The Gewandhausorchester, founded in 1743 and based in Leipzig, is a prestigious German ensemble renowned for its rich heritage and exemplary musicianship. Celebrated for its distinct yet versatile sound, the orchestra has carved a niche in the classical music landscape, synonymous with excellence and innovation under the baton of illustrious conductors throughout its storied history.test
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Concerts featuring Gewandhausorchester in season 2024/25 or later
Liszt composed tone poems about Orpheus, who overcomes death with music, and Prometheus, who inspires humanity with art. Orpheus's music is harmonious, while Prometheus's is dissonant, reflecting his suffering. Beethoven's 4th Piano Concerto, sometimes called the "Orpheus Concerto," may be inspired by Orpheus. Leó Weiner, a Liszt admirer, orchestrated Liszt's B minor Sonata for the Liszt centenary in 1956.
Liszt composed tone poems about Orpheus, who overcomes death with music, and Prometheus, who inspires humanity with art. Orpheus's music is harmonious, while Prometheus's is dissonant, reflecting his suffering. Beethoven's 4th Piano Concerto, sometimes called the "Orpheus Concerto," may be inspired by Orpheus. Leó Weiner, a Liszt admirer, orchestrated Liszt's B minor Sonata for the Liszt centenary in 1956.
In Bellini's Norma, the priestess Norma calls for peace against Roman occupiers, while internally battling her broken vows as a secret lover and mother. Her lover, Pollione, and the novice Adalgisa mirror her double life. Amidst war and Roman dominance, secrets escalate into a drama of life, death, and love. Bellini's 1831 bel canto opera showcases these conflicts through dramatic choruses, rituals, and exceptional vocal performances, exploring themes of war and peace, love and duty.
From raging sea storms emerges Otello, a victorious general serving Venice, who loves Desdemona. Against her father's will, she loves this man who shines in society but remains a stranger. Jago, consumed by envy, reveals his deceptive nature. He plants seeds of doubt, turning into nightmares and jealousy, consuming Otello and driving him mad. In a world of war and intrigue, Desdemona seeks a kindred spirit but finds death.
Floria Tosca and Mario Cavaradossi are lovers. When Cavaradossi is arrested by the evil police chief Scarpia, Tosca seeks him out to secure Cavaradossi's freedom, but tragedy ensues. None of the three will see the sunset of the next day. A dark piece of opera history with Verismo influences. Recommended for ages 15+. A digital introduction is available.
Richard Strauss's "Also sprach Zarathustra" impressed even Nietzsche. Arnold Böcklin's paintings were highly regarded in the late 19th century, inspiring artists like Klinger, Hofmannsthal, Brahms, and Busoni. Reger's Böcklin Suite includes pieces inspired by "The Isle of the Dead", "Bacchanal", "The Hermit Fiddler", and "Play of the Waves". Cellist Julius Klengel premiered both Strauss's and Reger's works at the Gewandhaus. Klengel's student, Rudolf Metzmacher, father of conductor Ingo Metzmacher, created an edition of Schumann's Cello Concerto that's still used today.
Richard Strauss's "Also sprach Zarathustra" impressed even Nietzsche. Arnold Böcklin's paintings were highly regarded in the late 19th century, inspiring artists like Klinger, Hofmannsthal, Brahms, and Busoni. Reger's Böcklin Suite includes pieces inspired by "The Isle of the Dead", "Bacchanal", "The Hermit Fiddler", and "Play of the Waves". Cellist Julius Klengel premiered both Strauss's and Reger's works at the Gewandhaus. Klengel's student, Rudolf Metzmacher, father of conductor Ingo Metzmacher, created an edition of Schumann's Cello Concerto that's still used today.
Leipzig Ballet, under Rémy Fichet, presents "Humans," a double bill exploring creative and abstract dance narratives. Louis Stiens examines dance's embodiment, its impact on choreography, and Leipzig Ballet's history, linking to Schubert's "Unfinished" Symphony. Sofia Nappi blends ballet, contemporary dance, and performance, exploring Baroque and modern elements with music by Clara Schumann and Henry Purcell, reflecting on femininity across eras.
From raging sea storms emerges Otello, a victorious general serving Venice, who loves Desdemona. Against her father's will, she loves this man who shines in society but remains a stranger. Jago, consumed by envy, reveals his deceptive nature. He plants seeds of doubt, turning into nightmares and jealousy, consuming Otello and driving him mad. In a world of war and intrigue, Desdemona seeks a kindred spirit but finds death.
"Das Rheingold" sets the stage for Wagner's tetralogy, exploring love versus power. Alberich steals the Rhinegold, Wotan builds Valhalla, and a chain of events unfolds, marked by Alberich's curse and Fafner's fratricide. The Leipzig Opera's 2013 production, conducted by Ulf Schirmer, highlighted the comedic aspects of this shortest "Ring" opera.
"Der junge Siegfried" (originally titled "The Young Siegfried") tells of Siegfried, son of Siegmund and Sieglinde, raised by the malicious Mime after his parents' deaths. This coming-of-age story sees Siegfried rebelling against Mime, who plans to use him to seize the Nibelung hoard from Fafner. Siegfried, fearless, forges a sword, slays Fafner, claims the hoard, and kills Mime. He defies Wotan, and, upon reaching Brünnhilde, forgets his mission for love. This "scherzo" blends fairytale and comedy while showcasing nature's power.
