Set your preferred locations for a better search. You can sign up here.

›The Magic of Silence‹

Date & Time
Fri, Oct 11, 2024, 21:00
On the occasion of Caspar David Friedrich’s 250th birthday – he was probably the most significant painter in the German Romantic era – he is the focus not only of a major Berlin exhibition, but also of a lecture-concert in the James Simon Gallery, architectural entry point to Museum Island. The evening is entitled ›The Magic of Silence‹, the title of a book on Friedrich that Florian Illies, its author, will shape jointly with clarinetist Bernhard Nusser, soprano Alessia Schumacher... Read full text

Keywords: Chamber Music, Vocal Music

Artistic depiction of the event

Musicians

Bernhard NusserClarinet
Alessia SchumacherSoprano
Dirk WedmannPiano
Florian IlliesAuthor, Narrator
Kammermusikensemble des DSOEnsemble

Program

Louis SpohrSix German songs with clarinet and piano
Giacomo Meyerbeer›Shepherd Songs‹ for Voice, Clarinet and Piano
Franz Schubert›Der Hirt auf dem Felsen‹ for Clarinet, Voice and Piano
With lecture ›Zauber der Stille‹ by Florian Illies
Give feedback
Last update: Tue, Nov 26, 2024, 14:53

Similar events

These events are similar in terms of concept, place, musicians or the program.

Artistic depiction of the event
This season
In Hamburg

The great silence

Sun, Mar 15, 2026, 19:30
Omer Meir Wellber (Musical Director), Alice Meregaglia (Chorleitung), Ana Durlovski (Soprano), Gregory Kunde (Tenor), Marie Maidowski (Soprano), Damian Rebgetz (Schauspieler), Hubert Kowalczyk (Bass-Bariton), Chor der Hamburgischen Staatsoper (Chorus), Philharmonisches Staatsorchester Hamburg (Orchestra)
IN FARAWAY PLACES - REDISCOVERING MOZART'S MUSIC Culture is meaningful. Culture not only keeps us busy - and thus structures our everyday lives - it seems to give us existential stability above all. Making music, together or alone, is one of the oldest and most deeply rooted rituals in our collective identity. Music still serves as a human compass today. Nevertheless, it does no harm to put ritualized processes to the test: In the music theater project The Great Silence, the music of Wolfgang Amadeus Mozart becomes existentially relevant for a group of people living in the future and far away from the earth. For them, unknown works by one of the most famous composers become both a daily reminder and a warning of what it means to be and remain human. Director Christopher Rüping, who is highly regarded and celebrated at home and abroad for his acting work and has been awarded the most important theater prizes, and his team make their long-awaited debut on the main stage of the Hamburg State Opera. They explore the question of what role and function such a timeless cultural asset as Mozart's music has for us and, in this music theater project, create the scenario of a remote world whose setting has little to do with our present-day reality. But man is the constant that has hardly changed fundamentally. What does Mozart's music trigger in us? How do people react to unexpected threats, how do they react to a real opportunity? And what happens when things go quiet after all? Musical direction: Omer Meir Wellber, Tohar Gil (26.3., 2.4.) Production: Christopher Rüping Stage: Jonathan Mertz Costumes: Lene Schwind Sound design: Jonas Holle Lighting: Benedikt Zehm Choir: Alice Meregaglia Dramaturgy: Malte Ubenauf, Christopher Warmuth Music theater project by Christopher Rüping, Omer Meir Wellber and Malte Ubenauf with music by Wolfgang Amadeus Mozart (2026)
Artistic depiction of the event
This season
In Hamburg

