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Classical concerts featuring
Atalla Ayan

Overview

Quick overview of musician Atalla Ayan by associated keywords

CitiesFrequently performs in

Hamburg
Germany
Hamburg
5

ProgramFrequently performs

Giacomo Puccini
Works by
Giacomo Puccini
5

MusiciansFrequently collaborate with

Musician
Aebh Kelly
5
Musician
Alexander Joel
5
Musician
Alice Meregaglia
5
Musician
Barno Ismatullaeva
5
choir
Chor der Hamburgischen Staatsoper
5

New Arrivals

These concerts featuring Atalla Ayan became visible lately at Concert Pulse.

Artistic depiction of the event
This season
In Hamburg

Madama Butterfly

Thu, Apr 16, 2026, 19:30
Hamburgische Staatsoper, Großes Haus (Hamburg)
Alexander Joel (Musical Director), Alice Meregaglia (Chorus), Barno Ismatullaeva (Cio-Cio San), Ida Aldrian (Suzuki), Aebh Kelly (Kate Pinkerton), Atalla Ayan (Pinkerton), Kartal Karagedik (Sharpless), Daniel Kluge (Goro), William Desbiens (Il Principe Yamadori), Tigran Martirossian (Lo zio Bonzo), Philharmonisches Staatsorchester Hamburg (Orchestra), Chor der Hamburgischen Staatsoper (Chorus)
Nagasaki, Japan, ca. 1900: Pinkerton, a lieutenant in the American navy, has fallen in love with Cio-Cio-San, also known as “Butterfly”. The Japanese ritual marriage ceremony is merely a farce to him – and shortly thereafter, Pinkerton’s “plaything” is alone again, with their child. Three years later, he returns to Japan, but not because of Butterfly. Together with his new wife, he intends to pick up the child and take it to American with him. Butterfly commits suicide. The opera’s world premiere in 1904 was a historic fiasco: the audience at Milan’s La Scala failed to understand the exotic subject. Puccini, however, believed in the piece: “My Butterfly remains what it is. It is the most emotional opera I have written!” He was right: only a few months later, an altered version of Madama Butterfly proved a rousing success when it was premiered at the Teatro Grande in Brescia. To this day, Puccini’s “tragedia giapponese” has remained one of the most popular and moving operas ever written. Director: Vincent Boussard Set Designer: Vincent Lemaire Costume Designer: Christian Lacroix Lighting Designer: Guido Levi Dramaturgy: Barbara Weigel Premiere: 11.11.2012
Info & Ticket (www.staatsorchester-hamburg.de)
Artistic depiction of the event
This season
In Hamburg

Madama Butterfly

Sat, Apr 18, 2026, 19:30
Hamburgische Staatsoper, Großes Haus (Hamburg)
Alexander Joel (Musical Director), Alice Meregaglia (Chorus), Barno Ismatullaeva (Cio-Cio San), Ida Aldrian (Suzuki), Aebh Kelly (Kate Pinkerton), Atalla Ayan (Pinkerton), Kartal Karagedik (Sharpless), Daniel Kluge (Goro), William Desbiens (Il Principe Yamadori), Tigran Martirossian (Lo zio Bonzo), Philharmonisches Staatsorchester Hamburg (Orchestra), Chor der Hamburgischen Staatsoper (Chorus)
Nagasaki, Japan, ca. 1900: Pinkerton, a lieutenant in the American navy, has fallen in love with Cio-Cio-San, also known as “Butterfly”. The Japanese ritual marriage ceremony is merely a farce to him – and shortly thereafter, Pinkerton’s “plaything” is alone again, with their child. Three years later, he returns to Japan, but not because of Butterfly. Together with his new wife, he intends to pick up the child and take it to American with him. Butterfly commits suicide. The opera’s world premiere in 1904 was a historic fiasco: the audience at Milan’s La Scala failed to understand the exotic subject. Puccini, however, believed in the piece: “My Butterfly remains what it is. It is the most emotional opera I have written!” He was right: only a few months later, an altered version of Madama Butterfly proved a rousing success when it was premiered at the Teatro Grande in Brescia. To this day, Puccini’s “tragedia giapponese” has remained one of the most popular and moving operas ever written. Director: Vincent Boussard Set Designer: Vincent Lemaire Costume Designer: Christian Lacroix Lighting Designer: Guido Levi Dramaturgy: Barbara Weigel Premiere: 11.11.2012
Info & Ticket (www.staatsorchester-hamburg.de)
Artistic depiction of the event
This season
In Hamburg

