Set your preferred locations for a better search. You can sign up here.

Tin Men and the Telephone

Date & Time
Sat, May 24, 2025, 20:30
They let their concerts be controlled by app and dub political speeches, tennis matches or animal sounds with music: the group Tin Men and the Telephone combines technology, humour and great jazz. In their programme »It’s About Time«, the trio composes playfully and, using cinematic tricks, the rules of time don’t apply – freeze, fast-forward and rewind the moment in music and video or switch on the time lapse? No problem! Tin Men and the Telephone formed in Amsterdam and... Read full text

Keywords: Jazz & World

Artistic depiction of the event

Musicians

Tony RoePiano
Pat CleaverBass
Jamie PeetDrums

Program

Information not provided
Give feedback
Last update: Sat, Dec 7, 2024, 14:20

Similar events

These events are similar in terms of concept, place, musicians or the program.

Artistic depiction of the event

The Swingin’ Hermlins and Swing Dance Orchestra

Sat, Apr 20, 2024, 20:00
Laeiszhalle, Großer Saal (Hamburg)
The Swingin’ Hermlins, Swing Dance Orchestra, Rachel Hermlin (Vocals), David Hermlin (Drums), Andrej Hermlin (Director), sowie als Gast: der Klarinettist Lorenzo Baldasso
Andrej Hermlin and the Swing Dance Orchestra have dedicated themselves to the music of the golden 20s and 30s. Dressed in appropriate suits and without any electronic tricks, their concerts exude the charm and glamour of times past: from the birth of swing music in Harlem and American Christmas tunes to the classics of Duke Ellington and Glenn Miller. Andrej Hermlin has fulfilled a long-held dream and recreates one of the great moments of jazz history: together with his Swing Dance Orchestra he plays exactly the concert with which jazz icon Benny Goodman took Carnegie Hall by storm in 1938.
Artistic depiction of the event

The Bonds Between Music, Homeland and Diaspora

Wed, Jun 26, 2024, 19:00
Jumoke Adeyanju (DJ), Ramadu (Vocals), Musa Okwonga (Moderator)
What influences your own music-making? Which cultural roots play a role and how can you express yourself in music – especially when you live far away in the diaspora? These are questions about which the singer Ramadu and dancer, DJ and author Jumoke Adeyanju exchange views in order to jam together afterwards. Ramadu is the stage name of Dumisani Moyo. Born and raised in Zimbabwe, he lived in Vienna for a long time and now promotes the musical culture of his homeland. This season, he is developing one of the Elbphilharmonie join-in ensembles with the Chor zur Welt, a programme about the varied a cappella music in Southern Africa. He will be part of this panel discussion a few days before the concerts on 30 June. With Jumoke Adeyanju as his discussion partner, he faces a multi-disciplinary artist, who also studied African-/Asian Studies at the Humboldt University of Berlin and completed a Masters in African Politics in London. Musa Okwonga, who likewise works in London as an author and musician as well as a radio presenter, moderates.
Artistic depiction of the event

Kenny Garrett and Sounds from the Ancestors

Thu, Aug 22, 2024, 20:00
Elbphilharmonie, Großer Saal (Hamburg)
Kenny Garrett (Saxophon), Melvis Santa (Vocals), Keith Brown (Piano), Jeremiah Edwards (Bass), Mark Whitfield Jr (Drums), Rudy Bird (Percussion)
His tone is unmistakable, his playing irrepressible and full of originality: it is none other than Kenny Garrett, one of the most important and versatile saxophonists of his generation, who rose to global fame as a member of Miles Davis’ band in the 1980s. Garrett then developed his own musical identity as a bandleader with albums like »African Exchange Student« and »Black Hope«. Black music culture has always been the starting point for his musical language, and he pays tribute to this in his latest project »Sounds from the Ancestors«. The saxophone legend marks his Elbphilharmonie debut with this exciting programme. »Sounds from the Ancestors« reflects the rich jazz, R&B and gospel history of Garrett’s home city of Detroit. Yet the album also has a contemporary and cosmopolitan feel – brought about especially by the inclusion of music from France, Cuba, Nigeria and Guadeloupe. »The concept,« he says, »was originally about drawing on some of the musical sounds I remember from my childhood – sounds that lift up the spirit, from songs like John Coltrane’s ›A Love Supreme‹, Aretha Franklin’s ›Amazing Grace‹, and Marvin Gaye’s ›What’s Going On‹, as well as the spiritual side of church. When I started thinking about it, I realised it was the spirit of my ancestors. Recognising the origins of the sounds we have incorporated into the aesthetic of Western music is extremely important.«
Artistic depiction of the event

