| Martina Gedeck | Rezitation |
| Elena Bashkirova | Piano |
| Sebastian Breuninger | Violin |
| Julius Bekesch | Violin |
| Chaim Steller | Viola |
| Christian Giger | Cello |
| Felix Mendelssohn Bartholdy | Streichquartett f-Moll MWV R 37 |
| Richard Strauss | Enoch Arden op. 38 |
These events are similar in terms of concept, place, musicians or the program.
Joana Mallwitz leads the Konzerthausorchester Berlin into her second season as Chief Conductor with a programme of dance music, which for her is ‘perfect’ for the opening of the season. What's more, our new Artist in Residence Sheku Kanneh-Mason is making his first appearance - with Antonín Dvorak's Cello Concerto, which ‘adds a particularly festive element thanks to its familiarity and elegance,’ says our chief conductor. ‘Apart from that, it goes very well with John Adams’ ‘The Chairman Dances’ and Sergei Rachmaninov's Symphonic Dances: We have three composers from three eras who went to America and dealt with issues of exile, flight and home. While abroad, they incorporated musical elements from their homeland into their works.’ We are very much looking forward to starting a 2024/25 season with you that is as full of musical energy and excitement as this opening!
People from more than 15 countries sing in the Chor zur Welt. They all share a curiosity for the music of other cultures and all enjoy experimenting with their own voices. Under the direction of Jörg Mall, the choir rehearses clearly conceived concert programmes, which are then performed on stage at the Elbphilharmonie and KörberHaus. Together with the singer, songwriter and producer Ramadu from Zimbabwe, the choir is now exploring the traditional a capella music of southern Africa and familiarising itself with the Bantu languages of Ndbele and Xhosa. Choir members and the audience can expect a variety songs that are stylistically very different, all in response to the breathtaking nature and volatile history of the countries of Southern Africa. The stylistic spectrum ranges from the powerful »Mbube« (Zulu for »Lion«), which rose to international fame thanks to Walt Disney’s »The Lion King«, to the militant »Chimurenga«, where the musicians opposed the oppression of the British colonial rulers and campaigned for freedom, independence, social justice and respect for human rights, through to the soft and harmonious »Isicathamiya«. »Ubuntu« – humanity – is the title of the programme, where the desire for freedom comes together in the traditional texts with an appeal for global justice and peaceful coexistence. Ramadu is the stage name of Dumisani Moyo. Born and raised in Zimbabwe, he lived in Vienna for many years, where he founded the record label 10th District Music. With a mix of traditional folk music from southern Africa and modern pop sounds, he brought the music of his homeland to a worldwide audience. His various solo and ensemble projects like the »Insingizi« trio have garnered rapturous receptions. The studio attached to his record label has since relocated to Bulawayo, Zimbabwe, where he devotes his efforts to promoting the local art scene. With some great triumphs along the way: NOBUNTU, Zimbabwe‘s first female vocal group, is just one success story that owes its genesis to him.
Roughly 75 singers from 23 cultures regularly come together in the Chor zur Welt (English: World Choir) to sing together. The Elbphilharmonie’s ensemble has already achieved a very broad range of projects. This time, the choir makes a journey around the world and pays a musical visit to the native countries of its singers. »I only rarely speak Arabic in everyday life – it is a genuine sense of home when I can sing in my mother tongue here!« a Syrian choir member reveals. Along with this sense of home comes curiosity about other cultures and the social experience – because singing connects us! So, the music likewise serves as the access, platform and nourishment for the intercultural exchange which shaped the profile of the choir from the start. The Chor zur Welt is conducted by Jörg Mall, who has managed the choir since it was founded in 2016 as the Syrian/German project choir. However, the entire choir is involved in suggesting pieces when arranging its programmes – and also the expertise of everyone is sought after for the translation and practice of the correct pronunciation in the many different languages.
Usually, the roughly 60 singers from more than 15 countries in the Chor zur Welt sing a diverse programme with music from all the home regions of its members. But this time, fittingly for the focal point of the 2024/25 season, Brazil is the focus of the Elbphilharmonie’s participatory ensemble. More specifically, »música popular brasileira« (popular Brazilian music), »MPB« for short and also affectionately referred to as »nossa música« (our music) by Brazilians. Heard and loved across all generations and communities, »MPB« combines many Brazilian traditions with pop music. Whether influences from rock, reggae, samba, bossa nova or from the music of Afro-Brazilian culture: everything from the cultural melting pot comes together here. This music is intoxicating, spreads a good mood and lets no one sit still – least of all the choir itself.
The Music Corps of the German Federal Armed Forces (Bundeswehr).
Icons in Eastern Orthodox churches are seen as windows to eternity, connecting worshippers with saints. Similarly, J.S. Bach's music is iconic. Sebastian Heindl, organist at Berlin's Gedächtniskirche, connects Bach's baroque with contemporary compositions, including his own. Messiaen builds a celestial church, Pärt revisits Catholic Mass tradition, and Glass works with expanding figurations.
Concert Pulse