Set your preferred locations for a better search. You can sign up here.

ins Licht

Date & Time
Tue, May 13, 2025, 20:00
Lichtphänomene können Kompositionen anregen, aber auch Hörerlebnisse einfärben. Beides nutzt Georg Friedrich Haas, der Licht sogar einmal zum Musikinstrument erklärt hat. In viele seiner Werke integrierte er Lichteffekte, und sein drittes Streichquartett ist in völliger Dunkelheit aufzuführen. Das Trio Phanos spielt Haas‘ Miniatur »Ins Licht«, ein Extrakt aus seinem Cellokonzert, zur Eröffnung und zum Abschluss des Programms und lädt dazu ein, eine der beiden Wiedergaben mit geschlossenen Augen zu verfolgen. Marina Khorkova will in ihrem neuen Werk ebenfalls dem Thema... Read full text

Keywords: World Premiere

Artistic depiction of the event

Musicians

Trio Phanos
Theresa SzorekPresentation

Program

ins Licht für Violine, Violoncello und KlavierGeorg Friedrich Haas
Neues Werk für Violine, Violoncello und Klavier Uraufführung Kompositionsauftrag von ACHT BRÜCKEN | Musik für KölnMarina Khorkova
Light and Matter für Klavier, Violine und VioloncelloKaija Saariaho
après le silence für Violine, Violoncello und KlavierDieter Ammann
ins Licht für Violine, Violoncello und KlavierGeorg Friedrich Haas
Give feedback
Last update: Sat, Feb 1, 2025, 09:20

Similar events

These events are similar in terms of concept, place, musicians or the program.

Artistic depiction of the event

Mit Götz Alsmann ins Konzert

Sun, Jan 12, 2025, 11:00
Essener Philharmoniker, Tommaso Turchetta (Conductor), Götz Alsmann (Moderator)
Götz Alsmann, a unique entertainer, delights audiences on radio and television. The music scholar presents famous works from the current Essen Philharmonic's program. With charm and humor, Alsmann shows that knowledge increases enjoyment, without needing to be a scholar to enjoy classical music.
Artistic depiction of the event

Mit Götz Alsmann ins Konzert

Sun, May 11, 2025, 11:00
Essener Philharmoniker, Wolfram-Maria Märtig (Conductor), Götz Alsmann (Moderator)
Götz Alsmann, a unique entertainer, delights audiences on radio and television. The music scholar presents famous works from the current Essen Philharmonic's program. With charm and humor, Alsmann shows that knowledge increases enjoyment, without needing to be a scholar to enjoy classical music.
Artistic depiction of the event

Mit Bach ins neue Jahr

Sun, Jan 19, 2025, 16:00
Veronika Eberle (Violin), Sebastian Poyault (Oboe), Paolo Ferraris (Flute), Reinhold Friedrich (Trumpet), Kölner Kammerorchester (Ensemble), Christoph Poppen (Violin), Christoph Poppen (Conductor)
The Cologne Chamber Orchestra traditionally welcomes the new year with music by Johann Sebastian Bach, featuring his Orchestral Suite and Brandenburg Concerto No. 2. Bach's Double Concerto spotlights Baroque instruments like the oboe, while his E-Major Violin Concerto, once forgotten, now challenges and delights. Violinist Veronika Eberle, known for her soulful playing, describes Bach's music as a house—once you understand its structure, you can move freely within it.
Artistic depiction of the event

Twinkle Concert XL / treznoK – rückwärts ins Konzert

Sat, Apr 6, 2024, 14:00
Elbphilharmonie, Kleiner Saal (Hamburg)
Ensemble Resonanz, Gregor Dierck (Violin), Gregor Dierck (Concept), Gregor Dierck (Music sript), Skaiste Diksaityte (Violin), Corinna Guthmann (Violin), Benjamin Spillner (Violin), Tim-Erik Winzer (Viola), Saerom Park (Cello), Anne Hofmann (Double bass), Antje Pfundtner (Concept), Antje Pfundtner (Choreographer), Antje Pfundtner (Stage Director), Charlotte Beinhauer (Music skript), Anne Kersting (Script), Yvonne Marcour (Stage), Yvonne Marcour (Costume), Michael Lentner (Lighting design)
What happens when people make music together? Do their instruments have a soul? The dancer and choreographer Antje Pfundtner exposes the mysterious rituals of a concert together with seven musicians from Ensemble Resonanz – with movement, music and plenty of humour. »Twinkle Concerts« is the series of children’s concerts at the Elbphilharmonie that brings the most successful productions from all over Europe to Hamburg. At times funny and playful, at others thoughtful and reflective, the series introduces children to the world of music in a special and unique way. In addition, the popular Elfi Baby Concerts for expectant mothers and parents with babies up to one year of age continue to take place at the Elbphilharmonie and in many Hamburg districts.
Artistic depiction of the event