THE NECKS

Wed, Nov 6, 2024, 19:30
The Necks (Jazz Trio)
Over the course of 37 years, The Necks have released 18 albums of music that defies description: not entirely avant-garde, nor minimalist, nor ambient, nor jazz, and yet all of these, and more. The band’s extended improvisations, frequently underpinned by an insistent groove, have a deceptive simplicity that masks the music’s deep layers, leading the Los Angeles Times to call the group “a magic act masquerading as a piano trio.” The Necks make their Pierre Boulez Saal debut with a career-spanning program of classics and recent pieces.
Artistic depiction of the event

FUNharmonics: The Snail and the Whale

Sun, Mar 23, 2025, 12:00
Juya Shin (Conductor), Lucy Hollins (Presenter)
‘“The sea is deep and the world is wide! How I long to sail,” said the tiny snail.’ When the snail meets an enormous humpback whale, the unlikely pair travel together on a life-changing journey around the world. They encounter towering icebergs, starlit seas and fiery mountains, but then disaster strikes! Can the minuscule snail save her gigantic friend?Join the London Philharmonic Orchestra on an aquatic adventure, based on the wonderful book by Julia Donaldson and Axel Scheffler, as the Orchestra performs ‘The Snail and the Whale’ live with the Magic Light Pictures film on the big screen. With other musical treats along the way to introduce your family to the sounds of the orchestra, plus a chance to join in with a brand new song all about sea creatures, it’s sure to be an unforgettable first concert experience for young music-lovers aged 5 and above.FUNharmonics family concerts are the perfect way to introduce the joy of classical music to the whole family. Concerts start at 12 noon, are one hour long, and are especially designed for children. Each concert is fast-paced and includes a presenter on stage, who breaks down the music or tells a story to keep our youngest audience members engaged and enthralled. There is also a big screen showing images projected behind the Orchestra, and always plenty of audience participation to get everyone joining in!Your concert ticket includes the opportunity to take part in a fabulous array of free musical activities in the foyer spaces at the Royal Festival Hall before the concert begins, so the whole family can make a day of your visit. This could include drop-in interactive workshops exploring the themes of the concert, fun singing workshops, and our extremely popular “Have a Go” sessions, where children can try out instruments of the orchestra. On this date, our “Have a Go” sessions will be on Strings and Woodwind instruments.Activities take place from 10.00–11.45am and are free to concert ticket holders.Workshops suitable for any age; Have a Go suitable for 6+All pre-concert activities are subject to availability. We recommend arriving early to avoid the longest queues.
Artistic depiction of the event

JazzKLUB / Urszula Dudziak, Big Band Śląski and guests / Nature of the bird

Sat, Oct 5, 2024, 19:30
Urszula Dudziak (Voice), Grażyna Auguścik (Voice), Grzech Piotrowski (Saxophon), Mika Urbaniak (Voice)
She is not just an icon, and it's not just Papaya, although thanks to the song, it turned out that jazz is no longer niche. But scat is more than that. It's like creating a language, and fusion, or more precisely jazz rock, is something even more significant, a way of life. Perhaps that's good fortune because Urszula Dudziak has a bird-like nature – she changes places and regenerates on stage. However, she has opted for more than just scat; also for perfection of intonation, expanding the scale (five octaves!) and crossing musical barriers because, as she said, she has the strength of a highlander and is not afraid of confrontation. In this case, she confronts the balladic feel of Grażyna Auguścik and the mesmerising matte of the voice of Mika Urbaniak, i.e., her daughter, and the saxophone of Grzech Piotrowski, who proves that there are no genres that cannot be fused. Maria Wilczek-Krupa
Artistic depiction of the event

