Manfred Honeck & Igor Levit

Manfred Honeck & Igor Levit

“An orchestra of wailing and jubilant voices”: thus Robert Schumann described the piano playing of Johannes Brahms. Now Igor Levit, last season’s artist-in-residence, returns to the BRSO with Brahms’s First Piano Concerto, the very work with which the composer forged his path from chamber music to the symphony. Here the “voices” of the solo instrument and the orchestra blend into an intensive dialogue. Dvořák’s Eighth Symphony radiates the relaxed and cheerful holiday mood of the little village of Vysoká. “The melodies just drop into my lap”, the composer enthused, and indeed the symphony seems to “emerge directly from Bohemia’s natural surroundings and the Czech people”, to quote Dvořák’s enraptured biographer Otakar šourek. With this symphony Manfred Honeck conducts one of Dvořák’s most popular works, revealing him to be a Czech national composer to the very core.

Manfred Honeck & Igor Levit

“An orchestra of wailing and jubilant voices”: thus Robert Schumann described the piano playing of Johannes Brahms. Now Igor Levit, last season’s artist-in-residence, returns to the BRSO with Brahms’s First Piano Concerto, the very work with which the composer forged his path from chamber music to the symphony. Here the “voices” of the solo instrument and the orchestra blend into an intensive dialogue. Dvořák’s Eighth Symphony radiates the relaxed and cheerful holiday mood of the little village of Vysoká. “The melodies just drop into my lap”, the composer enthused, and indeed the symphony seems to “emerge directly from Bohemia’s natural surroundings and the Czech people”, to quote Dvořák’s enraptured biographer Otakar šourek. With this symphony Manfred Honeck conducts one of Dvořák’s most popular works, revealing him to be a Czech national composer to the very core.

Igor Levit

Igor Levit

Igor Levit is one of the most significant pianists of his generation (born in 1987) and regularly performs on all the major stages worldwide. He has appeared at Konserthuset Stockholm on several occasions, including during the 250th anniversary of Beethoven's birth, when he performed all of Beethoven's piano sonatas in a series of live-streamed concerts (due to the pandemic).Beethoven is also featured on the program for this concert: the third symphony – Eroica – in Franz Liszt's famous arrangement. The program as a whole consists of what is often referred to as the three great Bs of classical music history: Bach, Beethoven, Brahms, and begins with Bach's chromatic fantasy and fugue. It was acclaimed and regarded as a masterpiece even during Bach's lifetime, filled with advanced voice leading and lightning-fast runs.Between Bach and Beethoven, Levit has placed Brahms' atmospheric and youthfully explosive ballades; he was only 21 years old when he wrote them. They are designed as short musical narratives. We know that the first one is based on an old Scottish ballad about Edward, who returns home with blood on his sword. The atmosphere is dark and ominous. However, no source material for the other three has been preserved.

Igor Levit

Every pianist and soloist takes a risk with Franz Liszt's transcription of Beethoven's Symphony No. 7. Few have dared to tackle this pianistic chunk, which demands everything at once: power, virtuosity, a sense of the piece's architecture, and a keen ear for detail. Igor Levit takes on this task. Liszt has long been a favorite in his repertoire. For a TV documentary, he already traced the composer's footsteps around 15 years ago. Levit's program for the Essen Philharmonic is brilliant: First, he takes us back to the starting point of all romantic piano virtuosity, Bach's "Chromatic Fantasy and Fugue".

Igor Levit

In the 19th century, piano arrangements played a crucial role in disseminating symphonic works, with Franz Liszt's arrangements of Ludwig van Beethoven's symphonies considered the pinnacle. Igor Levit takes on this challenge. He performs Liszt's piano version, a feat that demands everything from a pianist. Levit also presents music by Johann Sebastian Bach and late piano pieces by Johannes Brahms.

Gewandhausorchester, Manfred Honeck Dirigent

Beethoven believed in music's power to transform individuals and society. His symphonies, including the Third, Fifth, Sixth, and Seventh, convey this through themes of life, liberation, nature, religion, time, and rhythm. He felt his Seventh Symphony needed no explanation, although the true meaning remains a mystery. Brahms, similarly, uses irony and understatement to describe his Second Piano Concerto, acknowledging the difficulty of capturing music's essence in words.

Gewandhausorchester, Manfred Honeck Dirigent

Beethoven believed in music's power to transform individuals and society. His symphonies, including the Third, Fifth, Sixth, and Seventh, convey this through themes of life, liberation, nature, religion, time, and rhythm. He felt his Seventh Symphony needed no explanation, although the true meaning remains a mystery. Brahms, similarly, uses irony and understatement to describe his Second Piano Concerto, acknowledging the difficulty of capturing music's essence in words.

Manfred Honeck & Paul Lewis

Edvard Grieg’s Piano Concerto in A minor belongs to one of the programmes that have been consistently rescheduled due to the pandemic; fortunately, it can finally take place as it had originally been planned in the spring of 2020 with Paul Lewis as the soloist. The work is an unabashedly Romantic piece in which the young composer portrays the bright, expansive, and playful colors of his homeland in an almost impressionistic way. As one of the most sophisticated pianists of his generation, Britain’s Paul Lewis will render this musical portrait with consummate skill. In conductor Manfred Honeck’s conception, Schulhoff’s Five Pieces for String Quartet will be brought to life with a more expressive, or, to be precise, more Dadaist character: rhythmically concise, ecstatically pulsating – a playful new territory for the BRSO musicians. And, indeed, every concert that includes the Eroica is bound to be one of the highlights of an orchestral season.

Manfred Honeck & Paul Lewis

Edvard Grieg’s Piano Concerto in A minor belongs to one of the programmes that have been consistently rescheduled due to the pandemic; fortunately, it can finally take place as it had originally been planned in the spring of 2020 with Paul Lewis as the soloist. The work is an unabashedly Romantic piece in which the young composer portrays the bright, expansive, and playful colors of his homeland in an almost impressionistic way. As one of the most sophisticated pianists of his generation, Britain’s Paul Lewis will render this musical portrait with consummate skill. In conductor Manfred Honeck’s conception, Schulhoff’s Five Pieces for String Quartet will be brought to life with a more expressive, or, to be precise, more Dadaist character: rhythmically concise, ecstatically pulsating – a playful new territory for the BRSO musicians. And, indeed, every concert that includes the Eroica is bound to be one of the highlights of an orchestral season.