Köln Concert: A Keith Jarrett Tribute

Köln Concert: A Keith Jarrett Tribute

Recorded in 1975 at the Cologne Opera, Keith Jarrett's "Köln Concert" remains one of the most influential albums in jazz history. For its 50th anniversary, the WDR Funkhausorchester and pianist Stephan Görg celebrate the genre-bender with a concert that takes the audience on a creative journey through Jarrett's world of ideas.

Köln Concert: A Keith Jarrett Tribute + Livestream

Recorded in 1975 at the Cologne Opera, Keith Jarrett's "Köln Concert" remains one of the most influential albums in jazz history. For its 50th anniversary, the WDR Funkhausorchester and pianist Stephan Görg celebrate the genre-bender with a concert that takes the audience on a creative journey through Jarrett's world of ideas.

A Tribute to Bellini

Above all, their long, wistful melodies made Vincenzo Bellini's operas the epitome of musical romanticism in Italy and arias such as Norma's "Casta Diva" still characterise our concept of sung emotion today. Elda Laro, répétiteur, pianist and conductor at the Deutsche Oper Berlin, is a self-confessed Bellini fan and introduces us to the world of the Sicilian composer in the concert programme "A tribute to Bellini", which she conceived and presents together with members of the orchestra and ensemble of the Deutsche Oper Berlin.

YESTERDAY - A TRIBUTE TO THE BEATLES

Yesterday – A TRIBUTE TO THE BEATLES performed by the London West End Beatles Eine Show bringt die Beatles auf die Bühne zurück Keine Band hat die Musikwelt so nachhaltig geprägt wie die Beatles. Ihre Popularität ist seit über 50 Jahren ungebrochen. Die Show YESTERDAY - A TRIBUTE TO THE BEATLES bringt die „vier Liverpooler“ endlich zurück auf die Bühne. Vier erstklassige Musiker aus Großbritannien, Frankreich und Deutschland verkörpern John Lennon, Paul McCartney, George Harrison und Ringo Starr so authentisch, dass man sich in einem Konzert der wahren Beatles glaubt. Sie erobern die Herzen der Fans in einem emotional packenden, mitreißenden Fest der Freude. Mit Songs wie „Let it be“, „Help“, „Penny Lane“ oder „Hey Jude“ drehen sie mühelos die Zeit zurück. Wenn tausend Zuhörer ihr „Yeah, yeah, yeah“ erwidern, ist der Zeitgeist der sechziger Jahre wach, dann liegt ein Hauch von Musik-Revolution in der Luft. Wechselnde Kostüme aus der Beatles-Ära, weltberühmte Songs auf originalgetreuen Instrumenten, täuschend echte Stimmen – all das bietet YESTERDAY dem Publikum in einem über zweistündigen Konzerterlebnis.

NOSPR / Alsop / Requiem as a tribute

“It is with greatest ease and willingness that I am working on this Concerto and, nota bene, I feel that this is going to be a first-class trick” – these words from a letter by Karol Szymanowski are proof of how important the Symphony No. 4 was for the composer. It was his unfulfilled dream of a “true” piano concerto. One of a pianistic tour de force, the first sketches of which he dropped to focus on the Stabat Mater he was working on back then. The moving „Peasant Requiem” (such was the title Szymanowski had originally intended for the work), born out of the pain he experienced after his niece’s death, it brings together religious ecstasy and a note of the Polish folklore to be heard in a recollection of the popular Bitter Lamentations resonating in the composer’s memory.How different was that world from the instrumental Chaconne by Krzysztof Penderecki! The latter is an expressive musical tribute to the memory of the late Polish Pope. It was this piece that provided a symbolic closure for the Polish Requiem, which Penderecki had been working on for a quarter of a century – a monumental chronicle of Poland’s modern history, the melancholic finale of which contains both a nostalgia for the baroque tradition and emotions of a surprisingly romantic nature.Róża ŚwiatczyńskaConcert duration (intermission included): approximately 90 minutes

Concerto Köln

Soprano Jeanine De Bique from Trinidad and Concerto Köln bring heroic female figures to life in arias and orchestral works in the Great Hall. The basis is the singer's debut album 'Mirrors', which “from furor to goosebumps, from breathtaking coloraturas to sensual, beautiful, simple melodies” revels in the entire range of baroque opera emotions.

Stockholm Jazz Festival – A tribute to Georg Riedel

Welcome to a star-studded and poignant tribute to Georg Riedel, one of the greatest musicians and composers of Swedish jazz. Radiojazzgruppen’s Nisse Landgren hosts the evening and pianist Calle Bagge conducts a house band featuring elite members of the Swedish jazz scene, as well as vocalists including Nicolai Dunger and Sarah Riedel.With the passing on 25 February this year of jazz bassist, composer and arranger Georg Riedel at 90 years of age, one of the most versatile composers of Swedish music fell silent.Georg Riedel composed music for Astrid Lindgren’s films, as well as innovative jazz for Radiojazzgruppen and his own duos, trios and quartets. His oeuvre includes opera, orchestral works and music for films, ballet and church services. He is among the musicians who brought Swedish folk music to jazz stages. Jazz på Svenska (“Jazz in Swedish”), his album with Jan Johansson, is the most sold Swedish jazz album.To celebrate this doyen of jazz, Stockholm Jazz Festival presents a full evening at Stockholm Konserthuset, in which a wide selection of Riedel’s compositions will be performed by carefully selected artists – many of whom worked with the man himself over the past 20 years. This retrospective of Riedel’s work will link the golden age of the 1950s to contemporary jazz of the 2020s.“Georg Riedel’s contribution is utterly massive, and so is the empty space he has left behind. But his music will live on, now and forever. It therefore feels particularly gratifying to open this year’s jazz festival with an evening that pays tribute to him,” says Eric Birath, CEO of Stockholm Jazz Festival.Read more about Stockholm Jazz Festival (opens in a new window)

Meister in Köln

Gürzenich-Chor Köln

Bob Ingalls' symphonic plea for the protection of Mother Earth, "Mother Earth Cries Out!", culminates in Dvořák's powerful setting of the Stabat Mater. Inspired by Pope Francis' encyclical "Laudato si'", Ingalls' work depicts Mother Earth's desperate cry for care. Dvořák's Stabat Mater contemplates Mary's grief and the believer's compassion, ultimately turning to the prospect of paradise.

Kind of Jazz II – A Tribute to Bill Evans

Jan Lundgren is one of our foremost musicians, and with around fifty CDs and a range of projects and collaborations, he has consistently shown his ability to embrace tradition while always evolving. Each year, Jan Lundgren presents three concerts under the banner Kind of Jazz – unique meetings with invited artists and ensembles. Kind of Jazz 2025 marks the series’ seventh season.“This is a tribute to Bill Evans, who was one of my most important influences when I started playing jazz,” says Jan Lundgren. “I was captivated by his sound: his way of playing and voicing chords, the immense richness of his harmonies. It made him truly unique, and I consider him one of the most important jazz musicians of all time. We’ll play some original Bill Evans music, like Waltz for Debby and Very Early, as well as music he’s associated with, such as Song from MASH. We’re paying homage to both the artist and the composer. To recreate his style and not just play the songs requires a deep understanding of the artist – without losing oneself.”Just as Bill Evans had his trio, Jan Lundgren has put together an exceptionally skilled trio here. German drummer Wolfgang Haffner, one of the foremost in the world, has previously worked with Jan Lundgren (as well as with Nils Landgren, for instance). The renowned Swedish bassist Anders Jormin has also taken a leading role in international music and is now a professor at the Academy of Music and Drama in Gothenburg.