in bloom

Pearls in Baroque: The French Connection of Purcell

Guest in Weikersheim

»Music should touch the heart!« Giovanni Antonini is a phenomenal artist who succeeds in realising this credo of 18th century composers. The Italian conductor likes to indulge in the emotional worlds that the works tell us about, immersing himself in the effects and emotions. A musician who has his own language in the midst of all the performers, whose signature is unmistakable and who breathes a lot of fresh air. His energy is truly infectious – and when asked where he gets it from, he once replied in an interview: »I get it from the music. Even after a concert, which was exhausting and tiring, I’m always tired in a positive sense, that’s the difference. And so on the day after, I’m ready for a new musical adventure. And of course there is also my great love for music!« However, he is not only a fiery spirit, but also a sharp-witted analyst. He is particularly well-known for his innovative and sophisticated approaches to the baroque and classical repertoire – and we love to regularly and intensively explore this historical approach with him. This time he takes us into Mozart's adventure world: his last two symphonies are on the programme. In between, there is another »musical adventure«, which Giovanni Antonini has rarely done recently, but which he is happy to do with us: as an accomplished recorder player, he himself takes on the solo part in Telemann’s original instrumental concerto. Our audience is in for a wonderful musical stroll through the colours and temperaments of the 18th century – where the point was always to »delight the connoisseurs and lovers of music«.

Bechstein Young Professionals in Berlin

Piano students from the Berlin University of the Arts (UdK) and the Hanns Eisler Academy of Music visited C. Bechstein.

Twinkle Concert XS / Elfi Baby Concert

Parents with babies up to one year old and expectant mothers can make themselves comfortable on round baby blankets, and listen to the string sounds of Ensemble Resonanz. Familiar melodies invite the audience to sing along. Pram parking spaces and baby changing units are available both in the city districts and in the Elbphilharmonie. »Twinkle Concerts« is the series of children’s concerts at the Elbphilharmonie that brings the most successful productions from all over Europe to Hamburg. At times funny and playful, at others thoughtful and reflective, the series introduces children to the world of music in a special and unique way.

Twinkle Concert XS / Elfi Baby Concert

Parents with babies up to one year old and expectant mothers can make themselves comfortable on round baby blankets, and listen to the string sounds of Ensemble Resonanz. Familiar melodies invite the audience to sing along. Pram parking spaces and baby changing units are available both in the city districts and in the Elbphilharmonie. »Twinkle Concerts« is the series of children’s concerts at the Elbphilharmonie that brings the most successful productions from all over Europe to Hamburg. At times funny and playful, at others thoughtful and reflective, the series introduces children to the world of music in a special and unique way.

Twinkle Concert XS / Elfi Baby Concert

Parents with babies up to one year old and expectant mothers can make themselves comfortable on round baby blankets, and listen to the string sounds of Ensemble Resonanz. Familiar melodies invite the audience to sing along. Pram parking spaces and baby changing units are available both in the city districts and in the Elbphilharmonie. »Twinkle Concerts« is the series of children’s concerts at the Elbphilharmonie that brings the most successful productions from all over Europe to Hamburg. At times funny and playful, at others thoughtful and reflective, the series introduces children to the world of music in a special and unique way.

Twinkle Concert XS / Elfi Baby Concert

Parents with babies up to one year old and expectant mothers can make themselves comfortable on round baby blankets, and listen to the string sounds of Ensemble Resonanz. Familiar melodies invite the audience to sing along. Pram parking spaces and baby changing units are available both in the city districts and in the Elbphilharmonie. »Twinkle Concerts« is the series of children’s concerts at the Elbphilharmonie that brings the most successful productions from all over Europe to Hamburg. At times funny and playful, at others thoughtful and reflective, the series introduces children to the world of music in a special and unique way.

Monteverdi: Vespro della Beata Vergine

It takes some confidence to dedicate a sacred work personally to the Pope. But Claudio Monteverdi was keen to reach as large an audience as possible when he published his »Vespro della Beata Vergine« in 1610. With the work, he sought to express all the facets of his compositional prowess, and the »Vespers for the Blessed Virgin« remains one of the greatest works of sacred music to this day. In 13 movements, Monteverdi demonstrates his mastery and his ability to integrate all the contrasting stylistic influences of his time into one diverse whole. The six-strong Flemish instrumental ensemble Les Cornets Noirs specialises in the music of Monteverdi’s time. Together with the singers of the Delectus Cantionum ensemble, they present a historically informed and musically expressive performance of this legendary work.

Ensemble Resonanz / Ilya Gringolts / Riccardo Minasi

In his twelve famous Concerti grossi, Arcangelo Corelli translated the coexistence and interweaving of single parts and the whole into Baroque orchestral music that was to become highly influential. Ilya Gringolts counters this with capricious poses on the solo violin, celebrating the birth of virtuosity. Ensemble pieces encounter islands of calculated walks along the dividing line between the collective and the individual. Arcangelo Corelli marked the pinnacle of the Baroque concerto grosso. His instrumental music travelled beyond Italy to influence composers all over Europe, in both his own and succeeding generations. If we listen to the dialogue structure of Corelli’s Concerti grossi, where a group of soloists is juxtaposed with the supporting sound of the whole orchestra, it is clear why the Baroque is referred to as the era of the concertante style. However, this was soon to become a thing of the past in the 18th century, as the soloist moved more and more into the limelight. The individual began to outstrip the collective. Capricious – a word denoting something or someone whimsical, unconventional, even bizarre… The Caprices for Solo Violin written by Pietro Locatelli, Giuseppe Tartini, Niccolò Paganini and Salvatore Sciarrino are dominated by virtuoso elements that express the soloist’s individuality.

Ensemble Resonanz / Ilya Gringolts / Riccardo Minasi

In his twelve famous Concerti grossi, Arcangelo Corelli translated the coexistence and interweaving of single parts and the whole into Baroque orchestral music that was to become highly influential. Ilya Gringolts counters this with capricious poses on the solo violin, celebrating the birth of virtuosity. Ensemble pieces encounter islands of calculated walks along the dividing line between the collective and the individual. Arcangelo Corelli marked the pinnacle of the Baroque concerto grosso. His instrumental music travelled beyond Italy to influence composers all over Europe, in both his own and succeeding generations. If we listen to the dialogue structure of Corelli’s Concerti grossi, where a group of soloists is juxtaposed with the supporting sound of the whole orchestra, it is clear why the Baroque is referred to as the era of the concertante style. However, this was soon to become a thing of the past in the 18th century, as the soloist moved more and more into the limelight. The individual began to outstrip the collective. Capricious – a word denoting something or someone whimsical, unconventional, even bizarre… The Caprices for Solo Violin written by Pietro Locatelli, Giuseppe Tartini, Niccolò Paganini and Salvatore Sciarrino are dominated by virtuoso elements that express the soloist’s individuality.