Set your preferred locations for a better search. You can sign up here.

Weih­nacht­lich barock

Date & Time
Sun, Dec 15, 2024, 11:00
The Essen Philharmonic's third chamber concert promises a festive program to get you in the mood for Christmas. Baroque masterpieces will be performed, including the two festive Christmas concertos by Italian composers Archangelo Corelli and Pietro Antonio Locatelli, who share a special bond: Locatelli was Corelli's student in Rome and was inspired by his teacher, particularly in his Concerti grossi op. 1. Vivaldi's Concerto grosso in D minor, composed around 1711, is also oriented towards Corelli's style and, together with the other eleven concertos of his Opus 3, brought Vivaldi international recognition for the first time. The instrumental program of the concert is interwoven with Christmas vocal pieces by Pietro A. Yon and Peter Cornelius, performed by mezzo-soprano Bettina Ranch, who is a member of the Aalto Theatre ensemble.

A summary from original text in German | Read the original

Keywords: Baroque, Chamber Music, Vocal Music

Artistic depiction of the event

Musicians

Bettina RanchMezzo-Soprano
Ava Polheim, Kiyondo Ishizaka, Rebekka Busch, Mira Nauer, Hanna Kristina SchäferViolin
Tobias Nayda, Nestor Luis Alvarez GonzalezViola
Judith NaydaCello
Santiago CavanaghContrabass
Patrick JaskolkaCembalo

Program

Concerto grosso f-Moll, op. 1 Nr. 8 "Weihnachtskonzert"Pietro Antonio Locatelli
"Gesù Bambino"Pietro Yon
Concerto grosso d-Moll für zwei Violinen, Violoncello, Streicher und Basso continuo, op. 3 Nr. 11 RV 565Antonio Vivaldi
"Mariä Wiegenlied", op. 76 Nr. 52Max Reger
Konzert A-Dur für 2 Soloviolinen, Streicher und Basso continuo, RV 552Antonio Vivaldi
"Christbaum" aus "Weihnachtslieder", op. 8 Nr. 1Peter Cornelius
"Die Hirten" aus "Weihnachtslieder", op. 8 Nr. 2Peter Cornelius
"Die Könige" aus "Weihnachtslieder", op. 8 Nr. 3Peter Cornelius
Concerto grosso Nr. 8 g-Moll, op. 6 "Fatto per la notte di natale"Arcangelo Corelli
Give feedback
Last update: Wed, Dec 11, 2024, 10:04

Similar events

These events are similar in terms of concept, place, musicians or the program.

Artistic depiction of the event

Countertenor Alexander Chance sings Purcell

Sun, Feb 23, 2025, 15:00
Alexander Chance (Countertenor), Korneel Bernolet (Harpsichord)
For lovers of chamber music the Recital Hall is the venue of choice. You can hear the musicians breathe and you can practically touch them. This hall is also cherished by musicians for its beautiful acoustics and direct contact with the audience. In the Recital Hall you can hear the best musicians of our time. Buy your tickets now and experience the magic of the Recital Hall for yourself!
Artistic depiction of the event

Anna Prohaska and Julius Drake: Paradise Lost

Tue, Dec 3, 2024, 20:15
Anna Prohaska (Soprano), Julius Drake (Piano)
For lovers of chamber music the Recital Hall is the venue of choice. You can hear the musicians breathe and you can practically touch them. This hall is also cherished by musicians for its beautiful acoustics and direct contact with the audience. In the Recital Hall you can hear the best musicians of our time. Buy your tickets now and experience the magic of the Recital Hall for yourself!
Artistic depiction of the event

