Haydn: Salve Regina and Stabat Mater

Stabat mater

Stabat Mater

Antonín Dvořák's Stabat Mater is a product of personal tragedies: the death of his two-day-old daughter Josefa in 1875, followed by two more children in 1877. Dvořák, a devout man, found solace in composing this piece. Despite his publisher's doubts about its appeal outside Catholic countries, the Stabat Mater, frequently conducted by Dvořák himself, achieved international success.

Konzert zum Karfreitag Haydn "Stabat Mater"

This year's Good Friday program features Joseph Haydn's "Stabat Mater," depicting Mary's sorrow at the foot of the cross and ending with a plea for Paradise through compassion. Conductor René Jacobs leads a performance of this touching work, preceded by Haydn's "Salve Regina," a votive offering composed after recovering from illness.

Maarten Engeltjes & Carolyn Sampson in Pergolesi’s Stabat Mater

The Concertgebouw’s famous Main Hall is one of the best concert halls in the world, well-known for its exceptional acoustics and special atmosphere. In the Main Hall, you will feel history. Here, Gustav Mahler conducted his own compositions, as did Richard Strauss and Igor Stravinsky. Sergei Rachmaninoff played his own piano concertos in the Main Hall. This is also where musicians such as Leonard Bernstein, Vladimir Horowitz and Yehudi Menuhin gave legendary performances. Right up to now, the Main Hall offers a stage to the world’s best orchestras and musicians. Buy your tickets now and experience the magic of the Main Hall for yourself!

Pergolesi’s Stabat Mater with Tim Mead and Francesca Aspromonte

The Netherlands Philharmonic is one of the most versatile cultural organisations in The Netherlands. The orchestra organises a diverse concert program in The Royal Concertgebouw Amsterdam and is a welcome guest on foreign stages and festivals. The Netherlands Philharmonic brings classical music to life at the highest level and collaborates closely with international guest soloists and conductors. It takes great pleasure in welcoming and developing new musical talent. Lorenzo Viotti is the principal conductor of Dutch National Opera and the Netherlands Philharmonic.

Joseph Haydn / Harmoniemesse

William Christie directs two titans of sacred music: Mozart’s Litaniae Lauretanae, described by Albert Einstein as ‘a marvel of art and youth’, followed by Harmoniemesse, one of Haydn’s most imposing compositions.

Kammerorchester Basel/ René Jacobs/ Papa Haydn

René Jacobs is one of the more electrifying figures in the early music circles. For those who do not follow the ideological battles of fans of historical performance practices daily, it may seem surprising how much excitement some of the Belgian conductor and singer's productions generate. In half a century of artistic activity, Jacobs has been one of the main protagonists of the early music renaissance. At first, as an excellent countertenor, he specialised in recordings of forgotten works and took part in many enthusiastically received interpretations of works by Bach or Mozart. For Jacobs as a conductor, historical treatises and knowledge of past practices can sometimes be the starting point for getting carried away with the free play of the imagination. For some, these ideas are too bold, while in the opinion of others, they make his interpretations closer to contemporary audiences. How will it be with Haydn's two comparatively different works? The E minor Symphony took its name, Mourning, from the composer's alleged request that the slow movement be performed at his funeral. However, there is no evidence that it was played at either the funeral or other memorial services for the artist. The Missa Cellensis in honorem Beatissimae Virginis Mariae, also known as the Cecilian Mass, is one of two works (or actually three) written for the Abbey of Mariazell, one of the most important pilgrimage points in Austria. The first version of the Mass, composed in 1766, was destroyed in a fire. Therefore, seven years later, Haydn reconstructed the entire work from memory and expanded it into the shape it is known today. Szymon Maliszewski Concert duration (intermission included): approximately 120 minutes

Haydn and Dvorák

Due to illness, cellist Amalie Stalheim has been forced to cancel. This also results in a programme change for tonight's concert. Instead of Grażyna Bacewicz’s First Cello Concerto, we will hear the German cellist Julian Steckel perform Haydn’s First Cello Concerto.The seas, lakes, streams, and rivers have always been important sources of inspiration for artists, poets, and composers. In Smetana's famous Moldau, celebrating its 200th anniversary, we hear how the bubbling smaller streams meander through the landscape before merging into the mighty river. The melody comes from an old folk song that we recognize as Ack Värmeland, du sköna. Perhaps Smetana heard the melody when he was working as a conductor in Gothenburg in the 1850s?Like Smetana, Antonín Dvorák was from Czechia. In both their music, Czech culture and nature are important ingredients. Dvorák had great international success during his lifetime and was appointed, for example, as a composition professor in New York. His Symphony No. 9, "From the New World", is the most famous, but many consider his seventh symphony to be one of his very best works.Julian Steckel steps in at the last minute as the soloist in a true classic: Joseph Haydn’s Cello Concerto No. 1 in C Major – a masterpiece that disappeared and was rediscovered almost 200 years later, in the mid-20th century (incidentally, in Prague, which adds a Czech connection to the programme). The renowned German cellist Julian Steckel is admired for his emotional depth and communication with audiences. His career took off after winning the ARD Music Competition in 2010, and since then, he has performed with many of the world's leading orchestras.The Royal Stockholm Philharmonic Orchestra is led by German conductor Ruth Reinhardt – currently involved in the Royal Swedish Opera's production of Verdi's La traviata in spring 2024. She made her debut with the Royal Stockholm Philharmonic Orchestra at a summer concert in 2018.

Giovanni Antonini conducts Mozart and Haydn

Few people are as passionate about the music of Joseph Haydn as Giovanni Antonini. He is currently in the process of recording all 107 of the composer’s symphonies – with a fresh, arresting approach. In this concert, we hear two symphonies of captivating originality and inspiration. Also on the programme are the cantata Arianna a Naxos, a touching emotional drama of an abandoned woman featuring Egyptian soprano Fatma Said, and Mozart’s little-known incidental music Thamos, King in Egypt, which is impressive in its dramatic power.

Giovanni Antonini conducts Mozart and Haydn

Few people are as passionate about the music of Joseph Haydn as Giovanni Antonini. He is currently in the process of recording all 107 of the composer’s symphonies – with a fresh, arresting approach. In this concert, we hear two symphonies of captivating originality and inspiration. Also on the programme are the cantata Arianna a Naxos, a touching emotional drama of an abandoned woman featuring Egyptian soprano Fatma Said, and Mozart’s little-known incidental music Thamos, King in Egypt, which is impressive in its dramatic power.