Twinkle Concert XL / treznoK – rückwärts ins Konzert

Sun, Apr 7, 2024, 14:00
Elbphilharmonie, Kleiner Saal (Hamburg)
Ensemble Resonanz, Gregor Dierck (Violin), Gregor Dierck (Concept), Gregor Dierck (Music sript), Skaiste Diksaityte (Violin), Corinna Guthmann (Violin), Benjamin Spillner (Violin), Tim-Erik Winzer (Viola), Saerom Park (Cello), Anne Hofmann (Double bass), Antje Pfundtner (Concept), Antje Pfundtner (Choreographer), Antje Pfundtner (Stage Director), Charlotte Beinhauer (Music skript), Anne Kersting (Script), Yvonne Marcour (Stage), Yvonne Marcour (Costume), Michael Lentner (Lighting design)
What happens when people make music together? Do their instruments have a soul? The dancer and choreographer Antje Pfundtner exposes the mysterious rituals of a concert together with seven musicians from Ensemble Resonanz – with movement, music and plenty of humour. »Twinkle Concerts« is the series of children’s concerts at the Elbphilharmonie that brings the most successful productions from all over Europe to Hamburg. At times funny and playful, at others thoughtful and reflective, the series introduces children to the world of music in a special and unique way. In addition, the popular Elfi Baby Concerts for expectant mothers and parents with babies up to one year of age continue to take place at the Elbphilharmonie and in many Hamburg districts.
Artistic depiction of the event

Hamburg Philharmonic State Orchestra / Nils Mönkemeyer / Kent Nagano

Sun, May 5, 2024, 11:00
Elbphilharmonie, Großer Saal (Hamburg)
Philharmonisches Staatsorchester Hamburg, Boglárka Pecze (Bass clarinet), Nils Mönkemeyer (Viola), Edicson Ruiz (Double bass), Kent Nagano (Conductor)
The Russian composer Vladimir Tarnopolski is certainly no stranger to contemporary music. His works have been performed at many major festivals over recent decades. He has received various prizes and released many of his works on CD. As a professor of composition at the Moscow State Tchaikovsky Conservatory, he has also passed on his knowledge to a whole generation of young composers. »Im Dunkel vor der Dämmerung« (»In the Dark before Dawn«) is the title of a new work commissioned by the Hamburg Philharmonic State Orchestra and premiered in this concert. »Sinfonia Eroica« was the title Ludwig van Beethoven gave his third symphony in 1804, a »heroic symphony composed to celebrate the memory of a great man«. Whether or not this »great man« was to be little Napoleon? At first it was, in all likelihood. But Beethoven probably decided to leave out any corresponding dedication, since the Corsican’s personal coronation as emperor was, in the composer’s eyes, a bitter betrayal of the republican ideas of the French Enlightenment. Was Beethoven himself perhaps the hero? An innovator in the context of music history? Whatever the answer, he certainly breaks new ground with his »Eroica«.
Artistic depiction of the event

