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Classical Concerts in
Berlin

Overview

Explore classical music in Berlin by keywords associated with it.

New Arrivals

These concerts in Berlin became visible lately at Concert Pulse.

Artistic depiction of the event
This season
In Berlin

Kammerkonzert der Orchesterakademie DSO

Sun, Jun 1, 2025, 17:00
Akademist:innen des DSO Ensemble (Orchestra), Byol Kang (Violin), Mischa Meyer (Cello)
Graduates from music academies possess excellent technical skills, high motivation, and artistic curiosity, making them suitable for orchestral positions. However, orchestral musicians also need to integrate their musicality into the collective, prepare efficiently for new repertoires, and become part of a group. The Ferenc-Fricsay-Academy of the DSO addresses these needs by providing two-year practical training for ten young musicians, involving them in various activities like recordings, concerts, and workshops, and intensive chamber music training for enhancing communication skills.
Artistic depiction of the event
This season
In Berlin

NICO AND THE NAVIGATORS: Fleisch & Geist

Thu, Sep 25, 2025, 20:00
„Hütet euch, dass eure Herzen nicht beschweret werden mit Fressen und Saufen …“ Eine Frau sitzt am vorderen Bühnenrand, spricht mehr, als dass sie singt. Ihre wirren blonden Haare verdecken das Gesicht. Eine düstere Stimmung, gedeckte Farben, Violett, Senf-Gelb, Braun, Alt-Rosa. Ein Schweben in andere Zeiten, Krieg, Pest und trotzdem das Bedürfnis nach geistiger Vertiefung. Darum Bücher überall Bücher in den Regalen an der hinteren Bühnenwand. Im Widerspruch dazu die unbedingte Lust am direkten Leben.Nicola Hümpel, Regisseurin und Kopf von NICO AND THE NAVIGATORS verbindet in „Fleisch & Geist“ die Musik von Heinrich Schütz und einigen seiner Zeitgenossen mit heutigen Klängen, mit Tanz und viel, viel Aktion. Überbordend wie ein barockes Feuerwerk aber immer auch nah am Abgrund…Frauke Thiele | rbb Kulturradio Im Jahr 2022 widmeten sich NICO AND THE NAVIGATORS anlässlich des 350. Todestages von Heinrich Schütz dem Werk des frühbarocken Komponisten, der seine musikalische Ausbildung in Kassel erhielt, bevor er in Venedig den italienischen Stil studierte. Jahrzehntelang prägte er als Hofkapellmeister das Musikleben in Dresden, ehe er sich in Weißenfels zur Ruhe setzte. Mit seinen Madrigalen und Motetten, seinen Symphoniae Sacrae und Passionen hatte er da bereits europäische Bedeutung erlangt. Das szenische Projekt „Fleisch und Geist“ fragt nach inneren und äußeren Koordinaten seiner Kunst, nach himmlischem Glauben und irdischem Begehren und nach dem gegenwärtigem Widerhall einer solchen Haltung. Am Ende der Gutenberg-Galaxis wird dabei noch einmal der Bücherkosmos vermessen, aus dessen Worten Schütz und seine Zeitgenossen ihre geistlichen und weltlichen Werke schöpften. Die historisch informierte Aufführungspraxis dient dabei nicht als unerschütterlicher Sockel eines Denkmals, sondern als vibrierende Plattform für die Wiederbelebung des Künstlers in seinen und unseren Klangwelten, die sich in unterschiedlichen Spielformen – Musik, Tanz, Gesang, Sprache – auf Augenhöhe begegnen. Besetzung "Fleisch & Geist"Künstlerische Leitung: Nicola HümpelMusikalische Leitung: Elfa Rún KristinsdóttirBühne: Oliver ProskeDramaturgie: Andreas Hillger Von und mit: (Aufführungen 2022, ggf. folgen Aktualisierungen)Barockvioline: Elfa Rún KristinsdóttirGitarren & Laute: Daniel SeminaraBlockflöte & Barockvioline: Anna Fusek / Kerstin FahrGambe & Violone: Alon PortalPercussions & Synthesizer: Philipp KullenSopran: Peyee Chen Mezzosopran: Daniela Vega, Ekaterina BazhanovaBassbariton: Matthias LutzeTanz & Breakdance: Choreographie, Florian GraulTanz & Choreographie: Martin BuczkoTanz & Choreographie: Yui Kawaguchi Kostüme: Nicola Hümpel, Marie AkouryLicht: Leroy Nikolas von Bergen Ton: Sebastian ReuterBühnenbildassistenz: Sonja Winkler, Lara ScheuermannKünstlerische Mitarbeit: Wolke MišewitchProduktion: Talea Nuxoll, Franziska K. Huhn, Leonie Schirra Tickets: Vorverkaufsinformationen folgen.Restkarten an der Abendkasse. Weitere Infos unter: https://navigators.de/projects/fleisch-geist/Oder: Tel +49 (0)30 - 473 78 138 Eine Koproduktion von Nico and the Navigators, Heinrich-Schütz-Musikfest | SCHÜTZ22, Kasseler Musiktage, Staatstheater Kassel und Theater Altenburg Gera. Gefördert von der Berliner Senatsverwaltung für Kultur und Gesellschaftlichen Zusammenhalt. In Kooperation mit dem Kultur Büro Elisabeth.

