HansePhilharmonie HamburgA summary from original text in German | Read the original
Keywords: Vocal Music
| HansePhilharmonie Hamburg | |
| Hamburger Konzertchor | |
| Giuseppe Verdi Chor Hamburg | |
| Mike Steurenthaler | Conductor |
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These events are similar in terms of concept, place, musicians or the program.
Giuseppe Verdi Chor Hamburg
Ein beschwingter Konzertabend erwartet Sie! Das Berliner Operettenensemble präsentiert die schönsten Operetten von Strauss, Lehár, Kálmán in den schönsten Konzerthäusern Deutschlands. In einer außergewöhnlichen Kombination aus historischer Kulisse und hochkarätigen Solist*innen der Komischen Oper, Deutschen Oper und Staatsoper Berlin bieten wir Ihnen eine unterhaltsame Sammlung der schönsten Melodien aus „Die Fledermaus“, „Gräfin Mariza“, „Im weißen Rössl“ und weiteren Schätzen der Operettengeschichte. Mit Klasse und Authentizität brillieren die Solist*innen in ihren Rollen und nehmen sie mit in eine Welt voller Emotionen und Leidenschaft. Abgerundet wird die Darbietung von einfühlsamer Klavierbegleitung.
Antonín Dvorák wrote his Mass in D major op. 86 for the consecration of a village castle chapel in 1887, so it can be seen as a kind of occasional composition, with the occasion acting as a most welcome trigger of ready forces. Sacred compositions had always played a role in Dvořák’s oeuvre, even if they seem to have taken a back seat to his symphonic works. Nevertheless, it was the Stabat Mater of 1877 that laid the foundation for the international reception of his music. The Mass in D major is much more modestly conceived, in keeping with the village setting and the possibilities of the chapel. Nevertheless, even in the original organ version, Dvorák shows his full mastery. In the compositional simplicity, the proximity to classical music, especially to Schubert as a role model, can be felt at all times. At the same time, Dvořák succeeds in capturing the cheerful, carefree atmosphere of the lovely Bohemian countryside and the simplicity of a deeply religiously rooted country folk with his own folkloristic originality of melody. Dvorák created the rarely performed orchestral version heard in this concerto in 1892, in which he remains very close to the original conception, but skilfully uses the possibilities of the orchestra to differentiate the dynamics more finely and realise a richer harmony. The »Mass of the Children«, written by John Rutter in 2002 in memory of his son Christopher, who died at the age of 19, is much more than a mass with an obbligato children’s choir part. Rutter counterpoints the mass text of the Latin Missa brevis with poetic texts in English, including verses from the pen of Bishop Thomas Ken (1637–1711), who wrote them for the scholars of Winchester College. They set the Mass in the context of a daily routine, from waking (»Awake, my soul...«) to going to sleep (»Glory to thee, my God, this night...«) and are mainly sung by the children’s choir. In this way, Rutter focuses on the Mass text from a child’s perspective, while the large choir illuminates the adult perspective. The »Mass of the Children« also sheds light on different musical perspectives. Coming from the English choral tradition himself, Rutter enriches his style in general and the Mass in particular with elements from jazz and pop by integrating them into a multi-layered harmony and rhythm. Rutter’s melodic inventiveness in the Kyrie may evoke musical associations for some, while the unusual rhythms in the Gloria are reminiscent of South American dances. In Dona nobis, Rutter quotes a canon by Thomas Tallis (ca. 1505–1585) and thus draws a line back to his own musical roots.
The Concertgebouw’s famous Main Hall is one of the best concert halls in the world, well-known for its exceptional acoustics and special atmosphere. In the Main Hall, you will feel history. Here, Gustav Mahler conducted his own compositions, as did Richard Strauss and Igor Stravinsky. Sergei Rachmaninoff played his own piano concertos in the Main Hall. This is also where musicians such as Leonard Bernstein, Vladimir Horowitz and Yehudi Menuhin gave legendary performances. Right up to now, the Main Hall offers a stage to the world’s best orchestras and musicians. Buy your tickets now and experience the magic of the Main Hall for yourself!
The Concertgebouw’s famous Main Hall is one of the best concert halls in the world, well-known for its exceptional acoustics and special atmosphere. In the Main Hall, you will feel history. Here, Gustav Mahler conducted his own compositions, as did Richard Strauss and Igor Stravinsky. Sergei Rachmaninoff played his own piano concertos in the Main Hall. This is also where musicians such as Leonard Bernstein, Vladimir Horowitz and Yehudi Menuhin gave legendary performances. Right up to now, the Main Hall offers a stage to the world’s best orchestras and musicians. Buy your tickets now and experience the magic of the Main Hall for yourself!
As Hamburg’s oldest amateur symphony orchestra, the Hamburger Orchestergemeinschaft from 1904 organises at least two concerts a year. Time and again, the orchestra gives young, very talented conductors and soloists the opportunity to gain experience with public performances in large concert halls. For the anniversary concert, the orchestra under the direction of Wolf Tobias M. Müller showcases its musical breadth with a colourful bouquet of overtures and arias from Mozart to Puccini as well as Schubert’s »Unfinished« Symphony. To celebrate the anniversiary, a new percussion concerto by Fredrik Schwenk will be premiered.
»Every music has its heaven«, Verdi once said. His music was created under the clear skies of »Bella Italia«. Verdi’s music arouses strong emotions, but always remains genuine and true – and beautiful, as beautiful as the sky over Italy. There is a »very special« hit in many of Verdi’s operas. The world-famous »Prisoners’ Chorus« from Nabucco or »Preghiera di Desdemona« (Ave Maria) or »Ella giammai m’amò«. They are among the most moving pieces that European music has ever produced. NABUCCO, LA TRAVIATA, RIGOLETTO, IL TROVATORE and AIDA are masterpieces from the first to the last bar. With his soft, full timbre, Italy’s star tenor Cristian Lanza, Silvia Rampazzo and baritone Giulio Boschetti as well as the choir and orchestra of the Milano Festival Opera present the very best of Verdi’s magnificent arias, duets and choruses. With great talent and even more feeling, Cristian Lanza knows how to give his voice wings. The Italian tenor, born in Rome, has been one of the greats of the scene for some time now. His grandfather continues to be a source of inspiration for him. Born in Italy, he is the grandson of the world-famous singer Mario Lanza. But he has long since ventured out of his grandfather’s slipstream. Cristian Lanza’s lyric tenor has a softer and fuller timbre than that of his grandfather. He not only has the high notes that are expected in tenor arias, but also enchants and touches his listeners with his soulful voice.
On 13 October 2024, the OPUS KLASSIK, the most important award for outstanding musical achievements in the field of classical music in Germany, will be presented by the Verein zur Förderung der Klassischen Musik e.V. (Association for the Promotion of Classical Music).The evening will be hosted by Désirée Nosbusch and the Konzerthausorchester Berlin will be conducted by Kevin John Edusei. The programme includes a selection of the winners of OPUS KLASSIK 2024. Look forward to a varied gala concert with a red carpet! The concert will be recorded by ZDF and broadcast in the evening at 10.15 pm.
»Music is the universal language of mankind« – this quote from the American writer Henry Wadsworth Longfellow reflects the power and importance of music. Music connects people from different cultures and backgrounds and creates a common language. The Hamburg Chamber Orchestra’s innovative concert series »Music of the World« begins with a cycle of Mozart’s 23 piano concertos in several concerts.
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