Set your preferred locations for a better search. You can sign up here.

Singing & Playing the Piano: Lucie Horsch & Thomas Oliemans

Date & Time
Tue, Jul 15, 2025, 20:00
The SummerConcerts powered by VriendenLoterij presents two months of wonderful concerts, from classical to jazz and from pop to film music. Top musicians from the Netherlands and around the world bring you all your favourite classical pieces, as well as video game music and hits from Broadway musicals.We also present a host of young talent in our summer concerts, including youth orchestras from Greece, Australia and Cuba, and top young classical soloists. After many of the concerts, we offer a... Read full text

Keywords: Chamber Music, Vocal Music

Artistic depiction of the event

Musicians

Lucie HorschVocals, Piano
Thomas OliemansPiano, Vocals

Program

Gabriel FauréDolly Suite
Maurice RavelHistoires naturelles
Maurice RavelMa mère l'oye, cinq pièces enfantines
Maurice RavelCinq mélodies populaires grecques
Johannes BrahmsEs rauschet das Wasser
Johannes BrahmsZigeunerlieder
Franz SchubertFantasia in f minor, D 940
Give feedback
Last update: Fri, Feb 28, 2025, 22:41

Similar events

These events are similar in terms of concept, place, musicians or the program.

Artistic depiction of the event
Next week
In Stockholm

Swedish Music Spring – Singing Guidance

Tue, Mar 18, 2025, 19:00
Konserthuset Stockholm, The Grünewald Hall (Stockholm)
KammarensembleN, Harmony of Voices, Fredrik Malmberg (Conductor), Alexandra Büchel (Soprano), Jonny Axelsson (Percussion), Jonas Nordberg (Theorbo), Hannes Meidal (Reciter)
In all three works, the vocal element takes centre stage. Soprano soloist in two of the pieces is Alexandra Büchel – one of our foremost interpreters of contemporary music, among other genres. This spring, she appears at Norrlandsoperan in the newly composed opera Älskarinnorna by Jenny Wilson, based on Elfriede Jelinek’s novel Women as Lovers (Die Liebhaberinnen).Vägar, flyktvägar (Paths, Escape Routes) for soprano and percussion by Ylva Q Arkvik is a triptych exploring themes of captivity in the past, the longing to flee from and to something new, and the magic of liberation in an unexpected moment. The poems are taken from an upcoming collection by playwright, librettist, and author Kerstin Perski. The music captures the dreamlike quality of the texts.Omnia tempus habent (Everything Has Its Time) is Arne Mellnäs’s setting of the text from Ecclesiastes. Composed for solo soprano, it conveys a consoling message in both words and music: hardship is temporary, and light will return. The piece, best performed in a venue with generous acoustics, was premiered in 1972 at Visby Cathedral by Marianne Mellnäs.Jag märker allting (I Notice Everything) by Hans Gefors is a cantata in a prologue and twelve movements, with actor Hannes Meidal as narrator, guiding us through the music. As vocal soloist, we hear countertenor Elias Aaron Johansson. Gefors weaves together lines from Strindberg’s pilgrimage play To Damascus with poems by the 20th-century Spanish poet Juan Ramón Jiménez. The work is inspired by the Baroque cantata tradition, reflected both in its structure and instrumentation: narration, countertenor, a small choir, two violins, cello, percussion, and theorbo.In collaboration with Swedish Music Spring. The concert is produced in partnership with the Society of Swedish Composers.
Artistic depiction of the event
Next month
In Stockholm

Monday at Last with overtone singing

Mon, Apr 28, 2025, 19:00
Konserthuset Stockholm, The Grünewald Hall (Stockholm)
Cecilia Zilliacus (Violin), Gareth Lubbe (Viola), Gareth Lubbe (Throat song), Kati Raitinen (Cello), Peter Friis Johansson (Piano)
In Monday at Last, violinist Cecilia Zilliacus and cellist Kati Raitinen invite guest artists to perform both newer and older music. The guests this time are Swedish pianist Peter Friis Johansson and South African violist, composer, and overtone singer Gareth Lubbe.We get to hear the incredible possibilities and resources of the voice in Lubbe's Miniatures, where he uses a special singing technique to create a whole range of resonant overtones. It's a completely unique sound world that conveys the feeling of something magical and primal.British-American composer Rebecca Clarke (1886–1979) was a highly skilled violist and a pioneer among female composers. Her Morpheus for viola and piano was first performed in 1918 at Carnegie Hall and was her first major success. After Schnittke's both wild and contemplative string trio, and Mozart's lively Duo, "Finally Monday" concludes with the rarely performed ecstatically charged piano quartet by Finnish composer Helvi Leiviskä in a late romantic style.
Artistic depiction of the event
Finished

