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Classical concerts featuring
Gábor Bretz

Overview

Quick overview of musician Gábor Bretz by associated keywords

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These concerts featuring Gábor Bretz became visible lately at Concert Pulse.

Artistic depiction of the event
This season
In Hamburg

Lohengrin

Sun, Mar 22, 2026, 16:00
Omer Meir Wellber (Musical Director), Alice Meregaglia (Chorus), Gábor Bretz (König Heinrich), Klaus Florian Vogt (Lohengrin), Sara Jakubiak (Elsa), Martin Gantner (Friedrich von Telramund), Yulia Matochkina (Ortrud), Szymon Mechli?ski (Heerrufer), Peter Galliard (1. Brabantischer Edler), Colin Aikins (2. Brabantischer Edler), Chao Deng (3. Brabantischer Edler), Keith Klein (4. Brabantischer Edler), Philharmonisches Staatsorchester Hamburg (Orchestra), Chor der Hamburgischen Staatsoper (Chorus)
Elsa of Brabant is suspected of having killed her younger brother Gottfried in the forest. This accusation is put forward by Friedrich of Telramund, Count of Brabant, whose wife Ortrud is secretly plotting against Elsa. When King Henry the Fowler asks Elsa to defend herself, she pleads for an imaginary knight to come to her aid. King Henry asks the men present to fight to defend the honour of Elsa of Brabant, but no one steps forward. Suddenly, Lohengrin, the Knight of the Swan, appears. He promises to fight for Elsa, but makes her promise beforehand never to question him about his identity or provenance. Director: Peter Konwitschny Set and Costume Designer: Helmut Brade Costume Design Collaboration: Inga von Bredow Lighting Designer: Manfred Voss Dramaturgy: Werner Hintze Premiere: 18.01.1998
Artistic depiction of the event
This season
In Hamburg

Lohengrin

Sat, Mar 28, 2026, 18:00
Omer Meir Wellber (Musical Director), Alice Meregaglia (Chorus), Gábor Bretz (König Heinrich), Klaus Florian Vogt (Lohengrin), Sara Jakubiak (Elsa), Martin Gantner (Friedrich von Telramund), Yulia Matochkina (Ortrud), Szymon Mechli?ski (Heerrufer), Peter Galliard (1. Brabantischer Edler), Colin Aikins (2. Brabantischer Edler), Chao Deng (3. Brabantischer Edler), Keith Klein (4. Brabantischer Edler), Philharmonisches Staatsorchester Hamburg (Orchestra), Chor der Hamburgischen Staatsoper (Chorus)
Elsa of Brabant is suspected of having killed her younger brother Gottfried in the forest. This accusation is put forward by Friedrich of Telramund, Count of Brabant, whose wife Ortrud is secretly plotting against Elsa. When King Henry the Fowler asks Elsa to defend herself, she pleads for an imaginary knight to come to her aid. King Henry asks the men present to fight to defend the honour of Elsa of Brabant, but no one steps forward. Suddenly, Lohengrin, the Knight of the Swan, appears. He promises to fight for Elsa, but makes her promise beforehand never to question him about his identity or provenance. Director: Peter Konwitschny Set and Costume Designer: Helmut Brade Costume Design Collaboration: Inga von Bredow Lighting Designer: Manfred Voss Dramaturgy: Werner Hintze Premiere: 18.01.1998
Artistic depiction of the event
This season
In Hamburg

