Classical concerts featuring

Gewandhausorchester

Gewandhausorchester, Thomanerchor Leipzig, Andreas Reize Dirigent

Lightning and thunder crash around us, voices clamor from all sides. We're bombarded with questions and complaints. In Bach's St. Matthew Passion, two choruses and orchestras cry out "Crucify him!" from the galleries of St. Thomas Church, immersing us in the scene. Amidst the mockery, individual compassion shines, a heart-wrenching duality of love and pain. The Passion gives voice to human suffering. Where the world is out of joint, where old church values crumble before cardinal sins and the pursuit of capital, where struggles for world explanations and divine favor fuel wars, Bach's counterpoint makes dissenting voices heard, offering solace and reconciliation.

DIE MONDPRINZESSIN

"The Tale of the Bamboo Cutter" is Japan's oldest romantic tale, dating back to 900 AD. A bamboo cutter finds and raises a moon-sent child, Kaguya. Despite attracting suitors, Kaguya is a moon princess and must return. Choreographer Martin Chaix explores this legend in "The Moon Princess," portraying themes of family, belonging, and obligation.

Gewandhausorchester, Thomanerchor Leipzig, Andreas Reize Dirigent

Lightning and thunder crash around us, voices clamor from all sides. We're bombarded with questions and complaints. In Bach's St. Matthew Passion, two choruses and orchestras cry out "Crucify him!" from the galleries of St. Thomas Church, immersing us in the scene. Amidst the mockery, individual compassion shines, a heart-wrenching duality of love and pain. The Passion gives voice to human suffering. Where the world is out of joint, where old church values crumble before cardinal sins and the pursuit of capital, where struggles for world explanations and divine favor fuel wars, Bach's counterpoint makes dissenting voices heard, offering solace and reconciliation.

DIE REISE NACH REIMS (Il viaggio a Reims)

Experience the delightful chaos at the Hotel Golden Lily, where guests from around the world eagerly await their journey to a coronation in Paris. Madama Cortese strives to make their stay unforgettable amidst a flurry of excitement, love potions, and misunderstandings. Join our ensemble on a musical journey to Reims and beyond, celebrating Rossini's virtuosic comedy reminiscent of "The Barber of Seville" and "Cinderella". Witness international toasts, and long live the monarch and international understanding!

Gottesdienst

DER FREISCHÜTZ

Weber's 1817 opera "Der Freischütz" tells the story of Max, a hunter whose future depends on a shooting trial. Overwhelmed by pressure, he considers a pact with the devil, a path already taken by Kaspar. Max's fiancée, Agathe, shares his anxieties about fate. The opera explores themes of societal pressures, fear of failure, and the battle between good and evil in a world where the characters' beliefs shape their actions. Weber's music captures the anxieties of a generation, making "Der Freischütz" a landmark work of German Romantic opera.

DIE MONDPRINZESSIN

"The Tale of the Bamboo Cutter" is Japan's oldest romantic tale, dating back to 900 AD. A bamboo cutter finds and raises a moon-sent child, Kaguya. Despite attracting suitors, Kaguya is a moon princess and must return. Choreographer Martin Chaix explores this legend in "The Moon Princess," portraying themes of family, belonging, and obligation.

Gewandhausorchester, Petr Popelka Dirigent

Pierre Boulez, the 20th-century music master, was never a Gewandhaus guest. Only his "Notations" has been performed there. Born 100 years ago, Boulez studied in Paris and quickly rose to fame. In the 1950s, he became known for enigmatic compositions and, in the 60s, as a conductor. "Éclat," a key work, combines 15 instruments. Boulez also made history as a conductor, shaping interpretations of Debussy, Ravel, Stravinsky, and Bartók. He founded the Ensemble InterContemporain, with Pierre-Laurent Aimard on piano.

