly juxtaposes in images and scenes. Tragedy relentlessly unfolds before our eyes and ears until the truth is revealed in the opera's final seconds. Stage: Alex Eales Costumes: Herbert Murauer Lighting: James Farncombe Video: Philipp Contag-Lada Dramaturgy: Ralf Waldschmidt Chorus: Christian Günther
Info & Ticket (www.staatsorchester-hamburg.de)
Artistic depiction of the event
This season
In Hamburg

Luisa Miller

Sun, May 24, 2026, 18:00
Hamburgische Staatsoper, Großes Haus (Hamburg)
Henrik Nánási (Musical Director), Alice Meregaglia (Chorus), Gábor Bretz (Il Conte di Walter), Pavol Breslik (Rodolfo), George Petean (Miller), Elbenita Kajtazi (Luisa), Alexander Roslavets (Wurm), Kristina Stanek (Federica), Elizaveta Kulagina (Laura), Philharmonisches Staatsorchester Hamburg (Orchestra), Chor der Hamburgischen Staatsoper (Chorus)
"Luisa Miller" is Giuseppe Verdi’s third setting of a play by Friedrich Schiller. “It is a great drama, full of passion and very effective in theatrical terms,” the composer wrote to the librettist Salvadore Cammarano about Kabale und Liebe. In order to conform to the expectations of the censors and audience, Verdi first had to reduce the play to a libretto suitable for opera, moving the focus from Schiller’s political tale to the family drama. In his opera, first performed in Naples in 1849, Verdi produced outstanding character studies of all his protagonists. In this work he laid the foundation for many “Verdi types” of later years, e.g. Iago, Giorgio Germont, Aida or Desdemona. Luisa Miller was first performed in Hamburg at the Hamburg State Opera in 1981 in a new production conducted by Giuseppe Sinopoli and directed by Luciano Damiani, who also designed the sets and costumes at the time. Director: Andreas Homoki Set Designer: Paul Zoller Costume Designer: Gideon Davey Lighting Designer: Franck Evin Premiere: 16.11.2014
Info & Ticket (www.staatsorchester-hamburg.de)
Artistic depiction of the event
This season
In Hamburg

Luisa Miller

Thu, May 28, 2026, 19:30
Hamburgische Staatsoper, Großes Haus (Hamburg)
Henrik Nánási (Musical Director), Alice Meregaglia (Chorus), Gábor Bretz (Il Conte di Walter), Pavol Breslik (Rodolfo), George Petean (Miller), Elbenita Kajtazi (Luisa), Alexander Roslavets (Wurm), Kristina Stanek (Federica), Elizaveta Kulagina (Laura), Philharmonisches Staatsorchester Hamburg (Orchestra), Chor der Hamburgischen Staatsoper (Chorus)
"Luisa Miller" is Giuseppe Verdi’s third setting of a play by Friedrich Schiller. “It is a great drama, full of passion and very effective in theatrical terms,” the composer wrote to the librettist Salvadore Cammarano about Kabale und Liebe. In order to conform to the expectations of the censors and audience, Verdi first had to reduce the play to a libretto suitable for opera, moving the focus from Schiller’s political tale to the family drama. In his opera, first performed in Naples in 1849, Verdi produced outstanding character studies of all his protagonists. In this work he laid the foundation for many “Verdi types” of later years, e.g. Iago, Giorgio Germont, Aida or Desdemona. Luisa Miller was first performed in Hamburg at the Hamburg State Opera in 1981 in a new production conducted by Giuseppe Sinopoli and directed by Luciano Damiani, who also designed the sets and costumes at the time. Director: Andreas Homoki Set Designer: Paul Zoller Costume Designer: Gideon Davey Lighting Designer: Franck Evin Premiere: 16.11.2014
Info & Ticket (www.staatsorchester-hamburg.de)
Artistic depiction of the event
This season
In Hamburg

