Classical concerts featuring

Tarmo Peltokoski

Mozart: Die Zauberflöte

Kobekina. Die Deutsche Kammerphilharmonie Bremen. Peltokoski Wiedersehen bei Schostakowitsch

Tarmo Peltokoski, 24, Principal Guest Conductor of the Deutsche Kammerphilharmonie Bremen, will conduct Beethoven's Symphony No. 4. Cellist Anastasia Kobekina will perform Shostakovich's Cello Concerto in E-flat major. A public rehearsal for children is offered for this concert. Kobekina discusses the impact of Stalin's regime on Shostakovich's music in a separate program.

Orchestre national du Capitole de Toulouse

Due to a strike on March 12th, access to Cologne Philharmonic will be difficult. Trams and most buses will not operate, but other train services will. Visitors should consider alternative transportation, depart early, and anticipate delays. Cellist Sol Gabetta performs alongside rising star conductor Tarmo Peltokoski, who leads a program connected to Wagner's influence without playing any of his compositions.

Symphonic passion

Öffentliche Orchesterprobe für Kinder Music Swap Lab: Deutsche Kammerphilharmonie Bremen

This event is for children 8+ (accompanied by max. one adult). Dive into the world of orchestral music! Experience the pre-concert excitement with young conductor Tarmo Peltokoski and Die Deutsche Kammerphilharmonie Bremen as they prepare for the evening concert featuring Shostakovich's Cello Concerto with soloist Anastasia Kobekina. The 90-minute program includes the rehearsal, intro, and follow-up discussion. The concert is at 7:30 PM. Kobekina and Braun discuss the concerto.

Works by Sibelius, Shostakovich and Beethoven

Kobekina. Die Deutsche Kammerphilharmonie Bremen. Peltokoski Wiedersehen bei Schostakowitsch

Tarmo Peltokoski, 24, Principal Guest Conductor of the Deutsche Kammerphilharmonie Bremen, will conduct Beethoven's Symphony No. 4. Cellist Anastasia Kobekina will perform Shostakovich's Cello Concerto in E-flat major. A public rehearsal for children is offered for this concert. Kobekina discusses the impact of Stalin's regime on Shostakovich's music in a separate program.

Jan Lisiecki plays Beethoven

There are few experiences in classical music more invigorating, or more stirring than Sibelius’s Second Symphony. Imagine a swelling river of sound; a musical voyage that begins amid the tranquillity of nature and ends in a surge of triumph. That’s Sibelius’s Second Symphony, and there are few experiences in classical music more invigorating, or more stirring. For the young Finnish conductor Tarmo Peltokoski, Sibelius is a national hero. There’s another tale about memory to be told here, as Canadian pianist Jan Lisiecki takes centre stage to showcase the grandeur and glory of Beethoven’s mighty ‘Emperor’ Concerto – a work dedicated to the composer’s patron and friend, Archduke Rudolf. *Please note a change of programme from originally advertised

Jan Lisiecki plays Beethoven

Imagine a swelling river of sound; a musical voyage that begins amid the tranquillity of nature and ends in a surge of triumph.That’s Sibelius’s Second Symphony, and there are few experiences in classical music more invigorating, or more stirring. For the young Finnish conductor Tarmo Peltokoski, Sibelius is a national hero, and Canadian pianist Jan Lisiecki takes centre stage to showcase the grandeur and glory of Beethoven’s mighty ‘Emperor’ Concerto – a work dedicated to the composer’s patron and friend, Archduke Rudolf.

Tarmo Peltokoski

16 hours of operatic drama condensed to 75 minutes: Lorin Maazel’s ›The Ring Without Words‹ is a sort of »Wagner to go« with all the orchestra hits and leitmotifs. For newbies and dyed-in-the-wool Wagnerians. At the Bayreuth premiere of the entire »Ring« in 1876, a magic lantern was even deployed. In Kaija Saariaho’s orchestral piece of the same name as well, everything revolves around light and music. The composer incorporated sensuous sounds and iridescent colours into the work.