Set your preferred locations for a better search. You can sign up here.

Latin American guitar sounds – Sombras del Fuego

Date & Time
Sun, Jan 5, 2025, 19:30
Alejandro Carrillo Gamboa is regarded as one of the best guitarists in Europe and is appreciated for his dazzling musical virtuosity, which is rich in tonal colours and artistic forms of expression. He delights his audiences in renowned concert halls such as the Elbphilharmonie Hamburg and the Konzerthaus Berlin and Vienna. The programme »Latin American Guitar Sounds – Sombras del Fuego« is a musical journey through Latin American and European music. Alejandro’s fiery, gentle sounds evoke longing memories of a... Read full text

Keywords: Jazz & World, Recital, Vocal Music

Artistic depiction of the event

Musicians

Alejandro Carrillo GamboaGuitar, Vocals

Program

Information not provided
Give feedback
Last update: Sat, Nov 23, 2024, 10:27

Similar events

These events are similar in terms of concept, place, musicians or the program.

Artistic depiction of the event

Ana Vidovic, guitar

Fri, Nov 1, 2024, 19:30
Elbphilharmonie, Kleiner Saal (Hamburg)
Ana Vidovic (Guitar)
It sounds delightfully Mediterranean, also a bit like a holiday: the »Aranjuez Concerto« by Joaquín Rodrigo – probably the most famous work of all for classical guitar. The acclaimed Croatian guitarist Ana Vidovic does not play it in its original version with orchestra however, but as a solo version, completely exposed and with no safety net from the large ensemble behind her. It proves advantageous to Vidovic that she plays on her instrument as masterly as only a few others can currently do so. She also shows her dexterity in the rest of the programme: for instance in a daring piece by Mario Castelnuovo-Tedesco, which quite rightly bears its title »Capriccio diabolico«. Born near Zagreb, Ana Vidovic started to play the guitar at five years old and also performed internationally early on. Today, she can look back on over 1,000 performances all over the world, among them also in many famous halls like the Wiener Musikverein and the Concertgebouw in Amsterdam. Some things have not changed since the start of her career though: for instance, her great love of Johann Sebastian Bach. And so she also starts her concert with two Bach transcriptions. She plays the Partita in A Minor for solo flute and the famous Cello Suite No. 1.
Artistic depiction of the event

Thibaut Garcia, guitar

Fri, Dec 13, 2024, 19:30
Elbphilharmonie, Kleiner Saal (Hamburg)
Thibaut Garcia (Guitar)
At the age of 30, Thibaut Garcia has already arrived on the Mount Olympus of guitars: the Franco-Spanish musician has won many well-known competitions, performed with famous orchestras and solo in the most beautiful halls worldwide and recorded a highly acclaimed album with the countertenor Philippe Jaroussky (»À sa guitare«). He now presents his latest project at the Elbphilharmonie: a programme all about the Paraguayan composer Agustín Barrios Mangoré, who Garcia describes as the »Chopin of the guitar«. In addition to Mangoré’s own works, transcriptions that the composer produced also ring out – for instance of Beethoven’s famous »Moonlight Sonata«. Agustín Barrios Mangoré (1885-1944) was one of the greatest composers and guitar virtuosos in South America and beyond. »Today, he is one of the most important composers of guitar repertoire,« says Garcia. »His music is a fine artistic blend of South American folk music, inspired by the jungles of Paraguay and the romanticism of Chopin and Schumann – composers he admired.«
Artistic depiction of the event

