Hanns Eisler was a German composer known for his collaborations with Bertolt Brecht and his film scores. A prominent figure in 20th-century music, Eisler blended classical and modernist influences, deeply engaging with political themes. His works remain influential for their innovative approach and social commentary.
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These concerts with works by Hanns Eisler became visible lately at Concert Pulse.
Beethoven's 9th Symphony, with its message of unity, crowns his symphonic works. Philippe Herreweghe explores its transparent sounds. The "Ode to Joy" joins Bertolt Brecht's pacifist call, set to music by Hanns Eisler. This forms a thoughtful and optimistic start to the 2025 Heidelberg Spring Music Festival.
Concerts in season 2024/25 or later where works by Hanns Eisler is performed
Leipzig Ballet, under Rémy Fichet, presents "Humans," a double bill exploring creative and abstract dance narratives. Louis Stiens examines dance's embodiment, its impact on choreography, and Leipzig Ballet's history, linking to Schubert's "Unfinished" Symphony. Sofia Nappi blends ballet, contemporary dance, and performance, exploring Baroque and modern elements with music by Clara Schumann and Henry Purcell, reflecting on femininity across eras.
Uniting the vocal and orchestral forces of which he is the artistic heart and soul, Philippe Herreweghe celebrates solidarity, with Beethoven’s symphony inspired by Schiller’s Ode to Joy and Austrian composer Hanns Eisler’s pacifist oratorio Against the War.
Beethoven's 9th Symphony, with its message of unity, crowns his symphonic works. Philippe Herreweghe explores its transparent sounds. The "Ode to Joy" joins Bertolt Brecht's pacifist call, set to music by Hanns Eisler. This forms a thoughtful and optimistic start to the 2025 Heidelberg Spring Music Festival.
On May 7, the premiere of Ludwig van Beethoven's Ninth Symphony will mark its 200th anniversary. The Orchestre des Champs-Élysées and the Collegium Vocale Gent choir under Philippe Herreweghe will perform the work. Herreweghe places the symphony in a pacifist context alongside Hanns Eisler's "Gegen den Krieg."
The 1920s marked the beginning of radio broadcasting in Germany. The "Linie 2" program highlights this era of technological and musical innovation from nearly a century ago. Prominent composers created music for the radio without strict genre boundaries. Pavel Haas's "Radio Overture" and Hanns Eisler's piano song capture the significance of radio in different contexts. Works by Braunfels and Toch, commissioned by predecessors of WDR and SWR, also showcase the stylistic diversity of this period.
Right in the middle – pick your favourite spot in the midst of the orchestra! The musicians of the Konzerthausorchester Berlin will rearrange themselves for you. Experience music where it is created and feel the special atmosphere that arises between the orchestral members and our conductor while making music. You’ll also have the opportunity to ask Iván Fischer questions. In the end, you will definitely be able to say: I was right in the thick of things, not just on the sidelines.
Our honorary conductor Iván Fischer is a guarantee for unusual programmes. This time, he and the Konzerthausorchester will perform works by four composers who were ostracised and persecuted by the National Socialists and whose works shaped the avant-garde of the interwar period. Paul Hindemith, Kurt Weill and Hanns Eisler found their way to the United States via detours, but Erwin Schulhoff was interned in Prague, deported and died of tuberculosis in a camp in Bavaria.
Our honorary conductor Iván Fischer is a guarantee for unusual programmes. This time, he and the Konzerthausorchester will perform works by four composers who were ostracised and persecuted by the National Socialists and whose works shaped the avant-garde of the interwar period. Paul Hindemith, Kurt Weill and Hanns Eisler found their way to the United States via detours, but Erwin Schulhoff was interned in Prague, deported and died of tuberculosis in a camp in Bavaria.
For more than six decades, the chamber concerts by musicians from the Staatskapelle have been a constant feature of the Staatsoper programme. This season, ensembles have come together to select music from different periods, styles and cultures under the theme of ‘playing together’. On eleven dates in the Apollosaal, which with its special atmosphere is an ideal venue for chamber music and communicative interaction between players and listeners, works from the Baroque to the present day will be performed in constellations that are both exciting and harmonious, in which tangible contrasts play just as important a role as a common resonance and the balancing of opposites.
Leipzig Ballet, under Rémy Fichet, presents "Humans," a double bill exploring creative and abstract dance narratives. Louis Stiens examines dance's embodiment, its impact on choreography, and Leipzig Ballet's history, linking to Schubert's "Unfinished" Symphony. Sofia Nappi blends ballet, contemporary dance, and performance, exploring Baroque and modern elements with music by Clara Schumann and Henry Purcell, reflecting on femininity across eras.
Leipzig Ballet, under Rémy Fichet, presents "Humans," a double bill exploring creative and abstract dance narratives. Louis Stiens examines dance's embodiment, its impact on choreography, and Leipzig Ballet's history, linking to Schubert's "Unfinished" Symphony. Sofia Nappi blends ballet, contemporary dance, and performance, exploring Baroque and modern elements with music by Clara Schumann and Henry Purcell, reflecting on femininity across eras.
Leipzig Ballet, under Rémy Fichet, presents "Humans," a double bill exploring creative and abstract dance narratives. Louis Stiens examines dance's embodiment, its impact on choreography, and Leipzig Ballet's history, linking to Schubert's "Unfinished" Symphony. Sofia Nappi blends ballet, contemporary dance, and performance, exploring Baroque and modern elements with music by Clara Schumann and Henry Purcell, reflecting on femininity across eras.
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