Master Class / Play with Andrea Eckert as Maria Callas

Let's Play!

Experience game music on a whole new level with a live symphony orchestra! Don't miss the chance to enjoy the captivating sounds of the "Prince of Persia" series, blending oriental melodies and modern soundtracks by composers like Inon Zur and Tommy Tallarico. Also featuring music from "Final Fantasy" by Nobuo Uematsu, often performed by renowned orchestras. Concert duration: approx. 100 minutes including intermission.

Andrea Vanzo

For lovers of chamber music the Recital Hall is the venue of choice. You can hear the musicians breathe and you can practically touch them. This hall is also cherished by musicians for its beautiful acoustics and direct contact with the audience. In the Recital Hall you can hear the best musicians of our time. Buy your tickets now and experience the magic of the Recital Hall for yourself!

Andrea Chenier

It is the summer of 1789. A festivity is being prepared in the castle of Countess de Coigny. Charles Gérard, a servant of the Countess´ voices his hatred of the French aristrocracy´s decadence. His aged Father is forced to labour all day long and Gérard himself leads the undignified life of a lackey. Moreover, he is secretly and unhappily in love with Madeleine de Coigny, the daughter of the House with whom he was raised. The political situation is very tense. When the visitors attending the ball finally arrive, they try to distract themselves from the disquieting news from Paris with the help of arcadian idylls and games. The young poet André Chénier is among the guests. Madeleine requests him to recite a poem. He sings of love and laments the injustice of the powers that be in such a convincing manner that Madeleine is deeply moved and forced to quit the room. The doors are suddely opened and a mob of irate people led by Gérard shocks the ball guests. However, the Countess manages to pacify and disperse the mob. The dancing continues. It is five years later and nobody is dancing. Paris trembles under the regime of Robespierre. Gérard has been elected prosecutor at the revolutionary tribunal, the impoverished Madeleine lives in Paris, supported by Bersi, her former maid, who now works as a courtesan. Chenier is being persecuted due to his poems against Robespierre´s regime of terror. Although his friend Roucher entreats him to leave Paris, he refuses as he has fallen in love with an unknown woman who secretly corresponds through letters. The unknown woman is no other than Madeleine. When the two meet and confess their feelings during a nocturnal rendez-vous, they are surprised by Gérard who has been looking for Madeleine with the help of his spies. Gérard and Chénier fight and Gérard is wounded. Gérard implores his rival to flee with Madeleine and guard her safety. At a revolutionary tribunal meeting he later signs the prosecution warrant against Chénier, whom he ...

Andrea Chenier

It is the summer of 1789. A festivity is being prepared in the castle of Countess de Coigny. Charles Gérard, a servant of the Countess´ voices his hatred of the French aristrocracy´s decadence. His aged Father is forced to labour all day long and Gérard himself leads the undignified life of a lackey. Moreover, he is secretly and unhappily in love with Madeleine de Coigny, the daughter of the House with whom he was raised. The political situation is very tense. When the visitors attending the ball finally arrive, they try to distract themselves from the disquieting news from Paris with the help of arcadian idylls and games. The young poet André Chénier is among the guests. Madeleine requests him to recite a poem. He sings of love and laments the injustice of the powers that be in such a convincing manner that Madeleine is deeply moved and forced to quit the room. The doors are suddely opened and a mob of irate people led by Gérard shocks the ball guests. However, the Countess manages to pacify and disperse the mob. The dancing continues. It is five years later and nobody is dancing. Paris trembles under the regime of Robespierre. Gérard has been elected prosecutor at the revolutionary tribunal, the impoverished Madeleine lives in Paris, supported by Bersi, her former maid, who now works as a courtesan. Chenier is being persecuted due to his poems against Robespierre´s regime of terror. Although his friend Roucher entreats him to leave Paris, he refuses as he has fallen in love with an unknown woman who secretly corresponds through letters. The unknown woman is no other than Madeleine. When the two meet and confess their feelings during a nocturnal rendez-vous, they are surprised by Gérard who has been looking for Madeleine with the help of his spies. Gérard and Chénier fight and Gérard is wounded. Gérard implores his rival to flee with Madeleine and guard her safety. At a revolutionary tribunal meeting he later signs the prosecution warrant against Chénier, whom he ...