Xuefei Yang, guitar

Fri, Feb 14, 2025, 19:30
Elbphilharmonie, Kleiner Saal (Hamburg)
Xuefei Yang (Guitar)
»Fervent virtuosity, impeccable technique, sensitive musicality« – so enthuses the New York Times about the Chinese guitarist Xuefei Yang. This musician is a real pioneer of the guitar world: she was one of the first to start a global career as a classical guitarist from Peking after China’s cultural revolution (a period in which Western instruments and music were banned in China). When she performed in Madrid for the first time aged 14, at the epicentre of the guitar world, composer Joaquín Rodrigo came to hear her in person. She has now played concerts in over 50 countries, is not only a noteworthy virtuoso, but also constantly expands the guitar repertoire with new arrangements and commissioned works – as also in her new project that she presents at the Elbphilharmonie: »X Culture«. »X Culture is a homage to the variety and a sign of the creativity that arises if you open up to other cultures,« Yang says. Different cultures always blend in the works that she collated on her 2023 album of the same name: for instance, the Italian composer Carlo Domeniconi is evocative of a mysterious Turkish soundscape in »Koyunbaba«, there are European composers, inspired by the Far East (Steve Goss: »Chinese Garden« and Mark Houghton: »Dance of the Orient«), conversely Tan Dun’s »Seven Desires« draws from the soundscape of Spanish flamenco. »The album reflects my own intercultural journey,« says Yang. It has also always been a concern of hers to enhance the western ideas of »classical« music with Chinese traditions and sounds. She consequently also opens her Elbphilharmonie concert with arrangements of Chinese folk songs.
Artistic depiction of the event

Sean Shibe, guitar

Fri, Apr 11, 2025, 19:30
Elbphilharmonie, Kleiner Saal (Hamburg)
Sean Shibe (Guitar), Sean Shibe (Electric Guitar)
There is nothing boring about Sean Shibe. The Scottish guitarist had demonstrated early on in his career that he not only has extremely agile fingers, but also a keen sense of programme combinations. He makes old and brand-new music, electronic and acoustic, loud and soft come together. The supposed showpieces on the classical guitar are of little interest to him; he prefers searching for particular, even unknown pieces, makes his own arrangements or commissions new works. As a result, he had already attracted attention as a »Rising Star« at the Elbphilharmonie in January 2024 – he now returns with a new genre-busting programme. Centuries old, Scottish lute pieces encounter Spanish and Latin American guitar music of the 20th century here: while Alberto Ginastera only wrote the one, but all the more splendid, guitar sonata, Heitor Villa-Lobos played guitar himself and as a result dedicated several pieces to the instrument, which now rank among the favourites of many guitarists. After the interval, Sean Shibe switches to electric guitar and turns up his volume control slightly further again: besides music by the medieval composer Hildegard von Bingen, you can hear »Lad« by Julia Wolfe. Originally composed for entirely new (!) bagpipes, Sean Shibe has already created his own version for his album »softLOUD«, which brings early Scottish lute music full circle.
Artistic depiction of the event

Kenny Garrett and Sounds from the Ancestors

Thu, Aug 22, 2024, 20:00
Elbphilharmonie, Großer Saal (Hamburg)
Kenny Garrett (Saxophon), Melvis Santa (Vocals), Keith Brown (Piano), Jeremiah Edwards (Bass), Mark Whitfield Jr (Drums), Rudy Bird (Percussion)
His tone is unmistakable, his playing irrepressible and full of originality: it is none other than Kenny Garrett, one of the most important and versatile saxophonists of his generation, who rose to global fame as a member of Miles Davis’ band in the 1980s. Garrett then developed his own musical identity as a bandleader with albums like »African Exchange Student« and »Black Hope«. Black music culture has always been the starting point for his musical language, and he pays tribute to this in his latest project »Sounds from the Ancestors«. The saxophone legend marks his Elbphilharmonie debut with this exciting programme. »Sounds from the Ancestors« reflects the rich jazz, R&B and gospel history of Garrett’s home city of Detroit. Yet the album also has a contemporary and cosmopolitan feel – brought about especially by the inclusion of music from France, Cuba, Nigeria and Guadeloupe. »The concept,« he says, »was originally about drawing on some of the musical sounds I remember from my childhood – sounds that lift up the spirit, from songs like John Coltrane’s ›A Love Supreme‹, Aretha Franklin’s ›Amazing Grace‹, and Marvin Gaye’s ›What’s Going On‹, as well as the spiritual side of church. When I started thinking about it, I realised it was the spirit of my ancestors. Recognising the origins of the sounds we have incorporated into the aesthetic of Western music is extremely important.«
Artistic depiction of the event

