Abschlusskonzert Barock-Kurs
Date & Time
Sun, Jul 6, 2025, 17:00Keywords: Admission Free
Musicians
To be updated... |
Program
To be updated... |
Keywords: Admission Free
To be updated... |
To be updated... |
These events are similar in terms of concept, place, musicians or the program.
A sustainable support project for Hessian school orchestras. After extensive coaching by members of the hr-Sinfonieorchester, the participating school ensembles will perform their well-deserved final concert in the hr-Sendesaal. The project, Coach'N'Concert, takes place every two years and offers Hessian school orchestras a seven-month coaching process. The final concert is on January 18, 2025.
The Essen Philharmonic's third chamber concert promises a festive program to get you in the mood for Christmas. Baroque masterpieces will be performed, including the two festive Christmas concertos by Italian composers Archangelo Corelli and Pietro Antonio Locatelli, who share a special bond: Locatelli was Corelli's student in Rome and was inspired by his teacher, particularly in his Concerti grossi op. 1. Vivaldi's Concerto grosso in D minor, composed around 1711, is also oriented towards Corelli's style and, together with the other eleven concertos of his Opus 3, brought Vivaldi international recognition for the first time. The instrumental program of the concert is interwoven with Christmas vocal pieces by Pietro A. Yon and Peter Cornelius, performed by mezzo-soprano Bettina Ranch, who is a member of the Aalto Theatre ensemble.
The TONALi Festival will conclude with the »Social Symphony«, a work that is an expression of the »Kunstschutzgebiets« (»art sanctuary«) and all kinds of artistic investigations that have previously taken place around TONALi. The curation of the evening is in the hands of the Berliner Stegreif Orchestra. They are concerned with the question: What kind of concert experience do we want to create for the audience and the artists that unites everyone in the moment and accompanies them in the long term? The boundary between artists and audience is blurring, the dividing lines between stage and auditorium are disappearing and the boundaries of the classical concert are being crossed. No one can predict the future, but together we can choose the path: giving a voice to everyone in the Elbphilharmonie. It will be a festival of surprises!
Anne-Sophie Mutter liebt Mozart. Tief verbeugt sie sich vor dem Meister: »Er wird noch leben, wenn ich längst vergessen bin.« Aber was könnte seiner Musik gegenwärtig Besseres passieren als diese Meistergeigerin par excellence?Anne-Sophie Mutter hat Mozarts Violinkonzerte ungezählte Male interpretiert. Warum immer wieder Mozart? »Weil ich diese Musik so sehr liebe, weil sie mir Schauer über den Rücken jagt und mich zu Tränen rührt und weil sie die Zuhörer berührt.« Gemeinsam mit den Berliner Barock Solisten stellt sie dem Wiener Klassiker eine weitere Liebe ihres Lebens zur Seite: Als Ehemann und enger künstlerischer Vertrauter hat André Previn ihr zahlreiche Werke in die Seele komponiert. »Er hat mich musikalisch befreit«, sagt Mutter, denn er habe ihr geholfen, ihren eigenen Weg zu finden.
Free admission concert featuring works for two violins by Antonio Vivaldi, Carlo Tessarini, and Jean-Marie Leclair. Donations are welcome.
When Igor Levit takes his seat at the keyboard, one thing is for sure: you’ll hear the pieces on the programme as never before. The German-Russian pianist makes his very own mark, often as unexpected as it is brilliant, on every work he plays, whisking even veteran repertoire warhorses into the here and now. In this concert Levit is accompanied by the Berliner Barock Solisten in music by two composers who can be described without exaggeration as pinnacles of music history: Johann Sebastian Bach and his son Carl Philipp Emanuel Bach. The most famous of the Bach sons made a no less illustrious career for himself than his father, and was admired by fellow composers like Mozart, Beethoven and Haydn. In this cleverly thought-out programme, Levit and the Berlin ensemble create a father-son dialogue along entirely modern lines.
Three generations of the Bach family are featured in a concert with Albrecht Mayer and the Berliner Barock Solisten. Festive Baroque music in historically informed performance practice meets the warm sound of Mayer's oboe. The program spans from Johann Sebastian Bach's great-uncle, Johann Christoph, to his sons, Carl Philipp Emanuel and Wilhelm Friedemann, framed by works of Johann Sebastian himself.
The final concert of the Heidelberg Spring Song Academy showcases the results of the work of newcomers with Thomas Hampson. Each year's program develops its own dynamic, and this time, the theme is "diary," guiding the passionate young artists' song relay. Academy events are also bookable as a pass, with free admission for students.