Honeck & Rana

Gianandrea Noseda & Beatrice Rana

Beatrice Rana comes from a family of pianists. There were five grand pianos in her parents’ house in Copertino in southern Italy, so fortunately she never had to fight for a place at the piano when she wanted to practice. She preferred to play on her mother’s grand piano, which she broke at the age of 16… Rana is known and loved internationally as well as by the BRSO audiences for her electrifying playing, and she will have the opportunity to show off her magnificent skills in Tchaikovsky’s Piano Concerto No. 1. Equally celebrated is the Milanese conductor Gianandrea Noseda, especially for his Shostakovich recordings. Having been planned since the pandemic, one can look forward to the concert’s final work, Shostakovich’s Sixth Symphony: contemplative in the first movement, it becomes progressively manic during the course of the second and third movements.

Gianandrea Noseda & Beatrice Rana

Beatrice Rana comes from a family of pianists. There were five grand pianos in her parents’ house in Copertino in southern Italy, so fortunately she never had to fight for a place at the piano when she wanted to practice. She preferred to play on her mother’s grand piano, which she broke at the age of 16… Rana is known and loved internationally as well as by the BRSO audiences for her electrifying playing, and she will have the opportunity to show off her magnificent skills in Tchaikovsky’s Piano Concerto No. 1. Equally celebrated is the Milanese conductor Gianandrea Noseda, especially for his Shostakovich recordings. Having been planned since the pandemic, one can look forward to the concert’s final work, Shostakovich’s Sixth Symphony: contemplative in the first movement, it becomes progressively manic during the course of the second and third movements.

Gianandrea Noseda & Beatrice Rana

Beatrice Rana comes from a family of pianists. There were five grand pianos in her parents’ house in Copertino in southern Italy, so fortunately she never had to fight for a place at the piano when she wanted to practice. She preferred to play on her mother’s grand piano, which she broke at the age of 16… Rana is known and loved internationally as well as by the BRSO audiences for her electrifying playing, and she will have the opportunity to show off her magnificent skills in Tchaikovsky’s Piano Concerto No. 1. Equally celebrated is the Milanese conductor Gianandrea Noseda, especially for his Shostakovich recordings. Having been planned since the pandemic, one can look forward to the concert’s final work, Shostakovich’s Sixth Symphony: contemplative in the first movement, it becomes progressively manic during the course of the second and third movements.

Popelka, Rana ・ Brahms, Schubert

Gewandhausorchester, Manfred Honeck Dirigent

Beethoven believed in music's power to transform individuals and society. His symphonies, including the Third, Fifth, Sixth, and Seventh, convey this through themes of life, liberation, nature, religion, time, and rhythm. He felt his Seventh Symphony needed no explanation, although the true meaning remains a mystery. Brahms, similarly, uses irony and understatement to describe his Second Piano Concerto, acknowledging the difficulty of capturing music's essence in words.

Gewandhausorchester, Manfred Honeck Dirigent

Beethoven believed in music's power to transform individuals and society. His symphonies, including the Third, Fifth, Sixth, and Seventh, convey this through themes of life, liberation, nature, religion, time, and rhythm. He felt his Seventh Symphony needed no explanation, although the true meaning remains a mystery. Brahms, similarly, uses irony and understatement to describe his Second Piano Concerto, acknowledging the difficulty of capturing music's essence in words.

Manfred Honeck & Igor Levit

“An orchestra of wailing and jubilant voices”: thus Robert Schumann described the piano playing of Johannes Brahms. Now Igor Levit, last season’s artist-in-residence, returns to the BRSO with Brahms’s First Piano Concerto, the very work with which the composer forged his path from chamber music to the symphony. Here the “voices” of the solo instrument and the orchestra blend into an intensive dialogue. Dvořák’s Eighth Symphony radiates the relaxed and cheerful holiday mood of the little village of Vysoká. “The melodies just drop into my lap”, the composer enthused, and indeed the symphony seems to “emerge directly from Bohemia’s natural surroundings and the Czech people”, to quote Dvořák’s enraptured biographer Otakar šourek. With this symphony Manfred Honeck conducts one of Dvořák’s most popular works, revealing him to be a Czech national composer to the very core.

Manfred Honeck & Igor Levit

“An orchestra of wailing and jubilant voices”: thus Robert Schumann described the piano playing of Johannes Brahms. Now Igor Levit, last season’s artist-in-residence, returns to the BRSO with Brahms’s First Piano Concerto, the very work with which the composer forged his path from chamber music to the symphony. Here the “voices” of the solo instrument and the orchestra blend into an intensive dialogue. Dvořák’s Eighth Symphony radiates the relaxed and cheerful holiday mood of the little village of Vysoká. “The melodies just drop into my lap”, the composer enthused, and indeed the symphony seems to “emerge directly from Bohemia’s natural surroundings and the Czech people”, to quote Dvořák’s enraptured biographer Otakar šourek. With this symphony Manfred Honeck conducts one of Dvořák’s most popular works, revealing him to be a Czech national composer to the very core.

Manfred Honeck & Igor Levit

“An orchestra of wailing and jubilant voices”: thus Robert Schumann described the piano playing of Johannes Brahms. Now Igor Levit, last season’s artist-in-residence, returns to the BRSO with Brahms’s First Piano Concerto, the very work with which the composer forged his path from chamber music to the symphony. Here the “voices” of the solo instrument and the orchestra blend into an intensive dialogue. Dvořák’s Eighth Symphony radiates the relaxed and cheerful holiday mood of the little village of Vysoká. “The melodies just drop into my lap”, the composer enthused, and indeed the symphony seems to “emerge directly from Bohemia’s natural surroundings and the Czech people”, to quote Dvořák’s enraptured biographer Otakar šourek. With this symphony Manfred Honeck conducts one of Dvořák’s most popular works, revealing him to be a Czech national composer to the very core.