Die Musiker:innen der Komischen Oper Berlin präsentieren im Rahmen der Kammerkonzerte intensive Hörerlebnisse. Vom festlich-gemütlichen Ambiente des Schillertheaters bis hin zum experimentellen Klangraum im Kindl-Areal zeigen sie sich von ihrer ganz persönlichen Seite – abseits von großer Bühne und Spektakel.
Keywords: Chamber Music
To be updated... |
| Nikolaj A. Roslavec | |
| Arvo Pärt | |
| Dmitri D. Schostakowitsch |
These events are similar in terms of concept, place, musicians or the program.
Die Musiker:innen der Komischen Oper Berlin präsentieren im Rahmen der Kammerkonzerte intensive Hörerlebnisse. Vom festlich-gemütlichen Ambiente des Schillertheaters bis hin zum experimentellen Klangraum im Kindl-Areal zeigen sie sich von ihrer ganz persönlichen Seite – abseits von großer Bühne und Spektakel.
Experience the first chamber concert of the season in the extraordinary setting of Hangar 4 at the former Tempelhof Airport. Following this year's MESSIAH production, musicians from the Komische Oper Berlin orchestra, along with mezzo-soprano Karolina Gumos, present masterworks by Handel, including the impressive cantata Donna, che in ciel and the aria Haec est Regina virginium. The program is rounded off by works of other Baroque greats such as Antonio Vivaldi and Henry Purcell. In the monumental industrial hall, Baroque sounds merge with the raw aesthetics of the historical location, transforming the concert into an unforgettable experience. Experience Baroque anew!
Seit mehr als sechs Jahrzehnten gehören die Kammerkonzerte von Musiker:innen der Staatskapelle zu den Konstanten des Staatsopernprogramms. In dieser Spielzeit haben sich Ensembles zusammengefunden, die unter dem Thema „Zusammen-Spiel“ Musik verschiedener Zeiten, Stile und Kulturen ausgewählt haben. An elf Terminen im Apollosaal, der mit seiner besonderen Atmosphäre ein idealer Ort für Kammermusik und ein kommunikatives Miteinander von Spielenden und Hörenden ist, werden Werke vom Barock bis zur Gegenwart erklingen, in zugleich spannungsvollen wie harmonischen Konstellationen, bei denen spürbare Kontraste ebenso eine Rolle spielen wie ein gemeinsames Schwingen und der Ausgleich von Gegensätzen.
Leicht und frisch wie die klassische Serenade: Samuel Barber, Jean Françaix und Paul Hindemith stehen für eine spielfreudige, witzige und doch modern gewürzte Variante einer "Neoklassik" des 20. Jahrhunderts. Den drei farbenfrohen Bläserwerken gegenüber steht ein Besetzungsexperiment des Beethoven-Zeitgenossen Louis Spohr: Sein Opus 87 lässt zwei Streichquartette konzertant gegeneinander antreten und dialogisieren - als seltener Sonderfall im Kammermusikrepertoire.
For more than six decades, the chamber concerts by musicians from the Staatskapelle have been a constant feature of the Staatsoper programme. This season, ensembles have come together to select music from different periods, styles and cultures under the theme of ‘playing together’. On eleven dates in the Apollosaal, which with its special atmosphere is an ideal venue for chamber music and communicative interaction between players and listeners, works from the Baroque to the present day will be performed in constellations that are both exciting and harmonious, in which tangible contrasts play just as important a role as a common resonance and the balancing of opposites.
For more than six decades, the chamber concerts by musicians from the Staatskapelle have been a constant feature of the Staatsoper programme. This season, ensembles have come together to select music from different periods, styles and cultures under the theme of ‘playing together’. On eleven dates in the Apollosaal, which with its special atmosphere is an ideal venue for chamber music and communicative interaction between players and listeners, works from the Baroque to the present day will be performed in constellations that are both exciting and harmonious, in which tangible contrasts play just as important a role as a common resonance and the balancing of opposites.
For more than six decades, the chamber concerts by musicians from the Staatskapelle have been a constant feature of the Staatsoper programme. This season, ensembles have come together to select music from different periods, styles and cultures under the theme of ‘playing together’. On eleven dates in the Apollosaal, which with its special atmosphere is an ideal venue for chamber music and communicative interaction between players and listeners, works from the Baroque to the present day will be performed in constellations that are both exciting and harmonious, in which tangible contrasts play just as important a role as a common resonance and the balancing of opposites.
For more than six decades, the chamber concerts by musicians from the Staatskapelle have been a constant feature of the Staatsoper programme. This season, ensembles have come together to select music from different periods, styles and cultures under the theme of ‘playing together’. On eleven dates in the Apollosaal, which with its special atmosphere is an ideal venue for chamber music and communicative interaction between players and listeners, works from the Baroque to the present day will be performed in constellations that are both exciting and harmonious, in which tangible contrasts play just as important a role as a common resonance and the balancing of opposites.
For more than six decades, the chamber concerts by musicians from the Staatskapelle have been a constant feature of the Staatsoper programme. This season, ensembles have come together to select music from different periods, styles and cultures under the theme of ‘playing together’. On eleven dates in the Apollosaal, which with its special atmosphere is an ideal venue for chamber music and communicative interaction between players and listeners, works from the Baroque to the present day will be performed in constellations that are both exciting and harmonious, in which tangible contrasts play just as important a role as a common resonance and the balancing of opposites.
Beethoven's Trio op. 11 was nicknamed the "Gassenhauer Trio" due to its popular variation theme. The program spans Bruch's clarinet trio pieces and Poulenc's Duo to saxophonist Daniel Schnyder's "Worlds Beyond", blending classical, avant-garde, and jazz. Four bassoons feature in Wynton Marsalis' composition, showcasing this rarely solo instrument.
Concert Pulse