Upcoming Concerts

Concerts in Berlin in season 2024/25 or later

Artistic depiction of the event
This afternoon
In Berlin

Lunch concert

Wed, Apr 2, 2025, 13:00
Philharmonie Berlin, Foyer Main Auditorium (Berlin)
Seohyeon Kim (Flute), Lorenzo Messina (Flute), Ruth Andreina Pereira Medina (Flute), Ruth Andreina Pereira Medina (Piccolo)
You can simply go to a concert at the Philharmonie, spontaneously, during your lunch break – and with free admission: every Wednesday at 13:00 between September and June. The programme lasts 40 to 50 minutes: chamber music, piano works or a percussion duo – everything from Tchaikovsky to tango. Members of the Berliner Philharmoniker and the Karajan Academy regularly perform, as well as guests from the Deutsches Symphonie-Orchester, the Staatskapelle Berlin and the Berlin music conservatories. As can be expected at a lunch concert, catering is available from 12 noon until shortly before the concert begins.
Artistic depiction of the event
This afternoon
In Berlin

Espresso-Konzert mit dem Konzerthausorchester Berlin

Wed, Apr 2, 2025, 14:00
Konzerthaus Berlin, Großer Saal (Berlin)
Konzerthausorchester Berlin, Alejandra Urrutia (Conductor), Chloe Chua (Violin)
At our espresso concerts in the early afternoon, we serve two kinds of caffeine - in cups and, of course, musically: outstanding young musicians present surprise programs that really wake you up - in this case on the podium of the Konzerthausorchester Berlin and as a violin soloist.
Artistic depiction of the event
This afternoon
In Berlin

Konzertexamen

Wed, Apr 2, 2025, 14:00
Johann Sebastian Bach (Französische Suite Nr. 5 G-Dur), Johann Sebastian Bach (BWV 816), Präludium E-Dur, BWV 854, Ludwig van Beethoven (Klaviersonate Nr. 30 E-dur op. 109), Maurice Ravel (Jeux d'eau), Maurice Ravel (M. 30), Yeonjoon Yoon (Um 움), Johannes Brahms (Variationen über ein Thema von Paganini op. 35), Johannes Brahms (Heft I), Maurice Ravel (La Valse), Yeonjoon Yoon (Piano)
Johann Sebastian Bach's French Suite No. 5 in G major and Prelude in E major, Beethoven's Piano Sonata No. 30 in E major, Ravel's Jeux d'eau and La Valse, Yeonjoon Yoon's Um, and Brahms's Variations on a Theme of Paganini are mentioned.
Artistic depiction of the event
Tonight
In Berlin

