Keywords: Early Music, Symphony Concert
| Orchestre Philharmonique de Radio France | |
| Mikko Franck | Conductor |
| Beatrice Rana | Piano |
| Concerto pour piano n° 1 | Piotr Tchaikovsky |
| Symphonie n°10 | Dmitri Shostakovich |
These events are similar in terms of concept, place, musicians or the program.
Debussy’s shimmering, pictorial score finds resonance with the work of Olivier Messiaen, a great colourist of orchestral material, at his best in Chronochromie, rich with the sounds of nature.
Tugan Sokhiev conducts the Orchestre Philharmonique de Radio France, in tandem with Jean-Frédéric Neuburger, for this pairing of concertante pieces by Haydn and Stravinsky.
Pure symphonic ecstasy, with two monuments in the canon that demand a fully engaged, inventive and visionary orchestra—here, the Orchestre Philharmonique de Radio France under the baton of he who served as its musical director from 2000 to 2015.
A Russian programme by the Orchestre Philharmonique de Strasbourg, with its musical and artistic director Aziz Shokhakimov conducting, and star violinist Nemanja Radulović as soloist.
Cristian Măcelaru and the Orchestre National de France bring French flair to the Rhine with Maurice Ravel's Boléro, his piano concerto, and Stravinsky's "The Firebird." The program also features Ravel's jazz-influenced piano concerto, a fitting prelude to Ravel's 150th birthday in 2025.
An eclectic programme showcasing the wide-ranging passion of trumpeter Lucienne Renaudin Vary, discovered at age 17 through the Victoires de la Musique—here joining forces with the equally intrepid Giacomo Sagripanti and Paris Chamber Orchestra.
Beethoven's grandeur, simultaneously epic and tragic, sublimated by Mitsuko Uchida's touch on piano, marks this exceptional evening, all the more since preceded by a premiere and followed by Berliozian excess.
Beethoven's grandeur, simultaneously epic and tragic, sublimated by Mitsuko Uchida's touch on piano, marks this exceptional evening, all the more since preceded by a premiere and followed by Berliozian excess.
Vocal and orchestral colours are the order of the day in this contrasting program where the shine of the brass contrasts with the impressionist moire, with the added bonus of Poulenc's smiling spirituality and Mussorgsky’s irresistible pictures!
Lisa Batiashvili's expressive elegance is put to full use in one of the gems of the Mozartean repertoire, which precedes the orchestral odyssey of Mahler's Symphony No.5 beset with the themes of torment, struggle and ecstasy.
ConcertPulse