The great silence

Tue, Mar 17, 2026, 19:00
Omer Meir Wellber (Musical Director), Alice Meregaglia (Chorleitung), Ana Durlovski (Soprano), Gregory Kunde (Tenor), Marie Maidowski (Soprano), Damian Rebgetz (Schauspieler), Hubert Kowalczyk (Bass-Bariton), Chor der Hamburgischen Staatsoper (Chorus), Philharmonisches Staatsorchester Hamburg (Orchestra)
IN FARAWAY PLACES - REDISCOVERING MOZART'S MUSIC Culture is meaningful. Culture not only keeps us busy - and thus structures our everyday lives - it seems to give us existential stability above all. Making music, together or alone, is one of the oldest and most deeply rooted rituals in our collective identity. Music still serves as a human compass today. Nevertheless, it does no harm to put ritualized processes to the test: In the music theater project The Great Silence, the music of Wolfgang Amadeus Mozart becomes existentially relevant for a group of people living in the future and far away from the earth. For them, unknown works by one of the most famous composers become both a daily reminder and a warning of what it means to be and remain human. Director Christopher Rüping, who is highly regarded and celebrated at home and abroad for his acting work and has been awarded the most important theater prizes, and his team make their long-awaited debut on the main stage of the Hamburg State Opera. They explore the question of what role and function such a timeless cultural asset as Mozart's music has for us and, in this music theater project, create the scenario of a remote world whose setting has little to do with our present-day reality. But man is the constant that has hardly changed fundamentally. What does Mozart's music trigger in us? How do people react to unexpected threats, how do they react to a real opportunity? And what happens when things go quiet after all? Musical direction: Omer Meir Wellber, Tohar Gil (26.3., 2.4.) Production: Christopher Rüping Stage: Jonathan Mertz Costumes: Lene Schwind Sound design: Jonas Holle Lighting: Benedikt Zehm Choir: Alice Meregaglia Dramaturgy: Malte Ubenauf, Christopher Warmuth Music theater project by Christopher Rüping, Omer Meir Wellber and Malte Ubenauf with music by Wolfgang Amadeus Mozart (2026)
Artistic depiction of the event
This season
In Hamburg

The great silence

Thu, Mar 19, 2026, 19:00
Omer Meir Wellber (Musical Director), Alice Meregaglia (Chorleitung), Ana Durlovski (Soprano), Gregory Kunde (Tenor), Marie Maidowski (Soprano), Damian Rebgetz (Schauspieler), Hubert Kowalczyk (Bass-Bariton), Chor der Hamburgischen Staatsoper (Chorus), Philharmonisches Staatsorchester Hamburg (Orchestra)
IN FARAWAY PLACES - REDISCOVERING MOZART'S MUSIC Culture is meaningful. Culture not only keeps us busy - and thus structures our everyday lives - it seems to give us existential stability above all. Making music, together or alone, is one of the oldest and most deeply rooted rituals in our collective identity. Music still serves as a human compass today. Nevertheless, it does no harm to put ritualized processes to the test: In the music theater project The Great Silence, the music of Wolfgang Amadeus Mozart becomes existentially relevant for a group of people living in the future and far away from the earth. For them, unknown works by one of the most famous composers become both a daily reminder and a warning of what it means to be and remain human. Director Christopher Rüping, who is highly regarded and celebrated at home and abroad for his acting work and has been awarded the most important theater prizes, and his team make their long-awaited debut on the main stage of the Hamburg State Opera. They explore the question of what role and function such a timeless cultural asset as Mozart's music has for us and, in this music theater project, create the scenario of a remote world whose setting has little to do with our present-day reality. But man is the constant that has hardly changed fundamentally. What does Mozart's music trigger in us? How do people react to unexpected threats, how do they react to a real opportunity? And what happens when things go quiet after all? Musical direction: Omer Meir Wellber, Tohar Gil (26.3., 2.4.) Production: Christopher Rüping Stage: Jonathan Mertz Costumes: Lene Schwind Sound design: Jonas Holle Lighting: Benedikt Zehm Choir: Alice Meregaglia Dramaturgy: Malte Ubenauf, Christopher Warmuth Music theater project by Christopher Rüping, Omer Meir Wellber and Malte Ubenauf with music by Wolfgang Amadeus Mozart (2026)
Artistic depiction of the event
This season
In Hamburg