William Forsythe

Wed, Apr 2, 2025, 19:30
Forsythe is a legendary choreographer, revered worldwide as one of the most creative innovators of the ballet tradition. Since the 1970s, he has revolutionised dance by intelligently developing academic ballet in a way that frees the human body from its predetermined corset and broadens choreographic expression in unprecedented ways. Many of William Forsythe’s virtuoso compositions have long become modern classics. In this homage, the Staatsballett will perform three groundbreaking pieces by the American choreographer. Approximate Sonata 2016 is a series of pas de deux, offering the performers the opportunity to mutually craft finely differentiated nuances within a choreographic structure whose forms are frequently difficult to sustain. The performers have a balanced agency in determining the dynamic outcome of these forms, striving to accommodate the choices the other is making in order to advance each other’s intentions. For all the hazardous torrent of dancers moving relentlessly around metal tables, One Flat Thing, reproduced (2000) is actually a purposeful chapter in ongoing research into the visual distribution of contrapuntal balletic structure. The work is set up as a linked ‹machinery› that is created through the interaction of three systems of organization: numerous individual movement themes, a dense system of distributed cueing and complex alignments of forms and/or movement flow. Although the dancer’s field of action is seriously delimited, the unyielding maze of tables also offers the unusual possibility of composing interrelated action on three levels. Blake Works I , staged for the Paris Opera Ballet in 2016, was the first work created in the classical idiom after a hiatus from ballet of more than 17 years. The work deploys a distinctly historical approach to the genre, versus the analytical approach used in a majority of the previous ballet oriented works. Blake Works I radiates an affection for the language of ballet, and even revives several iconic ...
Artistic depiction of the event
Tonight
In Berlin

William Forsythe

Wed, Apr 2, 2025, 19:30
Forsythe is a legendary choreographer, revered worldwide as one of the most creative innovators of the ballet tradition. Since the 1970s, he has revolutionised dance by intelligently developing academic ballet in a way that frees the human body from its predetermined corset and broadens choreographic expression in unprecedented ways. Many of William Forsythe’s virtuoso compositions have long become modern classics. In this homage, the Staatsballett will perform three groundbreaking pieces by the American choreographer. Approximate Sonata 2016 is a series of pas de deux, offering the performers the opportunity to mutually craft finely differentiated nuances within a choreographic structure whose forms are frequently difficult to sustain. The performers have a balanced agency in determining the dynamic outcome of these forms, striving to accommodate the choices the other is making in order to advance each other’s intentions. For all the hazardous torrent of dancers moving relentlessly around metal tables, One Flat Thing, reproduced (2000) is actually a purposeful chapter in ongoing research into the visual distribution of contrapuntal balletic structure. The work is set up as a linked ‹machinery› that is created through the interaction of three systems of organization: numerous individual movement themes, a dense system of distributed cueing and complex alignments of forms and/or movement flow. Although the dancer’s field of action is seriously delimited, the unyielding maze of tables also offers the unusual possibility of composing interrelated action on three levels. Blake Works I , staged for the Paris Opera Ballet in 2016, was the first work created in the classical idiom after a hiatus from ballet of more than 17 years. The work deploys a distinctly historical approach to the genre, versus the analytical approach used in a majority of the previous ballet oriented works. Blake Works I radiates an affection for the language of ballet, and even revives several iconic ...
Artistic depiction of the event
Tonight
In Berlin

William Forsythe

Wed, Apr 2, 2025, 19:30
Forsythe is a legendary choreographer, revered worldwide as one of the most creative innovators of the ballet tradition. Since the 1970s, he has revolutionised dance by intelligently developing academic ballet in a way that frees the human body from its predetermined corset and broadens choreographic expression in unprecedented ways. Many of William Forsythe’s virtuoso compositions have long become modern classics. In this homage, the Staatsballett will perform three groundbreaking pieces by the American choreographer.Approximate Sonata 2016 is a series of pas de deux, offering the performers the opportunity to mutually craft finely differentiated nuances within a choreographic structure whose forms are frequently difficult to sustain. The performers have a balanced agency in determining the dynamic outcome of these forms, striving to accommodate the choices the other is making in order to advance each other’s intentions.For all the hazardous torrent of dancers moving relentlessly around metal tables, One Flat Thing, reproduced (2000) is actually a purposeful chapter in ongoing research into the visual distribution of contrapuntal balletic structure. The work is set up as a linked ‹machinery› that is created through the interaction of three systems of organization: numerous individual movement themes, a dense system of distributed cueing and complex alignments of forms and/or movement flow. Although the dancer’s field of action is seriously delimited, the unyielding maze of tables also offers the unusual possibility of composing interrelated action on three levels.Blake Works I, staged for the Paris Opera Ballet in 2016, was the first work created in the classical idiom after a hiatus from ballet of more than 17 years. The work deploys a distinctly historical approach to the genre, versus the analytical approach used in a majority of the previous ballet oriented works. Blake Works I radiates an affection for the language of ballet, and even revives several iconic fragments ...
Artistic depiction of the event
Tonight
In Berlin

The Junge Deutsche Philharmonie turns 50!