Lohengrin

Fri, Apr 3, 2026, 16:00
Omer Meir Wellber (Musical Director), Alice Meregaglia (Chorus), Gábor Bretz (König Heinrich), Klaus Florian Vogt (Lohengrin), Sara Jakubiak (Elsa), Martin Gantner (Friedrich von Telramund), Yulia Matochkina (Ortrud), Szymon Mechli?ski (Heerrufer), Peter Galliard (1. Brabantischer Edler), Colin Aikins (2. Brabantischer Edler), Chao Deng (3. Brabantischer Edler), Keith Klein (4. Brabantischer Edler), Philharmonisches Staatsorchester Hamburg (Orchestra), Chor der Hamburgischen Staatsoper (Chorus)
Elsa of Brabant is suspected of having killed her younger brother Gottfried in the forest. This accusation is put forward by Friedrich of Telramund, Count of Brabant, whose wife Ortrud is secretly plotting against Elsa. When King Henry the Fowler asks Elsa to defend herself, she pleads for an imaginary knight to come to her aid. King Henry asks the men present to fight to defend the honour of Elsa of Brabant, but no one steps forward. Suddenly, Lohengrin, the Knight of the Swan, appears. He promises to fight for Elsa, but makes her promise beforehand never to question him about his identity or provenance. Director: Peter Konwitschny Set and Costume Designer: Helmut Brade Costume Design Collaboration: Inga von Bredow Lighting Designer: Manfred Voss Dramaturgy: Werner Hintze Premiere: 18.01.1998

Upcoming Concerts

Concerts featuring Gábor Bretz in season 2024/25 or later

Artistic depiction of the event
This season
In Hamburg

Lohengrin

Sun, Mar 22, 2026, 16:00
Omer Meir Wellber (Musical Director), Alice Meregaglia (Chorus), Gábor Bretz (König Heinrich), Klaus Florian Vogt (Lohengrin), Sara Jakubiak (Elsa), Martin Gantner (Friedrich von Telramund), Yulia Matochkina (Ortrud), Szymon Mechli?ski (Heerrufer), Peter Galliard (1. Brabantischer Edler), Colin Aikins (2. Brabantischer Edler), Chao Deng (3. Brabantischer Edler), Keith Klein (4. Brabantischer Edler), Philharmonisches Staatsorchester Hamburg (Orchestra), Chor der Hamburgischen Staatsoper (Chorus)
Elsa of Brabant is suspected of having killed her younger brother Gottfried in the forest. This accusation is put forward by Friedrich of Telramund, Count of Brabant, whose wife Ortrud is secretly plotting against Elsa. When King Henry the Fowler asks Elsa to defend herself, she pleads for an imaginary knight to come to her aid. King Henry asks the men present to fight to defend the honour of Elsa of Brabant, but no one steps forward. Suddenly, Lohengrin, the Knight of the Swan, appears. He promises to fight for Elsa, but makes her promise beforehand never to question him about his identity or provenance. Director: Peter Konwitschny Set and Costume Designer: Helmut Brade Costume Design Collaboration: Inga von Bredow Lighting Designer: Manfred Voss Dramaturgy: Werner Hintze Premiere: 18.01.1998
Artistic depiction of the event
This season
In Hamburg

Lohengrin

Sat, Mar 28, 2026, 18:00
Omer Meir Wellber (Musical Director), Alice Meregaglia (Chorus), Gábor Bretz (König Heinrich), Klaus Florian Vogt (Lohengrin), Sara Jakubiak (Elsa), Martin Gantner (Friedrich von Telramund), Yulia Matochkina (Ortrud), Szymon Mechli?ski (Heerrufer), Peter Galliard (1. Brabantischer Edler), Colin Aikins (2. Brabantischer Edler), Chao Deng (3. Brabantischer Edler), Keith Klein (4. Brabantischer Edler), Philharmonisches Staatsorchester Hamburg (Orchestra), Chor der Hamburgischen Staatsoper (Chorus)
Elsa of Brabant is suspected of having killed her younger brother Gottfried in the forest. This accusation is put forward by Friedrich of Telramund, Count of Brabant, whose wife Ortrud is secretly plotting against Elsa. When King Henry the Fowler asks Elsa to defend herself, she pleads for an imaginary knight to come to her aid. King Henry asks the men present to fight to defend the honour of Elsa of Brabant, but no one steps forward. Suddenly, Lohengrin, the Knight of the Swan, appears. He promises to fight for Elsa, but makes her promise beforehand never to question him about his identity or provenance. Director: Peter Konwitschny Set and Costume Designer: Helmut Brade Costume Design Collaboration: Inga von Bredow Lighting Designer: Manfred Voss Dramaturgy: Werner Hintze Premiere: 18.01.1998
Artistic depiction of the event
This season
In Hamburg