Madama Butterfly

Fri, Apr 24, 2026, 19:30
Hamburgische Staatsoper, Großes Haus (Hamburg)
Alexander Joel (Musical Director), Alice Meregaglia (Chorus), Barno Ismatullaeva (Cio-Cio San), Ida Aldrian (Suzuki), Aebh Kelly (Kate Pinkerton), Atalla Ayan (Pinkerton), Kartal Karagedik (Sharpless), Daniel Kluge (Goro), William Desbiens (Il Principe Yamadori), Tigran Martirossian (Lo zio Bonzo), Philharmonisches Staatsorchester Hamburg (Orchestra), Chor der Hamburgischen Staatsoper (Chorus)
Nagasaki, Japan, ca. 1900: Pinkerton, a lieutenant in the American navy, has fallen in love with Cio-Cio-San, also known as “Butterfly”. The Japanese ritual marriage ceremony is merely a farce to him – and shortly thereafter, Pinkerton’s “plaything” is alone again, with their child. Three years later, he returns to Japan, but not because of Butterfly. Together with his new wife, he intends to pick up the child and take it to American with him. Butterfly commits suicide. The opera’s world premiere in 1904 was a historic fiasco: the audience at Milan’s La Scala failed to understand the exotic subject. Puccini, however, believed in the piece: “My Butterfly remains what it is. It is the most emotional opera I have written!” He was right: only a few months later, an altered version of Madama Butterfly proved a rousing success when it was premiered at the Teatro Grande in Brescia. To this day, Puccini’s “tragedia giapponese” has remained one of the most popular and moving operas ever written. Director: Vincent Boussard Set Designer: Vincent Lemaire Costume Designer: Christian Lacroix Lighting Designer: Guido Levi Dramaturgy: Barbara Weigel Premiere: 11.11.2012
Info & Ticket (www.staatsorchester-hamburg.de)

Upcoming Concerts

Concerts featuring Atalla Ayan in season 2024/25 or later

Artistic depiction of the event
This season
In Hamburg

Madama Butterfly

Thu, Apr 16, 2026, 19:30
Hamburgische Staatsoper, Großes Haus (Hamburg)
Alexander Joel (Musical Director), Alice Meregaglia (Chorus), Barno Ismatullaeva (Cio-Cio San), Ida Aldrian (Suzuki), Aebh Kelly (Kate Pinkerton), Atalla Ayan (Pinkerton), Kartal Karagedik (Sharpless), Daniel Kluge (Goro), William Desbiens (Il Principe Yamadori), Tigran Martirossian (Lo zio Bonzo), Philharmonisches Staatsorchester Hamburg (Orchestra), Chor der Hamburgischen Staatsoper (Chorus)
Nagasaki, Japan, ca. 1900: Pinkerton, a lieutenant in the American navy, has fallen in love with Cio-Cio-San, also known as “Butterfly”. The Japanese ritual marriage ceremony is merely a farce to him – and shortly thereafter, Pinkerton’s “plaything” is alone again, with their child. Three years later, he returns to Japan, but not because of Butterfly. Together with his new wife, he intends to pick up the child and take it to American with him. Butterfly commits suicide. The opera’s world premiere in 1904 was a historic fiasco: the audience at Milan’s La Scala failed to understand the exotic subject. Puccini, however, believed in the piece: “My Butterfly remains what it is. It is the most emotional opera I have written!” He was right: only a few months later, an altered version of Madama Butterfly proved a rousing success when it was premiered at the Teatro Grande in Brescia. To this day, Puccini’s “tragedia giapponese” has remained one of the most popular and moving operas ever written. Director: Vincent Boussard Set Designer: Vincent Lemaire Costume Designer: Christian Lacroix Lighting Designer: Guido Levi Dramaturgy: Barbara Weigel Premiere: 11.11.2012
Info & Ticket (www.staatsorchester-hamburg.de)
Artistic depiction of the event
This season
In Hamburg

