Family Concert “Queen of Christmas”

Family Concert “Queen of Christmas”

In this series, the Berliner Philharmoniker and guests spark enthusiasm for classical music and take a closer look at the art of composing. In moderated concerts, they demonstrate the sound colours of the instruments or show how nature can sound. In our Queen of Christmas special with horn player Sarah Willis and her colleagues, it gets turbulent and enchanting – Sebastian Heindl provides support on the organ.

Family christmas sing-along

Sing along to Christmas classics with the Royal Stockholm Philharmonic Orchestra! It's time to warm up and exercise those vocal cords, and get ready for the perfect prelude to the holiday celebrations. Of course, it's perfectly fine to just listen as well, and let yourself be enveloped by the orchestra and voices that fill every corner of the Main Hall.Leading the sing-along is Emelie Power, organist and choir conductor at Katarina Parish in Stockholm. She has previously led sing-alongs with the Royal Stockholm Philharmonic Orchestra at the annual Philharmonic Day. The conductor is Sofia Winiarski, who recently completed her conducting degree at the Royal College of Music in Stockholm and has already gained significant attention.***The possibility of bringing a pram into Konserthuset is very limited, so please consider leaving the pram at home.

Family christmas sing-along

Sing along to Christmas classics with the Royal Stockholm Philharmonic Orchestra! It's time to warm up and exercise those vocal cords, and get ready for the perfect prelude to the holiday celebrations. Of course, it's perfectly fine to just listen as well, and let yourself be enveloped by the orchestra and voices that fill every corner of the Main Hall.Leading the sing-along is Emelie Power, organist and choir conductor at Katarina Parish in Stockholm. She has previously led sing-alongs with the Royal Stockholm Philharmonic Orchestra at the annual Philharmonic Day. The conductor is Sofia Winiarski, who recently completed her conducting degree at the Royal College of Music in Stockholm and has already gained significant attention.***The possibility of bringing a pram into Konserthuset is very limited, so please consider leaving the pram at home.

Family concert

Family Concert

To this day, "Till Eulenspiegel's Merry Pranks" is one of Richard Strauss' best-known works, not least because Strauss uses the boldness of his orchestral treatment to create a musical depiction of Eulenspiegel's pranks that is as drastic as it is memorable and does not even shy away from the - apparent - end of the prankster on the gallows. Lorenzo Viotti, who not only conducts Strauss' tone poem in this family concert but also explains it himself, returns to the Deutsche Oper Berlin with this Strauss programme, where he made his successful debut in 2023 with Mahler's First Symphony.

FAMILY CONCERT: THE SOUND OF CLIMATE

FAMILY CONCERTSfor children and young people from 8 years

FAMILY CONCERT: THE SOUND OF CLIMATE

FAMILY CONCERTSfor children and young people from 8 years

Family concert of the Biennale “Pastorale”

In this series, the Berliner Philharmoniker and guests spark enthusiasm for classical music and take a closer look at the art of composing. In moderated concerts, they demonstrate the sound colours of the instruments or show how nature can sound.

Concert of Christmas Carols

Concert of Christmas Carols at the Warsaw Philharmonic, photo: DELUGA.art Although carols have become a fixture in the musical landscape of winter, we still know little about the origins of music-making over the Christmas period. Numerous internet sources give the oldest mention of carols as being a supposed directive issued by Telesphorus, bishop of Rome, in 129 AD specifying the performance of a ‘Hymn of the Angels’ during a festive mass. Some commentators have even gone so far as to mention the title of the carol which Pope Telesphorus had in mind, overlooking the fact that Christmas services have only been held in the Roman Church since the fourth century, while the song they cite is usually dated to the eighteenth (not the second) century. Although a final answer seems unlikely, the search for the oldest carol continues, attesting to the role which the subject of Christmas has played down the centuries – both in official liturgical songs and in music-making in the home. As every year, this will be evoked for listeners by the Warsaw Philharmonic Choir. During the traditional Christmas concerts, the choir – often accompanied by soloist and instrumentalists – will perform a programme comprising carols old and new, from home and abroad. The repertoire of the December concerts alters slightly each year and offers a unique glance at the wealth of music linked to one of the most important Christian feasts. Bartłomiej Gembicki

Concert of Christmas Carols

Concert of Christmas Carols at the Warsaw Philharmonic, photo: DELUGA.art Although carols have become a fixture in the musical landscape of winter, we still know little about the origins of music-making over the Christmas period. Numerous internet sources give the oldest mention of carols as being a supposed directive issued by Telesphorus, bishop of Rome, in 129 AD specifying the performance of a ‘Hymn of the Angels’ during a festive mass. Some commentators have even gone so far as to mention the title of the carol which Pope Telesphorus had in mind, overlooking the fact that Christmas services have only been held in the Roman Church since the fourth century, while the song they cite is usually dated to the eighteenth (not the second) century. Although a final answer seems unlikely, the search for the oldest carol continues, attesting to the role which the subject of Christmas has played down the centuries – both in official liturgical songs and in music-making in the home. As every year, this will be evoked for listeners by the Warsaw Philharmonic Choir. During the traditional Christmas concerts, the choir – often accompanied by soloist and instrumentalists – will perform a programme comprising carols old and new, from home and abroad. The repertoire of the December concerts alters slightly each year and offers a unique glance at the wealth of music linked to one of the most important Christian feasts. Bartłomiej Gembicki