The great silence

Sat, Mar 21, 2026, 19:00
Omer Meir Wellber (Musical Director), Alice Meregaglia (Chorleitung), Ana Durlovski (Soprano), Gregory Kunde (Tenor), Marie Maidowski (Soprano), Damian Rebgetz (Schauspieler), Hubert Kowalczyk (Bass-Bariton), Chor der Hamburgischen Staatsoper (Chorus), Philharmonisches Staatsorchester Hamburg (Orchestra)
IN FARAWAY PLACES - REDISCOVERING MOZART'S MUSIC Culture is meaningful. Culture not only keeps us busy - and thus structures our everyday lives - it seems to give us existential stability above all. Making music, together or alone, is one of the oldest and most deeply rooted rituals in our collective identity. Music still serves as a human compass today. Nevertheless, it does no harm to put ritualized processes to the test: In the music theater project The Great Silence, the music of Wolfgang Amadeus Mozart becomes existentially relevant for a group of people living in the future and far away from the earth. For them, unknown works by one of the most famous composers become both a daily reminder and a warning of what it means to be and remain human. Director Christopher Rüping, who is highly regarded and celebrated at home and abroad for his acting work and has been awarded the most important theater prizes, and his team make their long-awaited debut on the main stage of the Hamburg State Opera. They explore the question of what role and function such a timeless cultural asset as Mozart's music has for us and, in this music theater project, create the scenario of a remote world whose setting has little to do with our present-day reality. But man is the constant that has hardly changed fundamentally. What does Mozart's music trigger in us? How do people react to unexpected threats, how do they react to a real opportunity? And what happens when things go quiet after all? Musical direction: Omer Meir Wellber, Tohar Gil (26.3., 2.4.) Production: Christopher Rüping Stage: Jonathan Mertz Costumes: Lene Schwind Sound design: Jonas Holle Lighting: Benedikt Zehm Choir: Alice Meregaglia Dramaturgy: Malte Ubenauf, Christopher Warmuth Music theater project by Christopher Rüping, Omer Meir Wellber and Malte Ubenauf with music by Wolfgang Amadeus Mozart (2026)
Artistic depiction of the event
This season
In Hamburg

The great silence

Thu, Mar 26, 2026, 19:00
Tohar Gil (Musical Director), Alice Meregaglia (Chorleitung), Ana Durlovski (Soprano), Gregory Kunde (Tenor), Marie Maidowski (Soprano), Damian Rebgetz (Schauspieler), Hubert Kowalczyk (Bass-Bariton), Chor der Hamburgischen Staatsoper (Chorus), Philharmonisches Staatsorchester Hamburg (Orchestra)
IN FARAWAY PLACES - REDISCOVERING MOZART'S MUSIC Culture is meaningful. Culture not only keeps us busy - and thus structures our everyday lives - it seems to give us existential stability above all. Making music, together or alone, is one of the oldest and most deeply rooted rituals in our collective identity. Music still serves as a human compass today. Nevertheless, it does no harm to put ritualized processes to the test: In the music theater project The Great Silence, the music of Wolfgang Amadeus Mozart becomes existentially relevant for a group of people living in the future and far away from the earth. For them, unknown works by one of the most famous composers become both a daily reminder and a warning of what it means to be and remain human. Director Christopher Rüping, who is highly regarded and celebrated at home and abroad for his acting work and has been awarded the most important theater prizes, and his team make their long-awaited debut on the main stage of the Hamburg State Opera. They explore the question of what role and function such a timeless cultural asset as Mozart's music has for us and, in this music theater project, create the scenario of a remote world whose setting has little to do with our present-day reality. But man is the constant that has hardly changed fundamentally. What does Mozart's music trigger in us? How do people react to unexpected threats, how do they react to a real opportunity? And what happens when things go quiet after all? Musical direction: Omer Meir Wellber, Tohar Gil (26.3., 2.4.) Production: Christopher Rüping Stage: Jonathan Mertz Costumes: Lene Schwind Sound design: Jonas Holle Lighting: Benedikt Zehm Choir: Alice Meregaglia Dramaturgy: Malte Ubenauf, Christopher Warmuth Music theater project by Christopher Rüping, Omer Meir Wellber and Malte Ubenauf with music by Wolfgang Amadeus Mozart (2026)
Artistic depiction of the event
This season
In Hamburg