Madama Butterfly

Sat, Apr 18, 2026, 19:30
Hamburgische Staatsoper, Großes Haus (Hamburg)
Alexander Joel (Musical Director), Alice Meregaglia (Chorus), Barno Ismatullaeva (Cio-Cio San), Ida Aldrian (Suzuki), Aebh Kelly (Kate Pinkerton), Atalla Ayan (Pinkerton), Kartal Karagedik (Sharpless), Daniel Kluge (Goro), William Desbiens (Il Principe Yamadori), Tigran Martirossian (Lo zio Bonzo), Philharmonisches Staatsorchester Hamburg (Orchestra), Chor der Hamburgischen Staatsoper (Chorus)
Nagasaki, Japan, ca. 1900: Pinkerton, a lieutenant in the American navy, has fallen in love with Cio-Cio-San, also known as “Butterfly”. The Japanese ritual marriage ceremony is merely a farce to him – and shortly thereafter, Pinkerton’s “plaything” is alone again, with their child. Three years later, he returns to Japan, but not because of Butterfly. Together with his new wife, he intends to pick up the child and take it to American with him. Butterfly commits suicide. The opera’s world premiere in 1904 was a historic fiasco: the audience at Milan’s La Scala failed to understand the exotic subject. Puccini, however, believed in the piece: “My Butterfly remains what it is. It is the most emotional opera I have written!” He was right: only a few months later, an altered version of Madama Butterfly proved a rousing success when it was premiered at the Teatro Grande in Brescia. To this day, Puccini’s “tragedia giapponese” has remained one of the most popular and moving operas ever written. Director: Vincent Boussard Set Designer: Vincent Lemaire Costume Designer: Christian Lacroix Lighting Designer: Guido Levi Dramaturgy: Barbara Weigel Premiere: 11.11.2012
Info & Ticket (www.staatsorchester-hamburg.de)
Artistic depiction of the event
This season
In Hamburg

Madama Butterfly

Fri, Apr 24, 2026, 19:30
Hamburgische Staatsoper, Großes Haus (Hamburg)
Alexander Joel (Musical Director), Alice Meregaglia (Chorus), Barno Ismatullaeva (Cio-Cio San), Ida Aldrian (Suzuki), Aebh Kelly (Kate Pinkerton), Atalla Ayan (Pinkerton), Kartal Karagedik (Sharpless), Daniel Kluge (Goro), William Desbiens (Il Principe Yamadori), Tigran Martirossian (Lo zio Bonzo), Philharmonisches Staatsorchester Hamburg (Orchestra), Chor der Hamburgischen Staatsoper (Chorus)
Nagasaki, Japan, ca. 1900: Pinkerton, a lieutenant in the American navy, has fallen in love with Cio-Cio-San, also known as “Butterfly”. The Japanese ritual marriage ceremony is merely a farce to him – and shortly thereafter, Pinkerton’s “plaything” is alone again, with their child. Three years later, he returns to Japan, but not because of Butterfly. Together with his new wife, he intends to pick up the child and take it to American with him. Butterfly commits suicide. The opera’s world premiere in 1904 was a historic fiasco: the audience at Milan’s La Scala failed to understand the exotic subject. Puccini, however, believed in the piece: “My Butterfly remains what it is. It is the most emotional opera I have written!” He was right: only a few months later, an altered version of Madama Butterfly proved a rousing success when it was premiered at the Teatro Grande in Brescia. To this day, Puccini’s “tragedia giapponese” has remained one of the most popular and moving operas ever written. Director: Vincent Boussard Set Designer: Vincent Lemaire Costume Designer: Christian Lacroix Lighting Designer: Guido Levi Dramaturgy: Barbara Weigel Premiere: 11.11.2012
Info & Ticket (www.staatsorchester-hamburg.de)
Artistic depiction of the event
This season
In Hamburg