Hamburg Philharmonic State Orchestra / Nils Mönkemeyer / Kent Nagano

Mon, May 6, 2024, 20:00
Elbphilharmonie, Großer Saal (Hamburg)
Philharmonisches Staatsorchester Hamburg, Boglárka Pecze (Bass clarinet), Nils Mönkemeyer (Viola), Edicson Ruiz (Double bass), Kent Nagano (Conductor)
The Russian composer Vladimir Tarnopolski is certainly no stranger to contemporary music. His works have been performed at many major festivals over recent decades. He has received various prizes and released many of his works on CD. As a professor of composition at the Moscow State Tchaikovsky Conservatory, he has also passed on his knowledge to a whole generation of young composers. »Im Dunkel vor der Dämmerung« (»In the Dark before Dawn«) is the title of a new work commissioned by the Hamburg Philharmonic State Orchestra and premiered in this concert. »Sinfonia Eroica« was the title Ludwig van Beethoven gave his third symphony in 1804, a »heroic symphony composed to celebrate the memory of a great man«. Whether or not this »great man« was to be little Napoleon? At first it was, in all likelihood. But Beethoven probably decided to leave out any corresponding dedication, since the Corsican’s personal coronation as emperor was, in the composer’s eyes, a bitter betrayal of the republican ideas of the French Enlightenment. Was Beethoven himself perhaps the hero? An innovator in the context of music history? Whatever the answer, he certainly breaks new ground with his »Eroica«.
Artistic depiction of the event

NDR Elbphilharmonie Orchestra / Stefan Asbury

Fri, May 17, 2024, 20:00
Elbphilharmonie, Großer Saal (Hamburg)
NDR Elbphilharmonie Orchester, Stefan Asbury (Conductor), Stepan Simonian (Piano), Moisés Santos Bueno (Drums)
Born in Teheran, Sara Abazari is one of today’s leading voices in her country’s contemporary music. Her two latest compositions, which were recently premiered in the Berlin Philharmonie and the Konzerthaus, are directly connected with the movement »Woman, Life, Freedom« and the prominent role of women in Iran. »in solidum« is a piece that was premiered in its first version in autumn 2023; the new, large-scale orchestral work by the composer, who studied in Cologne and Vienna, is now being performed by the NDR Elbphilharmonie Orchestra. With Galina Ustwolskaja (1919-2006), the NDR Elbphilharmonie Orchestra preesents one of the 20th century’s most uncompromising composers after the interval. Ms Ustwolskaja gained a reputation for her visionary and always highly unusual combinations of instruments: »Dies irae« is scored for eight double basses, piano and a large, resonant wooden block, which the percussionist beats with enigmatic hammer blows. Performances of the work produce the picture, precisely calculated by the composer, of an archaic ritual that evokes a set of metaphors between death, protest and apotheosis: this is a »breakthrough piece«, a musical onslaught on all conventional boundaries, and indisputably Ustwolskaja’s most famous work. The evening opens with Edgar Varèse’s virtuoso piece »Intégrales« for wind instruments and percussion, one of the founding documents of 20th century music. Written for the avant-garde »International Composers’ Guild«, which was founded in 1921 by Carlos Salzedo and Varèse himself, »Intégrales« was given its first performance in March 1925 in New York’s Aeolian Hall.
Artistic depiction of the event

Exile Orchestra MRIYA

Sun, Aug 25, 2024, 19:30
Elbphilharmonie, Kleiner Saal (Hamburg)
Ukrainisches Exilorchester Mriya (der Traum), Valeriy Sokolov (Violin), Kateryna Suprun (Viola), Vincent Kozlovsky (Conductor)
To mark Ukraine’s Independence Day, the exile orchestra MRIYA will perform an extraordinary concert with works by German and Ukrainian composers. The ensemble was founded in March 2022 by professional musicians who had to flee to Germany to escape the horrors of the Russian war of aggression and, under the direction of violinist Kateryna Suprun, founded an ensemble that grew into the MRIYA exile orchestra with the support of the Hamburg-based funding organisation Culture Connects e. V.. With around 80 concerts in venues such as the Berlin Philharmonie, the Gewandhaus Leipzig and the Laeiszhalle Hamburg, the orchestra has established an excellent reputation.
Artistic depiction of the event

ensemble reflektor / David Orlowsky / Katharina Wincor

Tue, Aug 27, 2024, 20:00
Elbphilharmonie, Großer Saal (Hamburg)
ensemble reflektor, David Orlowsky (Clarinet), Katharina Wincor (Conductor)
In this concert, clarinettist David Orlowsky is both soloist and composer. Together with ensemble reflektor, he premieres his own clarinet concerto »Shadow Dancer«, which was inspired by a quote from the famous psychiatrist C. G. Jung: »Anyone who perceives his shadow and his light simultaneously sees himself from two sides and thus gets in the middle.«