The great silence

Sun, Mar 29, 2026, 19:00
Omer Meir Wellber (Musical Director), Alice Meregaglia (Chorleitung), Ana Durlovski (Soprano), Gregory Kunde (Tenor), Marie Maidowski (Soprano), Damian Rebgetz (Schauspieler), Hubert Kowalczyk (Bass-Bariton), Chor der Hamburgischen Staatsoper (Chorus), Philharmonisches Staatsorchester Hamburg (Orchestra)
IN FARAWAY PLACES - REDISCOVERING MOZART'S MUSIC Culture is meaningful. Culture not only keeps us busy - and thus structures our everyday lives - it seems to give us existential stability above all. Making music, together or alone, is one of the oldest and most deeply rooted rituals in our collective identity. Music still serves as a human compass today. Nevertheless, it does no harm to put ritualized processes to the test: In the music theater project The Great Silence, the music of Wolfgang Amadeus Mozart becomes existentially relevant for a group of people living in the future and far away from the earth. For them, unknown works by one of the most famous composers become both a daily reminder and a warning of what it means to be and remain human. Director Christopher Rüping, who is highly regarded and celebrated at home and abroad for his acting work and has been awarded the most important theater prizes, and his team make their long-awaited debut on the main stage of the Hamburg State Opera. They explore the question of what role and function such a timeless cultural asset as Mozart's music has for us and, in this music theater project, create the scenario of a remote world whose setting has little to do with our present-day reality. But man is the constant that has hardly changed fundamentally. What does Mozart's music trigger in us? How do people react to unexpected threats, how do they react to a real opportunity? And what happens when things go quiet after all? Musical direction: Omer Meir Wellber, Tohar Gil (26.3., 2.4.) Production: Christopher Rüping Stage: Jonathan Mertz Costumes: Lene Schwind Sound design: Jonas Holle Lighting: Benedikt Zehm Choir: Alice Meregaglia Dramaturgy: Malte Ubenauf, Christopher Warmuth Music theater project by Christopher Rüping, Omer Meir Wellber and Malte Ubenauf with music by Wolfgang Amadeus Mozart (2026)
Artistic depiction of the event
This season
In Hamburg

The great silence

Thu, Apr 2, 2026, 19:00
Tohar Gil (Musical Director), Alice Meregaglia (Chorleitung), Ana Durlovski (Soprano), Gregory Kunde (Tenor), Marie Maidowski (Soprano), Damian Rebgetz (Schauspieler), Hubert Kowalczyk (Bass-Bariton), Chor der Hamburgischen Staatsoper (Chorus), Philharmonisches Staatsorchester Hamburg (Orchestra)
IN FARAWAY PLACES - REDISCOVERING MOZART'S MUSIC Culture is meaningful. Culture not only keeps us busy - and thus structures our everyday lives - it seems to give us existential stability above all. Making music, together or alone, is one of the oldest and most deeply rooted rituals in our collective identity. Music still serves as a human compass today. Nevertheless, it does no harm to put ritualized processes to the test: In the music theater project The Great Silence, the music of Wolfgang Amadeus Mozart becomes existentially relevant for a group of people living in the future and far away from the earth. For them, unknown works by one of the most famous composers become both a daily reminder and a warning of what it means to be and remain human. Director Christopher Rüping, who is highly regarded and celebrated at home and abroad for his acting work and has been awarded the most important theater prizes, and his team make their long-awaited debut on the main stage of the Hamburg State Opera. They explore the question of what role and function such a timeless cultural asset as Mozart's music has for us and, in this music theater project, create the scenario of a remote world whose setting has little to do with our present-day reality. But man is the constant that has hardly changed fundamentally. What does Mozart's music trigger in us? How do people react to unexpected threats, how do they react to a real opportunity? And what happens when things go quiet after all? Musical direction: Omer Meir Wellber, Tohar Gil (26.3., 2.4.) Production: Christopher Rüping Stage: Jonathan Mertz Costumes: Lene Schwind Sound design: Jonas Holle Lighting: Benedikt Zehm Choir: Alice Meregaglia Dramaturgy: Malte Ubenauf, Christopher Warmuth Music theater project by Christopher Rüping, Omer Meir Wellber and Malte Ubenauf with music by Wolfgang Amadeus Mozart (2026)
Artistic depiction of the event
This season
In Hamburg