Madama Butterfly

Wed, Apr 29, 2026, 19:30
Hamburgische Staatsoper, Großes Haus (Hamburg)
Alexander Joel (Musical Director), Alice Meregaglia (Chorus), Barno Ismatullaeva (Cio-Cio San), Ida Aldrian (Suzuki), Aebh Kelly (Kate Pinkerton), Atalla Ayan (Pinkerton), Kartal Karagedik (Sharpless), Daniel Kluge (Goro), William Desbiens (Il Principe Yamadori), Tigran Martirossian (Lo zio Bonzo), Philharmonisches Staatsorchester Hamburg (Orchestra), Chor der Hamburgischen Staatsoper (Chorus)
Nagasaki, Japan, ca. 1900: Pinkerton, a lieutenant in the American navy, has fallen in love with Cio-Cio-San, also known as “Butterfly”. The Japanese ritual marriage ceremony is merely a farce to him – and shortly thereafter, Pinkerton’s “plaything” is alone again, with their child. Three years later, he returns to Japan, but not because of Butterfly. Together with his new wife, he intends to pick up the child and take it to American with him. Butterfly commits suicide. The opera’s world premiere in 1904 was a historic fiasco: the audience at Milan’s La Scala failed to understand the exotic subject. Puccini, however, believed in the piece: “My Butterfly remains what it is. It is the most emotional opera I have written!” He was right: only a few months later, an altered version of Madama Butterfly proved a rousing success when it was premiered at the Teatro Grande in Brescia. To this day, Puccini’s “tragedia giapponese” has remained one of the most popular and moving operas ever written. Director: Vincent Boussard Set Designer: Vincent Lemaire Costume Designer: Christian Lacroix Lighting Designer: Guido Levi Dramaturgy: Barbara Weigel Premiere: 11.11.2012
Info & Ticket (www.staatsorchester-hamburg.de)
Artistic depiction of the event
This season
In Hamburg

Madama Butterfly

Sat, May 9, 2026, 19:30
Hamburgische Staatsoper, Großes Haus (Hamburg)
Alexander Joel (Musical Director), Alice Meregaglia (Chorus), Barno Ismatullaeva (Cio-Cio San), Ida Aldrian (Suzuki), Aebh Kelly (Kate Pinkerton), Atalla Ayan (Pinkerton), Kartal Karagedik (Sharpless), Daniel Kluge (Goro), William Desbiens (Il Principe Yamadori), Tigran Martirossian (Lo zio Bonzo), Philharmonisches Staatsorchester Hamburg (Orchestra), Chor der Hamburgischen Staatsoper (Chorus)
Nagasaki, Japan, ca. 1900: Pinkerton, a lieutenant in the American navy, has fallen in love with Cio-Cio-San, also known as “Butterfly”. The Japanese ritual marriage ceremony is merely a farce to him – and shortly thereafter, Pinkerton’s “plaything” is alone again, with their child. Three years later, he returns to Japan, but not because of Butterfly. Together with his new wife, he intends to pick up the child and take it to American with him. Butterfly commits suicide. The opera’s world premiere in 1904 was a historic fiasco: the audience at Milan’s La Scala failed to understand the exotic subject. Puccini, however, believed in the piece: “My Butterfly remains what it is. It is the most emotional opera I have written!” He was right: only a few months later, an altered version of Madama Butterfly proved a rousing success when it was premiered at the Teatro Grande in Brescia. To this day, Puccini’s “tragedia giapponese” has remained one of the most popular and moving operas ever written. Director: Vincent Boussard Set Designer: Vincent Lemaire Costume Designer: Christian Lacroix Lighting Designer: Guido Levi Dramaturgy: Barbara Weigel Premiere: 11.11.2012
Info & Ticket (www.staatsorchester-hamburg.de)