Luisa Miller

Sat, May 30, 2026, 19:30
Hamburgische Staatsoper, Großes Haus (Hamburg)
Henrik Nánási (Musical Director), Alice Meregaglia (Chorus), Gábor Bretz (Il Conte di Walter), Pavol Breslik (Rodolfo), George Petean (Miller), Elbenita Kajtazi (Luisa), Alexander Roslavets (Wurm), Kristina Stanek (Federica), Elizaveta Kulagina (Laura), Philharmonisches Staatsorchester Hamburg (Orchestra), Chor der Hamburgischen Staatsoper (Chorus)
"Luisa Miller" is Giuseppe Verdi’s third setting of a play by Friedrich Schiller. “It is a great drama, full of passion and very effective in theatrical terms,” the composer wrote to the librettist Salvadore Cammarano about Kabale und Liebe. In order to conform to the expectations of the censors and audience, Verdi first had to reduce the play to a libretto suitable for opera, moving the focus from Schiller’s political tale to the family drama. In his opera, first performed in Naples in 1849, Verdi produced outstanding character studies of all his protagonists. In this work he laid the foundation for many “Verdi types” of later years, e.g. Iago, Giorgio Germont, Aida or Desdemona. Luisa Miller was first performed in Hamburg at the Hamburg State Opera in 1981 in a new production conducted by Giuseppe Sinopoli and directed by Luciano Damiani, who also designed the sets and costumes at the time. Director: Andreas Homoki Set Designer: Paul Zoller Costume Designer: Gideon Davey Lighting Designer: Franck Evin Premiere: 16.11.2014
Info & Ticket (www.staatsorchester-hamburg.de)
Artistic depiction of the event
This season
In Hamburg

Luisa Miller

Wed, Jun 3, 2026, 19:30
Hamburgische Staatsoper, Großes Haus (Hamburg)
Henrik Nánási (Musical Director), Alice Meregaglia (Chorus), Gábor Bretz (Il Conte di Walter), Pavol Breslik (Rodolfo), George Petean (Miller), Elbenita Kajtazi (Luisa), Alexander Roslavets (Wurm), Kristina Stanek (Federica), Elizaveta Kulagina (Laura), Philharmonisches Staatsorchester Hamburg (Orchestra), Chor der Hamburgischen Staatsoper (Chorus)
"Luisa Miller" is Giuseppe Verdi’s third setting of a play by Friedrich Schiller. “It is a great drama, full of passion and very effective in theatrical terms,” the composer wrote to the librettist Salvadore Cammarano about Kabale und Liebe. In order to conform to the expectations of the censors and audience, Verdi first had to reduce the play to a libretto suitable for opera, moving the focus from Schiller’s political tale to the family drama. In his opera, first performed in Naples in 1849, Verdi produced outstanding character studies of all his protagonists. In this work he laid the foundation for many “Verdi types” of later years, e.g. Iago, Giorgio Germont, Aida or Desdemona. Luisa Miller was first performed in Hamburg at the Hamburg State Opera in 1981 in a new production conducted by Giuseppe Sinopoli and directed by Luciano Damiani, who also designed the sets and costumes at the time. Director: Andreas Homoki Set Designer: Paul Zoller Costume Designer: Gideon Davey Lighting Designer: Franck Evin Premiere: 16.11.2014
Info & Ticket (www.staatsorchester-hamburg.de)
Artistic depiction of the event
This season
In Hamburg

Luisa Miller

Fri, Jun 5, 2026, 19:00
Hamburgische Staatsoper, Großes Haus (Hamburg)
Henrik Nánási (Musical Director), Alice Meregaglia (Chorus), Gábor Bretz (Il Conte di Walter), Pavol Breslik (Rodolfo), George Petean (Miller), Elbenita Kajtazi (Luisa), Alexander Roslavets (Wurm), Kristina Stanek (Federica), Elizaveta Kulagina (Laura), Philharmonisches Staatsorchester Hamburg (Orchestra), Chor der Hamburgischen Staatsoper (Chorus)
"Luisa Miller" is Giuseppe Verdi’s third setting of a play by Friedrich Schiller. “It is a great drama, full of passion and very effective in theatrical terms,” the composer wrote to the librettist Salvadore Cammarano about Kabale und Liebe. In order to conform to the expectations of the censors and audience, Verdi first had to reduce the play to a libretto suitable for opera, moving the focus from Schiller’s political tale to the family drama. In his opera, first performed in Naples in 1849, Verdi produced outstanding character studies of all his protagonists. In this work he laid the foundation for many “Verdi types” of later years, e.g. Iago, Giorgio Germont, Aida or Desdemona. Luisa Miller was first performed in Hamburg at the Hamburg State Opera in 1981 in a new production conducted by Giuseppe Sinopoli and directed by Luciano Damiani, who also designed the sets and costumes at the time. Director: Andreas Homoki Set Designer: Paul Zoller Costume Designer: Gideon Davey Lighting Designer: Franck Evin Premiere: 16.11.2014
Info & Ticket (www.staatsorchester-hamburg.de)