Death and the Maiden

Sat, Sep 28, 2024, 16:00
Konserthuset Stockholm, The Grünewald Hall (Stockholm)
Dudok Quartet Amsterdam
Mozart's G major Quartet KV 387 and Schubert's Death and the Maiden are two favourites in the string quartet genre. Mozart had met Haydn and was inspired to compose a set of six quartets. In the dedication to Haydn, Mozart wrote that the quartets were "the fruit of a long and laborious work", and added, "you renowned man and my dearest friend".In his penultimate string quartet, Schubert employs the melody from one of his most famous songs, Death and the Maiden. The quartet contains both intensely fervent and dreamy passages. It is in the second movement that Schubert utilizes the poignant Death and the Maiden melody, which then serves as the basis for five variations. Here, Schubert's portrayal of death is by no means solely dark.In between, we hear a newly written quartet by the acclaimed British composer Bushra El-Turk. The BBC named her one of the world's 100 most inspiring women. Her music sometimes reflects her Lebanese roots. During the creation of Three Tributes, she collaborated with the Dudok Quartet Amsterdam, whom we hear here.This quartet, based in Amsterdam, is making their debut at Konserthuset Stockholm and has been praised for their empathetic playing in a repertoire ranging from the Renaissance to contemporary compositions.
Artistic depiction of the event

Silk and Bamboo Quartet

Sun, Mar 16, 2025, 19:30
Elbphilharmonie, Kleiner Saal (Hamburg)
Lingling Yu (Pipa), Wenqi Gu (Guzheng), Guo Gan (Erhu), Guo Gan (Gaohu), Hongze An (Sheng), Hongze An (Dizi), Hongze An (Xiao), Hongze An (Bawu)
Silk and bamboo – these are the fabrics used to produce the finely woven traditional music of south-east China. Pipa virtuoso Lingling Yu takes this fine art from her adopted home of Geneva out into the world with a young quartet of other traditional instruments. Lingling Yu comes from the nine-million-strong metropolis of Hangzhou, south of Shanghai, a centre of the silk and tea industry and also China’s own Silicon Valley. Even as a teenager, she was considered a child prodigy on the pear-shaped pipa, a necked bowl lute originally fitted with silk strings. In 1998, Yu moved to Switzerland in order to establish ties between Chinese and Western music, broadening her horizons by studying orchestration, counterpoint and composition. In addition to the pipa, her Silk and Bamboo Quartet brings together other traditional instruments: Wenqi Gu plays the guzheng, a 21-string, 2,500-year-old arched zither. The internationally experienced Guo Gan brings the erhu and gaohu violins to the quartet; he is also well versed in Western classical music and jazz. The quartet is completed by the young Hongze An, who has a command of the bamboo transverse flutes dizi and xiao, the mouth organ sheng and the bawu with its clarinet-like sound. Alternating between solo and ensemble performances, the group’s repertoire includes pieces from the south-east of China and the provinces of Canton and Yunnan as well as from the cities of Chaozhou and Hangzhou.
Artistic depiction of the event

World Sona Jobarteh – The magic of the African harp

Thu, May 29, 2025, 20:00
Philharmonie Berlin, Chamber Music Hall (Berlin)
Sonah Jobarteh (Vocals), Sonah Jobarteh (Kora), Sidiki Jobarteh (Balafon), Eric Appapoulay (Guitar), Eric Appapoulay (Vocals), Mamadou Sarr (Vocals), Mamadou Sarr (Percussion), Andi McLean (Bass), Andi McLean (Vocals), Yuval Wetzler (Drums), Yuval Wetzler (Vocals)
Sona Jobarteh is the first professional female kora player to have conquered a previously male domain. She comes from a family of Gambian musicians with a long tradition of playing the kora, a 21-stringed West African bridge harp. Until now, women were only allowed to sing to the sounds of the kora – Sona Jobarteh combines both in her meditative music-making. Born and raised in London, she studied both classical music and traditional African music. Sona Jobarteh shows us how well tradition and innovation can complement one another.