DIE ZAUBERFLÖTE

Willkommen in der rätselhaften Märchenwelt der ≫Zauberflöte≪! Schon die Namen der Charaktere klingen magisch und erinnern uns an unsere ersten Opernbesuche: Tamino, Pamina, Papageno, Sarastro … Kaum ein Werk der Opernliteratur enthält so viel Gegensätzliches, durch Mozarts Musik so harmonisch zu einem Ganzen gefügt. Ist seine wohl beliebteste Oper eine abenteuerliche Geschichte vom Erwachsenwerden? Eine Parabel von Weisheit, Philosophie und Freundschaft? Geht es darum, einfach man selber zu bleiben, so wie der Vogelfänger Papageno? Er begleitet Prinz Tamino, der sich in ein Bild der entführten Pamina verliebt hat und sie befreien will. Wir werden daran erinnert, dass sich die Welt nicht immer in Gut und Böse einteilen lässt: Die Königin der Nacht und Sarastro zeigen uns dies durch ihren Streit um Pamina. Auf unserer Reise begleiten uns auch drei Damen, drei Knaben, ein Glockenspiel, eine Flöte, die selbst wilde Tiere zähmt. Und was hat es mit den drei Prüfungen auf sich, die Tamino und Pamina bestehen müssen, um zu den Eingeweihten zu gehören? Findet sich für Papageno auch eine Papagena? Fragen über Fragen, die in unserer ersten Neuproduktion der Spielzeit mit viel Witz und Zauber beantwortet werden! Altersempfehlung: Aufgrund der Spieldauer liegt unsere Altersempfehlung bei 12 Jahren. Der familienfreundliche Stil der Inszenierung ist aber auch für jüngere Kinder ab ca. 8 Jahren geeignet. Hinweis: Enthält Abfolge von blinkenden Lichtern und Mustern.

Gewandhausorchester, Petr Popelka Dirigent

Pierre Boulez, the 20th-century music master, was never a Gewandhaus guest. Only his "Notations" has been performed there. Born 100 years ago, Boulez studied in Paris and quickly rose to fame. In the 1950s, he became known for enigmatic compositions and, in the 60s, as a conductor. "Éclat," a key work, combines 15 instruments. Boulez also made history as a conductor, shaping interpretations of Debussy, Ravel, Stravinsky, and Bartók. He founded the Ensemble InterContemporain, with Pierre-Laurent Aimard on piano.

DON GIOVANNI

"The Opera of all Operas" returns, and the seducer of all seducers is up to mischief again: In Mozart's dramma giocoso, the audience witnesses the downfall of the libertine Don Giovanni, who relentlessly pursues fleeting sex and great pleasure to the brink of his grave. His unbridled desire for the high life finds its counterpart in Mozart's music. Recommended for ages 14+. A digital introduction to the play is available here: https://on.soundcloud.com/DJqL1

DIE MONDPRINZESSIN

"The Tale of the Bamboo Cutter" is Japan's oldest romantic tale, dating back to 900 AD. A bamboo cutter finds and raises a moon-sent child, Kaguya. Despite attracting suitors, Kaguya is a moon princess and must return. Choreographer Martin Chaix explores this legend in "The Moon Princess," portraying themes of family, belonging, and obligation.

Gewandhausorchester, Alan Gilbert Dirigent

Brahms' Third Symphony, premiered in 1884, is his shortest and focuses on depth. Hans von Bülow liked it so much he played it twice in one concert. Elgar's Violin Concerto, inspired by Fritz Kreisler's praise, took four years to compose. Its premiere shook Queen's Hall, and a year later, Arthur Nikisch led another impactful performance at the Gewandhaus.

Gewandhausorchester, Alan Gilbert Dirigent

Brahms' Third Symphony, premiered in 1884, is his shortest and focuses on depth. Hans von Bülow liked it so much he played it twice in one concert. Elgar's Violin Concerto, inspired by Fritz Kreisler's praise, took four years to compose. Its premiere shook Queen's Hall, and a year later, Arthur Nikisch led another impactful performance at the Gewandhaus.

