Set your preferred locations for a better search. You can sign up here.

Salon anglais

Date & Time
Tue, Apr 29, 2025, 20:00
Mathilde Vialle, Thibaut Roussel and Ronan Khalil bring to life instruments from the collections of the Musée de la musique, in an English Salon where they are joined by tenor Zachary Wilder.

Keywords: Concert on period instruments, Early Music, Vocal Music

Artistic depiction of the event

Musicians

Zachary WilderTenor
Mathilde VialleBasse de viole Pitts 1679
Thibaut RousselArchlute
Ronan KhalilVirginal

Program

Information not provided
Give feedback
Last update: Thu, Nov 21, 2024, 22:22

Similar events

These events are similar in terms of concept, place, musicians or the program.

Artistic depiction of the event

Salon Chopin

Thu, Mar 6, 2025, 20:00
Cité de la musique, Amphithéâtre (Paris)
David Lively (Piano Pleyel 1842), Quatuor Cambini-Paris, Julien Chauvin (Violin), Karine Crocquenoy (Violin), Pierre-Eric Nimylowycz (Viola), Atsushi Sakaï (Cello), Thomas de Pierrefeu (Doublebass)
For this intimate, salon-like performance, Quatuor Cambini-Paris—dedicated to the classical and Romantic repertoires on period instruments—joins forces with pianist David Lively. Together they interpret the chamber version of Chopin's Concerto No. 2.
Artistic depiction of the event

Destinée

Fri, Nov 22, 2024, 20:00
Cité de la musique, Amphithéâtre (Paris)
Sophie de Bardonnèche (Violin), Justin Taylor (Clavecin Ruckers-Taskin 1646), Justin Taylor (1780), Lucile Boulanger (Viola da gamba)
Contrary to what Rousseau opined, female composers of the 18th century were just as inspired as their male contemporaries. Sophie de Bardonnèche, Justin Taylor and Lucile Boulanger breathe new life into a musical heritage by women too long in the shadows.
Artistic depiction of the event

Salut Salon

Sun, Dec 29, 2024, 20:00
Elbphilharmonie, Großer Saal (Hamburg)
Angelika Bachmann (Violin), Alvina Lahyani (Violin), Maria Well (Cello), Kristiina Rokashevich (Piano)
Salut Salon lead a furious and enchanting journey through musical dream worlds between illusion and reality. Angelika Bachmann (violin), Alvina Lahyani (violin), Maria Well (cello) and Kristiina Rokashevich (piano) give an idea of just how varied dreams can sound with their brilliant opening, Astor Piazzolla’s »Tango del Diablo«: turbulent and disturbing, tender and full of longing. The quartet wanders through the emotions with absolutely captivating dynamics and uses the instruments not only with classical perfection, but also daringly and imaginatively as sound tools and artistic accomplices. Violins, cello and piano are tapped, worked and danced on. The instruments sound so impulsive and sensitive as if they were independent characters with their very own stories to tell: Of exuberance and love, of the fleeting nature of time and the utopias that we urgently need right now.
Artistic depiction of the event

25 years “Philharmonic Salon”

Sun, Jun 8, 2025, 15:30
Philharmonie Berlin, Chamber Music Hall (Berlin)
Heikko Deutschmann (Speaker), Members of the Berliner Philharmoniker (Ensemble), Anna Prohaska (Soprano), Cordelia Höfer (Piano), Götz Teutsch (Programme supervision)
For 25 years, curator and cellist Götz Teutsch has been bringing music and literature together in the Philharmonic Salon. A wide variety of cultural worlds have been experienced. The series has presented the Mendelssohn family and their guests, traced the travels of the legendary Casanova, and brought Gustav Mahler's Vienna to life. This anniversary concert, featuring actor Heikko Deutschmann and soprano Anna Prohaska with members of the Berliner Philharmoniker, is all about art and kitsch – two worlds that are particularly captivating when they overlap.
Artistic depiction of the event

Wiener Salon - Kammermusik von Alma Mahler und Zeitgenossinnen

Sat, Mar 22, 2025, 15:00
Elvira Bill (Mezzo-Soprano), Konstantin Ingenpaß (Bariton), Daniel Bell (Violin), Judith Ermert (Cello), Tatjana Dravenau (Piano), Anja Renczikowski (Moderator)
A Viennese music salon at the turn of the 20th century, perhaps Berta Zuckerkandl's, where Alma and Gustav Mahler first met. Some of Alma Mahler's 16 surviving songs will be heard. Mathilde Kralik von Meyrswalden, 20 years older, studied with Mahler. Evelyn Faltis, sharing Alma's Wagner enthusiasm, arrived in Vienna in 1905. Her sensual music is comparable to Richard Strauss's.
Artistic depiction of the event

Hathor Consort / Dorothee Mields / Romina Lischka

Fri, May 17, 2024, 20:00
Laeiszhalle, Großer Saal (Hamburg)
Hathor Consort, Dorothee Mields (Soprano), Romina Lischka (Viola da gamba), Romina Lischka (Director)
What traces do wars leave on the music of the time? The Hathor Consort, a viol ensemble of to which harp, organ and cornett are added, joins forces with soprano Dorothee Mields to look for echoes of the Thirty Years’ War in the works of composers who witnessed this catastrophic period in European history. With his »Trostgedichten in Widerwertigkeit deß Kriegs«, the poet Martin Opitz wrote an influential treatise of edification in the midst of this fierce conflict that claimed the lives of around a third of the population. The composers of the age attempted to process the deep trauma of violence, hunger and utter defencelessness through their music. This programme brings together four musical witnesses of the time:Heinrich Schütz, Samuel Scheidt, Andreas Hammerschmidt and Heinrich Albert. The acclaimed Hathor Consort focuses mainly on Renaissance and Baroque music, but it regularly combines this with music from other cultures as well as with contemporary works. Dorothee Mields likewise focuses entirely on Early Music, and her clear and intimate soprano is regarded as one of today’s top voices in the field of historic performing practice.
Artistic depiction of the event

Jakub Józef Orliński / Il Pomo d’Oro

Tue, Sep 17, 2024, 20:00
Elbphilharmonie, Großer Saal (Hamburg)
Jakub Józef Orliński (Countertenor), Il Pomo d’Oro
Jakub Józef Orliński bridges the gap between the past and the present effortlessly: with a warm, radiant voice and rousing enthusiasm, the countertenor, who has already won the OPUS KLASSIK award three times, transports his audience to centuries long past. And yet he is not an artist who loses himself in the past – on the contrary. Orliński’s sparkling charm and his sympathetically sober view of things like success and career are as unpretentious as they are contemporary. In this ProArte concert, you can look forward to his excursion into the musically incredibly rich world of the Italian Baroque.