Katharina Mai / Aguas de Maio

Liederabend Katharina Kammerloher

Several times a year, the Apollosaal transforms into a salon for art songs and choral music. Soloists from the Staatsopernensemble and members of the International Opera Studio cultivate the art song genre, while the resident choirs develop and perform their programs.

Latin American guitar sounds – Sombras del Fuego

Alejandro Carrillo Gamboa is regarded as one of the best guitarists in Europe and is appreciated for his dazzling musical virtuosity, which is rich in tonal colours and artistic forms of expression. He delights his audiences in renowned concert halls such as the Elbphilharmonie Hamburg and the Konzerthaus Berlin and Vienna. The programme »Latin American Guitar Sounds – Sombras del Fuego« is a musical journey through Latin American and European music. Alejandro’s fiery, gentle sounds evoke longing memories of a warm summer evening. Just the right programme for the cold season! A very special highlight of the evening will be the artist’s own compositions and vocals. Alejandro will surprise his audience with songs from his latest winter album.

Katharina Konradi / Catriona Morison / Song Recital

France calls the German art song »Le lied«. This resonates respect for this world-famous phenomenon, but also a lot of autonomy at the same time. The French art song is actually very self-confidently called »mélodie«. With Katharina Konradi and Catriona Morison, two equally top-class singers present a programme which delightfully contrasts Schumann and Brahms’ songs with their French contemporaries. Katharina Konradi is best known to the Hamburg audience from the local State Opera, where you could already have experienced her as an ensemble member in numerous leading roles. Catriona Morison’s award-winning mezzo-soprano impresses with its »warm-earthy timbre and excellent clarity«, as the FAZ wrote about one of her song recitals. The political and military conflicts between Germany and France in the 19th century did not stop even when it came to art – many French composers wanted to audibly break away from their neighbours. However, this does not mean that people had closed their ears to sounds beyond the border. France’s most important song composer, Gabriel Fauré, loved the classical song form just as much as Brahms. Ernest Chausson gravitated more to Richard Wagner’s free recitative. As repertoire gems, the singer duo have brought along songs by a sister duo: the opera diva Maria Malibran died at just 28 years old and, in addition to umpteen thousands of fans, also left behind a handful of songs. Her sister Pauline Viardot-García, conversely, became very old – and is one of France’s composers absolutely worth rediscovering!

Katharina Konradi | Catriona Morison | Ammiel Bushakevitz

Katharina Konradi, known for her success in opera and operetta, prefers art songs. She will perform a rare duet concert in Cologne with mezzo-soprano Catriona Morison and pianist Ammiel Bushakevitz. Their program focuses on romantic and late-romantic duets—hidden gems rarely heard in concert halls.

Jeu de l'oie musical

Orchestre de Paris / Omer Meir Wellber

Grating death, parodied death, omnipotent death, death staved off by art: this program invites us to a veritable musical “thanatography”, in which Ullmann's score, rescued from the Nazi terror, preludes Mozart's timeless masterpiece.

Konzerthausorchester Berlin, Jan Willem de Vriend

Good news for all fans of Sebastian Knauer - the pianist is back at the Konzerthaus with Mozart's Concerto in D minor, premiered in 1785. Compared to earlier works in this genre, the orchestra is increasingly taking on the role of piano partner, which is of course good news for the Konzerthausorchester.Under the Dutch conductor Jan Willem de Vriend, however, our musicians will first play the inter-act music to a drama about the Egyptian King Thamos, which is set in the sun city of Heliopolis and was first performed in 1774. There is little to say about the plot - apart from the fact that the right people get each other and the schemers die by their own daggers or by being struck by lightning. Finally, Haydn's No. 99 from 1793, one of the „London“ symphonies, is played. In it, he used clarinets for the first time and (whether because of this or anyway is not known) had considerable success with the public.

Konzerthausorchester Berlin, Jan Willem de Vriend

Good news for all fans of Sebastian Knauer - the pianist is back at the Konzerthaus with Mozart's Concerto in D minor, premiered in 1785. Compared to earlier works in this genre, the orchestra is increasingly taking on the role of piano partner, which is of course good news for the Konzerthausorchester. Under the Dutch conductor Jan Willem de Vriend, however, our musicians will first play the inter-act music to a drama about the Egyptian King Thamos, which is set in the sun city of Heliopolis and was first performed in 1774. There is little to say about the plot - apart from the fact that the right people get each other and the schemers die by their own daggers or by being struck by lightning. Finally, Haydn's No. 99 from 1793, one of the „London“ symphonies, is played. In it, he used clarinets for the first time and (whether because of this or anyway is not known) had considerable success with the public.

Lux Nova Duo

The Lux Nova Duo, with its distinctive combination of accordion and guitar, combines classical and folkloristic music from Latin America and Europe in an extraordinary concert experience. The pulsating rhythms of Cuban music, the mystical atmosphere of the Andes, the passion of Argentinian tango and the innovative interpretations of Johann Sebastian Bach’s masterpieces combine to create a unique musical experience. As a special highlight, new pieces inspired by Pablo Picasso’s painting Guernica will be performed.

Lucienne Renaudin Vary & Tim Allhoff

Lucienne Renaudin Vary and Tim Allhoff are siblings in spirit, as they move between genres. »Jazz meets classical music« is not just a label for them, but a living reality. The French trumpeter enjoyed a classical education at the renowned Paris Conservatoire National Supérieur de Musique, but improvising in a jazz quartet or at home with her two younger brothers has always played an equally important role. Pianist and composer Tim Allhoff studied jazz piano in Munich and regularly immerses himself in classical soundscapes as an arranger for renowned musicians from the classical music scene. In the ProArteX series, both give free rein to their joy of playing and experimenting. In addition to Bach and Françaix, the programme includes songs by Gershwin, Gainsbourg and the Beatles.