Wed, Apr 2, 2025, 20:00
Philharmonie Berlin, Main Auditorium (Berlin)
Junge Deutsche Philharmonie (Orchestra), Roderick Cox (Conductor), RIAS Kammerchor (Choir)
Happy Birthday, Junge Deutsche Philharmonie! Germany’s best music students have been playing together in this orchestra for 50 years – in preparation for a career in a professional orchestra. What characterises its members? A high level of technical proficiency, an irrepressible desire to make music together, and a passion for the music of our time. These qualities are also reflected in this programme – with the spherical tones of Missy Mazzoli’s Sinfonia (for Orbiting Spheres), the labyrinthine sound structures of Luciano Berio's Sinfonia for eight voices and orchestra and the rhythmic energy of Igor Stravinsky’s Le Sacre du printemps. Roderick Cox conducts.
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Tomorrow
In Berlin

CHRISTIANE KARG, MALCOLM MARTINEAU & HELMUT MOOSHAMMER

Thu, Apr 3, 2025, 19:30
Karg Christiane (Soprano), Martineau Malcolm (Piano), Mosshammer Helmut (Recitation)
Mignon, Ophelia, and Mary, Queen of Scots—these three towering figures of literature and history provide the inspiration for an evening of words and music created by Christiane Karg, Malcolm Martineau, and actor Helmut Mooshammer. In addition to Goethe settings by Beethoven, Schubert, Wolf, Duparc, and Josephine Lange and Ophelia songs by Brahms, Strauss, Chausson, and Wolfgang Rihm, the program also includes Robert Schumann’s Gedichte der Königin Maria Stuart, the composer’s final vocal cycle written in 1852.
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Tomorrow
In Berlin

Opera Lounge

Thu, Apr 3, 2025, 20:00
After a forced intermission of five years, the time has finally come again: the foyer of the Deutsche Oper Berlin with its iconic Sixties architecture will be transformed into a club for the Opera Lounge. The members of the international ensemble of singers will perform twice this season with musical numbers ranging from classical to jazz and talk to rbb presenter Fanny Tanck about their lives and work, while a DJ provides a relaxed lounge feeling during the breaks and drinks can be enjoyed at the bar. An evening for fans and opera novices alike!
Artistic depiction of the event
Tomorrow
In Berlin

Ayanna Witter-Johnson

Thu, Apr 3, 2025, 20:00
Konzerthaus Berlin, Kleiner Saal (Berlin)
Franz Trio, Ayanna Witter-Johnson (Singer), Ayanna Witter-Johnson (Cello), Ayanna Witter-Johnson (Komposition), Avigail Bushakevitz (Violin), Ernst-Martin Schmidt (Viola), Constance Ricard (Cello), Rodrigo Bauzá (Violin), Paul Kleber (Double bass), Chris Morris (Percussion)
“As a second generation British-born Jamaican, my music represents and celebrates my heritage, culture and identity,” says Ayanna Witter-Johnson. The singer, songwriter, pianist and cellist crosses boundaries between classical, jazz, reggae, soul and R&B. Her musical signature includes percussive techniques on the cello. Two members of the Konzerthausorchester, violinist Avigail Bushakevitz and violist Ernst-Martin Schmidt, will also be playing with her in this concert.
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In a few days
In Berlin

Guest performance 11th International Accordion Festival

Fri, Apr 4, 2025, 18:00
Philharmonie Berlin, Chamber Music Hall (Berlin)
Pantonale Kammerorchester (Chamber Orchestra), Miran Vaupotić (Conductor), Anna Lipkind-Mazor (Violin), Radu Ratoi (Accordion), Gorka Hermosa (Accordion), Anna Kolovska (Accordion), Volodymyr Murza (Accordion), Andrii Murza (Violin), Roberto Molinelli (Viola), Dmitri Prokofjew (Cello), Arkady Shilkloper (Horn), Arkady Shilkloper (Alphorn)
Artistic depiction of the event
In a few days
In Berlin