Lohengrin

Fri, Apr 3, 2026, 16:00
Omer Meir Wellber (Musical Director), Alice Meregaglia (Chorus), Gábor Bretz (König Heinrich), Klaus Florian Vogt (Lohengrin), Sara Jakubiak (Elsa), Martin Gantner (Friedrich von Telramund), Yulia Matochkina (Ortrud), Szymon Mechli?ski (Heerrufer), Peter Galliard (1. Brabantischer Edler), Colin Aikins (2. Brabantischer Edler), Chao Deng (3. Brabantischer Edler), Keith Klein (4. Brabantischer Edler), Philharmonisches Staatsorchester Hamburg (Orchestra), Chor der Hamburgischen Staatsoper (Chorus)
Elsa of Brabant is suspected of having killed her younger brother Gottfried in the forest. This accusation is put forward by Friedrich of Telramund, Count of Brabant, whose wife Ortrud is secretly plotting against Elsa. When King Henry the Fowler asks Elsa to defend herself, she pleads for an imaginary knight to come to her aid. King Henry asks the men present to fight to defend the honour of Elsa of Brabant, but no one steps forward. Suddenly, Lohengrin, the Knight of the Swan, appears. He promises to fight for Elsa, but makes her promise beforehand never to question him about his identity or provenance. Director: Peter Konwitschny Set and Costume Designer: Helmut Brade Costume Design Collaboration: Inga von Bredow Lighting Designer: Manfred Voss Dramaturgy: Werner Hintze Premiere: 18.01.1998
Artistic depiction of the event
This season
In Hamburg

Lohengrin

Mon, Apr 6, 2026, 16:00
Omer Meir Wellber (Musical Director), Alice Meregaglia (Chorus), Gábor Bretz (König Heinrich), Klaus Florian Vogt (Lohengrin), Sara Jakubiak (Elsa), Martin Gantner (Friedrich von Telramund), Yulia Matochkina (Ortrud), Szymon Mechli?ski (Heerrufer), Peter Galliard (1. Brabantischer Edler), Colin Aikins (2. Brabantischer Edler), Chao Deng (3. Brabantischer Edler), Keith Klein (4. Brabantischer Edler), Philharmonisches Staatsorchester Hamburg (Orchestra), Chor der Hamburgischen Staatsoper (Chorus)
Elsa of Brabant is suspected of having killed her younger brother Gottfried in the forest. This accusation is put forward by Friedrich of Telramund, Count of Brabant, whose wife Ortrud is secretly plotting against Elsa. When King Henry the Fowler asks Elsa to defend herself, she pleads for an imaginary knight to come to her aid. King Henry asks the men present to fight to defend the honour of Elsa of Brabant, but no one steps forward. Suddenly, Lohengrin, the Knight of the Swan, appears. He promises to fight for Elsa, but makes her promise beforehand never to question him about his identity or provenance. Director: Peter Konwitschny Set and Costume Designer: Helmut Brade Costume Design Collaboration: Inga von Bredow Lighting Designer: Manfred Voss Dramaturgy: Werner Hintze Premiere: 18.01.1998
Artistic depiction of the event
This season
In Hamburg

Lohengrin

Sat, Apr 11, 2026, 18:00
Omer Meir Wellber (Musical Director), Alice Meregaglia (Chorus), Gábor Bretz (König Heinrich), Klaus Florian Vogt (Lohengrin), Sara Jakubiak (Elsa), Martin Gantner (Friedrich von Telramund), Yulia Matochkina (Ortrud), Szymon Mechli?ski (Heerrufer), Peter Galliard (1. Brabantischer Edler), Colin Aikins (2. Brabantischer Edler), Chao Deng (3. Brabantischer Edler), Keith Klein (4. Brabantischer Edler), Philharmonisches Staatsorchester Hamburg (Orchestra), Chor der Hamburgischen Staatsoper (Chorus)
Elsa of Brabant is suspected of having killed her younger brother Gottfried in the forest. This accusation is put forward by Friedrich of Telramund, Count of Brabant, whose wife Ortrud is secretly plotting against Elsa. When King Henry the Fowler asks Elsa to defend herself, she pleads for an imaginary knight to come to her aid. King Henry asks the men present to fight to defend the honour of Elsa of Brabant, but no one steps forward. Suddenly, Lohengrin, the Knight of the Swan, appears. He promises to fight for Elsa, but makes her promise beforehand never to question him about his identity or provenance. Director: Peter Konwitschny Set and Costume Designer: Helmut Brade Costume Design Collaboration: Inga von Bredow Lighting Designer: Manfred Voss Dramaturgy: Werner Hintze Premiere: 18.01.1998
Artistic depiction of the event
This season
In Hamburg

