Set your preferred locations for a better search. You can sign up here.

Guitar Alumni Concert

Date & Time
Wed, Jan 22, 2025, 19:00
Be transported by the extraordinary sounds of the guitar with a free evening of unique arrangements of timeless classical works, performed by celebrated alumni from Guildhall School.

Keywords: Free, Guildhall School, Vocal Music

Artistic depiction of the event

Musicians

Matilde FreiriaGuitar
Jens FrankeTheorbo
Isabelle PetersSoprano
Mēla Guitar Quartet

Program

Sonatas K.208 & K.209Scarlatti
ElegieMertz
Works for theorbo and sopranoAlessandro Piccinini, Robert Johnson & Tarquinio Merula
BacchanaleCamille Saint-Saëns
ArabesquesClaude Debussy
Italian PolkaSergei Rachmaninoff
Hänsel und Gretel OvertureHumperdinck
Ruslan and Lyudmila OvertureGlinka
Give feedback
Last update: Fri, Jan 10, 2025, 17:18

Similar events

These events are similar in terms of concept, place, musicians or the program.

Artistic depiction of the event

Latin American guitar sounds – Sombras del Fuego

Sun, Jan 5, 2025, 19:30
Elbphilharmonie, Kleiner Saal (Hamburg)
Alejandro Carrillo Gamboa (Guitar), Alejandro Carrillo Gamboa (Vocals)
Alejandro Carrillo Gamboa is regarded as one of the best guitarists in Europe and is appreciated for his dazzling musical virtuosity, which is rich in tonal colours and artistic forms of expression. He delights his audiences in renowned concert halls such as the Elbphilharmonie Hamburg and the Konzerthaus Berlin and Vienna. The programme »Latin American Guitar Sounds – Sombras del Fuego« is a musical journey through Latin American and European music. Alejandro’s fiery, gentle sounds evoke longing memories of a warm summer evening. Just the right programme for the cold season! A very special highlight of the evening will be the artist’s own compositions and vocals. Alejandro will surprise his audience with songs from his latest winter album.
Artistic depiction of the event

Lunch concert

Wed, Nov 27, 2024, 13:00
Philharmonie Berlin, Foyer Main Auditorium (Berlin)
Juliana Zara (Soprano), Marlene Heiß (Piano)
You can simply go to a concert at the Philharmonie, spontaneously, during your lunch break – and with free admission: every Wednesday at 13:00 between September and June. The programme lasts 40 to 50 minutes: chamber music, piano works or a percussion duo – everything from Tchaikovsky to tango. Members of the Berliner Philharmoniker and the Karajan Academy regularly perform, as well as guests from the Deutsches Symphonie-Orchester, the Staatskapelle Berlin and the Berlin music conservatories. As can be expected at a lunch concert, catering is available from 12 noon until shortly before the concert begins.
Artistic depiction of the event

Autumn Concert

Tue, Oct 22, 2024, 19:30
Stockholms musikgymnasium/Kungsholmens gymnasium, Adolf Fredriks Musikklasser Norrmalm, 9CD, Natalia Edvall (Conductor), Elias Aaron Johansson (Conductor), Maria Goundorina (Conductor), Sofia Ågren (Conductor)
At last, Stockholms Musikgymnasium gets to present the wonderful annual Autumn Concert! This substantial programme is performed by 300 young vocalists, led by Maria Goundorina, Elias Aaron Johansson and Sofia Ågren. The guest ensembles are Classes 9C and 9D from Adolf Fredrik’s Music School, Norrmalm, led by Natalia Edvall.Stockholms Musikgymnasium was founded in 1959 as a natural continuation of Adolf Fredrik’s Music School, and has been housed since 1984 in Kungsholmens Gymnasium’s historic building near Fridhemsplan. The school’s choirs have an outstanding national and international reputation and collaborate regularly with a range of different institutions, including the Royal Stockholm Philharmonic Orchestra, Stockholm Concert Orchestra, Swedish Wind Ensemble and more. The choirs regularly perform in various churches and concert halls, such as Berwaldhallen and Eric Ericsonhallen, and present a popular and well-attended Saint Lucia Day concert in the Blue Hall at Stockholm City Hall.
Artistic depiction of the event

ELTERNZEIT CONCERT

Mon, May 5, 2025, 10:30
Lahiry Kunal (Piano), Barron Fleur (Mezzo-Soprano)
“Parental Leave” concerts are aimed at all new mothers and fathers (as well as uncles, aunts, grand­ parents…) who would like to experience music together with their babies in a relaxed setting. The number of seats is limited, and all amenities to make your visit as pleasant as possible are provided in the lobby. These concerts, featuring Pierre Boulez Saal artists performing excerpts from their programs, are approximately 45 minutes long and intended exclusively for visitors with babies aged 12 months and younger.
Artistic depiction of the event

Chamber Concert

Sat, Mar 19, 2022, 20:00
Julie Catherine Eggli (Mezzo-Soprano), Münchner Streichquartett, Stephan Hoever (Violin), Korbinian Altenberger (Violin), Mathias Schessl (Viola), Jan Mischlich (Cello)
“Sorrow always – upward glance – celestial dew – recollection”: thus the words that Anton Webern set in his aphoristically short work for soprano and string quartet. They also stand as a motto for this unusual and cleverly assembled programme. The works in the first section come from completely different eras and interlock like meditations – devout, contemplative, ravishingly beautiful, yet pervaded by a “sweet” tone of sorrow. Schubert’s G major Quartet also directs its gaze into unknown dimensions. Few works of chamber music sustain the combination of sorrow and supplication with such existential force and urgency as this unique visionary creation from the year 1826.
Artistic depiction of the event

Chamber Concert

Sun, Mar 20, 2022, 18:00
Julie Catherine Eggli (Mezzo-Soprano), Münchner Streichquartett, Stephan Hoever (Violin), Korbinian Altenberger (Violin), Mathias Schessl (Viola), Jan Mischlich (Cello)
“Sorrow always – upward glance – celestial dew – recollection”: thus the words that Anton Webern set in his aphoristically short work for soprano and string quartet. They also stand as a motto for this unusual and cleverly assembled programme. The works in the first section come from completely different eras and interlock like meditations – devout, contemplative, ravishingly beautiful, yet pervaded by a “sweet” tone of sorrow. Schubert’s G major Quartet also directs its gaze into unknown dimensions. Few works of chamber music sustain the combination of sorrow and supplication with such existential force and urgency as this unique visionary creation from the year 1826.
Artistic depiction of the event

Chamber Concert

Sat, May 11, 2024, 20:00
Serafina Starke (Soprano), Korbinian Altenberger (Violin), Lorenz Chen (Violin), Benedict Hames (Viola), Jaka Stadler (Cello)
For a musician, the fugue is inextricably linked with Bach, who raised the fugue to dizzying stylistic heights. The Latin fuga means “flight” – in other words, a theme “flees” from one voice to another and is repeated at different pitches. One of the most vital, long-lasting, and eternally modern musical forms of the past and present can be experienced in this chamber concert: starting with Mozart, who savored all the techniques he discovered in Bach, continuing with Beethoven, who replaced what contemporary critics considered the incomprehensible fugue of the last movement of his Quartet op. 130 with a more accessible finale, and finally ending with Widmann, in whose work soprano Serafina Starke runs away from the fugue – or is it the other way around?