Neojiba Orquestra Juvenil da Bahia / Guido Sant’Anna / Ricardo Castro

Verdi "Messa da Requiem"

Verdi: Messa da Requiem / Sylvain Cambreling

»Grief and prayer, fear and hopeful confidence, they speak a more passionate and individual language here than we are used to hearing in church«, wrote the music critic Eduard Hanslick about Verdi’s Messa da Requiem in 1875. In fact, there is so much drama in the work that the Catholic Church initially protested against performances – it was far too secular. Together with the Hamburg Symphony Orchestra, the opulent work will be sung by the EuropaChorAkademie, a talent factory for the best young singers from all over Europe.

Kirill Petrenko with Rachmaninov’s “Francesca da Rimini”

Hatred, jealousy and loss: Sergei Rachmaninov creates a dark world with powerful colours in his one-act opera Francesca da Rimini. Against this backdrop, the heroine’s brief happiness in love shines all the more brightly. Kirill Petrenko presents the impassioned score with acclaimed soloists in a concert performance. Sofia Gubaidulina’s work The Wrath of God is almost apocalyptically dramatic. And here, too, it is about the hatred that – says the composer – “grows in this world with such force and intensity that it inevitably touches me.”

Kirill Petrenko with Rachmaninov’s “Francesca da Rimini”

Hatred, jealousy and loss: Sergei Rachmaninov creates a dark world with powerful colours in his one-act opera Francesca da Rimini. Against this backdrop, the heroine’s brief happiness in love shines all the more brightly. Kirill Petrenko presents the impassioned score with acclaimed soloists in a concert performance. Sofia Gubaidulina’s work The Wrath of God is almost apocalyptically dramatic. And here, too, it is about the hatred that – says the composer – “grows in this world with such force and intensity that it inevitably touches me.”

Kirill Petrenko with Rachmaninov’s “Francesca da Rimini”

Hatred, jealousy and loss: Sergei Rachmaninov creates a dark world with powerful colours in his one-act opera Francesca da Rimini. Against this backdrop, the heroine’s brief happiness in love shines all the more brightly. Kirill Petrenko presents the impassioned score with acclaimed soloists in a concert performance. Sofia Gubaidulina’s work The Wrath of God is almost apocalyptically dramatic. And here, too, it is about the hatred that – says the composer – “grows in this world with such force and intensity that it inevitably touches me.”

Sergey Malov - Violine und Violoncello da Spalla

A Schubertiade.