Luisa Miller

Sun, May 24, 2026, 18:00
Henrik Nánási (Musical Director), Alice Meregaglia (Chorus), Gábor Bretz (Il Conte di Walter), Pavol Breslik (Rodolfo), George Petean (Miller), Elbenita Kajtazi (Luisa), Alexander Roslavets (Wurm), Kristina Stanek (Federica), Elizaveta Kulagina (Laura), Philharmonisches Staatsorchester Hamburg (Orchestra), Chor der Hamburgischen Staatsoper (Chorus)
"Luisa Miller" is Giuseppe Verdi’s third setting of a play by Friedrich Schiller. “It is a great drama, full of passion and very effective in theatrical terms,” the composer wrote to the librettist Salvadore Cammarano about Kabale und Liebe. In order to conform to the expectations of the censors and audience, Verdi first had to reduce the play to a libretto suitable for opera, moving the focus from Schiller’s political tale to the family drama. In his opera, first performed in Naples in 1849, Verdi produced outstanding character studies of all his protagonists. In this work he laid the foundation for many “Verdi types” of later years, e.g. Iago, Giorgio Germont, Aida or Desdemona. Luisa Miller was first performed in Hamburg at the Hamburg State Opera in 1981 in a new production conducted by Giuseppe Sinopoli and directed by Luciano Damiani, who also designed the sets and costumes at the time. Director: Andreas Homoki Set Designer: Paul Zoller Costume Designer: Gideon Davey Lighting Designer: Franck Evin Premiere: 16.11.2014
Artistic depiction of the event
This season
In Hamburg

Luisa Miller

Thu, May 28, 2026, 19:30
Henrik Nánási (Musical Director), Alice Meregaglia (Chorus), Gábor Bretz (Il Conte di Walter), Pavol Breslik (Rodolfo), George Petean (Miller), Elbenita Kajtazi (Luisa), Alexander Roslavets (Wurm), Kristina Stanek (Federica), Elizaveta Kulagina (Laura), Philharmonisches Staatsorchester Hamburg (Orchestra), Chor der Hamburgischen Staatsoper (Chorus)
"Luisa Miller" is Giuseppe Verdi’s third setting of a play by Friedrich Schiller. “It is a great drama, full of passion and very effective in theatrical terms,” the composer wrote to the librettist Salvadore Cammarano about Kabale und Liebe. In order to conform to the expectations of the censors and audience, Verdi first had to reduce the play to a libretto suitable for opera, moving the focus from Schiller’s political tale to the family drama. In his opera, first performed in Naples in 1849, Verdi produced outstanding character studies of all his protagonists. In this work he laid the foundation for many “Verdi types” of later years, e.g. Iago, Giorgio Germont, Aida or Desdemona. Luisa Miller was first performed in Hamburg at the Hamburg State Opera in 1981 in a new production conducted by Giuseppe Sinopoli and directed by Luciano Damiani, who also designed the sets and costumes at the time. Director: Andreas Homoki Set Designer: Paul Zoller Costume Designer: Gideon Davey Lighting Designer: Franck Evin Premiere: 16.11.2014
Artistic depiction of the event
This season
In Hamburg

