Piotr Beczała, photo: Jean-Baptiste Millot The programme of he recital will be announced at a later date.
Keywords: Chamber Music, Vocal Music
| Piotr Beczała | Tenor |
| Sarah Tysman | Piano |
Information not provided |
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The SummerConcerts powered by VriendenLoterij present two months of wonderful concerts, from classical to jazz and from pop music to film scores. Top musicians from the Netherlands and around the world bring you all your favourite classical pieces, as well as tributes to Leonard Cohen and The Beatles, and all your favourite film music.We also present a host of young talent in our summer concerts, including youth orchestras from South Africa and Turkey, and top young classical soloists. After many of the concerts, we offer a meet-and-greet with the artists in an informal setting, or an afterparty with DJ in the Entrance Hall. In one of the world’s finest concert halls, there’s something for everyone this summer at The Concertgebouw!
It always feels good to make music with friends – and when that friend is soprano Renée Fleming, you just know that something extra-special is on the cards. No introduction is required for one of the LPO’s best-loved guests, the American soprano whose personality lights up the world’s greatest stages and whose voice has been compared to double cream. ‘Unforgettable’ was how one critic described her 2022 Gala with the LPO, and tonight she returns to sing Richard Strauss’s radiant Four Last Songs. Music that never grows old, sung by one of the supreme voices of our time.
Sarod Grand Master Amjad Ali Khan comes together with his two sons for a concert that spans continents and cultures. Sarod Grand Master Amjad Ali Khan was born to a family steeped in Indian classical music and is regarded as one of the undisputed icons of the music world, bringing a new and yet timeless interpretation to the technique of playing the Sarod. His sons Amaan Ali Bangash and Ayaan Ali Bangash are virtuoso performers in their own right, and tonight they come together with conductor (and regular collaborator) Lidiya Yankovskaya and the LPO at the centre of a concert that spans continents and cultures – from a flamboyant new overture by Indian-American composer Reena Esmail to the hugely popular Bollywood film scores of AR Rahman, the composer they call the ‘Mozart of Madras’.
Classical art songs and modern poetry – lieder recital meets poetry reading in this series of events organised jointly with the Haus für Poesie Berlin. Each of the four evening events held in the foyer of the Deutsche Oper Berlin will feature a poet reading original works whose themes complement the songs on the programme.
Parodist Andreas Neumann is a master at bringing popular comedians, humourists and film stars of the economic miracle years back to life. The press describes him as »the best Heinz Erhardt since Heinz Erhardt« and even Grit Berthold, daughter of Heinz Erhardt, acknowledges, »When I heard Andreas Neumann, I thought my father was alive again.« In addition to Heinz Erhardt, Neumann parodies other personalities such as Heinz Rühmann, Theo Lingen and Marcel Reich-Ranicki. Neumann fans also get their money’s worth: because the programme always includes newly written texts. Extensive laughter is virtually guaranteed for everyone!
Brahms wrote the Sonata in E minor for instruments close to his heart, i.e., piano and cello. At the premiere, the composer played very loudly, and when the cellist, a talented amateur, remarked to him, he replied: "lucky for you". Such a cover-up will not be necessary during the Katowice concert by the young virtuosos; we will be able to focus on the breathtaking dramatic nature of this work, which culminates in a fugal finale based on Contrapunctus 13 from Bach's Kunst der Fuge. Nadia Boulanger stopped composing after the untimely death of her sister Lili, whom she considered more talented than herself. Although, as a pedagogue, she later educated a considerable group of composers of the neo-classical movement, her music can also bring to mind the work of Debussy. In Three Pieces, we find a masterful combination of these tendencies. Sally Beamish enjoys singing the cello, so we can expect a new song for this instrument. Adam Suprynowicz Concert duration: approximately 70 minutes
With music by Barbra Streisand, George Benson, James Taylor and David Bowie, the audience can expect a colourful programme of well-known songs that describe life and love. Experience evergreens in funky arrangements and enjoy a summer evening full of swing. The BigBand of the Deutsche Oper Berlin will play under the direction of its musical director Manfred Honetschläger.
The famous fate motif from Beethoven’s Symphony No. 5 is the musical opening of the philosophical dialogue between a creator and the Creator, fate, or destiny.Nearly all of Richard Strauss’ oeuvre is music meandering among literary texts and pretexts. His songs and operas, but also symphonic poems, clearly reference programs written either in prose or in poems. In the case of instrumental works, those were often merely sources of primary inspiration, impulses that maintained only loose relationships with the final shape of the musical narrative.For Strauss, the final decade of the 19th century is a time of symphonic poems, gradually developed and bringing the idea, initiated by Liszt, towards an apogeum. It was also then that the poem Death and Transfiguration was created (1899). Its program is a vision of a man on his deathbed recalling the happy days of his past. The motto for the composition is a poem by Alexander Ritter, but the composer keeps his distance from it: the piece is „purely a work of imagination, and no fruit of my life’s experience (I only fell ill two years later). No more than a concept, just like any other”. Indeed, the music carries with it such a universally relatable existential message that no detailed explanation is needed: it leads from suffering and agony, through a rebellion against the inevitability of death, towards an ascent to light and salvation, to reach the final transfiguration and harmony.Nearing the end of his life, Strauss such found a form of expression for existential reflection that was new and sophisticated, but at the same time classically restrained. In 1948, he completed a cycle of songs to be dedicated to Kirsten Flagstad shortly before his death. The beauty of the Vier letzte Lieder (Four Last Songs) – maintaining the atmosphere of the twilight of poetry proper created by Hermann Hesse – is that of a text perfectly integrated with the sound of the orchestra. Each song is instrumented differently, but always beautifully, adequately for the emotionally eternal messages dressed in the garb of new sound.Amidst those two works by Strauss, there stand the Eternal Songs – a poem by Karłowicz that is not only excellent, but also entirely original on the levels of musical language and aesthetics. These are actually three poems, each cleped a song. They all amount to a manifestation of the composer’s longing for comfort to be found in the universe, a manifestation that evades verbal expression.Andrzej SułekConcert duration (intermission included): approximately 100 minutes
This first Recital Hall concert of the Mahler Festival focuses on Mahler's most beautiful songs. Today's most important Lieder accompanist, pianist Julius Drake, flanks vocalists he admires. Scottish mezzo-soprano Catriona Morison is praised for her refined yet full voice. 'A real star,' according to the Times. You will also hear baritone James Newby, winner of the Kathleen Ferrier Award. He recently released the acclaimed album Fallen to Dust.Julius Drake chose a series of songs full of drama and poetry for Morison and Newby. That poetry sometimes comes from Mahler himself, as today in Lieder eines fahrenden Gesellen. 'When my dearest marries' is the name of one of the songs. The lady in question did not marry Mahler, who experienced this as a 'glowing knife' in his heart. He processed all his frustration and sorrow in this stirring song cycle. In the five lyrical Rückert-Lieder, he shows a happier side.
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