Motette

DIE MONDPRINZESSIN

"The Tale of the Bamboo Cutter" is Japan's oldest romantic tale, dating back to 900 AD. A bamboo cutter finds and raises a moon-sent child, Kaguya. Despite attracting suitors, Kaguya is a moon princess and must return. Choreographer Martin Chaix explores this legend in "The Moon Princess," portraying themes of family, belonging, and obligation.

DON GIOVANNI

"The Opera of all Operas" returns, and the seducer of all seducers is up to mischief again: In Mozart's dramma giocoso, the audience witnesses the downfall of the libertine Don Giovanni, who relentlessly pursues fleeting sex and great pleasure to the brink of his grave. His unbridled desire for the high life finds its counterpart in Mozart's music. Recommended for ages 14+. A digital introduction to the play is available here: https://on.soundcloud.com/DJqL1

HUMANS

Leipzig Ballet, under Rémy Fichet, presents "Humans," a double bill exploring creative and abstract dance narratives. Louis Stiens examines dance's embodiment, its impact on choreography, and Leipzig Ballet's history, linking to Schubert's "Unfinished" Symphony. Sofia Nappi blends ballet, contemporary dance, and performance, exploring Baroque and modern elements with music by Clara Schumann and Henry Purcell, reflecting on femininity across eras.

PIQUE DAME

Pyotr Ilyich Tchaikovsky considered his penultimate opera, "The Queen of Spades," his masterpiece. The story follows Hermann, a young officer obsessed with a secret gambling technique and climbing the social ladder. He falls in love with Lisa, the granddaughter of the old Countess known as "The Queen of Spades." Hermann tries to trick the Countess into revealing her gambling secret, hoping it will bring him wealth and Lisa's love. His obsession leads him into a whirlwind of passion, jealousy, and madness. Tchaikovsky's music intensifies the drama and tragedy of the characters.

HUMANS

Leipzig Ballet, under Rémy Fichet, presents "Humans," a double bill exploring creative and abstract dance narratives. Louis Stiens examines dance's embodiment, its impact on choreography, and Leipzig Ballet's history, linking to Schubert's "Unfinished" Symphony. Sofia Nappi blends ballet, contemporary dance, and performance, exploring Baroque and modern elements with music by Clara Schumann and Henry Purcell, reflecting on femininity across eras.

Gewandhausorchester & Andris Nelsons

PIQUE DAME

Pyotr Ilyich Tchaikovsky considered his penultimate opera, "The Queen of Spades," his masterpiece. The story follows Hermann, a young officer obsessed with a secret gambling technique and climbing the social ladder. He falls in love with Lisa, the granddaughter of the old Countess known as "The Queen of Spades." Hermann tries to trick the Countess into revealing her gambling secret, hoping it will bring him wealth and Lisa's love. His obsession leads him into a whirlwind of passion, jealousy, and madness. Tchaikovsky's music intensifies the drama and tragedy of the characters.

Motette

HUMANS

Leipzig Ballet, under Rémy Fichet, presents "Humans," a double bill exploring creative and abstract dance narratives. Louis Stiens examines dance's embodiment, its impact on choreography, and Leipzig Ballet's history, linking to Schubert's "Unfinished" Symphony. Sofia Nappi blends ballet, contemporary dance, and performance, exploring Baroque and modern elements with music by Clara Schumann and Henry Purcell, reflecting on femininity across eras.

UNDINE

Undine, a female water creature, can only gain an immortal soul by marrying an earthly man. She marries Knight Hugo, but warns him, if her love is betrayed, she must kill him and return to the water. Lortzing's opera, though he had to leave Leipzig, returns with poetry and power.

Gewandhausorchester, Boston Symphony Orchestra & Andris Nelsons

Gewandhausorchester, Boston Symphony Orchestra & Andris Nelsons

UNDINE

Undine, a female water creature, can only gain an immortal soul by marrying an earthly man. She marries Knight Hugo, but warns him, if her love is betrayed, she must kill him and return to the water. Lortzing's opera, though he had to leave Leipzig, returns with poetry and power.

Motette