Andrea Chenier

It is the summer of 1789. A festivity is being prepared in the castle of Countess de Coigny. Charles Gérard, a servant of the Countess´ voices his hatred of the French aristrocracy´s decadence. His aged Father is forced to labour all day long and Gérard himself leads the undignified life of a lackey. Moreover, he is secretly and unhappily in love with Madeleine de Coigny, the daughter of the House with whom he was raised. The political situation is very tense. When the visitors attending the ball finally arrive, they try to distract themselves from the disquieting news from Paris with the help of arcadian idylls and games. The young poet André Chénier is among the guests. Madeleine requests him to recite a poem. He sings of love and laments the injustice of the powers that be in such a convincing manner that Madeleine is deeply moved and forced to quit the room. The doors are suddely opened and a mob of irate people led by Gérard shocks the ball guests. However, the Countess manages to pacify and disperse the mob. The dancing continues. It is five years later and nobody is dancing. Paris trembles under the regime of Robespierre. Gérard has been elected prosecutor at the revolutionary tribunal, the impoverished Madeleine lives in Paris, supported by Bersi, her former maid, who now works as a courtesan. Chenier is being persecuted due to his poems against Robespierre´s regime of terror. Although his friend Roucher entreats him to leave Paris, he refuses as he has fallen in love with an unknown woman who secretly corresponds through letters. The unknown woman is no other than Madeleine. When the two meet and confess their feelings during a nocturnal rendez-vous, they are surprised by Gérard who has been looking for Madeleine with the help of his spies. Gérard and Chénier fight and Gérard is wounded. Gérard implores his rival to flee with Madeleine and guard her safety. At a revolutionary tribunal meeting he later signs the prosecution warrant against Chénier, whom he ...

Aural Spaces – Masterclass James Allister Sprang & 4DSOUND: Play the Space as an Instrument

James Allister Sprang’s multidisciplinary work weaves in sculpture, visuals, and music, using sound to immerse audiences in a sonic cocoon that explores topics such as longing, nostalgia, disembodied voices, and representations of spirits unseen. His approach to spatial sound invites us to listen deeply while welcoming our own bodies, our ancestors, our traumas, our pain, our longings, visions, and dreams. During this talk, he will discuss his own journey in the spatial sound field, and his distinctive approach to creating in 4DSOUND.What are the possibilities of 4DSOUND? What are interesting ways to play the system? How can you apply 4DSOUND in different contexts? What else is sound spatialization besides placing and moving sounds? How does it work, and most importantly: how does it sound? Holleman and Sprang discuss the underlying concept and fundamental principles, with a strong focus on the system in action, because hearing is believing.This Masterclass is aimed at professionals and people from the field, but Aural Spaces also welcomes general interested parties who would like to be surprised by spatial sound.Please note: this masterclass is in English.4DSOUND is an Amsterdam-based studio focusing on spatial sound as a creative medium. For over a decade, they have been pioneering the design of advanced spatial audio software and omnidirectional sound systems. Through the development of bespoke technology and their close collaborations with innovative artists, the studio fosters a dynamic international network of creatives, engineers, studios, and institutions within the fields of music, art, education, and research.This concert is part of the Aural Spaces festival. From 12 to 15 December, a new dimension will be added to the live music experience in the Recital Hall of The Concertgebouw. The familiar red plush chairs will make way for a 4DSOUND installation, consisting of 13 pillars with 41 speakers. Classical acoustic methods are combined with the modern technology of 4DSOUND, further expanding the possibilities of sound experience.Aural Spaces explores the boundaries between sound and space, blurring them and merging them. The result is a completely immersive listening experience that’s all too rare. Discover and feel how the music moves through space!

Andrea Merlo / Piano Recital

The Polish composer Frédéric Chopin, born in 1810, was considered a child prodigy: his piano playing was technically far ahead of his time, and his use of pedals greatly expanded the tonal and technical possibilities of the instrument. Although Chopin followed in the tradition of great role models such as Bach, Mozart and Schubert, he was also particularly influenced by Polish folk music and Italian bel canto. In Chopin’s music, melodies meet great musical demands. Selected piano works by Frédéric Chopin will be performed at the Laeiszhalle by Andrea Merlo, who studied at the Hamburg University of Music and Theatre and attracted attention as a soloist at the 2014 Winter Olympics in Sochi.

Andrea Merlo / Piano Recital

The Polish composer Frédéric Chopin, born in 1810, was considered a child prodigy: his piano playing was technically far ahead of his time, and his use of pedals greatly expanded the tonal and technical possibilities of the instrument. Although Chopin followed in the tradition of great role models such as Bach, Mozart and Schubert, he was also particularly influenced by Polish folk music and Italian bel canto. In Chopin’s music, melodies meet great musical demands. Selected piano works by Frédéric Chopin will be performed at the Laeiszhalle by Andrea Merlo, who studied at the Hamburg University of Music and Theatre and attracted attention as a soloist at the 2014 Winter Olympics in Sochi.

Andrea Marcon · BRSO hip