Thomas Quasthoff Quartet

Sat, Apr 6, 2024, 20:00
Elbphilharmonie, Großer Saal (Hamburg)
Thomas Quasthoff (Vocals), Simon Oslender (Keyboard), Dieter Ilg (Double bass), Wolfgang Haffner (Drums)
When Thomas Quasthoff brings his new programme »For You« to life, he is above all one thing – absolutely authentic. Quasthoff has a sure sense for the most suitable style of what he sings. This applies to opera arias, art and folk songs as well as jazz, pop and soul. He has long since proven that, as a classical singer with an enormously versatile bass-baritone, he can also master genres rooted in the African-American musical tradition. And so what one so appreciates about Quasthoff as a recital singer also becomes a golden rule for everything else. How the bass-baritone lives up to his claim of really touching people with his voice is made clear by the enthusiastic audience reactions and the praises of the press. He is joined by three excellent jazz musicians: Dieter Ilg is characterised by his electrifying vitality, intelligent curiosity, technical brilliance and total devotion to the moment. Wolfgang Haffner is Germany’s best-known drummer – with an unparalleled career that extends far beyond jazz. Simon Oslender is the youngest member of the band – once entering the scene as a »prodigy on the Hammond organ«, the now 24-year-old is considered one of the »rising stars« of the German music scene on piano, organ and keyboards.
Artistic depiction of the event
This month
In Hamburg

Thomas Quasthoff Quartet

Mon, Mar 31, 2025, 20:00
Elbphilharmonie, Großer Saal (Hamburg)
Thomas Quasthoff (Vocals), Simon Oslender (Keyboard), Dieter Ilg (Double bass), Wolfgang Haffner (Drums)
For five decades, he has set standards on international stages and moved reached and moved countless people with his art. In the course of his career he has performed with all the leading orchestras and has appeared on all the major concert stages and at major festivals as a lieder and concert singer. A close collaboration with conductors such as Claudio Abbado, Daniel Barenboim, Christoph Eschenbach, Bernard Haitink, Mariss Jansons, Zubin Mehta, Riccardo Muti, Seiji Ozawa, Sir Simon Rattle, Helmuth Rilling, Christian Thielemann and Franz Welser-Möst. Thomas Quasthoff has been »Artist in Residence« at the Vienna Musikverein, the Concertgebouw Amsterdam, at Carnegie Hall, at the Lucerne Festival and in Baden-Baden, Hamburg, London’s Wigmore Hall and the Barbican Centre. He received numerous national and international honours, such as the Order of Merit of the Federal Republic of Germany. Three of his recordings have received Grammy and six have been honoured with the Echo Award. When Thomas Quasthoff brings his new programme »For You« to life, he is above all one thing – absolutely authentic. Quasthoff has a sure sense for the most suitable style of what he sings. This applies to opera arias, art and folk songs as well as jazz, pop and soul. He has long since proven that, as a classical singer with an enormously versatile bass-baritone, he can also master genres rooted in the African-American musical tradition. And so what one so appreciates about Quasthoff as a recital singer also becomes a golden rule for everything else. How the bass-baritone lives up to his claim of really touching people with his voice is made clear by the enthusiastic audience reactions and the praises of the press. He is joined by three excellent jazz musicians: Dieter Ilg is characterised by his electrifying vitality, intelligent curiosity, technical brilliance and total devotion to the moment. Wolfgang Haffner is Germany’s best-known drummer – with an unparalleled career that extends far beyond jazz. Simon Oslender is the youngest member of the band – once entering the scene as a »prodigy on the Hammond organ«, the now 24-year-old is considered one of the »rising stars« of the German music scene on piano, organ and keyboards.
Artistic depiction of the event
Finished

Boulanger / Beamish / Brahms / Seductive singing of the cello

Sat, Feb 22, 2025, 19:30
Benjamin Kruithof (Cello), Zhora Sargsyan (Piano)
Brahms wrote the Sonata in E minor for instruments close to his heart, i.e., piano and cello. At the premiere, the composer played very loudly, and when the cellist, a talented amateur, remarked to him, he replied: "lucky for you". Such a cover-up will not be necessary during the Katowice concert by the young virtuosos; we will be able to focus on the breathtaking dramatic nature of this work, which culminates in a fugal finale based on Contrapunctus 13 from Bach's Kunst der Fuge. Nadia Boulanger stopped composing after the untimely death of her sister Lili, whom she considered more talented than herself. Although, as a pedagogue, she later educated a considerable group of composers of the neo-classical movement, her music can also bring to mind the work of Debussy. In Three Pieces, we find a masterful combination of these tendencies. Sally Beamish enjoys singing the cello, so we can expect a new song for this instrument. Adam Suprynowicz Concert duration: approximately 70 minutes
Artistic depiction of the event
Finished