Femmes de Légende 16. Benefizkonzert Zonta Club Berlin

Fri, Apr 4, 2025, 19:00
Yelyzaveta Rodionova (Piano)
The Zonta Club Berlin invites you to an entertaining evening with pianist Yelyzaveta Rodionova, featuring works by female composers Cécile Chaminade, Lili Boulanger, and Mel Bonis, including "Femmes de Légende." The second half is dedicated to Clara and Robert Schumann. A reception with buffet follows.
Artistic depiction of the event
In a few days
In Berlin

The Magic Flute

Fri, Apr 4, 2025, 19:30
About the work It’s the most performed opera in the German-speaking region, an unusual – and masterly – blend of Viennese folk theatre and fairy tale, mythology and freemasonry mystique: Mozart’s THE MAGIC FLUTE remains a puzzle to this day. Did Mozart and his librettist Schikaneder switch horses from the Queen of the Night to Sarastro half way through? Is the message not one of distrust towards a supposedly infallible priesthood and its simplistic good-versus-evil ideology? Are some Mozart experts right when they talk of a disconnect between text and music? Whatever the answer, it’s the music that allows us to relate to the story’s contradictions. Far from denouncing the characters, it confers an existentiality on their conflicts. Tamino is rescued from a dragon by three mysterious women, who show him a picture of Pamina, daughter of the Queen of the Night, who has been kidnapped by Sarastro, high priest of the Temple of the Sun. Besotted with the picture, Tamino is instructed by the Queen to team up with Papageno to rescue her. For a talisman he is given a magic flute, Papageno some magic bells. When they fail to steal Pamina back, the three of them are subjected to a series of perilous ordeals. Firstly, the men must prove they can keep silent. With Tamino not speaking to her, Pamina is about to stab herself but is saved by the three boy spirits, who lead her to Tamino. The pair then pass the remaining ordeals by fire and water. Meanwhile Papageno has acquired a lady friend, with whom he dreams of living happily ever after. Tamino and Pamina are inducted into the brotherhood of the Enlightened and embrace the ideals of nature, wisdom and reason. About the production The Günter Krämer production focuses on the antithesis between two worlds, represented in THE MAGIC FLUTE by sun versus moon and dark versus light but also by the oppositions of nature versus culture and male versus female. These double-sided coins are visualised on stage as the contrast between black ...
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In a few days
In Berlin

Klang der Stille

Fri, Apr 4, 2025, 19:30
Schillertheater, Großer Saal (Berlin)
Florian Illies, known for his chronicle of German sentiment, has recently captivated audiences with compilations on 1913 and love during times of hate. His latest work delves into German Romanticism, portraying Caspar David Friedrich as a painter of devout introspection on the edge of abstraction. The symphony concert "Sound of Silence" complements this, showing Friedrich wasn't alone in his artistic journey.
Artistic depiction of the event
In a few days
In Berlin

Amsterdam Sinfonietta

Fri, Apr 4, 2025, 20:00
Konzerthaus Berlin, Großer Saal (Berlin)
Amsterdam Sinfonietta, Candida Thompson (Violin), Bruce Liu (Piano)
Led by Candida Thompson, Amsterdam Sinfonietta brings together 23 gifted chamber musicians, embodying ensemble-playing at the highest level. Nostalgia for Italy runs through this evening: „The sun shines in all its splendour… at last, I feel a magical change within me,“ Tchaikovsky wrote while visiting the Italian city of Florence. „Souvenir de Florence“ is a tribute to the city he adored, music brimming over with love and joy. The young pianist Bruce Liu, who won first prize at the Chopin Competition in 2021, makes his debut with Amsterdam Sinfonietta, performing works by Chopin – his second piano concerto and the virtuosic Polonaise brillante – both in versions for piano and string orchestra.
Artistic depiction of the event
This week
In Berlin

Nach den Sternen greifen

Sat, Apr 5, 2025, 11:00
Konzerthaus Berlin, Werner-Otto-Saal (Berlin)
Viola Bayer (Cello), Soogi Kang (Actor), Mark Voermans (Percussion), Bas Böttcher (Puppet theater), Felix Korinth (Viola), Kemal Dinç (Baglama), Leonie Hentschel (Presenter)
Looking at the stars is special, evoking a sense of vastness and wonder. The phrase "reaching for the stars" signifies ambition and courage to try new things, be creative, dream, and find friendship. This concert explores the stars' significance, blending storytelling, poetry, art, and music to bring their magic closer.
Artistic depiction of the event
This week
In Berlin