Twinkle Concert XS / Elfi Baby Concert

Wed, Apr 10, 2024, 14:00
Elbphilharmonie, Kaistudio 1 (Hamburg)
Ensemble Resonanz, Barbara Bultmann (Violin), Swantje Tessmann (Violin), David Schlage (Viola), Jörn Kellermann (Cello), Benedict Ziervogel (Double bass), Ulla Kulenkamp (Props)
Parents with babies up to one year old and expectant mothers can make themselves comfortable on round baby blankets, and listen to the string sounds of Ensemble Resonanz. Familiar melodies invite the audience to sing along. Pram parking spaces and baby changing units are available both in the city districts and in the Elbphilharmonie. »Twinkle Concerts« is the series of children’s concerts at the Elbphilharmonie that brings the most successful productions from all over Europe to Hamburg. At times funny and playful, at others thoughtful and reflective, the series introduces children to the world of music in a special and unique way.
Artistic depiction of the event

Twinkle Concert XS / Elfi Baby Concert

Thu, Apr 11, 2024, 11:00
Ensemble Resonanz, Barbara Bultmann (Violin), Swantje Tessmann (Violin), David Schlage (Viola), Jörn Kellermann (Cello), Benedict Ziervogel (Double bass), Ulla Kulenkamp (Props)
Parents with babies up to one year old and expectant mothers can make themselves comfortable on round baby blankets, and listen to the string sounds of Ensemble Resonanz. Familiar melodies invite the audience to sing along. Pram parking spaces and baby changing units are available both in the city districts and in the Elbphilharmonie. »Twinkle Concerts« is the series of children’s concerts at the Elbphilharmonie that brings the most successful productions from all over Europe to Hamburg. At times funny and playful, at others thoughtful and reflective, the series introduces children to the world of music in a special and unique way.
Artistic depiction of the event

Twinkle Concert XS / Elfi Baby Concert

Thu, Apr 11, 2024, 15:30
Ensemble Resonanz, Barbara Bultmann (Violin), Swantje Tessmann (Violin), David Schlage (Viola), Jörn Kellermann (Cello), Benedict Ziervogel (Double bass), Ulla Kulenkamp (Props)
Parents with babies up to one year old and expectant mothers can make themselves comfortable on round baby blankets, and listen to the string sounds of Ensemble Resonanz. Familiar melodies invite the audience to sing along. Pram parking spaces and baby changing units are available both in the city districts and in the Elbphilharmonie. »Twinkle Concerts« is the series of children’s concerts at the Elbphilharmonie that brings the most successful productions from all over Europe to Hamburg. At times funny and playful, at others thoughtful and reflective, the series introduces children to the world of music in a special and unique way.
Artistic depiction of the event

Twinkle Concert XS / Elfi Baby Concert

Fri, Apr 12, 2024, 11:00
Ensemble Resonanz, Barbara Bultmann (Violin), Swantje Tessmann (Violin), David Schlage (Viola), Jörn Kellermann (Cello), Benedict Ziervogel (Double bass), Ulla Kulenkamp (Props)
Parents with babies up to one year old and expectant mothers can make themselves comfortable on round baby blankets, and listen to the string sounds of Ensemble Resonanz. Familiar melodies invite the audience to sing along. Pram parking spaces and baby changing units are available both in the city districts and in the Elbphilharmonie. »Twinkle Concerts« is the series of children’s concerts at the Elbphilharmonie that brings the most successful productions from all over Europe to Hamburg. At times funny and playful, at others thoughtful and reflective, the series introduces children to the world of music in a special and unique way.
Artistic depiction of the event

Monteverdi: Vespro della Beata Vergine

Fri, Apr 26, 2024, 20:00
Laeiszhalle, Großer Saal (Hamburg)
Les Cornets Noirs, Ensemble Delectus Cantionum (Vocal Ensemble)
It takes some confidence to dedicate a sacred work personally to the Pope. But Claudio Monteverdi was keen to reach as large an audience as possible when he published his »Vespro della Beata Vergine« in 1610. With the work, he sought to express all the facets of his compositional prowess, and the »Vespers for the Blessed Virgin« remains one of the greatest works of sacred music to this day. In 13 movements, Monteverdi demonstrates his mastery and his ability to integrate all the contrasting stylistic influences of his time into one diverse whole. The six-strong Flemish instrumental ensemble Les Cornets Noirs specialises in the music of Monteverdi’s time. Together with the singers of the Delectus Cantionum ensemble, they present a historically informed and musically expressive performance of this legendary work.
Artistic depiction of the event