Luisa Miller

Sat, May 30, 2026, 19:30
Henrik Nánási (Musical Director), Alice Meregaglia (Chorus), Gábor Bretz (Il Conte di Walter), Pavol Breslik (Rodolfo), George Petean (Miller), Elbenita Kajtazi (Luisa), Alexander Roslavets (Wurm), Kristina Stanek (Federica), Elizaveta Kulagina (Laura), Philharmonisches Staatsorchester Hamburg (Orchestra), Chor der Hamburgischen Staatsoper (Chorus)
"Luisa Miller" is Giuseppe Verdi’s third setting of a play by Friedrich Schiller. “It is a great drama, full of passion and very effective in theatrical terms,” the composer wrote to the librettist Salvadore Cammarano about Kabale und Liebe. In order to conform to the expectations of the censors and audience, Verdi first had to reduce the play to a libretto suitable for opera, moving the focus from Schiller’s political tale to the family drama. In his opera, first performed in Naples in 1849, Verdi produced outstanding character studies of all his protagonists. In this work he laid the foundation for many “Verdi types” of later years, e.g. Iago, Giorgio Germont, Aida or Desdemona. Luisa Miller was first performed in Hamburg at the Hamburg State Opera in 1981 in a new production conducted by Giuseppe Sinopoli and directed by Luciano Damiani, who also designed the sets and costumes at the time. Director: Andreas Homoki Set Designer: Paul Zoller Costume Designer: Gideon Davey Lighting Designer: Franck Evin Premiere: 16.11.2014
Artistic depiction of the event
This season
In Hamburg

Luisa Miller

Wed, Jun 3, 2026, 19:30
Henrik Nánási (Musical Director), Alice Meregaglia (Chorus), Gábor Bretz (Il Conte di Walter), Pavol Breslik (Rodolfo), George Petean (Miller), Elbenita Kajtazi (Luisa), Alexander Roslavets (Wurm), Kristina Stanek (Federica), Elizaveta Kulagina (Laura), Philharmonisches Staatsorchester Hamburg (Orchestra), Chor der Hamburgischen Staatsoper (Chorus)
"Luisa Miller" is Giuseppe Verdi’s third setting of a play by Friedrich Schiller. “It is a great drama, full of passion and very effective in theatrical terms,” the composer wrote to the librettist Salvadore Cammarano about Kabale und Liebe. In order to conform to the expectations of the censors and audience, Verdi first had to reduce the play to a libretto suitable for opera, moving the focus from Schiller’s political tale to the family drama. In his opera, first performed in Naples in 1849, Verdi produced outstanding character studies of all his protagonists. In this work he laid the foundation for many “Verdi types” of later years, e.g. Iago, Giorgio Germont, Aida or Desdemona. Luisa Miller was first performed in Hamburg at the Hamburg State Opera in 1981 in a new production conducted by Giuseppe Sinopoli and directed by Luciano Damiani, who also designed the sets and costumes at the time. Director: Andreas Homoki Set Designer: Paul Zoller Costume Designer: Gideon Davey Lighting Designer: Franck Evin Premiere: 16.11.2014
Artistic depiction of the event
This season
In Hamburg

Luisa Miller

Fri, Jun 5, 2026, 19:00
Henrik Nánási (Musical Director), Alice Meregaglia (Chorus), Gábor Bretz (Il Conte di Walter), Pavol Breslik (Rodolfo), George Petean (Miller), Elbenita Kajtazi (Luisa), Alexander Roslavets (Wurm), Kristina Stanek (Federica), Elizaveta Kulagina (Laura), Philharmonisches Staatsorchester Hamburg (Orchestra), Chor der Hamburgischen Staatsoper (Chorus)
"Luisa Miller" is Giuseppe Verdi’s third setting of a play by Friedrich Schiller. “It is a great drama, full of passion and very effective in theatrical terms,” the composer wrote to the librettist Salvadore Cammarano about Kabale und Liebe. In order to conform to the expectations of the censors and audience, Verdi first had to reduce the play to a libretto suitable for opera, moving the focus from Schiller’s political tale to the family drama. In his opera, first performed in Naples in 1849, Verdi produced outstanding character studies of all his protagonists. In this work he laid the foundation for many “Verdi types” of later years, e.g. Iago, Giorgio Germont, Aida or Desdemona. Luisa Miller was first performed in Hamburg at the Hamburg State Opera in 1981 in a new production conducted by Giuseppe Sinopoli and directed by Luciano Damiani, who also designed the sets and costumes at the time. Director: Andreas Homoki Set Designer: Paul Zoller Costume Designer: Gideon Davey Lighting Designer: Franck Evin Premiere: 16.11.2014