The great silence

Sun, Apr 5, 2026, 16:00
Omer Meir Wellber (Musical Director), Alice Meregaglia (Chorleitung), Ana Durlovski (Soprano), Gregory Kunde (Tenor), Marie Maidowski (Soprano), Damian Rebgetz (Schauspieler), Hubert Kowalczyk (Bass-Bariton), Chor der Hamburgischen Staatsoper (Chorus), Philharmonisches Staatsorchester Hamburg (Orchestra)
IN FARAWAY PLACES - REDISCOVERING MOZART'S MUSIC Culture is meaningful. Culture not only keeps us busy - and thus structures our everyday lives - it seems to give us existential stability above all. Making music, together or alone, is one of the oldest and most deeply rooted rituals in our collective identity. Music still serves as a human compass today. Nevertheless, it does no harm to put ritualized processes to the test: In the music theater project The Great Silence, the music of Wolfgang Amadeus Mozart becomes existentially relevant for a group of people living in the future and far away from the earth. For them, unknown works by one of the most famous composers become both a daily reminder and a warning of what it means to be and remain human. Director Christopher Rüping, who is highly regarded and celebrated at home and abroad for his acting work and has been awarded the most important theater prizes, and his team make their long-awaited debut on the main stage of the Hamburg State Opera. They explore the question of what role and function such a timeless cultural asset as Mozart's music has for us and, in this music theater project, create the scenario of a remote world whose setting has little to do with our present-day reality. But man is the constant that has hardly changed fundamentally. What does Mozart's music trigger in us? How do people react to unexpected threats, how do they react to a real opportunity? And what happens when things go quiet after all? Musical direction: Omer Meir Wellber, Tohar Gil (26.3., 2.4.) Production: Christopher Rüping Stage: Jonathan Mertz Costumes: Lene Schwind Sound design: Jonas Holle Lighting: Benedikt Zehm Choir: Alice Meregaglia Dramaturgy: Malte Ubenauf, Christopher Warmuth Music theater project by Christopher Rüping, Omer Meir Wellber and Malte Ubenauf with music by Wolfgang Amadeus Mozart (2026)
Artistic depiction of the event
This season
In Hamburg

The great silence

Fri, Apr 10, 2026, 19:00
Omer Meir Wellber (Musical Director), Alice Meregaglia (Chorleitung), Ana Durlovski (Soprano), Gregory Kunde (Tenor), Marie Maidowski (Soprano), Damian Rebgetz (Schauspieler), Hubert Kowalczyk (Bass-Bariton), Chor der Hamburgischen Staatsoper (Chorus), Philharmonisches Staatsorchester Hamburg (Orchestra)
IN FARAWAY PLACES - REDISCOVERING MOZART'S MUSIC Culture is meaningful. Culture not only keeps us busy - and thus structures our everyday lives - it seems to give us existential stability above all. Making music, together or alone, is one of the oldest and most deeply rooted rituals in our collective identity. Music still serves as a human compass today. Nevertheless, it does no harm to put ritualized processes to the test: In the music theater project The Great Silence, the music of Wolfgang Amadeus Mozart becomes existentially relevant for a group of people living in the future and far away from the earth. For them, unknown works by one of the most famous composers become both a daily reminder and a warning of what it means to be and remain human. Director Christopher Rüping, who is highly regarded and celebrated at home and abroad for his acting work and has been awarded the most important theater prizes, and his team make their long-awaited debut on the main stage of the Hamburg State Opera. They explore the question of what role and function such a timeless cultural asset as Mozart's music has for us and, in this music theater project, create the scenario of a remote world whose setting has little to do with our present-day reality. But man is the constant that has hardly changed fundamentally. What does Mozart's music trigger in us? How do people react to unexpected threats, how do they react to a real opportunity? And what happens when things go quiet after all? Musical direction: Omer Meir Wellber, Tohar Gil (26.3., 2.4.) Production: Christopher Rüping Stage: Jonathan Mertz Costumes: Lene Schwind Sound design: Jonas Holle Lighting: Benedikt Zehm Choir: Alice Meregaglia Dramaturgy: Malte Ubenauf, Christopher Warmuth Music theater project by Christopher Rüping, Omer Meir Wellber and Malte Ubenauf with music by Wolfgang Amadeus Mozart (2026)
Artistic depiction of the event
This season
In Köln

The Magic Of Movies

Fri, Jul 4, 2025, 20:00
Michael Seal (Conductor), Sabine Heinrich/WDR 2 (Moderator), WDR Funkhausorchester (Orchestra)
And the winner is… In diesem Konzert stellt das WDR Funkhausorchester Oscar-preisgekrönte Filmmusik in den Mittelpunkt. Atemberaubende Spannung, unvergessliche Abenteuer und natürlich ganz große Gefühle mit unvergesslichen Soundtracks von Komponisten-Legenden wie John Williams, Alan Menken oder John Barry – ein magischer Abend, der die Herzen aller Film- Fans höherschlagen lässt.