Ensemble Resonanz / Ilya Gringolts / Riccardo Minasi

Wed, Jun 12, 2024, 19:30
Elbphilharmonie, Kleiner Saal (Hamburg)
Ensemble Resonanz, Ilya Gringolts (Violin), Riccardo Minasi (Conductor)
In his twelve famous Concerti grossi, Arcangelo Corelli translated the coexistence and interweaving of single parts and the whole into Baroque orchestral music that was to become highly influential. Ilya Gringolts counters this with capricious poses on the solo violin, celebrating the birth of virtuosity. Ensemble pieces encounter islands of calculated walks along the dividing line between the collective and the individual. Arcangelo Corelli marked the pinnacle of the Baroque concerto grosso. His instrumental music travelled beyond Italy to influence composers all over Europe, in both his own and succeeding generations. If we listen to the dialogue structure of Corelli’s Concerti grossi, where a group of soloists is juxtaposed with the supporting sound of the whole orchestra, it is clear why the Baroque is referred to as the era of the concertante style. However, this was soon to become a thing of the past in the 18th century, as the soloist moved more and more into the limelight. The individual began to outstrip the collective. Capricious – a word denoting something or someone whimsical, unconventional, even bizarre… The Caprices for Solo Violin written by Pietro Locatelli, Giuseppe Tartini, Niccolò Paganini and Salvatore Sciarrino are dominated by virtuoso elements that express the soloist’s individuality.
Artistic depiction of the event

Ensemble Resonanz / Ilya Gringolts / Riccardo Minasi

Thu, Jun 13, 2024, 19:30
Elbphilharmonie, Kleiner Saal (Hamburg)
Ensemble Resonanz, Ilya Gringolts (Violin), Riccardo Minasi (Conductor)
In his twelve famous Concerti grossi, Arcangelo Corelli translated the coexistence and interweaving of single parts and the whole into Baroque orchestral music that was to become highly influential. Ilya Gringolts counters this with capricious poses on the solo violin, celebrating the birth of virtuosity. Ensemble pieces encounter islands of calculated walks along the dividing line between the collective and the individual. Arcangelo Corelli marked the pinnacle of the Baroque concerto grosso. His instrumental music travelled beyond Italy to influence composers all over Europe, in both his own and succeeding generations. If we listen to the dialogue structure of Corelli’s Concerti grossi, where a group of soloists is juxtaposed with the supporting sound of the whole orchestra, it is clear why the Baroque is referred to as the era of the concertante style. However, this was soon to become a thing of the past in the 18th century, as the soloist moved more and more into the limelight. The individual began to outstrip the collective. Capricious – a word denoting something or someone whimsical, unconventional, even bizarre… The Caprices for Solo Violin written by Pietro Locatelli, Giuseppe Tartini, Niccolò Paganini and Salvatore Sciarrino are dominated by virtuoso elements that express the soloist’s individuality.
Artistic depiction of the event

Kammersolisten Berlin

Wed, Dec 25, 2024, 16:00
Laeiszhalle, Kleiner Saal (Hamburg)
Kammersolisten Berlin
The award-winning Berlin Chamber Soloists invite you to the Laeiszhalle Hamburg for a festive Christmas concert. They will perform selected Christmas pieces from European classical music from the Baroque to the Romantic period. The chamber orchestra »Kammersolisten Berlin« was founded in April 2015. The members of this ensemble have known each other for many years and have performed together in a wide variety of formations around the world. Individually, each member is either an outstanding soloist, chamber musician or orchestral musician from one of Berlin’s various major orchestras (Konzerthaus Berlin, Deutsche Oper Berlin, Rundfunk-Sinfonieorchester Berlin, etc.). The friends and musicians play freely, drive each other to peak performances and thus arouse enthusiasm and emotions in the audience. The international line-up provides an unrivalled diversity of ideas, with a repertoire that includes works from the baroque, classical, romantic and modern eras.