Leipzig Ballet, under Rémy Fichet, presents "Humans," a double bill exploring creative and abstract dance narratives. Louis Stiens examines dance's embodiment, its impact on choreography, and Leipzig Ballet's history, linking to Schubert's "Unfinished" Symphony. Sofia Nappi blends ballet, contemporary dance, and performance, exploring Baroque and modern elements with music by Clara Schumann and Henry Purcell, reflecting on femininity across eras.
Leipzig Ballet, under Rémy Fichet, presents "Humans," a double bill exploring creative and abstract dance narratives. Louis Stiens examines dance's embodiment, its impact on choreography, and Leipzig Ballet's history, linking to Schubert's "Unfinished" Symphony. Sofia Nappi blends ballet, contemporary dance, and performance, exploring Baroque and modern elements with music by Clara Schumann and Henry Purcell, reflecting on femininity across eras.
Three good reasons to go to a concert: Love for music, emotional escape, and feeling inspired. Three secret reasons: alibi for mother-in-law's birthday, wrong Valentine's Day gift, and cheaper alternative to Beethoven. Three reasons for this concert: sentimental trumpet solos, family preferences (Mendelssohn, Nelsons, Jussen brothers), and the rarity of Mendelssohn's and Mahler's pieces.
Weber's 1817 opera "Der Freischütz" tells the story of Max, a hunter whose future depends on a shooting trial. Overwhelmed by pressure, he considers a pact with the devil, a path already taken by Kaspar. Max's fiancée, Agathe, shares his anxieties about fate. The opera explores themes of societal pressures, fear of failure, and the battle between good and evil in a world where the characters' beliefs shape their actions. Weber's music captures the anxieties of a generation, making "Der Freischütz" a landmark work of German Romantic opera.
Three good reasons to go to a concert: Love for music, emotional escape, and feeling inspired. Three secret reasons: alibi for mother-in-law's birthday, wrong Valentine's Day gift, and cheaper alternative to Beethoven. Three reasons for this concert: sentimental trumpet solos, family preferences (Mendelssohn, Nelsons, Jussen brothers), and the rarity of Mendelssohn's and Mahler's pieces.
From raging sea storms emerges Otello, a victorious general serving Venice, who loves Desdemona. Against her father's will, she loves this man who shines in society but remains a stranger. Jago, consumed by envy, reveals his deceptive nature. He plants seeds of doubt, turning into nightmares and jealousy, consuming Otello and driving him mad. In a world of war and intrigue, Desdemona seeks a kindred spirit but finds death.
Three good reasons to go to a concert: Love for music, emotional escape, and feeling inspired. Three secret reasons: alibi for mother-in-law's birthday, wrong Valentine's Day gift, and cheaper alternative to Beethoven. Three reasons for this concert: sentimental trumpet solos, family preferences (Mendelssohn, Nelsons, Jussen brothers), and the rarity of Mendelssohn's and Mahler's pieces.
Love, jealousy, and death take center stage in Andreas Homoki and Frank Philipp Schlößmann's production of Verdi's opera. The minimalist staging emphasizes raw emotions and powerful music. Recommended for ages 15 and up.
A lively hunting king scares away the game with his boastful pelvic roar, but demands a solitary violin beauty, beginning a tale of murder, percussion-slaying, grave desecration, miraculous revival through brass chorales, gruesome revenge, and a pompous wedding. Dvořák's music expresses the full spectrum of emotions from thrilling rhythms and orchestral colors to tender harp-woodwind love episodes, dramatic fortissimo fury, dark bass abysses, and uplifting melodies. Mahler's 4th Symphony leads into a hellish heaven three years later, with diabolical otherworldly scenarios humorously conjured by the Wunderhorn song "Das himmlische Leben". While hypocritical saints merrily slaughter, Death grabs a detuned violin from the fiddle-filled sky. After experiencing these fable purgatories and hellish heavens, you might conclude Earth is quite comfortable, especially as it's blessed with Mahler and Dvořák's music.
A lively hunting king scares away the game with his boastful pelvic roar, but demands a solitary violin beauty, beginning a tale of murder, percussion-slaying, grave desecration, miraculous revival through brass chorales, gruesome revenge, and a pompous wedding. Dvořák's music expresses the full spectrum of emotions from thrilling rhythms and orchestral colors to tender harp-woodwind love episodes, dramatic fortissimo fury, dark bass abysses, and uplifting melodies. Mahler's 4th Symphony leads into a hellish heaven three years later, with diabolical otherworldly scenarios humorously conjured by the Wunderhorn song "Das himmlische Leben". While hypocritical saints merrily slaughter, Death grabs a detuned violin from the fiddle-filled sky. After experiencing these fable purgatories and hellish heavens, you might conclude Earth is quite comfortable, especially as it's blessed with Mahler and Dvořák's music.
Leipzig Ballet, under Rémy Fichet, presents "Humans," a double bill exploring creative and abstract dance narratives. Louis Stiens examines dance's embodiment, its impact on choreography, and Leipzig Ballet's history, linking to Schubert's "Unfinished" Symphony. Sofia Nappi blends ballet, contemporary dance, and performance, exploring Baroque and modern elements with music by Clara Schumann and Henry Purcell, reflecting on femininity across eras.
Weber's 1817 opera "Der Freischütz" tells the story of Max, a hunter whose future depends on a shooting trial. Overwhelmed by pressure, he considers a pact with the devil, a path already taken by Kaspar. Max's fiancée, Agathe, shares his anxieties about fate. The opera explores themes of societal pressures, fear of failure, and the battle between good and evil in a world where the characters' beliefs shape their actions. Weber's music captures the anxieties of a generation, making "Der Freischütz" a landmark work of German Romantic opera.
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