Warum tanzen die Toten, Herr Paul?
Date & Time
Fri, Oct 4, 2024, 21:30Musicians
Ann-Katrin Zimmermann | Gesprächspartnerin |
Alfred E. Otto Paul | Gesprächspartner |
Program
Information not provided |
Ann-Katrin Zimmermann | Gesprächspartnerin |
Alfred E. Otto Paul | Gesprächspartner |
Information not provided |
These events are similar in terms of concept, place, musicians or the program.
Paul Potts, the talented tenor from Wales, is realising his dream. After being bullied and mocked at school, he found refuge in the local church choir. When he heard La Bohème at the age of 16, he fell in love with opera and embarked on a passionate romance that led him on a turbulent journey. He eventually won the first season of Britain’s Got Talent in 2007, changing his life forever. In the same year, Paul Potts released his multi-platinum debut album »One Chance«, which reached the top of the charts in 13 countries. He appeared on »The Oprah Winfrey Show«, brought Times Square to a standstill and announced a worldwide arena tour. His fame stretches from Seoul to New York and from Sydney to Hamburg..
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Edvard Grieg’s Piano Concerto in A minor belongs to one of the programmes that have been consistently rescheduled due to the pandemic; fortunately, it can finally take place as it had originally been planned in the spring of 2020 with Paul Lewis as the soloist. The work is an unabashedly Romantic piece in which the young composer portrays the bright, expansive, and playful colors of his homeland in an almost impressionistic way. As one of the most sophisticated pianists of his generation, Britain’s Paul Lewis will render this musical portrait with consummate skill. In conductor Manfred Honeck’s conception, Schulhoff’s Five Pieces for String Quartet will be brought to life with a more expressive, or, to be precise, more Dadaist character: rhythmically concise, ecstatically pulsating – a playful new territory for the BRSO musicians. And, indeed, every concert that includes the Eroica is bound to be one of the highlights of an orchestral season.
Edvard Grieg’s Piano Concerto in A minor belongs to one of the programmes that have been consistently rescheduled due to the pandemic; fortunately, it can finally take place as it had originally been planned in the spring of 2020 with Paul Lewis as the soloist. The work is an unabashedly Romantic piece in which the young composer portrays the bright, expansive, and playful colors of his homeland in an almost impressionistic way. As one of the most sophisticated pianists of his generation, Britain’s Paul Lewis will render this musical portrait with consummate skill. In conductor Manfred Honeck’s conception, Schulhoff’s Five Pieces for String Quartet will be brought to life with a more expressive, or, to be precise, more Dadaist character: rhythmically concise, ecstatically pulsating – a playful new territory for the BRSO musicians. And, indeed, every concert that includes the Eroica is bound to be one of the highlights of an orchestral season.
Peter Jackson's film success celebrates its 20th anniversary! In an impressive concert experience with soloists, choir, and orchestra, the music of hobbits and orcs comes to you. The Cinema Festival Symphonics transform reality into Middle-earth. Howard Shore composed much of the music for "The Lord of the Rings" and "The Hobbit" and received Oscars, Grammys, and a Golden Globe. Timpani and trumpets bring the familiar melodies to life. "The Lord of the Rings & The Hobbit – The Concert" is a fantastic evening of a very special kind. Screen animations and visual effects intensify the emotions, taking Middle-earth fans and fantasy lovers on a musical journey.
Franz Schubert held the torch at Ludwig van Beethoven's funeral. It was a symbolic moment – the younger composer was taking over the Promethean flame from a genius. Despite the pathos, it is an accurate association when comparing their symphonies or quartets. However, Schubert did not take over the flame for long – he died less than two years later. In the last months of his life, he created a series of masterpieces, among them three piano sonatas. After their publication, they were heavily criticised for departing from Beethovenian patterns. However, inspiration does not mean imitation after all! Schubert's style is gentle and less definite. Every play is lined with melancholy; contemplation borders on the sublime and ecstasy. Very few people can portray the entire universe of these three sisters' works as aptly as Paul Lewis. It has to be experienced. Adam Suprynowicz Concert duration: approximately 140 minutes
Already at 13, Ludwig van Beethoven (1770-1827) was so skilled at the piano that he could earn his own money as a musician in the court orchestra in his hometown of Bonn. And he had enough confidence as a composer to start writing a piano concerto.When Beethoven moved to Vienna in 1792, the first attempt was left in the desk drawer. In the suitcase was Piano Concerto No. 2 in B Major, which he wrote late in the 1780s and revised for years. It was not printed until 1801, after Piano Concerto No. 1.Like Mozart, Beethoven used his concerts to demonstrate that he was the best pianist of his time. His role model also inspired the music, but Beethoven’s distinctive features, such as strong contrasts and dramatic shifts, are clear already in the first concertos.In the beginning, Beethoven always played the soloist part himself, and he played it from memory—the part was not even written down. None of the piano concertos was printed until 1801. He most likely wrote Piano Concerto No. 3 in C minor in 1800 and played it for the first time in 1803.
Already at 13, Ludwig van Beethoven (1770-1827) was so skilled at the piano that he could earn his own money as a musician in the court orchestra in his hometown of Bonn. And he had enough confidence as a composer to start writing a piano concerto.Wolfgang Amadeus Mozart (1756-1791) was Beethoven’s great role model. In the 1780s, Mozart dazzled Vienna as a soloist in his own piano concertos. In 1795, Beethoven gave his debut concert in the city, probably with the newly written Piano Concerto No. 1 in C Major on the program.Like Mozart, Beethoven used his concerts to demonstrate that he was the best pianist of his time. His role model also inspired the music, but Beethoven’s distinctive features, such as strong contrasts and dramatic shifts, are clear already in the first concertos.When he finished his Piano Concerto No. 4 in G Major in 1806, Beethoven was a mature and recognized composer. He premiered the work at a major concert in Vienna just before Christmas in 1808, and it was a great success. This is the most poetic of the five, beginning softly with the piano alone.
The fabulous world of hobbits, elves and orcs is brought to life tonight in a major concert experience with a symphony orchestra, choir and star guests. From the menacing sounds of Mordor and the shrill attack of the black riders to the marvellous lyrical meodies of the elves – the Laeiszhalle is transformed into a musical scenario of Middle Earth by nearly 100 artists.