Queen Of Sand

The Music of Queen

The exceptional artist Freddie Mercury died far too early at the age of 45. He celebrated mega successes with his band Queen. Their hits are immortal and continue to inspire young and old with their repertoire of rock, pop, classical, ballads, disco and RnB songs. Thanks to the film »Bohemian Rhapsody« (2018), numerous documentaries and concerts by the exceptional band, Queen remains unforgotten among their huge fan base to this day. The Music of Queen is probably the best and most authentic Queen tribute show currently available. The charismatic frontman Valentin L. Findling and his first-class live band present the world hits of Queen. He embodies Freddie Mercury in a breathtaking and energetic way like no other. He has the voice, the look and the moves. His live band has played with greats such as Earl Harvin, Peter Schilling, Sandy, as support for Eric Clapton, Paul Young, and many more. The songs offer a sweeping tour of the entire Queen repertoire with all the hit classics of the British cult band.

The Glory of Queen

Queen ist eine der größten Rockbands aller Zeiten. "We are the Champions" sang der einzigartige Freddie Mercury bereits in den 70ern - und Freddie, die Diva des Rock, hinterlässt eine enorme Beliebtheit bei Millionen von Fans. So wählten ihn die Leser der Zeitschrift „Classic Rock“ im Jahr 2009 zum besten Sänger aller Zeiten. Aber auch seine Qualitäten als Komponist waren außergewöhnlich. Das belegen Welthits wie: „Bohemian Rhapsody“, "Crazy little Thing", „Don´t Stop me now“ u.v.m. MerQury ist eine der wenigen Gruppen, die mittlerweile weltweit vor begeistertem Publikum auftreten. Viele Touren führten sie durch Europa und Nordamerika. Seit der Gründung 1991 spielten MerQury weit über 1.500 Shows in 16 verschiedenen Ländern. Die Musiker der Band waren außerdem Hauptakteure in dem Erfolgsmusical „We are the champions“, welches von mehr als 150.000 Fans in ganz Europa gefeiert wurde. Hierbei geht das Konzept von MerQury mit einer Mischung aus täuschend echt interpretierten Queen-Songs und eigenen kreativen Stilistiken voll auf. Die fünf Vollblutmusiker überzeugen selbst eingeschworene Queen-Fans und bieten den Besuchern ein außergewöhnliches Konzerterlebnis. Die gelungene Kombination von brillantem Sound, aufwendiger Lichtshow mit explosiven Pyroeffekten, schrille Kostüme und jede Menge Publikumsinteraktion machen jedes Konzert von MerQury unvergleichlich. Als Frontmann überzeugt der aus Montreal stammende Johnny Zatylny nicht nur optisch in der Rolle von „Freddie Mercury“. Vor allem stimmlich brilliert der Sänger in schwierigen Passagen weltbekannter Queen-Songs. Als extravaganter Entertainer gewinnt er in kürzester Zeit die Sympathie der Zuschauer. Lassen Sie sich begeistern von einer aufwendigen Bühnenshow, dem einzigartigen Queen-Sound, live gespielt auf originalgetreuen Instrumenten und unterstützt von einer authentischen Lichtshow. Machen Sie eine Zeitreise in die 70er und 80er, der großen Ära von Queen und ihren unvergesslichen Hymnen. Erleben Sie emotionale Momente, lassen Sie sich "rocken" und feiern Sie mit dieser phantastischen Show den unvergleichlichen Freddie Mercury und seine Band.

The Queen of instruments

The Queen of instruments

The Queen of Instruments

There are not many instruments that are played simultaneously with hands and feet. The organ is one of them. It's not surprising that one has to use the whole body to make such a huge apparatus sound. Believe it or not, our organ in the Kulturpalast has a total of 4109 pipes! How to make them produce music, what a register is, what lies behind the strange word "manual," and much more will be learned at our school concert. Oh, and why is the organ actually in the concert hall and not in a church? 9:00 am: Classes 3 and 4 10:45 am: Classes 5 and 6

The Queen of Instruments

There are not many instruments that are played simultaneously with hands and feet. The organ is one of them. It's not surprising that one has to use the whole body to make such a huge apparatus sound. Believe it or not, our organ in the Kulturpalast has a total of 4109 pipes! How to make them produce music, what a register is, what lies behind the strange word "manual," and much more will be learned at our school concert. Oh, and why is the organ actually in the concert hall and not in a church? 9:00 am: Classes 3 and 4 10:45 am: Classes 5 and 6

Family Concert “Queen of Christmas”

In this series, the Berliner Philharmoniker and guests spark enthusiasm for classical music and take a closer look at the art of composing. In moderated concerts, they demonstrate the sound colours of the instruments or show how nature can sound. In our Queen of Christmas special with horn player Sarah Willis and her colleagues, it gets turbulent and enchanting – Sebastian Heindl provides support on the organ.

Family Concert “Queen of Christmas”

In this series, the Berliner Philharmoniker and guests spark enthusiasm for classical music and take a closer look at the art of composing. In moderated concerts, they demonstrate the sound colours of the instruments or show how nature can sound. In our Queen of Christmas special with horn player Sarah Willis and her colleagues, it gets turbulent and enchanting – Sebastian Heindl provides support on the organ.

Pikowaja Dama - Queen of Spades

About the work THE QUEEN OF SPADES, Tchaikovsky’s second most popular opera after EUGENE ONEGIN, delights audiences due to its sheer scale, among other qualities. The mood switches effortlessly from full chorus and ensemble to delicate chamber scenes. Sophisticated leisured society rubs up against indigent proletariat. Pushkin’s novella was used by Pyotr and Modest Tchaikovsky as the springboard into a psychogram of the two main protagonists Herman and Lisa, who are bound by their star-crossed despair and thwarted desire to express themselves freely. Herman serves the homosexual Tchaikovsky brothers not only as a touchstone in his capacity as social outcast; his profession as military engineer is also a reference to their father, Ilya Petrovich Tchaikovsky. Herman, an officer fascinated by the secrets of the gambling community, is in love with Lisa, a lady of gentle birth. Lisa yearns for self-determination but still lives under the thumb of her grandmother, the Countess, who, besides having stirred up Parisian high society in her youth, is also reputed to be the holder of a secret strategy for winning at cards. When Herman hears the rumour, he is sure that he has found a way out of his misery. His fixation on the mystery of the Three Cards takes its course. About the production Director Sam Brown makes his debut at the Deutsche Oper Berlin. His set design - heavily informed by that of his friend and director colleague Sir Graham Vick, who died tragically in 2021 – accentuates the nuances and ambiguities of the work’s dramatic storyline. His approach deliberately poses questions that are meant to remain unanswered. Does Herman love Lisa or is she just the means to an end? Is Lisa a helpless victim or does she just think Herman can help her escape her golden cage? Is there really a secret key to success at cards or is it just a figment of Herman’s imagination?