Set your preferred locations for a better search. You can sign up here.

Classical concerts featuring
Sheku Kanneh-Mason

Overview

Quick overview of musician Sheku Kanneh-Mason by associated keywords

Upcoming Concerts

Concerts featuring Sheku Kanneh-Mason in season 2024/25 or later

Artistic depiction of the event
Next month
In Berlin

Sheku & Isata

Tue, Apr 29, 2025, 20:00
Konzerthaus Berlin, Kleiner Saal (Berlin)
Sheku Kanneh-Mason (Cello), Isata Kanneh-Mason (Piano)
Our Artist in Residence, cellist Sheku, and his sister, pianist Isata, are the best-known of the musically highly gifted seven children of the British Kanneh-Mason family. Somebody who has grown up playing instruments together like these two will be more familiar with the other person's playing than almost anyone else - an excellent prerequisite for a top-class duo recital! In Francis Poulenc's cello sonata from 1948, “romanticism, neoclassicism and modernism join hands”. This is followed by the first of Gabriel Fauré's two cello sonatas. It was composed in 1917 during the highly productive late phase of the 72-year-old composer and director of the Paris Conservatoire, whom Debussy called “maître de charme” and whom d'Indy envied for his compositional freshness even a few years later. This is followed by a short piece by British composer, violinist and Menuhin pupil Natalie Klouda (*1984) and Felix Mendelssohn's first cello sonata, which Robert Schumann (presciently?) described as “the purest music...suitable for the finest family circles”.
Artistic depiction of the event
This season
In Berlin

Konzerthausorchester Berlin, Michael Sanderling

Fri, Jul 11, 2025, 19:00
Konzerthaus Berlin, Großer Saal (Berlin)
Konzerthausorchester Berlin, Michael Sanderling (Conductor), Sheku Kanneh-Mason (Cello)
For the third and final time, artist in residence Sheku Kanneh-Mason will be a guest soloist with the Konzerthausorchester. With his cello, he lends his voice to King Solomon, as Ernest Bloch's ‘Schelomo’, first performed in New York in 1917, is a dialogue between the biblical ruler and his people. This in turn speaks from the orchestra. In terms of its musical structure, the short 20-minute, late-romatic neoclassical rhapsody could easily pass for film music: It illustrates the world view and character of the king, who, like other people, knows happy and darker phases of life. The composer's desire to create vital Jewish music is expressed in numerous sound quotations. Conductor Michael Sanderling's biography is linked to both pieces of this evening: The son of conductor Kurt Sanderling, a friend of Dmitri Shostakovich, was himself a cellist before deciding to pursue a career as a conductor. Shostakovich uses folk and workers' songs in many passages of his 11th Symphony “The Year 1905”. The charged atmosphere of an icy January day on which the Tsar's soldiers fired on a peaceful demonstration march of striking workers on their way to the Winter Palace, the massacre, the grief and the hope for a better future can be heard impressively in the four movements.
Artistic depiction of the event
This season
In Berlin

Konzerthausorchester Berlin, Michael Sanderling

Sat, Jul 12, 2025, 20:00
Konzerthaus Berlin, Großer Saal (Berlin)
Konzerthausorchester Berlin, Michael Sanderling (Conductor), Sheku Kanneh-Mason (Cello)
For the third and final time, artist in residence Sheku Kanneh-Mason will be a guest soloist with the Konzerthausorchester. With his cello, he lends his voice to King Solomon, as Ernest Bloch's ‘Schelomo’, first performed in New York in 1917, is a dialogue between the biblical ruler and his people. This in turn speaks from the orchestra. In terms of its musical structure, the short 20-minute, late-romatic neoclassical rhapsody could easily pass for film music: It illustrates the world view and character of the king, who, like other people, knows happy and darker phases of life. The composer's desire to create vital Jewish music is expressed in numerous sound quotations. Conductor Michael Sanderling's biography is linked to both pieces of this evening: The son of conductor Kurt Sanderling, a friend of Dmitri Shostakovich, was himself a cellist before deciding to pursue a career as a conductor. Shostakovich uses folk and workers' songs in many passages of his 11th Symphony “The Year 1905”. The charged atmosphere of an icy January day on which the Tsar's soldiers fired on a peaceful demonstration march of striking workers on their way to the Winter Palace, the massacre, the grief and the hope for a better future can be heard impressively in the four movements.
Artistic depiction of the event
This season
In Berlin

Konzerthausorchester Berlin, Michael Sanderling

Sun, Jul 13, 2025, 16:00
Konzerthaus Berlin, Großer Saal (Berlin)
Konzerthausorchester Berlin, Michael Sanderling (Conductor), Sheku Kanneh-Mason (Cello)
For the third and final time, artist in residence Sheku Kanneh-Mason will be a guest soloist with the Konzerthausorchester. With his cello, he lends his voice to King Solomon, as Ernest Bloch's ‘Schelomo’, first performed in New York in 1917, is a dialogue between the biblical ruler and his people. This in turn speaks from the orchestra. In terms of its musical structure, the short 20-minute, late-romatic neoclassical rhapsody could easily pass for film music: It illustrates the world view and character of the king, who, like other people, knows happy and darker phases of life. The composer's desire to create vital Jewish music is expressed in numerous sound quotations. Conductor Michael Sanderling's biography is linked to both pieces of this evening: The son of conductor Kurt Sanderling, a friend of Dmitri Shostakovich, was himself a cellist before deciding to pursue a career as a conductor. Shostakovich uses folk and workers' songs in many passages of his 11th Symphony “The Year 1905”. The charged atmosphere of an icy January day on which the Tsar's soldiers fired on a peaceful demonstration march of striking workers on their way to the Winter Palace, the massacre, the grief and the hope for a better future can be heard impressively in the four movements.
Artistic depiction of the event
This season
In London

The Kanneh-Masons and Friends

Fri, Sep 12, 2025, 19:30
Barbican Centre, Barbican Hall (London)
Isata Kanneh-Mason (Piano), Braimah Kanneh-Mason (Violin), Sheku Kanneh-Mason (Cello), Konya Kanneh-Mason (Piano), Jeneba Kanneh-Mason (Piano), Aminata Kanneh-Mason (Violin), Mariatu Kanneh-Mason (Cello), Connie Pharoah (Viola), Toby Hughes (Double Bass), Frederico Paixão (Flute), Adrian Spillett (Percussion), Alasdair Malloy (Glass Harmonica), Julian Bliss (Clarinettist), Michael Morpurgo (Narrator)
In celebration of family and traditions, all seven Kanneh-Mason siblings come together for a very special evening in aid of music education charity Music Masters.