Katharina Mai / Aguas de Maio

Sun, May 26, 2024, 18:00
Laeiszhalle, Kleiner Saal (Hamburg)
Katharina Mai (Mezzo-Soprano), Aguas de Maio
The name of the band is an allusion to a piece by the Brazilian bossa nova composer and pianist Antonio Carlos Jobim and at the same time the programme of the band’s music. The lyrics of the song in question are an enumeration of everything that belongs to a fulfilled human life, and so the musicians have selected for their repertoire from the almost endless wealth of Brazilian sounds what they found suitable, extraordinary or otherwise remarkable. Samba, Bossa Nova, Choros, Musica Popular Brasileira - stylistically, there are no limits except their own.
Artistic depiction of the event

Simply... Philharmonic!3: Specchio del mondo

Thu, Feb 20, 2025, 19:00
Filharmonia Narodowa, Chamber Music Hall (Warszawa)
La Morra, Doron Schleifer (Vocals), Ivo Haun de Oliveira (Vocals), Matthieu Romanens (Vocals), Corina Marti (Clavicimbalum), Corina Marti (Organetto), Corina Marti (Recorders), Michał Gondko (Lute), Vojtěch Jakl (Vielle)
La Morra, photo: Dirk Letsch Around the middle of the fourteenth century, the previously dominant musical centres of Italy – Milan and Verona – began to lose their position to Florence. Gherardello da Firenze is considered to be the earliest composer associated with this city. Although he was a clergyman, it is mainly his secular works that have survived to our times. However, the most important Florentine Trecento composer is considered by scholars to be Francesco Landini, slightly younger than Gherardello, who at the time composed the largest number of works written in Florence. Interestingly, during his lifetime, Landini was known mainly as an outstanding organist, working at the Florentine convent of Santa Trinita and later at the Basilica of San Lorenzo. In the surviving musical sources associated with Landini, his name often appears with an annotation referring to his instrument. Admiration for Francesco’s playing was expressed in 1389 by the lawyer and writer Giovanni Gherardo da Prato, in his work Il Paradiso degli Alberti, describing Florence at the time. An organetto (portative organ) even accompanies Landini on his tombstone portrait. Perhaps his outstanding talent as a performer and appreciation during his lifetime explain why a relatively large number of his works have survived to this day. However, they are exclusively secular compositions. Simply… Philharmonic! Project 3: Both historical eras and cultural centres are often associated with outstanding individuals who represent the art created in a given place and time. However, confining ourselves to the individual perspective often distorts the full picture of the artistic reality of the time. For Baroque Italy, such a point of reference is certainly Antonio Vivaldi. Although he was an outstanding violinist, he also wrote concertato works not intended for string instruments, as did another violinist, Georg Philipp Telemann, who today remains in the shadow of the great Baroque luminaries from Saxony – Johann Sebastian Bach and George Frideric Handel. Unlike Vivaldi, Telemann was a multi-instrumentalist, also experienced in playing wind and keyboard instruments. Francesco Landini can be considered a symbol of Florence, and also of the entire Italian output of the Trecento. He too delighted his contemporaries with his performance art, specialising in organ. The most outstanding composer of the Polish Republic of the first half of the fifteenth century known to us today was Nicolaus of Radom. Very little is known about his life, but he can certainly be associated with his activities in early Jagiellonian Cracow. Daniel Laskowski
Artistic depiction of the event

Claron McFadden & Claire Chevallier: American-French Connection

Tue, Apr 22, 2025, 20:15
Claron McFadden (Soprano), Claire Chevallier (Piano)
For lovers of chamber music the Recital Hall is the venue of choice. You can hear the musicians breathe and you can practically touch them. This hall is also cherished by musicians for its beautiful acoustics and direct contact with the audience. In the Recital Hall you can hear the best musicians of our time. Buy your tickets now and experience the magic of the Recital Hall for yourself!