Nach den Sternen greifen

Sat, Apr 5, 2025, 15:00
Konzerthaus Berlin, Werner-Otto-Saal (Berlin)
Viola Bayer (Cello), Soogi Kang (Actor), Mark Voermans (Percussion), Bas Böttcher (Puppet theater), Felix Korinth (Viola), Kemal Dinç (Baglama), Leonie Hentschel (Presenter)
Looking at the stars is special, evoking a sense of vastness and wonder. The phrase "reaching for the stars" signifies ambition and courage to try new things, be creative, dream, and find friendship. This concert explores the stars' significance, blending storytelling, poetry, art, and music to bring their magic closer.
Artistic depiction of the event
This week
In Berlin

Tannhäuser und der Sängerkrieg auf Wartburg

Sat, Apr 5, 2025, 17:00
About the work Repelled by the dispassion of the Wartburg society of minnesingers, Tannhäuser, a singer-knight, removes to the interior of the Venusberg in search of fulfilment. Eventually his longing for Elisabeth leads him to leave again. Back at the Wartburg castle, Tannhäuser takes part in a singing contest whose theme is the nature of love, but when he sings that love is ideally about sensual satisfaction, he is cast out and sent to Rome to seek papal absolution. He returns from Rome without the hoped-for indulgence and resolves to return to the Venusberg. Then a miracle occurs and he finds redemption after all. Of all Richard Wagner’s operas, this is arguably the one most closely associated with the composer’s own biography and his conception of himself as an artist. The tale of the song contest in the Wartburg castle contains all the themes common to Romantic conflict in art: the quest for social acceptance on the one hand pitted against a questioning of conventions on the other; the search for sensual fulfilment – and its irreconcilability with an idealised, de-sexualised concept of womanhood; and not least the conflict between self-expression in life as in art and the guilt engendered by this egomania. About the production In her production for the Deutsche Oper Berlin Kristen Harms focuses on the complicated relationship between Tannhäuser and Elisabeth, a young Thuringian noblewoman, who represents the ideal of pure, pristine love. Harms sees TANNHÄUSER as “a tale of two people, each with two souls in their breast”. This accounts for her casting of a single singer to play both Elisabeth and Venus, who fuse at the end of the opera into a single person, one who has found redemption. As for Tannhäuser, Harms presents him and his mild-mannered friend Wolfram von Eschenbach as two character sides of the same coin. By the same token the Venusberg, Tannhäuser’s abode at the start of the opera, is deemed by Harms to be “not a den of vice but a realm in which ...
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This week
In Berlin

Vogler Quartett

Sat, Apr 5, 2025, 18:00
Konzerthaus Berlin, Kleiner Saal (Berlin)
Vogler Quartett
Individuality finding harmonious expression in an ensemble – this is the quintessence of the Vogler Quartet, which has been pursuing a unique global career with an unchanged line-up since its formation in 1985. With an intelligent approach to chamber music, outstanding playing technique and interpretive sensitivity, Tim Vogler, Frank Reinecke, Stefan Fehlandt and Stephan Forck have created an unmistakable string quartet sound which consistently offers new insights into the genre. The group has had a concert series at the Konzerthaus Berlin since 1993.
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This week
In Berlin

Măcelaru & Faust

Sat, Apr 5, 2025, 20:00
Cristian Măcelaru (Conductor), Isabelle Faust (Violin), Deutsches Symphonie-Orchester Berlin
For Isabelle Faust only the art matters, not the trappings. She plays with aplomb, focus, deep feeling—that’s how the violinist enthrals the audience, particularly with Shostakovich’s Second Violin Concerto, which, seriously ill in 1967, he »squeezed out note by note, with difficulty«. Sharply reduced, introverted music that concentrates completely on the violin. Music that inquires into where we are going and why.
Artistic depiction of the event
Next week
In Berlin

Springtime Singing

Sun, Apr 6, 2025, 11:00
Walking barefoot, enjoying the sun, playing outside in the evening ... not yet. Not quite yet. But very soon. Winter really will soon be over at the beginning of April. Let's see if we can speed things up a bit with the right music. The small chorus of the children's chorus and the generational chorus invite you to a spring sing-along in the foyer, where everyone will have the opportunity to sing along.