Philharmonic Day – Discover the piano

Sat, Jan 11, 2025, 14:55
Konserthuset Stockholm, The Grünewald Hall (Stockholm)
Stefan Lindgren (Piano)
Experience the incredibly versatile grand piano with Stefan Lindgren, pianist of the Royal Stockholm Philharmonic Orchestra.Strollers and prams cannot be brought into Konserthuset Stockholm and are best left at home. A designated stroller tent is set up outside the entrance, where prams can be left, subject to space availability.
Artistic depiction of the event
Finished

Thomas Oliemans & Olga Pashchenko: Schubert, Wolf & Shostakovich

Tue, Dec 17, 2024, 20:15
Thomas Oliemans (Bariton), Olga Pashchenko (Piano)
For lovers of chamber music the Recital Hall is the venue of choice. You can hear the musicians breathe and you can practically touch them. This hall is also cherished by musicians for its beautiful acoustics and direct contact with the audience. In the Recital Hall you can hear the best musicians of our time. Buy your tickets now and experience the magic of the Recital Hall for yourself!
Artistic depiction of the event
Finished

Thomas Hampson and Ksenija Sidorova: Schubert's Winterreise

Tue, Mar 4, 2025, 20:15
Thomas Hampson (Bariton), Ksenija Sidorova (Accordion)
For lovers of chamber music the Recital Hall is the venue of choice. You can hear the musicians breathe and you can practically touch them. This hall is also cherished by musicians for its beautiful acoustics and direct contact with the audience. In the Recital Hall you can hear the best musicians of our time. Buy your tickets now and experience the magic of the Recital Hall for yourself!
Artistic depiction of the event
Finished

The Wedding of the Sun King

Fri, Jan 17, 2025, 20:00
Elbphilharmonie, Großer Saal (Hamburg)
Le Poème Harmonique (Choir), Le Poème Harmonique (Orchestra), Ana Quintans (Soprano), Isabelle Druet (Mezzo-Soprano), Paco Garcia (Tenor), Serge Goubioud (Tenor), Viktor Shapovalov (Bariton), Vincent Dumestre (Theorbo), Vincent Dumestre (Director)
Probably France’s largest 17th century festival comes to life again here: the wedding between the »Sun King« Louis XIV and the Spanish princess Marie-Thérèse ended the long-standing hostility of both countries in 1660 and was fittingly ostentatiously celebrated, firstly on the Spanish border, then in Paris. Thereby, a large-scale musical setting befitting their social status from sacred works via fanfares to dance and opera should also be included. Vincent Dumestre, with his period performance orchestra Le Poème Harmonique and vocalists, has put together a splendid panorama of French baroque music, which transforms the entire Elbphilharmonie Grand Hall into a royal ballroom. The proverbial timpani and trumpets sound, there is a lot of music by Jean-Baptiste Lully – Louis XIV’s favourite composer – and by Francesco Cavalli, who travelled from Italy to Paris for the wedding specifically for performances of his operas. This programme incidentally evolved from Dumestre and his ensembles for the Palace of Versailles, which the Sun King had built as an overflowing, sumptuous structure – also to make space for the theatre, ballet and opera performances he so loved. Today, the stars of the early music scene take golden hammers into their hands here and sound repertoire gems of the 16th to 18th century.
Artistic depiction of the event
Finished

›The Magic of Silence‹

Fri, Oct 11, 2024, 21:00
Bernhard Nusser (Clarinet), Alessia Schumacher (Soprano), Dirk Wedmann (Piano), Florian Illies (Author), Florian Illies (Narrator), Kammermusikensemble des DSO (Ensemble)
On the occasion of Caspar David Friedrich’s 250th birthday – he was probably the most significant painter in the German Romantic era – he is the focus not only of a major Berlin exhibition, but also of a lecture-concert in the James Simon Gallery, architectural entry point to Museum Island. The evening is entitled ›The Magic of Silence‹, the title of a book on Friedrich that Florian Illies, its author, will shape jointly with clarinetist Bernhard Nusser, soprano Alessia Schumacher and pianist Dirk Wedmann. The programme consists of songs by Meyerbeer, Schubert, Schumann and Spohr that musically pick up on the Romantic spirit.